Eurovision 2025: Austria Wins Song Contest With Johannes Pietsch
Austrian performer Johannes Pietsch won the 69th Eurovision Song Contest on Saturday night while Israel's Yuval Raphael came second after a tense showdown at the Grand Final in Basel, Switzerland.
Pietsch, an Austrian-Filipino opera singer who also goes by the name of JJ, sang 'Wasted Love' in a ramshackle dingy amid strobe lighting on stage, and earned 436 points. He beat Israeli entrant Raphael as she finished second with 357 points, while also winning the public vote section of the competition.
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The top five in a competition voted on by national music industry juries and the global public included Estonia coming third with 356 points, Sweden with 321 points and Italy with 256 points.
The Grand Final included Raphael singing her power ballad, 'New Day Will Rise.' During her performance, a man and a woman attempted to rush the stage. A spokesman for Swiss broadcaster SRG SSR told The Hollywood Reporter that two protestors threw paint at a crew member before their arrest.
For the second year running, the Eurovision contest was overshadowed by protests over the European Broadcasting Union's decision to allow an entrant from Israel to participate as that country's conflict in Gaza continues. Raphael, a survivor of the Nova festival massacre on Oct. 7, 2023, did a solo performance around an up and down a giant chandelier-like staircase on stage during the Grand Final.
The Hunger Games of pop music had 26 contenders battling it out with original songs, whether tormented ballads or electro-pop bonkers, to win Eurovision glory. The competition even included Lithuania's Tavo Akys wearing a District 12 Style long-sleeve tunic as he performed.
The Eurovision content had its usual mix of sparkly costumes, elaborate sets and light shows and, of course, cheering fans in the arena and at home. Coming into the Grand Final, the bookies' favorites included Sweden's entry, the Finnish-Swedish music comedy trio KAJ, and their accordion-led sauna song 'Bara Bada Bastu,' an ode to steamy wood-cabin bliss, and the French singer Louane, who performed her torch song 'Maman' with a sand tornado swirling around her in the St. Jakobshalle indoor arena in Basel.
This year's competition also had controversy around Estonia's Tommy Cash with bendy leg dancing performing the caffeinated pop song 'Espresso Macchiato,' about another country, Italy, and its coffee, which some Italians criticized for mocking their culture with stereotypes.
In all, 26 acts were seen Saturday night that had been pared down from 37 contenders taking part in two semi-final competitions earlier this week. The annual singing contest's Grand Final opened with a video where host presenters Hazel Brugger, Sandra Studer and Michelle Hunziker waited nervously for extreme sport athletes to deliver the glass microphone Eurovision trophy to the arena.
Then last year's winner, Switzerland's Nemo, performed their song 'The Code' against a splashy laser light show, followed with a flag parade of 26 country finalists, with all contestants welcomed on stage to rapturous cheers from flag-waving fans in the arena audience and in an adjoining soccer stadium filled with another 36,000 spectators who at one point during the Eurovision Grand Final show did a mass performance of the ABBA hit 'Waterloo.'
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New York Times
17 minutes ago
- New York Times
Order of play: Philippe-Chatrier
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Well, she spoke earlier in the tournament when the draw was made about her hopes for this year: "Every year is different, so you need to look ahead and have your goals for the future," she said. "But I am proud of my achievements here. I have great memories from past years and every tournament was a totally different story so I learned a lot, and it's always a pleasure to come back here and to play on these courts again. These are the best courts to play in. "Everybody is here to win. I am working hard to be as ready as possible and to play good tennis. This season has had more ups and downs than the seasons before but I know my game is there. I just need to figure out how to use it at the best moments in matches. Tennis is sometimes a complicated sport but we should make it easy in our head so I'll start, step by step." Getty Images No player has made themselves feel at home like Rafael Nadal at Roland Garros. 