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Yolanda Hadid Splits From Fiance Joey Jingoli—so Will She Call It Quits With Their Opulent Texas Ranch, Too?

Yolanda Hadid Splits From Fiance Joey Jingoli—so Will She Call It Quits With Their Opulent Texas Ranch, Too?

Yahooa day ago

Supermodels Gigi and Bella Hadid's mother, , has reportedly split from her fiancé, Joey Jingoli, after a six-year relationship that saw the mother of three relocating from her longtime Pennsylvania farm to a sprawling ranch in Texas, where her partner was based.
According to People, Hadid, 61, and Jingoli, 65, quietly ended their three-year engagement back in January but kept the news of their breakup under wraps, with an insider telling the outlet that they 'remain friends.'
'They remain friends and have nothing but fond memories of their time together,' the source said.
The former 'Real Housewives of Beverly Hills' alum met the development company CEO back in 2017, when she relocated to Bucks County; however, they did not start dating until two years later.
Though they got engaged in 2022, Yolanda did not confirm the news about Joey's proposal until a 2024 interview with Architectural Digest, while she was showing off the sprawling Texas ranch she moved to in order to be closer to her then-partner.
Hadid, who is mother to supermodel sisters Gigi and Bella, as well as musician Anwar, opened the doors to the jaw-dropping property in a video tour for the outlet, opening up about how she fell in love with the Lone Star state after being introduced to it by her partner.
However, it remains to be seen whether the former model will remain in Texas in the wake of her split—or whether she will opt to take up permanent residence in her New Hope, PA, property once again, particularly given that her Pennsylvania dwelling boasts better proximity to New York, where both of her daughters have homes.
Hadid, who was born in the Netherlands, began splitting her time between Texas and Pennsylvania soon after she and Jingoli began dating, before relocating there officially when they began working on their incredible shared home.
In her video tour for AD, she revealed several of the impressive custom features that they added to the ranch, while also showcasing a stunning primary bedroom, which boasts a vaulted ceiling and a huge picture window where Hadid can catch water views from bed.
The suite also boasts a huge walk-in wardrobe, which Hadid described as her 'dream closet' and features glass-and-wood shelving that reaches from floor to ceiling. Noting that there are chairs in the closet, she told Architectural Digest, that the space 'is not just a closet where you have clothes. … It's where we … hang out.'
The primary bath is another extravagant set piece, with double vanities, a shared glassed-in shower, and a stone tub that she designed.
Another jaw-dropping feature is the 'bunk bedroom,' inspired by her granddaughter, Khai.
'I just wanted to make her something really cute,' she said of Gigi's daughter with ex Zayn Malik. The bunk beds ensure room for Khai's friends and possible future grandchildren.
In the powder room, one wall is covered in her model children's magazine covers.
In the kitchen, Yolanda revealed she wanted a big island, something 'where everybody could sit around.'
Other amazing details include accent walls made of recycled mushroom crates, and even a honey bar, which she said she installed in place of a more traditional cocktail setup.
'My partner Joey is 39 years sober. First I wanted to do a tequila bar, but that wouldn't be appropriate in our home,' she explained. 'So instead, I did a honey bar. I like to collect different honeys from wherever we travel.'
It's clear she must travel a lot because the collection reaches the ceiling. The jars with the letters HH on the label are the honey she's made at her farm in Pennsylvania where she keeps bees, she said.
Another eye-popping kitchen feature is the pantry, which again has storage for glass, cans, and baskets of every imaginable edible item.
Because the home is 'kind of isolated' and not like living in a big city, 'you kind of have to have everything at home,' she noted. 'I wanted it to be industrial yet colorful.'
The pantry doubles as her tornado room, which is made of cinder blocks.
Heading into the mud room, guests are greeted with shelving for hats, boots, and riding gear with rustic benches and shelving.
'I ride every day,' Hadid said. 'I wanted this room to be very stockyard-feeling.'
Details include a reclaimed church bench, and old bridles and saddles decorate the space as well.
Outside is her 'little slice of heaven,' a half-moon fire pit with seating that looks out to the lake below.
'My overall vision for this house was industrial, modern, enjoying life, put your boots up on the table and just enjoy this beautiful Texas,' she said.
The Dutch former model recalled the moment she was introduced to Fort Worth, TX, by Jingoli over six years ago and fell in love with the 'mecca' of 'cowboys and horses.'
'I love the culture,' she gushes. 'The people are extraordinary.'
After moving to the Lone Star State, Hadid then designed the home herself to bring her vision to mind. The entertainment area in moody black, with the fireplace, showcases her collection of crystals and old books from, Holland, France, and Sweden.
The former model also owns a farmhouse in the pricey Pennsylvania neighborhood of Bucks County, as well as a penthouse in L.A.—meaning that she could make one of them her primary abode due to their split.
Just before meeting Jingoli, who is the CEO of a construction and development company, Hadid was focusing on herself after her 2015 divorce from David Foster.
In 2018, she told People that her now-ex entered her life when she centered her thoughts around finding the right person.
'I made a love spiral and wrote down exactly everything that was important to me in a man and he magically just rang the doorbell at the farm,' she said at the time.
The following year she told the outlet, 'It's such a blessing to find someone so perfect for me in this time of my life.'
'He rides horses, he loves nature, he loves the farm,' she continued. 'To find love again at 55 is amazing.'
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Money Is Ruining Television
Money Is Ruining Television

