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‘Ne Zha 2' review: The record-breaking Chinese animated epic is a must-see in IMAX

‘Ne Zha 2' review: The record-breaking Chinese animated epic is a must-see in IMAX

A scene in "Ne Zah 2."
A24
'Ne Zha 2' is a wild, subversive adventure and a work of astounding visual imagination. The Chinese epic has already raked in $2.2 billion worldwide, making it the highest-grossing non-English film and one of the top five films of all time — and now it's coming to the U.S. in IMAX.
Fans of the first film, 'Ne Zha' (2019), might have been concerned a sequel couldn't match the seemingly endless inspiration in that blockbuster. But this follow up raises the bar. It's funnier, features amazing character designs and environments, and even has a greater emotional punch.
The two movies, and 2020's 'Jiang Ziya,' are part of a growing cinematic universe based on the oft-adapted 16th century novel 'The Investiture of the Gods.' Ne Zha, a beloved figure in Chinese mythology is portrayed as a hilarious loose cannon here, but his journey toward self-realization is well-earned.
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A scene from the Chinese animated film 'Ne Zha 2.'
A24
The 2019 film is streamable, and the recommendation is to see it first — not only because it will explain a lot, but because it's really good, even if its grandeur is reduced on a small screen.
More Information
'Ne Zha 2': Animated fantasy. Starring Michelle Yeoh, Crystal Lee, Rick Zieff. Written and directed by Jiao Zi. (Not rated. 144 minutes.) Dubbed into English from the original Mandarin. In theatres Friday, Aug. 22.
In that film, we learn Ne Zha was supposed to be born to a noble human couple as the reincarnation of the divine Spirit Pearl. Through jealous machinations, however, he was born as the embodiment of the Demon Orb. That makes the boy a super-powered hellion, feared and despised by all but his human parents and mentor, Master Taiyi, despite his aspirations to heroism.
Ne Zha eventually meets the actual reincarnation of the Spirit Pearl, Ao Bing, the magnificent son of the Dragon King. Though diametrically opposed, the boys join forces to prevent Ne Zha's prophesied death by heavenly lightning. Their efforts result in the destruction of both the Demon Orb and Spirit Pearl, though Master Taiyi preserves their spirit forms.
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Master Taiyi (voiced by Rick Zieff), left, and Flying Pig in a scene in "Ne Zha 2."
A24
'Ne Zha 2' begins with goofy attempts to craft physical forms for those spirits. Both Ne Zha (voiced by Crystal Lee) and Ao Bing (Aleks Le) become housed in Ne Zha's temporary physical body, setting up funny personality-switching gags. For instance, Ne Zha must sedate himself to conceal his demonic nature while Ao Bing's spirit uses his body to execute heavenly trials to win a permanent body of his own.
Meanwhile, tension between the humans of Ne Zha's village and the dragons and sea creatures under the Dragon King's command threatens to erupt into all-out war.
And that's just the setup.
The visuals are never less than inspired. A boulder-like projectile breaks apart into armored crabs with bladed claws. Mystical fish transform into constellations that assemble into a magical crystal decanter. The multiple manifestations of a mountain demon, the incredibly detailed permutations of a tree dragon, a super-cute leopard boy and magic combat mixed with meticulously specific kung fu action — it all needs to be seen to be believed. The film's epic scale deserves big-screen treatment, making 'Ne Zha 2' ideal for IMAX.
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The two Sheildos, voiced by Eric Bauza, in "Ne Zha 2."
A24
Apart from Ne Zha's impudent antics, the clumsy fussiness of Master Taiyi (Rick Zieff) and a number of characters voiced by Eric Bauza (including two tiny-but-eager guardians), plus a riff on the 'Mirror, Mirror' scenario and deft physical comedy (especially in a hilarious mid-credits scene) provide ample humor.
Then there's the great Michelle Yeoh, whose voice work as Ne Zha's mother, Lady Yin, is limited but effective in infusing some of the most touching moments in the film.
Lady Yin, left, and Ne Zha in a scene from 'Ne Zha 2.'
A24
'Ne Zha 2' surprisingly contains a sincere-feeling theme of individuality, of resisting what society commands a person to be rather than embracing their nature. The film is anti-establishment and anti-authoritarian, calling out leaders' hypocrisy — qualities you might not expect to appear in Chinese animated megahits.
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Both films are written and directed by Jiao Zi (real name Yang Yu), who is reportedly developing a third installment. That is great news for fans of animation, and fans of inspired, imaginative, well-made movies.
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Thousands gather to celebrate third Pride by the Harbourside
Thousands gather to celebrate third Pride by the Harbourside