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Around 2,000 tonnes of bricks are needed each year to produce enough clay for tennis courts — 80 tonnes of clay is the usual order for courts at the French Open. The clay comes from new bricks with imperfections unsuitable for construction being crushed into a fine sand. Those particles of dust are less than one-tenth of a milimeter in size, creating the perfect surface for players to slide. Getty Images Roland Garros is famous for its red clay courts, which consist of crushed brick rolled over a limestone surface. Different clay courts around the world play differently and, as Venus Williams told the New York Times in 2010:''All clay courts are different. None play the same. This one (Roland Garros) plays the best.' Clay can be the most physically demanding surface for players, who can slide as they meet the ball, and is slower than hard courts or grass. That requires players to think multiple shots ahead and execute subtle moves by executing more spin. Countries where clay courts are common — France, Spain, Italy, the Mediterranean and Latin America — have produced players who have typically fared well at Roland Garros. Named after the French aviator, Roland Garros lies in Paris's 16th arrondissement and is the only major to be played on clay courts. The name of the stadium is used interchangeably with the tournament's official title of the French Open, with 20 courts making up the stadium complex. The biggest is Court Philippe-Chatrier, which has a 15,000 seat capacity. It was completed in 1928 as France prepared to defend its Davis Cup title at a peak period for tennis in the country dominated by the 'Four Musketeers' (Jean Borotra, Jacques Brugnon, Henri Cochet and René Lacoste). One stand is named after each of the tennis Musketeers at Court Philippe-Chatrier. Getty Images Every sporty kid dreams of the moment — lifting a trophy in front of adoring fans. 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The Athletic is your one-stop shop to follow all those, and more, with our industry-leading sports coverage. So what are you waiting for? Sign up on an exclusive offer here. We'll be bringing you live updates and analysis throughout today's action (and plenty in the build-up, too) but if you want to catch Roland Garros live, here's all the information you need: U.S.: TNT Sports, Max TNT Sports, Max UK: TNT Sports TNT Sports Canada: TSN TSN France: Sport, Amazon Prime Getty Images The first round matches in both the men's and women's singles begin today at 11 a.m. CEST, which is 10 a.m. BST in London. That works out at 5 a.m. ET on the east coast of the U.S. and 2 a.m. PT on the west coast. This evening's session will start no earlier than 8:15 p.m. CEST in Paris, which is 7:15 p.m. BST, 2:15 p.m. ET, and 11:15 a.m. PT. Hello and welcome along to today's coverage of the second day of the French Open at Roland Garros! And what a tournament we should have in store at this, the second major of the year and the only one to be held on clay. We have a full slate of matches at this early stage of the competition in the men's and women's singles, so stick around for all the latest news, analysis, and match updates from around the courts as play gets underway.
Associated Press
22 minutes ago
- Associated Press
The Frequency School breaks GUINNESS WORLD RECORDS™ title for the "195" song featuring the most nationalities
LONDON and LOS ANGELES, June 2, 2025 /CNW/ -- The Frequency School set a new GUINNESS WORLD RECORDS title for 'Most nationalities to contribute vocals to a musical recording (single song)' with the '195" song on Monday, in a bid to raise awareness about gender equality and to ignite a global movement uplifting people through the transformative power of soundhealing frequencies. The record-breaking '195" is the first song in history featuring women from all of the world's 195 countries and using sound healing frequencies and the 528 Hz 'Love Frequency'. The Frequency School co-founded by U.S. Grammy-nominated and multi-platinum music producer Maejor, Martina Fuchs, Kingsley M, Brandon Lee and Aaron Dawson produced this visionary, powerful and universal campaign and premiered it during the 55th Annual Meeting of the World Economic Forum (WEF) in Davos-Klosters, Switzerland, from January 20-24. Using the sounds of birds and the heartbeat as instrumental elements, the '195" aims to raise the world's frequency, elevate humanity, and trigger a positive impact by uniting and empowering women worldwide. One woman in every one of the world's 195 countries recognized by the United Nations