
Rock legend Gavin Rossdale reveals dream of returning to Glasto and why he needs to be on his best behaviour
'I've been thinking about the kind of people who would pay to do me in,' Gavin laughs as I join him at the Sound Studio in London to celebrate the release of Bush 's tenth record, I Beat Loneliness.
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'I'm at the point where I'm a really successful working musician.
'I can never go anywhere where I'm anonymous.
'My behaviour has to be really excellent at all times because there's always someone with a camera phone — but I'm not like Kanye West.'
The record, with brilliant tracks like The Land of Milk and Honey and Everyone Is Broken, is an ode, Gavin says, to Bush's fans, who have been with them since they broke into the scene in 1995.
'I wanted to make a record for the people who have gotten stuff from our records,' Gavin explains.
'It's about me, but I realised that I'm no different than anyone else.
'I think that everyone is just fighting different battles at all times. But it's important to have so much fun in life.
Keep him grounded
'Life is beautiful, but it has its kind of moments where just out of nowhere, people will just f**k with you or life f**ks with you and things happen to you, to people you love.
'So writing a record that spoke to that experience just seemed the most valuable thing to do.'
He adds: 'Plus, I don't have any stories of holidays on yachts. So I didn't know what to write about.
"Every time I look at Instagram, I go, 'Why is that not me?' Leo [DiCaprio ] has never invited me anywhere.'
Gavin is now based in the US but he returned to the UK to walk his model daughter Daisy Lowe down the aisle this month.
Back in the US, it's his sons, Kingston, Zuma and Apollo, from his marriage to Gwen Stefani, who keep him grounded.
'My recording room is in the bedroom between two of my kids' rooms,' Gavin says.
'I did a remix of Machinehead, one of our earliest songs, and to be honest, I was impressed with myself.
"And my 17-year-old son, who's a really good guitar player, walks in and he goes, 'You're not releasing that?'
'I was like, 'What do you mean?' He goes, 'You're taking legend and you're really destroying it.''
Recalling another grounding incident from Kingston, Gavin adds: 'We were on holiday and I was going on tour two days later.
"I had guitars in the house that had been used by the kids and I didn't get a chance to practice.
'I started to play one of the songs and he walked in and he goes, 'Do you want any help with that?'
'I took the bait. I was like, 'Look at this house. This is how we got here!'
'I was super defensive. But he was right. I hadn't been playing so I was a bit fingers and thumbs.
"He caught me on an upswing. I was like, 'Come to see our second night on tour and then you'll see, son.''
Bush's new album is the perfect follow-up to 2022's The Art of Survival with Scars and I'm Here to Save Your Life proof that Gavin is still a killer songwriter.
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He says: 'When you've made a lot of records you do think, does anyone need any more.
'But then you have people say, 'Please don't stop making records.' A girl said this to me outside the back of a gig.
'And that stuck with me.'
Next in the works for Gavin and Bush is a UK tour, which will hopefully become a reality next year after they've finished supporting Volbeat.
'The idea of doing that Volbeat tour is to sort of stoke the fires,' Gavin says.
'It's a wild, competitive world. And if you don't take things personally, like for me, I haven't played enough of those festivals.
'But instead of moaning about it, it's just sort of like, get out there, make a great record, do a great show all across Europe and then see what happens.'
Glastonbury 2027 could also be in the pipeline — with the festival's next date coinciding with the 25th anniversary of Bush last playing there.
'I thought we did quite well when we played there, but we never went back so it could be time,' says Gavin.
'I would love to play Glastonbury. I still remember that show.
'It's brilliant and it would be 25 years . . .'
All the more reason to get Emily Eavis on the blower then, Gavin.
Lott of reasons to smile
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Pixie Lott did the best rendition of her 2009 hit Mama Do at We Are Wirral Festival.
The pop star, who is seven months pregnant, took off her shoes and danced like crazy in this chic animal print dress at the event.
Pixie announced she was expecting her second baby with husband, model Oliver Cheshire, last month.