Yahoo

time12 minutes ago

  • Yahoo

Thousands gather to celebrate third Pride by the Harbourside

THOUSANDS of people gathered on Whitehaven Harbour to celebrate this year's Pride event. The third Pride by the Harbourside took place on Saturday with a parade led by the deputy lord lieutenant for Cumbria and the MP for Whitehaven and Workington, Josh MacAlister. A free concert was then opened by Eurovision icon Sonia and performances followed by boyband 911, Danish Eurodance group Cartoons and English house music duo Freemasons. The parade at Pride by the Harbourside (Image: Colin Johnston) Also taking to the stage were pop and dance artist Jan George, vocalist PJ Taylor and local acts including Logan Paul Murphy and Stella the Fella. Along the harbour were food stalls, information stalls, and a variety of family-friendly activities. For the first time, Rosehill Theatre hosted a community stage. The event, organised by Proud and Diverse Cumbria, attracted between 8,000 and 10,000 people to the harbourside. The parade at Pride by the Harbourside (Image: Colin Johnston) Glenn Anderson, director for Proud and Diverse Cumbria, said: 'It was fantastic. There was so much colour, so much vibrancy. The stallholders did tremendous trade. 'Most importantly, from my perspective, we provided an environment that was good for the mental health wellbeing of vulnerable and isolated people. That's our job done. 'The number of people dressed up, wearing glitter and carrying flags, there were thousands of people who were there associated with our event, not just visitors. That's a great thing because it evidences the need for these safe spaces to be created. The event brought colour and vibrancy to Whitehaven Harbour (Image: Colin Johnston) 'I equally wish to point out that Cumberland Council are doing a very good job addressing the rights of minority people. 'I have to publicly recognise that we have achieved some of the goals that we wanted to. I have to thank the people who are in power for listening that we all wanted was equality and parity. 'It's getting to the point that maybe the next event doesn't need to have a label. I don't want us to be segregated in any way. We are part of the community. Our focus going forward, is to continue integrating into the community. Josh MacAlister, the MP for Whitehaven and Workington, gives a speech at Pride by the Harbourside (Image: Josh MacAlister) 'Truly thanks to the harbour commissioners for allowing us each and every year to bring some colour and vibrancy to such a beautiful, historic, scenic location. We are extremely privileged that they grant us permission every year to do that. 'Thank you to the leader and deputy leader of the council, Mark Fryer and Emma Williamson, who have been great champions and have done what they pledged in their manifestos.' Josh MacAlister, MP for Whitehaven and Workington, said: 'It was an honour to help open the celebrations and to stand alongside so many friends, families, allies and neighbours in support of our LGBT+ community. The colour, the music, the joy, and - most of all - the sense of togetherness made me proud of what Pride represents. Josh MacAlister, the MP for Whitehaven and Workington, at Pride by the Harbourside (Image: Josh MacAlister) 'As Cumbria's first openly gay MP, I'll never take for granted the progress we've made, or the importance of events like this in showing that whoever you are, and whoever you love, you are welcome and valued here. 'Thank you to the organisers, volunteers and everyone who made the day such a success. Here's to many more years of Pride by the Harbourside - and to carrying that spirit of inclusion and equality with us every day of the year.'

Eimear McBride's new novel returns to familiar characters, with a cinematic twist
Eimear McBride's new novel returns to familiar characters, with a cinematic twist

Boston Globe

time34 minutes ago

  • Boston Globe

Eimear McBride's new novel returns to familiar characters, with a cinematic twist