said one word: 'EQUALITY' in her national language or native tongue and sent in her voice and video recording. The number of women and nationalities participating in the song was officially verified by a Guinness World Records adjudicator. Martina Fuchs, Executive Producer of the '195" and Co-Founder of the Frequency School, said: 'It has always been my dream to produce the first song in history featuring every country on the planet. Our vision was to unite 195 ordinary women from all walks of life in this pioneering and groundbreaking initiative to advocate for gender equality and the rights of women and girls, and to help people struggling with mental health issues. Breaking this record is only the beginning: we are on a global mission to make our world a more peaceful place.' Maejor, Founder and CEO of the Frequency School who produced the song, said: 'The world record is a testimony to our work and the universal language of music. This achievement is a call to every one of us to lift each other up and spread peace, love and harmony. We chose to use 528 Hz which is often referred to as the 'love frequency', or the frequency of transformation and miracles. We wanted to promote more respect and fairness for women, as well as deep inner healing and a state of peace. The transformative vibration of 528 Hz can inspire positive action and empathy and people to act more kindly and inclusively.' According to scientific studies and music theory, Solfeggio frequencies, ranging from 174 Hz to 963 Hz, offer unique sound patterns that promote relaxation, stress relief, and overall well-being. These frequencies have been shown to positively impact mental, emotional, and physical health by generating vibrations that help achieve a state of calm and balance of the mind, body and spirit. Kingsley Maduka, Co-Founder of the Frequency School, said: 'We're incredibly excited to set a new world record, and I am honored to have the youngest lady in my family, my 6 year-old daughter, to be apart of such an intentional women empowerment project, focused on wellness. Being a man, it's important that we do our parts to support our better halfs for the sake of the mental health and wellness of humanity. The Frequency School is such an amazing platform for utilizing, implementing and amplifying wellness tools - working at the intersection of music, wellness, mental health and education is some of the most impactful work I've been able to be apart of.' Brandon Lee, Co-Founder of the Frequency School, said: 'Every one of us enters this world through a woman—women are the very heartbeat of humanity. I'm deeply honored to be part of this project and inspired by the future initiatives we're building at Frequency School to uplift women's wellness. Earning the GUINNESS WORLD RECORDS title will amplify our mission globally, allowing us to create an even greater impact.' Aaron Dawson, Co-Founder and Creative Director of the Frequency School, said: 'This project is much more than a world record, it's a reflection of the immense gratitude I hold for women everywhere. I carry deep appreciation for every woman who have shaped me: my mother, grandmothers, aunts, cousins, godchildren, teachers, ancestors, and the many women whose love and existence have given me and the world such beautiful life. A better world exists when we honor women's gifts, invest in them, and protect their well-being.' Miriam Moriati, President of the Kiribati Rotaract Youth Club and a Women and Youth representative for OARS (Ocean Alliance for Resilience and Sustainability), said: 'I'm from Kiribati, a small island nation in the Pacific, where our highest point is just 3 meters above sea level. Our women in Kiribati are vulnerable due to gender equality not being part of our culture and traditions. They are often the first to be affected by crises and the last to recover. Being part of this initiative to support women on an international stage is an incredible honor. Opportunities to represent our small country are rare, and I am grateful for this platform to amplify the voices of Kiribati women.' Sawilanji Nachula, a middle school student representing Zambia, said: 'I am a 13-year old Zambian and live on the 'Mighty Zambezi' near the Victoria Falls. I am currently a student at Falcon College in Esigodini, Zimbabwe, where I will start my grade 9 next month. I am both honoured and inspired to smash the world record with so many already successful and soon to be successful members. I doubt I will be able to contribute much myself for now. But I will