She thrilled fans by revealing the news live on stage at Mighty Hoopla by grabbing her tummy and shouting: 'I'm having another baby.'
Her first son, Bertie, was born in 2023 and by the time his third birthday rolls around – there should be another member of the Lott family in the fold.
Two kids under three is a challenge for any parent, Pixie – you got this.
Sophie sweet on pop album
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Sabrina Carpenter, Dua Lipa and Chappell Roan have helped make pop cool again, but Sophie Ellis-Bextor insists she isn't riding on anyone's coattails.
She is making a spectacular return with her album Perimenopop, which will be out in September, but said she isn't capitalising on the resurgence of fun tunes, or a result of Murder on the Dancefloor becoming a viral sensation.
In an exclusive chat, Sophie said: 'I was already planning to make a pop album before I released my last record, because my last record.
"It was a little bit more escapist and introverted, so I thought right, it's time to bounce to the other side now, the extrovert side.
'What happened with Murder was just a lovely bit of serendipity that made me feel like my instincts were in the right space.'
And it sounds like she has fulfilled all her dreams when it came to making it, after teaming up with MNEK and Cathy Dennis, who wrote Toxic for Britney Spears and Can't Get You Out of My Head for Kylie Minogue.
She said: 'Do you know what, I went to the full pop sweet shop for this album and I filled up my bag with as many sweets as I could, so I think I got my fill, actually.'
She worked with her husband, the Feeling's Richard Jones, on the record too, but they still have fun away from the music.
Sophie added: 'Richard and I just had our 20th wedding anniversary, which is pretty cool.
'We got married in Italy, so we went back to Italy, just the two of us, for a few nights without the kids.
'To do something that was just about us and not about gigs or delegating stuff with the family was really nice.'
Selena's love for Tay
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Selena Gomez celebrates her 33rd birthday today and she's in a reflective mood.
The American singer shared a series of never-before-seen snaps from a pre-birthday get-together with her pals, including Taylor Swift and her fiancé Benny Blanco.
Selena said: 'This past year has truly been the most beautiful year of my life, and I owe so much of that to all of you. Thank you for your unwavering love and kindness.
'Whether you cheered me on from the sidelines, shared in my highs and lows, or simply offered a listening ear, you have made this year unforgettable.
'I am extremely humbled and insanely appreciative of all your love.'
I'll be raising a pint to you tonight, Selena. Not that I ever need much of an excuse.
Giggs gig hits summer groove
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Somerset House saved the best until last with one of my favourite rappers, Giggs, invited to close their Summer Series.
Waterloo Bridge would have been shaking on Sunday night after he took to the stage in front of a massive crowd as the London venue celebrated its 25th anniversary of concerts.
Last week he dropped a new song with his son ML which touches on their experience of autism.
Own Motion, which was originally written and released by ML, tells his story of feeling like he didn't fit in.
Giggs is now on a remix of the song and opened up about his experience of the condition – admitting his autism saw him being labelled a 'troublemaker' when he was young.
He said: 'I was always getting in trouble.
'I always used to answer back, get kicked out of class every single day until I just thought: 'Well, I'm bad'.'
More tearjerkers from hitmaker Capaldi
Lewis Capaldi has said his upcoming EP will be his most personal music to date – which is really saying something given he already has two albums of tearjerkers under his belt.
He marked his return by topping the charts earlier this month with comeback single Survive. While his new songs will tell all about his two-year hiatus from showbiz and his mental health struggles.
Speaking to a US radio station, he explained: 'I'm trying to sing different, on different songs, and I feel like the new stuff is a bit more personal.
'A lot of it is about the last two years and what I've been going through and stuff. The music is more about me than relationships and stuff.
'I'm really pleased with it. I like it. It's definitely harder.
'I got to a point where writing songs about relationships became really… I don't want to say easy, it wasn't easy, it's never easy writing songs.
