
India on precipice of amazing, undeniable global soft power: Comedian Vir Das
"I think something that the diaspora does really well is protect culture," Das said here during a special interaction hosted at Asia Society.
Das, who won the 2023 International Emmy for Best Comedy for his comedy special Landing, said amid applause and laughter from the audience at the event that what he finds "lovely" about the Indian diaspora is that while they have an American accent and American values, but "at your shaadi, you (dance) to Mehendi laga ke rakhna".
The Asia Society event on Thursday was presented in collaboration with global media platform, community and agency South Asian Trailblazers and was held on the eve of the premiere of Das's latest comedy special Vir Das: Fool Volume.
"India is on the precipice of an amazing, undeniable global soft power, and it only translates when the bridge happens from me to you. So we are both ends carrying that soft power," Das said, a message for the Indian diaspora settled across the world.
"We are both guardians of India's soft power at an equal level."
Citing the example of Indian actor and singer Diljit Dosanjh, who became the first Punjabi singer to perform at the popular Coachella Valley Music and Arts Festival in California in 2023, Das said, "When Diljit performs at Coachella, that is an amazing, undeniable thing. The diaspora has to show up to pack Coachella. When he shows up in India, we'll pack it for him. But when he comes to Coachella, show up, for modern Indian culture".
your child would be better served by creating that mindset," Das said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India.com
2 minutes ago
- India.com
Not Rupali Ganguly, Hina Khan, this 49-year-old woman is highest-paid TV actress, she is...
In shifting tides of Indian television, a select few actresses have silently transformed the game. With each performance, they've not only won hearts but also climbed the financial ladder, rewriting industry norms along the way and now, one among them 49-year-old actress, has quietly claimed the title of highest-paid star on the small screen. Who is this actress? Here we are talking about actress-politician Smriti Irani, who recently made a significant return to television with the reboot of the iconic series Kyunki Saas Bhi Kabhi Bahu Thi 2. Premiering on July 29, 2025, on Star Plus and streaming on JioHotstar, the show has brought back nostalgia among viewers. Irani, reprising her role as Tulsi Virani, expressed that the sequel is more of a 'retelling' than a reinvention, aiming to resonate with both old fans and new audiences. How has Smriti Irani become the highest-paid actress? Smriti Irani's return to the small screen hasn't just created buzz for nostalgic reasons, it's also made headlines due to her staggering remuneration. For Kyunki Saas Bhi Kabhi Bahu Thi 2, Irani is reportedly charging Rs 14 lakh per episode, placing her among the highest-paid television actors in India. This paycheck reflects both her iconic status and the anticipation surrounding the sequel. Her remuneration dwarfs that of many top names on television today. For comparison, Rupali Ganguly of Anupamaa fame earns around Rs 3 lakh per episode, while Hina Khan reportedly charges up to Rs 2 lakh. Smriti's staggering fee underlines her unmatched legacy in TV space and the industry's confidence in her return, grabbing viewers' attention. More about Kyunki Saas Bhi Kabhi Bahu Thi Kyunki Saas Bhi Kabhi Bahu Thi was a game-changer in Indian television history. Premiering in 2000, the show quickly became a daily ritual for millions of viewers. It revolved around the Virani family and especially Tulsi, played powerfully by Smriti Irani. The show featured an ensemble cast including Amar Upadhyay, Ronit Roy, Sudha Shivpuri, and Hiten Tejwani, each adding depth to the narrative. With its emotional storytelling, dramatic twists, and strong portrayal of family values, the series created an emotional connection that spanned generations. Its legacy lives on as one of the most influential and unforgettable Indian soap operas ever made.