be sure to promote gender equality as I get older.' Inspired by the murmuration of birds and nature's synchronicity, the visualizer of the song includes art elements evoking raw emotions and reflecting the power and harmony of women, and their aspiration for freedom and collective strength. Watch the '195" here: MEDIA CONTACT: Martina Fuchs Email: [email protected] Mobile: +41 79 361 01 46 LIST OF '195" PARTICIPANTS: Fawzia Koofi, Afghanistan Juxhina Sotiri Gjoni, Albania Kahina Bouagache, Algeria Jimena Cierco Martinez and Júlia Carreras Salvadó, Andorra Ester Nilsson, Angola Abrianna Cooper, Antigua and Barbuda Romina Sudack, Argentina Sose Markosyan, Armenia Anjali Nadaradjane, Australia Delia Fischer, Austria Bahar Balayeva, Azerbaijan Amanda Darville, Bahamas Ahdeya Ahmed Al-Sayed, Bahrain Laiba Jannati Pritha, Bangladesh Gloria Carter, Barbados Kristina Lozinskaya, Belarus Nyanchama Okemwa, Belgium Julie Robinson, Belize Adjalla Senami Naomy Campbell Mariela, Benin Yangdon Sonam, Bhutan Valentina Crespo Kuljis, Bolivia (Plurinational State of) Iman Daneya Zulum, Bosnia and Herzegovina Kabelo Botlhe Dikobe, Botswana Samanta Bullock, Brazil Daphne Lai Teck Ching, Brunei Darussalam Natalini Yordanova, Bulgaria Audrey Korsaga, Burkina Faso Jeanne Irakoze, Burundi Zanu Alves, Cabo Verde Savada Prom, Cambodia Sabrina Love, Cameroon Alyson Meister, Canada Kessy Martine Ekomo-Soignet, Central African Republic Mariam Abdoulaye Malloum, Chad Bernardita Castillo Passi, Chile Joyce Peng Peng, China Karin Andrea Stephan, Colombia Armel Azihar Sly-vania, Comoros Gisèle Brice Mabiala, Republic of the Congo Maria Jose Freer Murillo, Costa Rica Noussoeu Bih, Côte D'Ivoire Marijana Maros, Croatia Lixandra Díaz Portuondo, Cuba Louiza Nikolaou, Cyprus Shelley Pleva, Czechia Esther Eom, Democratic People's Republic of Korea Dodo Liwanga, Democratic Republic of the Congo Heidi Bjerkan, Denmark Intibah Ali Abdallah, Djibouti Sapphire Vital, Dominica María Eugenia del Castillo, Dominican Republic Margarita Heredia Forster, Ecuador Amena Bakr, Egypt Fabiola Torres, El Salvador Paulina Laurel Sami, Equatorial Guinea Harena Amanuel, Eritrea Anette Maria Rennit, Estonia Zandisile Howe, Eswatini Lina Getachew Ayenew, Ethiopia Renita Reddy, Fiji Julia Sulonen, Finland Anino Emuwa, France Rita Aboghe, Gabon Sarjo M Jallo, Gambia (Republic of The) Eka Khorbaladze, Georgia Carolin Strunz, Germany Michelle Nana Adwoa Agyakomah Yeboah, Ghana Efi Pylarinou, Greece Laureen Redhead, Grenada Lilian Viviana Tzul Pérez, Guatemala Fatoumata Diallo, Guinea Waltemira Audilia Monteiro Eckert, Guinea Bissau Amrita Naraine, Guyana Stephanie Garçonvil, Haiti Carmen Elisa Méndez Silva, Honduras Aliz McLean, Hungary Mardis Karlsdottir, Iceland Asma Khan, India Siti Suliatin Buechel, Indonesia Sanam Shantyaei, Iran (Islamic Republic of) Aya Al-Shakarchi, Iraq Lisa Armstrong, Ireland Dalith Steiger, Israel Cristina Romelli Gervasoni, Italy Heather Carrington, Jamaica Meguri Fujisawa, Japan Suad Musallam Hijazin, Jordan Zhanna Kan, Kazakhstan Shayoon, Kenya Miriam Moriati Koae, Kiribati Suad Al Sabah, Kuwait Aigerim Sultanbekova, Kyrgyzstan Duangtavanh Oudomchith, Lao People's Democratic Republic Laima Dimiševska, Latvia Dia Audi, Lebanon Reekelitsoe Molapo, Lesotho Laymah E. Kollie, Liberia Manal Aboujtila, Libya Katrin Eggenberger, Liechtenstein Deimile Soares, Lithuania Sophie-Anne Schaul, Luxembourg Mireille Ramampandrison, Madagascar Jacqueline Nhlema, Malawi Harpreet Bhal, Malaysia Widhadh Waheed, Maldives Binthily Youma Macalou, Mali Michelle Muscat, Malta Claret ChongGum, Marshall Islands Habibata Cissé, Mauritania Ameenah Gurib-Fakim, Mauritius Yolanda Sánchez, Mexico Drinnette James, Micronesia (Federated States of) Annabelle Jaeger-Seydoux, Monaco Amrita Gerelt-od, Mongolia Milica Markovic, Montenegro Touria El Glaoui, Morocco Maria Honoria da Silva Mocambique, Mozambique Ei Han, Myanmar Tisha Haushona, Namibia Angelina Waqa, Nauru Sahana Vajracharya, Nepal Andrea B. Maier, Netherlands (Kingdom of the) Alexia Hilbertidou, New Zealand Kathia Salazar, Nicaragua Alassane Soumana Roukayatou, Niger Eyitola St. Matthew-Daniel, Nigeria Matea Kocevska, North Macedonia Alliance Niyigena, Norway Ruby Saharan, Oman Mariam Zaidi, Pakistan Dee Raya Antonio, Palau Nadia Hazem, Palestine Trishna Nagrani, Panama Jenny Namana, Papua New Guinea Emilie Seitz, Paraguay Gigi Caballero, Peru Andrea Mikaella Geronimo, Philippines Elvira Eevr Djaltchinova-Malec, Poland Sandra Fankhauser, Portugal Dr. Asmaa Alfadala, Qatar Sylvia Shin, Republic of