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Money Is Ruining Television

The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here. Watching Carrie Bradshaw—erstwhile sex columnist, intrepid singleton, striver—float down the majestic staircase of her new Gramercy townhouse on a recent episode of And Just Like That while wearing a transparent tulle gown, on an errand to mail a letter, is one of the most cognitively dissonant television experiences I've had recently. And Just Like That has never been a particularly imaginative show with regard to women in midlife, but there's still something fundamentally off about seeing one of the canonical female characters of our era transformed into a Gilded Age archetype, worrying about a garden renovation and choosing back-ordered fabric for a chaise. Carrie, suddenly, has many hats. She communicates with a lover via handwritten notes while she waits for his liberation from the home front in Virginia. 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On Sirens and The Better Sister, glossy scenes of sleek couture and property porn upstage the intrigue of the plot. On Mountainhead, tech billionaires tussle in a Utah mountain retreat featuring 21,000 square feet of customized bowling alleys and basketball courts. On Your Friends & Neighbors, a disgraced hedge-fund manager sneers at the vacuous wealth of his gated community (where houses cost seven to eight figures), but also goes to criminal lengths to maintain his own living standards rather than lower them by even a smidge. And on With Love, Meghan, the humble cooking show has gotten a Montecito-money glow-up. 'I miss TV without rich people,' the writer Emily J. Smith noted last month on Substack, observing that even supposedly normie shows such as Tina Fey's marital comedy The Four Seasons and Erin Foster's unconventional rom-com Nobody Wants This seem to be playing out in worlds where money is just not an issue for anyone. 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But we're not being encouraged to empathize with any other kinds of characters, either—to see the full humanity and complexity of so many average people whose lives feel ever more precarious in this moment, and ever more in need of our awareness. On an episode in the final season of Sex and the City, a socialite named Lexi Featherston cracks a floor-to-ceiling window, lights a cigarette, and declares that New York is over, O-V-E-R. 'When did everybody stop smoking?' she sneers. 'When did everybody pair off?' As the hostess glares at her, she continues: 'No one's fun anymore. Whatever happened to fun? God, I'm so bored I could die.' Famous last words: Lexi, of course, promptly trips on her stiletto, falls out the absurdly dangerous glass panel, and plummets to her death. Her arc—from exalted '80s It Girl to coked-up aging party girl—was supposed to represent finality, the termination of the city's relevance as a cultural nexus. 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A year earlier, Fox had premiered a soapy drama called The O.C., which charted the rags–to–Range Rover adventures of a teen from Chino who ended up ensconced in the affluent coastal town of Newport Beach. Until then, it had never occurred to me that teenagers could wear Chanel or drive SUVs that cost six figures, although watching them rattle around in McMansions the size of the Met provided much of The O.C.'s visual thrill. In direct response to the show's success, MTV debuted the reality show Laguna Beach: The Real Orange County a year later, and in 2006, Bravo countered with its own voyeuristic peek into the lives of the rich and fabulous—The Real Housewives of Orange County. Documenting wealth enticingly on television is a difficult balancing act: You want to stoke enough envy that people are inspired to buy things (gratifying advertisers along the way), but not so much that you risk alienating the viewer. Reality TV pulled it off by starting small. The women on the first season of Real Housewives were well off, but not unimaginably so. They lived in high-end family homes, not sprawling temples of megawealth. Similarly, when Keeping Up With the Kardashians debuted in 2007, the family lived in a generous but chintzy bungalow, having not yet generated the billions of dollars that would later pay for their minimalist compounds in Calabasas and Hidden Hills. During the 2008 financial crisis, a critic for The New York Times wondered whether the tanking global economy might doom the prospects of shows such as The Real Housewives of Atlanta, which had just premiered, and turn them into 'a time capsule of the Bling Decade.' But the fragility of viewers' own finances, oddly, seemed to make them more eager to watch. Shows about money gratified both people's escapist impulses and the desire to critique those who didn't seem worthy of their blessings. As Jennifer O'Connell, a producer for The Real Housewives of New York City, put it to the Times a year later: 'Everyone likes to judge.' The toxic, unhappy, rich-people shows that have more recently proliferated on prestige TV—the Succession and White Lotus and Big Little Lies variation—cover their backs with cynicism. Money doesn't make you happy, they assert over and over, even though studies suggest otherwise. The documentation of extreme wealth on television with such clarifying bitterness, they imply, surely inoculates audiences from pernicious aspiration. Except it doesn't: The Four Seasons San Domenico Palace in Sicily was fully booked for a good six months following the second season of The White Lotus, despite the fictional bodies floating in the water. And a study conducted at the London School of Economics in 2018 found that a person's increased exposure to shows that regularly 'glamourize fame, luxury, and the accumulation of wealth' made them more inclined to support welfare cuts; it also noted other studies that found that the more people watched materialistic media, the more anxious and unhappy they were likely to be in their own lives. Watching shows about wealth does, however, seem to stimulate the desire to shop, which is maybe why this latest season of And Just Like That feels intended for an audience watching with a second screen in their hand—all the better to harvest the aspirational consumption the show's lifestyles might generate. Streaming services are already tapping into the reams of data they have on viewers by serving them customized ads related to the series they might be watching, and many are also experimenting with e-commerce. 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The reality of the TV business also underscores why shows that sell us something—even if it's just the illusion of exceptional prosperity as a default—are easier to commission. But audiences will always be drawn to drama, and the stakes of defiantly deglamorized series such as The Bear and Slow Horses feel necessary in this moment, when the state of the future relies so much on the direction and quality of our attention. Article originally published at The Atlantic