Indian Express
2 minutes ago
- Indian Express
Radhika Apte says ‘insensitive' Indian producer reacted to pregnancy news coldly, didn't allow her to see doctor: ‘Forced me to wear tight clothes'
Radhika Apte has openly spoken about her difficult pregnancy and how she struggled to accept her body and the weight gain during and after the experience. While she was dealing with her own challenges, the film industry didn't make things any easier. In a recent interaction, Radhika shared the stark contrast in empathy and understanding she witnessed between an Indian producer and an international filmmaker — while the Indian producer reacted 'coldly' to her pregnancy news, the international filmmaker offered her support and compassion. Speaking during Neha Dhupia's Freedom to Feed live session, Radhika said, 'An Indian producer I was working with wasn't happy about the news. He responded coldly and even insisted I wear tight-fitting clothes despite my discomfort and bloating.' Radhika emphasised that she was met with 'insensitivity' while working on an Indian project. 'I was in my first trimester and had constant cravings, I was eating a lot, be it rice or pasta and going through the usual physical changes, but instead of understanding, I was met with insensitivity. I wasn't even allowed to see a doctor when I was in pain and feeling uneasy on set. That truly disheartened me,' she said. The Sacred Games actor shared how the reaction of the Hollywood filmmaker she was working with was exactly the opposite and how he was quite supportive. 'The Hollywood filmmaker I was working with was so supportive. When I mentioned I was eating more than usual and might look like a completely different person by the end of the shoot, he laughed and said, 'Don't worry, even if you're another person by the end of this project, it's fine. Because you're pregnant.' That reassurance and warmth meant the world to me,' she said. Radhika admitted that though she respects professional commitments, that doesn't mean people can't show a little empathy. 'I wasn't expecting special treatment, just kindness and basic humanity after sharing such a personal and joyous piece of news,' she said. Radhika is married to London-based musician Benedict Taylor and lives in London with their baby girl, born in December last year.


Indian Express
2 minutes ago
- Indian Express
Why was a Manipuri girl singing Tagore as a farewell to theatre giant Ratan Thiyam?
Days before he passed away in Imphal, Manipur – a state riddled with ethnic conflict since 2023 – Ratan Thiyam, one of the most influential voices in Indian theatre, heard Rabindra Sangeet. In a moving tribute that has surfaced on Instagram, Gunchenbi, a young Manipuri girl and daughter of Manipuri dancer Karuna Devi and noted composer and vocalist Surajkumar Wangkheirakpam, is seen sitting on the floor near the foot of an ailing Thiyam's bedside at his home while singing Ore Ggihobashi, khol dwar khol, (O home dweller, Open your door), a noted song from Rabindranath Tagore's oeuvre. Thiyam passed away last month at Regional Institute of Medical Sciences at the age of 77. Gunchenbi sings the song plainly, as if not aware of the weight of the moment. And that's what's most powerful and dramatic about it. Tagore had used spring as a metaphor for spiritual awakening in Ore grihobashi, calling out the home dweller to open the door and savour the changing season, the fragrant blossoms. Gunchenbi also sang Bela boye jaye (The day is passing), which elaborates on the transient nature of time, the idea of seizing the present and embracing it all without any regrets. There is no microphone or any instrument, just Gunchenbi's innocent voice rising in crescendo. Thiyam and Tagore never met each other and were separated by time and geography. But Thiyam took a lot of inspiration from Tagore, exploring universal themes through local Manipuri idioms. A poet, musician and painter besides being a theatreperson, Thiyam was deeply inspired by Tagore's work. He created a striking illustration of Raktakarabi (Red Oleanders), Tagore's protest play about a tyrannical king who exploits his subjects, forcing them to toil relentlessly in gold mines. Tagore wrote the play in Shillong and Thiyam's illustration showcases the protagonist Nandini bearing the weight of what she mines on her head along with the others who are exploited by a king who compels his subjects to labour. Thiyam engaged with Tagore for a full-fledged play as well and created Raja (King of the Dark Chamber, 1910), the story of a benevolent king who does not like the way he looks and does not step out of his dark chamber, thus disturbing his queen as well as the people he governs and eventually becoming the story of man's search for meaning. It was staged a year after Tagore wrote it, on his 50th birthday. But the play in Bengali would go on to transcend divisions of region and language and in Thiyam's hands becomes the story of an anguished queen's battle with darkness. Born in Nabadwip in West Bengal when his parents, both Manipuri dancers, were touring the state, Thiyam also knew Bangla well. In a fractured Manipur, which has dealt with months of ethnic conflicts, Tagore's music on Thiyam's bedside, urging him to open the window for the blossoms, seemed far from the violence and the it's continued pain. But it was an apt farewell to a significant pioneer of theatre, a voice of reason whose ideas of inclusivity, social welfare and spirituality rose above all else.