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Kelly: Cork will focus on lifting mood of entire county

Kelly: Cork will focus on lifting mood of entire county

RTÉ News​2 days ago
Cork's camogie crew will be hellbent on lifting the mood of an entire county when they take on Galway in the All-Ireland camogie final on Sunday, according to Wexford legend Kate Kelly.
The Cork hurlers' second-half collapse in last month's All-Ireland hurling final still stings for fans of the small ball game in the Rebel County. But, says Kelly, that frustrating day for the men at Croke Park will only focus the minds of Ger Manley's defending champions.
"You'd have to say the last three finals haven't necessarily gone to script and probably none more so than the hurling final," four-time All-Ireland champ Kelly told Des Cahill on RTÉ Radio One's Morning Ireland show.
"But if anything that will sharpen the minds of the Cork team this weekend and drive them on even that bit more to rise the spirits in the county.
"They have been a very focused team this year. They set out their goal from the start that they wanted to win a league final. I think they've only three players on that team that have league medals and they made it very clear to start the year they wanted to do that.
"If you remember back to Hannah Looney's interview after the All-Ireland last year. She made the statement even then that they want to be remembered as a generational team."
Galway have beaten Cork in an All-Ireland final as recently as 2021. The Rebels would suffer heartbreak in the following year's decider as well when they lost out to Kilkenny by just a point.
But the last two seasons have belonged to a Cork team that will now contest a fifth straight All-Ireland decider. They thrashed Waterford in the 2023 showdown and held off Galway last year. Can the Tribeswomen halt their rivals' hat-trick hopes?
"What a cracking game last year's final was," Kelly remembered. "You'd have to say right up until Cork made those few subs off the bench, they had such a big impact, the game was in the melting pot right down to that last few minutes.
"If you look at Galway's season, it's probably not as comprehensive or awesome a season that would give you as much confidence as Cork's, but they have the calibre of player, they know how to turn it on. They will come razor sharp.
"Cork's speed up front, their turn of pace. If you look at the Cork team, Laura Tracy is the springboard for everything. And outside that, you have Looney and Aisling Thompson and, and they're probably not even mentioned this year.
"You'd have to look to the likes of Saoirse McCarthy – Not even 25 yet – has secured the last four All-Ireland semi-final Player of the Match awards. Laura Hayes, Player of the Year, another one in that age profile.
"Those two players are super, and that's not even me mentioning the speed of Amy O'Connor up front and the two Mackeys. It's hard to see past them, but if Galway are in it in the last 15 minutes, you never know what might happen.
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Persistent hunger ensures Cork will never slack off
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‘It's so brilliant to see them hopping off each other': How camogie moved the goalposts