Lena Waithe Dropped Over $35,000 for a Special Piece of 'The Mary Tyler Moore' Set: 'I Will Cherish This'
Lena Waithe Dropped Over $35,000 for a Special Piece of 'The Mary Tyler Moore' Set: 'I Will Cherish This'

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Lena Waithe Dropped Over $35,000 for a Special Piece of 'The Mary Tyler Moore' Set: 'I Will Cherish This'

On Wednesday. June 4, Doyle's Auctions held an auction for "The Collection of Mary Tyler Moore" One of the big sales of the auction was a gold-painted "M" that sat on the wall of Mary Richards' apartment in The Mary Tyler Moore Show The Emmy-winner says it's an "honor" to own the special piece after purchasing it for $35, 200Lena Waithe has purchased a special piece of television history. The Emmy Award winner has purchased the gold-painted "M" that adorned Mary Richards' apartment wall on The Mary Tyler Moore Show. The sale took place on Wednesday, June 4, at Doyle's "The Collection of Mary Tyler Moore" auction. The humble prop was the highlight of the auction, receiving a ton of interest due to its prominence in the background of a beloved sitcom, which aired from 1970 to 1977. Original estimates had the piece going for anywhere from $5,000 to 8,000. The piece far exceeded expectations, opening at $14,000 and ultimately selling for a stunning $35,200. In a statement about the sale, Waithe shares, "I will cherish this piece of television history for the rest of my life. I feel honored to have custody of it until it's time to pass it along to someone else." Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. Other Mary Tyler Moore items garnered impressive sales. A colorful portrait of Moore by Peter Max sold for $15,360. Original Al Hirschfeld drawings capturing Moore's roles in The Dick Van Dyke Show ($6,080) and The Mary Tyler Moore Show ($7,680) also exceeded expectations. Moore began leading The Mary Tyler Moore Show in 1970, not long after her starring role on The Dick Van Dyke Show. The show was produced by her company, MTM Enterprises, which was behind many successful TV series. Her TV alter ego, Mary Richards, was not that different from the real Moore, the late actress once told PEOPLE in 1974. 'I never went the actors' studio route. I'm not an actress who can create a character. I play me. I'm scared that if I tamper with it I might ruin it,' she shared, noting her single girl character happened, in part, because she didn't want to play married again, and CBS didn't want her character to be divorced. She ended up with eight Emmy nominations and four wins for her work on the series. Read the original article on People