'I find writing songs really difficult these days but writing songs about stuff you're still processing perhaps and the stuff you don't like talking about has been really hard.'
Ellie has plenty of six appeal
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Ellie Goulding is preparing to bare her soul on her upcoming sixth album.
She opened up to her fans as she celebrated the fifth anniversary of her No1 album Brightest Blue and said: 'If you guys liked this album I fear the next might be your new favourite . . . I've been working on it for so long.
'Guitars, bass, strings, harmonies for days, saddest words I ever wrote, best writers and musicians in the world – I am so lucky – and refusing to sound like anything else out there.
'Going to be interesting for sure.'
Ellie saw her last record, Higher Than Heaven, go straight to No1 in 2023 and I've no doubt her sixth record is sure to hit the same dizzy heights.
Fans of Avatar are in for a treat – as the first trailer for the next instalment, Fire and Ash, is going to be shown across cinemas from today.
Film buffs heading to watch The Fantastic Four: First Steps will be the first to see the clips from the new James Cameron epic - which is out on December 19.
Charli's hall date sees rise
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If you're getting married soon and are considering a town hall venue – you might have to get in there quick.
After Charli XCX and George Daniel had their first formal ceremony at Hackney Town Hall at the weekend, I'm told demand for these venues is already getting out of hand.
According to new research there has been a 156 per cent increase in Google searches for 'town hall wedding' – with a massive spike on Sunday after we revealed the details of Charli and the 1975 drummer George's very brat big day.
I'm getting wed in 2027 but luckily for me, I've already booked my little village church.

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Times
8 minutes ago
- Times
My audience with Frankel — king of racehorses
For racing fans, the name Frankel is the equivalent of the mythical Pegasus. But the unbeaten superstar of the sport, who was retired from the track in 2012 and is now 17, doesn't reside on Olympus. Instead he can be visited in his stable in Newmarket courtesy of Newmarket Tours. The bad news is that Frankel is only available to the public eight times a year — for a group limited to 24 — and tickets are snapped up faster than an Oasis reunion. For aficionados, this really is the hottest ticket in town. The legend of Frankel is for ever tied with that of his trainer, the late great Sir Henry Cecil. Champion trainer ten times between 1976 and 1993, the charismatic Cecil's career had declined with the combination of a fallout with Sheikh Mohammed, two divorces (he married for a third time in 2008) and then a gradual physical decline caused by stomach cancer. From a peak of having about 200 horses in his care and for decades churning out over 100 winners a year, Cecil was down to about 50 and in 2005 he hit rock bottom with just 12 winners. The following year he was diagnosed with stomach cancer and, but for the staunch support of his leading owner, Prince Khalid Abdullah, he would surely have retired. Cecil had remained a darling of the racing public throughout, though, and it was Abdullah who provided Cecil with his greatest legacy when sending Frankel to his stables as an unraced two-year-old colt back in 2010. Frankel went on to win all 14 races he took part in, from 2010 to 2012, ten of them at the highest level, as he went from strength to strength while his once-dashing trainer looked ever more frail. Many believe that Frankel was all that kept Cecil going in his final years and the trainer finally succumbed to the illness in 2013, his life's work achieved. Those lucky enough to buy the golden Frankel tickets can still be a part of that great legacy. A half-day tour costs just £110, while a full-day version is £210. There are four of each a year. The full-day events start at 8am and are hosted by Cecil's widow, Lady Cecil, who both acts as your tour guide — adding her personal Frankel memories — and hosts a two-course lunch at the Bedford Lodge Hotel on the outskirts of town. The morning takes in a behind-the-scenes visit to Newmarket's Rowley Mile Course (the town also has the July Course), a visit to the gallops and a tour of a trainer's yard before lunch. It is a 2pm start for the half-day tour, meeting at the National Horseracing Museum in the middle of Newmarket. The tour bus is ageing but the journey times are short and the guides, with their years of experience in the sport, are brilliant. The former jockey Larry Bowden steered my bus and delivered a flawless commentary with a hint of a Suffolk accent. Every