Korea Dana Muntean, Republic of Moldova Carina Schuster, Romania Ashley Dudarenok, Russian Federation Bonita Mutoni, Rwanda Vicia Woods, Saint Kitts and Nevis Sheridin Jones, Saint Lucia Rianka Chance, Saint Vincent and the Grenadines Faauiga Maiava Onosai Sauiluma, Samoa Martina Mattioli, San Marino Katy Nascimento, Sao Tome and Principe Asma Alsharif, Saudi Arabia Korka Dieng, Senegal Teodora Cosic, Serbia Beverly Dick, Seychelles Sylvia Conteh, Sierra Leone Cheng Ying (Monica), Singapore Lucia Kupcova, Slovakia Ksenia Juvan, Slovenia Sharon Inone, Solomon Islands Amran Abocar, Somalia Kim August, South Africa Josephine Albino, South Sudan Alejandra Costales Richards, Spain Suba Umathevan, Sri Lanka Tahani Karrar, Sudan Radhiya Ebermann-Joval, Suriname Sabinije von Gaffke, Sweden Martina Fuchs, Switzerland Stephanie Ghazi, Syrian Arab Republic Zarina Khasanova, Tajikistan Ratih Paramitha, Thailand Dália Kiakilir, Timor-Leste Isbath Esther Ali, Togo Ofa gé, Tonga Alexa Chin Pang, Trinidad and Tobago Aya Chebbi, Tunisia Guelistan Fuchs, Türkiye Aylar Babayeva, Turkmenistan Lilly Teafa, Tuvalu Jovia Kisaakye, Uganda Kateryna Krasnozhon, Ukraine Suaad Al Shamsi, United Arab Emirates Melissa Monique, United Kingdom of Great Britain and Northern Ireland Flaviana Matata, United Republic of Tanzania Kenzi Kachi Maduka, United States of America Camila Bentancur, Uruguay Muldir Khayitova, Uzbekistan Adrina J L Abel, Vanuatu Boglarka Sztancs, Vatican City Sophia Santi Guevara, Venezuela, Bolivarian Republic of Yip Thy Diep Ta, Viet Nam Wadha Abdullah Mohsin, Yemen Suwilanji Nachula, Zambia Rosheen Ngorima, Zimbabwe ABOUT THE FREQUENCY SCHOOL: The Frequency School is a pioneering global initiative designed to harness the transformative power of music for the holistic development of people around the world, focusing on the mind, body, and spirit. Through services like music therapy, education, and performance, we empower individuals to lead balanced, healthy, and fulfilling lives. The approach integrates the latest in sound therapy with traditional wellness practices to support the whole person. It was launched by Maejor, Martina Fuchs, Kingsley M, Brandon Lee, and Aaron Dawson at the renowned international boarding school Aiglon College in Switzerland in 2024. YouTube: Frequency School LinkedIn: The Frequency School Instagram: @thefrequencyschool Website: PARTNERS: Video - Photo - Photo - Photo - Logo - View original content to download multimedia: SOURCE The Frequency School
Yahoo
an hour ago
- Yahoo
Not just Florian Wirtz - Liverpool have ANOTHER exciting German wonderkid
And there's another lesser known youngster at the club who is following in their footsteps at the moment and will hope to follow in their footsteps of Wirtz, too, having been likened to Jamal Musiala. His name is Vincent Joseph and he plays for Liverpool's U16 team and Germany's U15 national team. Advertisement Many in Germany have likened him to Musiala due to his playing style and the fact that he grew up in England and could play for the Three Lions as well but has opted to represent Germany at the moment. The 15-year-old has been catching the eye at academy level this season. An attacking midfielder, who can also play as a no.10 and out wide and even as a striker, Joseph has been at the club since U9 level, penning his first contract in the presence of Trent Alexander-Arnold almost seven years ago as per Liverpool's official website. He captained Liverpool at Bayern Munich's U15 Elite Cup last year and has been regularly playing for the club's U16 team this season. A goal-scorer, who can take players on one vs one and play comfortably with his back to goal, Joseph scored hat-tricks against the likes of Everton and Stockport already this season. Advertisement He's been catching the eye in youth tournaments across Europe, just take a look at this rabona assist he made in a tournament in Poland earlier this year in the video above. Joseph comes from a footballing family. His older brother, Valentin, plays for Blackburn Rovers' U18 team and is also an exciting prospect with 14 goal contributions in 19 matches - close to a goal or assist every 92 minutes in the U18 Premier League this season - including three goal contributions in two matches against Liverpool. He's an exciting prospect with a lot of potential. After so many years of not having exciting German players in the team, ironically while playing under the most successful German manager in recent history, Liverpool could now have two of Germany's brightest prospects.