Wife of Last Sibling of World's First Surviving Male Quadruplets Remembers Him as ‘Wonderful Family Man' (Exclusive)
Wife of Last Sibling of World's First Surviving Male Quadruplets Remembers Him as ‘Wonderful Family Man' (Exclusive)

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Wife of Last Sibling of World's First Surviving Male Quadruplets Remembers Him as ‘Wonderful Family Man' (Exclusive)

Carl Vincent Perricone Sr., the last surviving brother of a history-making set of quadruplets, died on June 2 Anne, his wife of 58 years, remembered the father of six as 'a wonderful family man' Carl would still ride on his lawnmower at the age of 95 and enjoy quality time with his wife on their porchThe wife of Carl Vincent Perricone Sr., the last surviving sibling of a history-making set of quadruplets who recently died, is cherishing her memories with him. 'He was a wonderful family man,' Anne Perricone, 77, exclusively tells PEOPLE of Carl, who died on June 2 at the age of 95. Anne said their journey began when he was a father of five and a widower at 27 after his first wife tragically died following rheumatic fever. They met when she lived across the street and cared for his children. 'I babysat the children and fell in love with the children and him,' Anne says. They would go on to marry, have a daughter, and remain committed to each other for 58 years. They would have celebrated their 59th anniversary in August, most likely partaking in a familiar pastime. 'Oh gosh. He always brought me out there, glass of wine to have an afternoon on the porch,' she says. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. Five years ago, Anne says she and Carl moved to their daughter's home, and the longtime couple 'enjoyed sitting out here watching the birds. He loved watching the birds. He has a bird feeder out there watching the birds and the animals.' His valor as a father and husband also extended to his service to his country alongside his brothers Anthony, Bernard, and Donald Perricone, affectionately known as the Alphabet Quads. They were born in Beaumont, Texas, on Halloween in 1929 to Maria Concetta "Bessie" Mazzu and Philip 'Filippo' Perricone. They were the first surviving male quadruplets in the world, according to the Museum of the Gulf Coast. Their births made headlines, and so did their decision to be drafted into the Army in 1950 during the Korean War. The mother of the quads contacted then-Sen. Lyndon B. Johnson with the insistence, ' 'You can't just take one of my boys. They've always been together,' ' Anna says. The brothers ultimately served in the same unit. 'He was proud of his service,' she says, continuing that he also served in the Air Force. Upon returning home in 1953, the brothers worked together at Pure Oil Refinery before Anthony decided to become a barber. Carl and his two brothers remained at the company until retirement, according to the museum. The quadruplets eventually bought a parcel of land in their hometown and dubbed the private road Quad Lane, where their descendants still live. In 2010, Carl represented himself, his brothers and his country at a ceremony in South Korea commemorating the 60th anniversary of the end of the Korean War, per the museum. Despite his strong bond with his brothers, Carl did not always want to be associated with being part of the famed quad. 'They were so publicly displayed for so long. He got tired of all that. He did grant an interview probably about seven years ago after Donald died. Yeah, it's been longer than that, my daughter said. But anyway, we kind of just backed away from it,' she recalls, but he ultimately granted an interview with The Beaumont Enterprise in 2013. She continues, 'We all sat down with the people in the living room and he just told them about missing his brothers.' The news of his death led to an outpouring of condolences, but Anne says that he was 'very healthy,' and that 'no one could believe' he was 95. 'He would walk out here and go ride his lawnmower and cut grass and he was very healthy. But in the last few months, I guess I'd say he took a couple stumbles up here. He didn't break anything or he hit his head on the porch one time, but he was pretty stable with his feet,' she says. is now available in the Apple App Store! Download it now for the most binge-worthy celeb content, exclusive video clips, astrology updates and more! Carl's obituary said that he "enjoyed country life in his final years, watching wildlife and smoking his pipe, and Anne added that their last days together were spent "together up here in the peace.' In addition to Anne, Carl is also survived by his six children and multiple grandchildren and great-grandchildren. Read the original article on People

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