stud and training yard is accurately reeled off as you drive past, with historical facts about Newmarket and plenty of other little-known gems sprinkled in, all delivered with a dash of humour. • Read more luxury reviews, advice and insights from our experts First stop was the top of Warren Hill gallop, close to where Frankel was trained at Cecil's Warren Place base, and offers views across the town. It is a scene that has scarcely changed since Newmarket racecourse was founded by King Charles II back in 1636. Then comes the main event as you arrive at Banstead Manor Stud, which has been Frankel's home since his retirement from racing at the end of 2012. Not every top racehorse enjoys success at stud, with several Derby winners in recent years failing to produce progeny with the requisite ability and ending their careers in far-flung outposts. Frankel has proved exceptional, siring a seemingly endless list of top-class horses. His racing career earned £3 million but breeding is where the real money is. He is visited by about 150 mares during the breeding season, with their owners paying £350,000 a time for the privilege, earning Abdullah's Juddmonte Farms about £52.5 million a year. Given those numbers, it is no surprise that the surroundings are opulent, with well-appointed brick stables set among manicured lawns surrounded by pristine hedges that hide the rolling paddocks behind. If there is so much as a blade of grass out of place, it is not apparent. Banstead Manor houses seven stallions — one of them being Chaldean, a son of Frankel who followed his father by winning the 2,000 Guineas (one of five classics that are run each year in Britain). • The Queen, horse racing and me, by one of Britain's best trainers These are not pets, though, that you can pat on the nose in their stables. They are working horses. Thoroughbreds are by nature flighty and stallions often have plenty of attitude. Each stallion has their own personal groom, with whom they need to gel, and Frankel has been looked after by Rob Bowley since he arrived there in November 2012. The stallions are displayed, one at a time, by their grooms as we are given a running commentary by Henry Bletsoe as to both their racing career and their quirks. Frankel might be the main draw, but we are told that he is not the boss at the stud, with Oasis Dream, who is now 25, still demanding to be first in line. He really does have attitude, despite his advancing years, but looks magnificent with his coat gleaming in the sunshine. Then the main event saunters into view. Frankel, with his four white socks and distinctive crown-shaped white mark on his forehead, is rather more relaxed. He stands obediently as the group looks on in awe at this magnificent specimen, who is prepared to have pictures taken as long as a timely supply of carrots is provided by Bowley, who chats to him throughout. After a few minutes, though, his head starts nodding with ever greater frequency as boredom sets in — why have I been brought out of my stable when there is no mare to visit? He saunters back to his stable and disappears from view. • Can Gen Z save racing? Traditionalists have their doubts The tour ends with a visit to the breeding barn, with our guide trying to find appropriate words to describe how things work with two children in attendance, much to the amusement of the rest of the group. Goodie bags are handed out, in classy Frankel-design bags, which include much sought-after Frankel caps, leaving no doubt as to who is the star of the show. The trip is rounded off with tea and scones back at the museum at 4pm, which allows the chance for any lingering questions to be answered. Newmarket Tours was set up in 2015 and is a not-for-profit organisation that supports tourism in the 'Home of Horseracing'. It is doing invaluable work for the town, operating six days a week and entertaining 10,000 visitors last year. Those unable to buy the Frankel tickets have many other options to choose from, starting from as little as £16.50 (£5 for under-16s) for a 90-minute trip to the National Stud, whose four stallions include the triple Ascot Gold Cup winner Stradivarius. Other studs, trainers' yards and behind-the-scenes access on race days at Newmarket are all available depending on your budget. There are about 3,000 horses in training in Newmarket, but Frankel, who retired in 2012, remains the town's biggest asset. A recent TV advert has a voice-over of a horse telling viewers that 'the Goat is a horse'. It goes on to remind 'mere humans' that a horse can 'sprint 100 metres in five seconds — with one of you on my back'. After centuries of breeding thoroughbred racehorses to become ever faster, Frankel is the best yet. The chance to see him in the flesh once again is too good to miss.


