Sir David Attenborough turns 99 and urges the world to save our oceans
His words frame a film that blends decades of experience with a fresh urgency, documenting both the devastation and the resilience of our marine ecosystems.
"After almost 100 years on the planet, I now understand the most important place on Earth is not on land, but at sea," he says.
For Attenborough, the message is clear: if humanity hopes to combat climate change and protect biodiversity, the battle must begin beneath the waves.
The new cinema-length documentary 'Ocean' explores the critical role the seas play in sustaining life on Earth and highlights their current state of peril.
As Sir David Attenborough celebrates his 99th birthday, the renowned naturalist marks the occasion not with reflection, but with action, launching what he considers one of the most important films of his long and influential career.
Premiered at London's Royal Festival Hall with King Charles III in attendance, 'Ocean' brings into sharp focus the damage caused by industrial fishing, especially bottom trawling—a practice still permitted and, in many places, subsidised.
Footage in the film reveals how heavy chains dragged along the seabed destroy habitats, release carbon dioxide, and discard up to 75% of unintended catch.
Attenborough describes the method as "a wasteful way to catch fish", and warns that unless practices change, the oceans' ability to support life, including our own, will diminish rapidly.
Yet 'Ocean' is not a tale of despair. The film also chronicles remarkable recoveries, offering a message of hope.
The near-extinction and subsequent rebound of the world's whale populations stands as a key example. In the 20th century alone, nearly three million whales were killed.
Species like the Blue Whale were reduced to just one percent of their population. Attenborough recalls believing they would never return.
But public outcry led to a global ban on commercial whaling in 1986, and since then, whale numbers have steadily increased. Scientists now say this revival shows how the ocean can recover more quickly than previously imagined—if given the chance.
This optimism threads through the film, and Attenborough's voice reminds viewers that the world's leaders have already committed to protecting a third of the oceans.
With a UN conference on the horizon, he hopes 'Ocean' will galvanise action to honour that promise.
Keith Scholey, one of the film's directors and a long-time collaborator of Attenborough's, reflects on his enduring drive and energy. Even at 99, Attenborough remains a force, both creatively and in his mission to awaken global awareness.
The documentary's closing message is one of cautious optimism. A healthy ocean not only supports marine life but also helps lock away carbon dioxide, a critical factor in the fight against global warming.
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The film's South African reps told us that the film employed six penguin actors to play the lead. As penguins are social creatures, each penguin had a penguin boyfriend or girlfriend on set. The American Humane Society, they pointed out, monitored the 12 penguins' welfare. Answers were not received within 48 hours by 1o.30am on Thursday clarifying the film's casting choice. We also did not receive information on whether the penguins were sourced from licensed, captive environments. Were production credits and press materials updated to reflect the correct species and their origin? No answers were received from Sony Pictures Classics to our repeated requests for access to password-protected press materials, first sent on 5 May. Ster Kinekor, which has aired the film in South Africa in recent weeks, responded promptly with press notes. But these did not acknowledge the species switch, either. The real cautionary tale? It's worth the reminder that Tom Michell, the real-life teacher, got the Magellanic penguin right in his own memoir — devoting extensive passages to its conservation status and biological behaviour. In an interview with the blog Honest Mum, Michell has also revealed that most of the film was, in fact, 'real Humboldt penguin footage' — that is, where animatronic penguins weren't used to film more demanding sequences. The error lies not with the young traveller-turned-environmentalist who lived a heartfelt story, and recounted it in a nuanced conservation narrative, but the production team who retold it. And yet, The Penguin Lessons achieves its aim as lite escapism about cross-species friendship during political turbulence. Apart from an unseeable species faux pas, it's good at communicating humanity's careless footprint to a general audience. It demonstrates the therapeutic value of the natural world. This was a tale worth retelling — with the right penguin. DM