'The City' is technically set in December 1996, but its narrative yo-yos between that present day and events during the prior 16 months. Eily and Stephen now live together, in a flat that is 'palatial' when compared to his former cramped bedsit. She is continuing university, while he has directed an autobiographical film, which he was scripting in 'Lesser Bohemians,' and returned to the stage. Their relationship is still funded primarily by the yearning, almost covetous capital of sex, which McBride writes as well as anyone: 'What I'm after is just all of you. Touch the arc of your eyebrow. Down to your cheek. On and then in between your lips. To lick a tip before the kiss. And you, on repetition, caving to it.' And their actions continue to create impediments to their contentment. Eily is keeping secrets, namely that she has been writing about her life, a text that sounds rather like 'The Lesser Bohemians.' Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up McBride is keeping secrets too, having her protagonists spend most of the novel deliberately talking around some event that has wreaked havoc on their relationship, a manufactured mystery whose obfuscation grows a bit tedious. The most avowed source of disruption for the couple is Grace, Stephen's estranged daughter who has reentered his life. Her extended visit to London raises logistical and psychological barriers for everyone, and forces them to face in person the reality that she is just two years younger than Eily, leading to some enthralling scenes between the two teenagers. Advertisement The quicksilver slickness that characterizes McBride's best prose is disrupted by the novel's continuous time jumps, but 'The City' still conclusively demonstrates why she is one of the most thrilling contemporary English-language writers, with her ingenious grammatical compromises, as with 'So I sighed, smiled, sofa sat. Made sure my knees were tug-covered by nightshirt,' and subtle poetics, such as 'So, though drink made thought thick, it was a long, brittle unpick of my freezing wet clothes.' By the stratospheric standards of her prior novels, however, 'The City' does stumble in a few ways that feel entangled with the author's recent foray into film. Advertisement In 2023, McBride wrote and directed 'A Very Short Film About Longing,' in which a teacher, played by Joe Alwyn, clumsily negotiates the end of an adulterous affair while being stalked by a teenaged student. The creative interests that birthed that 15-minute short are visible throughout 'The City,' in its overly episodic structure, the abundance of chatty dialogue indented like a script, and especially the screening of Stephen's movie. The latter event serves as a vehicle for Grace to confront her father's disturbing past, similar to the way that the 'long night' ushering in Stephen's 39th birthday in 'The Lesser Bohemians' imparted this same information to Eily. Despite the unremitting bleakness of these memories, McBride's approach in the earlier novel succeeds (brilliantly) because of the verve with which it is written. In 'The City,' these recollections, largely a parade of rapid-fire scenes of sex, domestic violence, drug abuse, and incest, are presented as a screenplay, complete with stage directions, such as 'INTERIOR. TOILETS. EVENING. BLACK. Bleep. Bleep. Medical sounding. Tinny and rhythmic,' a stultifying stylistic choice that grinds the narrative to a halt. The ultimate purpose of this section is also slightly unclear since Grace drops out of the story after the screening without any discussion of what she saw and the narrative returns to plot points that have lain dormant for 90 pages. Advertisement Given the financial realities of publishing, I understand there might be practical motivations for novelists to branch out, and there are surely creative reasons as well. I recall a memorable passage in McBride's third novel, 'Strange Hotel,' where the narrator, candidly musing on her faith in language, confesses that 'It's harder to let the words into her body now or, maybe, out,' which makes her occasionally 'wistful for the savagery of before when, beholden to no one, the words did whatever they pleased.' It can't be easy to write with McBride's virtuosity, so while I will welcome the continued evolution of her fiction in whatever forms it takes, I hope that she finds an outlet to explore her cinematic interests without having to smuggle them into another novel. THE CITY CHANGES ITS FACE By Eimear McBride Faber & Faber, 336 pages, $29 Cory Oldweiler is a freelance writer and critic.

What do your dreams reveal about you? It depends where you're from.
What do your dreams reveal about you? It depends where you're from.

National Geographic

time36 minutes ago

  • National Geographic

What do your dreams reveal about you? It depends where you're from.