The Guardian
2 hours ago
- The Guardian
1000 Men and Me: The Bonnie Blue Story review – the troubling tale of sex with 1,057 men in 12 hours
For those of you pure of heart and internet search history, Bonnie Blue (real name: Tia Billinger) is famous for being one of the most popular and highest-earning content creators to have appeared on more-or-less porn site OnlyFans. To fulfil her ambition of earning £5m a month from subscribers she needed a USP. She found it in pursuing 'barely legal' sex – traditionally one of the most searched-for terms in porn – with the twist that instead of men searching for videos of other men having sex with teenage (or teenage-looking, depending on how many internet layers you're prepared to sift through for your purposes) girls, Billinger offered herself to young men. She had sex with them for free on condition that they gave permission for her to upload the footage to her OnlyFans account, where her subscribers pay to access her content. 'She is a marketing genius,' says one of the team she has gathered round her to help administrate her growing empire. She has, in essence, introduced an entirely new way of doing porn-business. If she were working in any other field – if she had stayed in her previous job as a finance recruiter for the NHS, perhaps – and innovated to the same extent, she would probably be hailed as an extraordinary entrepreneur. She also specialises in gang bangs, putting calls out on her social media channels for volunteers ('I'm in London, on my back, and I'd like your load'), with no shortage of willing participants. 1000 Men and Me: the Bonnie Blue Story is a documentary by Victoria Silver, who became aware of Billinger's existence through what the algorithm was serving up to Silver's 15-year-old daughter on her social media feeds. It follows Bonnie/Tia as she prepares for ('1,600 condoms, 50 balaclavas, numbing lube') and executes her most infamous endeavour – having sex with 1,000 (1,057, it turns out – 'barely legal or barely breathing … come and rearrange my insides') men in 12 hours. It proved too extreme for OnlyFans – or at least for Visa, who processes its online payments – and she has since had to move elsewhere to continue her campaign for lucrative online-world domination. Naturally, the media – online, legacy and everything in between – has had a field day with all this. They've labelled her everything from predator to victim (she denies both, saying she has no 'daddy issues', no trauma in her past and none induced by her work since). She has been accused of being a traitor ('you're giving into the patriarchy'), and has received multitudinous insults ('disgusting, deplorable slapper' is one we hear from an online commenter). Although Silver's six months in Billinger's company doesn't provide much in the way of decisive evidence or insight, it does show the star to be as steely in her approach to her career as she is Stakhanovite in her labours. When she needs to court attention, the easiest way is often to insult the wives and girlfriends of the men who watch her and come to her events. 'I just loved … knowing I was doing something their wives should have done.' She recommends bringing their partners' underwear along. 'I'll make them smell MUCH nicer'. And just remember, she confides to camera, 'that if a girl says she's on her period, there's nothing wrong with her throat.' But, Silver remains essentially unconfrontational in her approach, and no match for one as robust and unfazed by other people's opinions as Billinger. The latter claims that her career is what feminism has fought for 'for years and years'. So, if young girls are seeing her content and fearing that this is what they should be offering boys? Then it's up to their parents to teach them that it's not for everyone. The idea of a collective or social responsibility, any considerations beyond the purely individual and/or financial gain no traction. Silver rarely pushes back, even when Billinger recruits visibly nervous, deliberately young-looking female content creators for a video in a 'sex education lesson' where performers roleplay students – she asks nothing about possible harms to them or in encouraging male fantasies around girls too young to consent. The basilisk Blue stare seems to hold her in its thrall. There are only perhaps two moments that, for me, come close to revealing anything about Billinger, and even these are only a measure of – maybe – how deep the traits she has already willingly shown us run. The first is her comment: 'Everyone says my brain works different. I'm just not emotional … If I don't want to get upset, I won't get upset.' It reminds me of the statistics that show a high proportion of CEOs and the like – and what is Billinger if not her own CEO – are technically sociopaths. And the second is that when she computes the risk of being insulted in the street she says: 'At least they're getting off the sofa.' This 26-year-old woman who spurned university as unnecessary, was driving a Mercedes C-class by the age of 19, and bought a house shortly thereafter. Hard graft seems to be a high calling, laziness the only sin. Do I admire her work ethic and facility for business? Yes. Do I wish we lived in a world where the best option for realising those talents as a young woman was not through making online porn? Yes. Do I see where we go from here? Yes, I do. And Billinger will be fine. Beyond that individual? Not so much. Not so much. 1000 Men and Me: The Bonnie Blue Story is available on Channel 4.


