
Little Simz announces more artists for Meltdown 2025
Little Simz has added more artists to her already packed lineup for this year's Meltdown festival.
Held at the Southbank Centre in London from 12 to 22 June, the event will play host to artists including British R&B star Mahalia, Nigerian singer Tiwa Savage, Canadian jazz/hip-hop collective BADBADNOTGOOD, and Mercury Prize -winning musician James Blake.
They will join the likes of London-born saxophonist Nubya Garcia, contemporary soul artist MEGA, and singer-songwriter Kara Jackson.
British rapper Simz, born Simbiatu Abisola Abiola Ajikawo, had previously announced that grime legend Ghetts, Grammy-winning American musician Jon Batiste, The Streets, Little Dragon vocalist Yukumi, and 'Messy' star Lola Young would appear on the lineup.
She is the latest in a long line of esteemed curators that include The Cure's Robert Smith, Nick Cave, David Bowie, Patti Smith, Grace Jones and Elvis Costello.
Little Simz said: 'My team and I have prepared eleven days of art, music, workshops and more. So many incredible artists have curated this festival so it's a true honour to be a part of it. Thank you to the Southbank Centre for having me.
'Meltdown 2025 the Simz way is going to be epic. I'll see you there.'
Born in north London, Simz is regarded as one of the most gifted rappers of her generation, attracting early praise with albums such as 2016's Stillness in Wonderland and 2019's Grey Area.
In 2021, she received national acclaim for her fourth album, Sometimes I Might Be Introvert, which charted at No 4 in the UK and won the Mercury Prize the following year.
Her most recent album, No Thank You, was surprise-released in December 2022 through the independent label, Forever Living Originals, while her latest EP, Drop 7, came out in February last year. She recently announced that her new record, Lotus, will be released on 6 June.
Jane Beese, head of contemporary music for the Southbank Centre, said: 'Little Simz's first taste of what's to come from her Meltdown hugely embodies the wealth of influences and inspirations across her work.
'Ranging from jazz, hip hop, R&B, electronic and soul with a line up of both renowned legends alongside the creators of the future, this is going to be London's go-to festival this summer.'
Mark Ball, artistic director at the Southbank Centre, added: 'Hot on the heels of her brilliant line up for the first wave announcements, it's thrilling to see more global talent play alongside homegrown artists and to see Little Simz's musical curiosity and imagination take full shape.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Edinburgh Live
an hour ago
- Edinburgh Live
Heist film starring acting royalty now on Amazon Prime but fans say same thing
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info Directed by James March, King of Thieves is a 2018 British crime film inspired by true events. The screenplay, penned by Joe Penhall, Duncan Campbell, and Mark Seal, brings to life the notorious Hatton Garden safe deposit burglary - a heist carried out over the Easter Bank Holiday weekend in April 2015 by a band of seasoned elderly criminals. The film boasts a star-studded cast including Michael Caine, Tom Courtenay, Michael Gambon, Francesca Annis, Charlie Cox, Jim Broadbent, Paul Whitehouse and Ray Winstone. It tells the tale of a group of retired crooks (and one young alarms expert) who plan and pull off a daring robbery in London's jewellery quarter during the Easter Bank Holiday weekend. However, their final big score quickly descends into chaos as greed takes hold. Despite its stellar cast and gripping real-life story, King of Thieves failed to make a significant impact either commercially or critically. Box Office Mojo reports that the film only raked in $7,518 domestically in the United States and Canada, with just $3,502 earned during its opening weekend. Globally, the film grossed around $11.5 million at the box office, reports the Daily Record. The film's scenes were predominantly shot in central London and around Margate in Kent, showcasing venues like the Wig and Pen Pub, the Nayland Rock Hotel, Harbour Arm, outside Turner Contemporary, and Margate railway station. Additionally, one can spot Abbott's Cliff in Dover during the train sequence when Brian Reader (played by Michael Caine) heads to Margate. (Image: Publicity Picture) Despite its cinematic setting, the movie didn't quite stir up a storm, settling for a 31 per cent review score on Rotten Tomatoes. Both critics and audiences seemed underwhelmed by how the film was brought to life. Echoing the sentiment, a critic wrote: "The Hatton Gardens heist was a ballsy operation. You can't say the same about King of Thieves." Another reviewer pointed out: "King of Thieves really should have delivered way more cinematic swag than it does." Meanwhile, a commentator dissected the film's tone: "Torn between jaunty genre hijinks and a bleaker streak of realism, it's a strangely stiff, lethargic account of a cracking tale." The stinging critiques continued with a reviewer saying: "There is one joke in King of Thieves, and it's that the thieves are old. That's it-that's the whole movie," while another lamented: "Marsh had his hands on some very fancy jewels. What he didn't have, sadly, was the script to make them gleam." The audience feedback was similarly tepid, with one viewer saying: "Passes the time but little else. Tries hard to be both a comedy and a thriller but doesn't really succeed at either. For such a daring burglary, this could have surely been done a lot better." Another cinema-goer likened the film to the bungled robbery it portrays, adding: "Based on a real account of a robbery in London and featuring a superb all British cast. Very much like the botched heist, the plot here is in shambles all over the place." A different viewer didn't mince their words expressing their disappointment, saying: "It's poorly written. The heist isn't that exciting. The humour isn't funny." Meanwhile, another audience member remarked: "Not a gripping tale. At times the audience were laughing - was this supposed to be a comedy? ? ? Difficult to remember the names of the was who? "Undoubtedly the royalty of British male actors but the story was weak. It could have been much better if there was character and story development of the Police activity pitted against the perpetrators. Shame - not worth a look."