Lu Chin's mid-16th century painting entitled "Zhuangzi Dreaming of a Butterfly." Zhuangzi was an influential Chinese philosopher who lived around the 4th century BCE during the Warring States Period, a period corresponding to the philosophical summit of China's Hundred Schools of Thought. Photograph by CPA Media Pte Ltd/Alamy Stock Your dreamscape is the land where anything is possible. One minute you're walking through a beautiful meadow—and the next you're falling to your death over a cliffside. Your teeth may fall out for no apparent reason, or you may see a snake slither out the corner of your eye. The average adult spends roughly a third of their life asleep, which means there are plenty of opportunities for our minds to experience these personalized dreamscapes. But do dreams actually mean anything? That depends on who you ask. 'Anthropologists say that if you understand what a given group believes about dreaming, you have understood their whole [culture],' says Robin Sheriff, an associate professor of anthropology at the University of New Hampshire. Western psychologists like Sigmund Freud and Carl Jung have popularized some of the most well-known ideas about dream interpretation, but these doesn't necessarily align with how experts in fields like anthropology and folklore understand dreams. Here's what you need to know about dream interpretation and how your culture may influence what a dream means to you. What is dream interpretation? Dream interpretation can be traced back to ancient Rome and ancient Egypt, but Sheriff says the practice likely has roots in prehistoric cultures without written records. Before dream science, also known as oneirology, was developed, dream interpretation was a cultural practice that could connect people to cultural ancestors or spirits. 'Dreams held deep significance in traditional Chinese culture…particularly within a supernatural worldview where ghosts, spirits, and ancestral souls were believed to actively participate in human affairs,' said Ze Hong, an assistant professor of evolutionary biology at the University of Macau who has researched Chinese dream interpretation from an evolutionary perspective. Dreams were often regarded as meaningful channels of communication from the spiritual realm, capable of revealing hidden truths or predicting future events, Hong says. In ancient Rome, records show that dreams were seen as divine communications from the gods, and dream oracles played an important role in interpretation. Hong says this kind of practice also existed during China's Zhou Dynasty, which lasted between 1046 B.C. to 256 B.C. Hong explains that oneiromancy, the practice of divinatory dream interpretation, became widely used to provide insight into personal relationships, illness, and even political decisions. However, this practice has declined in popularity over Chinese history, said Hong, particularly by the end of the Imperial era in the early 1900s. The connection between dreams and the spiritual realm is something that anthropologist Roger Lohmann also found while studying the dreaming culture in Papua New Guinea. Though Westerners might view dreams as purely metaphorical, Lohmann, an associate professor of anthropology at Trent University in Ontario, Canada, says dreams in Papua New Guinea can be interpreted as a parallel journey that your soul went on while you slept. This meant that dreams could be interpreted as being prophetic or revealing hidden information, Lohmann said. He recalls sleeping in a village near the border of Indonesia and waking up from a nightmare about his research notes catching fire. (This is the story of the world's oldest nightmare.) 'I interpreted that [dream] as an expression of my anxiety about that something going wrong with my computer,' he said. '[But] I told the story to a man who was visiting me that morning and he said 'Oh, you better watch out. Be very careful with the fireplace,' because he interpreted that dream to mean something that's likely to happen in the future.' The guidelines for interpreting dreams in Western cultures today typically come from psychologists Sigmund Freud and Carl Jung. The father of psychoanalytic theory, Freud wrote in 1900 that dreams represent the dormant wishes of our subconscious and could be a way to carry out repressed instinctual, or even hypersexual, desires. Over the next six decades, psychologist Carl Jung proposed his own interpretation of dream theory that says dreams might be a conversation between our conscious and subconscious selves. Jung, who had a complex friendship with Freud, believed that instead of revealing repressed desires, our dreams are meant to process our waking problems and find potential solutions. (The brilliant women of psychiatry who were overshadowed by Freud and Jung.) Jung's dream theory also includes the idea of a collective subconscious, which suggests dreams can be interpreted in a symbolic way through distinct archetypes, such as the hero, the mother, and the trickster. According to Jung, these archetypes could be found across cultures and had universal meanings. However, this theory is quite different from what anthropologists have found when studying the importance of dreams and their meaning across cultural contexts. Interpreting dream symbols across cultures Depending on what culture you are dreaming in, common themes or symbols can have drastically different meanings. Take a snake, for example. In Western cultures familiar with Freud, dreaming of a snake may be interpreted as something potentially sexual, Lohmann suggested, or Jung himself wrote of snakes as representing power or danger, declaring that a 'state of instinctual hell is represented as a snake with three heads.' Hindu interpretations, however, suggest that dreaming of snake could foretell wealth and fertility—if you're eating it in the dream, at least. Hopi and Pueblo tribes in the American Southwest also link fertility to snake dreams, although particularly in relation to agricultural cycles and the fertility of land. On the other hand, Pentecostal Christian communities in Zambia may interpret that snake in your dreams as proof of the devil. There isn't a set interpretation of snakes in the traditional Chinese practice, said Hong—Chinese dream interpretations were more likely to be concerned with more culturally significant symbols such as dragons or suns, signs of divine favor. But some historical documents suggest that a pregnant women dreaming of snakes once would have predicted the birth of a son—or, contradictorily, also a daughter. Do dreams mean anything? A person will have countless dreams in their lifetime, but that doesn't necessarily mean that all dreams are equally important. By the end of the Imperial period, which was right around when Freud and Jung were forming their dream theory, Hong said that it became popular to view the origins of dreams as supernatural and related to a person's psychological state. 'For instance, dreams caused by 'overthinking during the day' were often dismissed as uninterpretable and meaningless,' he said. (You can learn to control your dreams with lucid dreaming. Here's how.) In the Western tradition, how much or how little a dream means is up to the person having or interpreting the dream. 'Dreams, like poetry and art, offer ways to think about human experience,' Sherrif said. 'There may be better or worse interpretations or analyses but we have no objective means of ascertaining their accuracy.'

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