Daily Mail
2 hours ago
- Daily Mail
Norwegian rocker Glam apologises to Julia Morris and says he was 'blind drunk' when shock Eurovision 2005 groping incident occurred
A Norwegian rock singer has apologised after he was publicly called out by Julia Morris for groping her during a live interview at the Eurovision Song Contest in 2005. Earlier this week, Morris, 57, shared footage to social media of the disturbing incident, which saw Nilsen touch and kiss her without permission during an interview, and slammed his behaviour. Wig Wam vocalist Åge Sten 'Glam' Nilsen, 55, exclusively told Daily Mail that his behaviour in the interview did not reflect his true character, as his senses were impaired during the incident. 'What's missing [from Morris' account] is that BBC knew I was blind drunk at an afterparty, in costume and in character as my alter ego Glam,' Nilsen said. 'What could possibly go wrong? I apologised 19 years ago in a BBC interview about the interview, and just did again.' From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the DailyMail's new showbiz newsletter to stay in the loop. View this post on Instagram A post shared by Julia Morris (@ladyjuliamorris) He added that at the time he thought it was a piece of 'theatre' and the actions did not reflect his true character. 'That doesn't take away my responsibility for my character's improper behaviour though. It was rock 'n roll theatre and I thought BBC was in on it,' he said. It comes after Morris opened up about the shocking incident, in which the rock singer groped her during a live interview. The footage, filmed backstage in Kyiv while she was hosting Eurovision coverage for the BBC, shows Glam entering the frame with a lit cigarette, before climbing on top of Morris as she sits on a couch. 'Oh my God, what a lovely surprise!' Morris said in her signature upbeat tone as Glam proceeded to straddle her and cradle her face. The situation escalated as Glam kissed her on the cheek, put his arm around her, stroked her leg and, at one point, touched her chest - all while she remained visibly composed. Morris captioned the footage with some shocking words: 'Eurovision 2005, Kyiv. BBC. What a treat to turn up to work and be touched and disrespected by an all time f***wit. 'Looking like I'm having fun is part of my job, but my not flinching is how common this behaviour was. I had a miscarriage the week before this, so being SA'd [sexually assaulted] live on tele was all I needed.' Wig Wam vocalist Åge Sten 'Glam' Nilsen told Daily Mail that his behaviour in the interview did not reflect his true character She later told that she felt she had to maintain an upbeat demeanour as part of her presenter role during the incident. 'What's really spooky is, I don't even flinch. I suppose as a stand-up comedian, reading a room and adjusting is [the role]. What was I supposed to do?' Morris said. She added that she was going through a particularly difficult time during the incident which left her feeling vulnerable. 'I was trying to make sure my pad didn't move, because I had a miscarriage the week before,' she said. 'I had to have a massive f***ing pad. I mean, enormous. 'And so, when old mate jumped on top of me, all I was thinking was, "My god, he's going to squeeze it [the pad] out the back." And all the while he is touching up my t*ts... And I was getting in trouble from the producers.' She said there was now more awareness about how unacceptable this kind of behaviour was following the #MeToo movement, but revealed that back then it was not acceptable to speak out. 'You didn't have a voice. You certainly don't have a choice of "Don't speak to me like that",' she explained. ''A lot of young people now are like, "We're the first to speak up about this." And it's like, "No, we all tried, we just got fired".'