South Wales Argus
an hour ago
- South Wales Argus
Edinburgh Festival Fringe programme launched
Comedy, music, dance, children's shows, magic and cabaret will all be part of the arts festival, which runs from August 1 to 25. Topics include the apocalypse, rave culture, disability and sexuality, and more than half the performers are Scottish. A total of 3,352 shows are included on the line-up, including at new venues such as Hibernian Football Club's Easter Road stadium. Portobello Town Hall will also host acts for the first time, with a mini-festival to celebrate Palestinian art and culture, Welcome to the Fringe, Palestine. There are 325 free shows and 529 pay-what-you-can shows, and accommodation has been provided by several universities to make the Fringe more accessible to performers. Some 923 shows are from Scotland, predominantly from Edinburgh with 657 acts represented, compared to 1,392 from the rest of the UK nations, while a total of 54 non-British nationalities are on the line-up. Easter Road stadium will host two shows – Dropped, by former Chelsea FC trainee Alfie Cain recalling dashed aspirations and 'the darkness and pressures' of football, as well as Frankie Mack Showman – The Next Stage: The Leith San Siro, described as a 'high-energy, show-stopping' night of swing, rock'n'roll and modern classics. Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre explores a family connection with the campaign for democracy while VOTE the Musical at Paradise Green takes a 'gripping look' at the Suffragettes, exploring activism and personal sacrifice, according to promoters. Easter Road stadium in Edinburgh will host Edinburgh Festival Fringe events for the first time (Jeff Holmes/PA) Jenna Stone's play Happy Ending Street, at Leith Arches, tells a story about three Scottish sex workers dreaming of escaping from their way of life. Tony Lankester, chief executive of the Edinburgh Festival Fringe Society, said: 'Programme launch is such an exciting moment for everyone involved making the Fringe happen. 'Thank you to all the Fringe-makers – the artists, venues, workers, producers, technicians, promoters, support staff and audiences that bring their unmatched, exceptional energy to Edinburgh in August. 'This year's Fringe programme is filled with every kind of performance, so whether you're excited for theatre or circus, or the best of comedy, music, dance, children's shows, magic or cabaret; get ready to dare to discover this August. 'Jump right in, book your favourites, shows that intrigue you and take a chance on something new.'


South Wales Guardian
an hour ago
- South Wales Guardian
Edinburgh Festival Fringe programme launched
Comedy, music, dance, children's shows, magic and cabaret will all be part of the arts festival, which runs from August 1 to 25. Topics include the apocalypse, rave culture, disability and sexuality, and more than half the performers are Scottish. A total of 3,352 shows are included on the line-up, including at new venues such as Hibernian Football Club's Easter Road stadium. Portobello Town Hall will also host acts for the first time, with a mini-festival to celebrate Palestinian art and culture, Welcome to the Fringe, Palestine. There are 325 free shows and 529 pay-what-you-can shows, and accommodation has been provided by several universities to make the Fringe more accessible to performers. Some 923 shows are from Scotland, predominantly from Edinburgh with 657 acts represented, compared to 1,392 from the rest of the UK nations, while a total of 54 non-British nationalities are on the line-up. Easter Road stadium will host two shows – Dropped, by former Chelsea FC trainee Alfie Cain recalling dashed aspirations and 'the darkness and pressures' of football, as well as Frankie Mack Showman – The Next Stage: The Leith San Siro, described as a 'high-energy, show-stopping' night of swing, rock'n'roll and modern classics. Alice Hawkins – Working Class Suffragette at the Arthur Conan Doyle Centre explores a family connection with the campaign for democracy while VOTE the Musical at Paradise Green takes a 'gripping look' at the Suffragettes, exploring activism and personal sacrifice, according to promoters. Jenna Stone's play Happy Ending Street, at Leith Arches, tells a story about three Scottish sex workers dreaming of escaping from their way of life. Tony Lankester, chief executive of the Edinburgh Festival Fringe Society, said: 'Programme launch is such an exciting moment for everyone involved making the Fringe happen. 'Thank you to all the Fringe-makers – the artists, venues, workers, producers, technicians, promoters, support staff and audiences that bring their unmatched, exceptional energy to Edinburgh in August. 'This year's Fringe programme is filled with every kind of performance, so whether you're excited for theatre or circus, or the best of comedy, music, dance, children's shows, magic or cabaret; get ready to dare to discover this August. 'Jump right in, book your favourites, shows that intrigue you and take a chance on something new.'