After the 2018 All-Ireland final, camogie had reached a crisis point and a tipping point. For the second year in a row the two outstanding teams in the championship had produced an insufferable spectacle, polluted with fouls and frees and flooded defences. Until then, only two finals in history had failed to produce a goal but Cork and Kilkenny had managed it in successive years. It wouldn't have come as a surprise to either of them because that was how they had set up: any other outcome would have been a systems failure. Cork and Kilkenny had goaded each other into a siege mentality. The referee, though, shouldered a disproportionate share of the blame. Thirty-six frees had been awarded. Only 27 points were scored and just nine had come from play. For scrupulously applying the rules, Eamon Cassidy was vilified. 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'The camogie rules had never made any sense, in any era, in any context,' says Eimear Ryan, award-winning author of The Grass Ceiling and former Tipperary player. 'You're trying to put shackles on a game that is by nature physical and free-flowing. I think it was just this well-intentioned, but kind of patronising, idea in the first place to come up with compromise camogie rules. I'm so glad in this more progressive age that they've essentially just made it the same as hurling.' [ Eimear Ryan: 'I thought that there was some trick to writing a novel' Opens in new window ] Camogie has a reputation for being conservative and institutionally opposed to change. In the flare-up over the introduction of shorts earlier this year, the association's leadership, at all levels, was excoriated for being out of touch with its players. In that case, they eventually bowed to irresistible pressure. Kilkenny's Shelly Farrell and Cork's Ashling Thompson in the 2018 All-Ireland final. Photograph: James Crombie/Inpho But of the four principal games in the Gaelic games family none has changed more profoundly than camogie since the turn of the century. Men's football has just emerged from open-heart surgery, women's football probably needs to see a consultant, hurling has undergone a series of strategic upheavals, but camogie has turned somersaults. Some of that change was open-eyed and deliberate, some of it was environmental. When camogie made the life-changing decision to switch to 15-a-side in 1999 the game was exposed to new horizons and different thinking. It wasn't a blank page, but there were just a few scribbles. 'When camogie was 12-a-side, if you had three or four good players they could dominate the game, but with 15-a-side, a team had to be more balanced,' says Kate Kelly, who won four All-Irelands and nine All Stars in a Wexford career that spanned 20 years. Ann Downey: 'When we were playing, a lot of the players just went out and trained … Now they're all in the gym.' Photograph: Tommy Dickson/Inpho 'It hugely improved the game. It's enhanced it in every way – tactically, and even from a perception point of view. You know, it was a full-sized pitch, you weren't using two small goals, that, realistically, only under-12s were using. It's hard to fathom now that we played 12-a-side.' What it added to the game immediately was a greater premium on athleticism. Once camogie embraced that new imperative the ceiling kept rising. How fast? How strong? 'When we were playing,' says Downey, 'a lot of the players just went out and trained. Angela [Ann's sister] and myself did a good bit in the gym all right, but I couldn't say there were another two or three on the Kilkenny panel that were doing the same. Now they're all in the gym.' Different strands coalesced. When the game was 12-a-side, the ball moved more freely, and often on the ground. But on a bigger pitch, and with fitter players, carrying the ball gained more currency. The game had a different beat: it had made the evolutionary jump from Ska to Mod. 'I don't know whether I should say it got more professional or it got more serious,' says Kelly, 'but in terms of culture, players became more conscious of all the elements that improved their game.' Saoirse McCarthy of Cork during last month's All-Ireland semi-final against Waterford at Nowlan Park. Photograph: Bryan Keane/Inpho When camogie went 15-a-side, it also reduced the tariff on imports from hurling. Ideas were traded through a frictionless border. 'The game became a lot more tactical,' says Ryan. 'Everything that has happened in hurling over the last 20 years has just seamlessly transitioned over to camogie because camogie teams are generally coached by recently retired hurlers.' Historically, camogie had resisted being categorised as a female version of hurling. It had a distinctive culture and identity and didn't need to be cross-referenced with its sibling. For a long time, it was much easier to hold that line. On the Camogie Association website about 10 years ago they listed all the differences between both games; the counting stopped at 41. Some of the differences were administrative or technical, but some of them were fundamental to how the games were played. The All-Ireland semi-finals in Nowlan Park last month were perfect illustrations of the modern game: accomplished and tactical and exceptionally physical 'The impression I would have is that most players conflate camogie and hurling as the same thing,' says Ryan. 'They don't see camogie as a distinct, separate sport. 'You go on a kind of a journey as a player. I remember as a kid being almost, like, offended by the rules. You could catch it three times in possession in camogie – that was another rule difference – and you could drop the hurley. I thought these were awful rules and I refused to use them as a young player. What emerged from the rubble of the 2017 and 2018 All-Ireland finals was an appetite for rule change. Photograph: Donall Farmer/Inpho 'And then in my 20s, when I was playing in the inside forward line, I actually realised it was very handy to drop the hurl and handpass a goal and I did that a lot.' Handpassing a goal is no longer allowed in camogie. Neither is catching the ball three times or dropping the hurley. What emerged from the rubble of the 2017 and 2018 All-Ireland finals was an appetite for rule change. The players were up in arms about how contact was governed. The impetus for reform came from them. The Camogie Association rowed with the tide. At the beginning of 2019 the Women's Gaelic Players' Association assembled a group of its members to assess what needed to be addressed and later that year the Camogie Association staged a 'feedback forum' in Croke Park. After that, a Rules Revision Work Group was established under the leadership of the former GAA president Liam O'Neill. As part of their due diligence they reached out to camogie's general membership with a survey that generated 1,500 responses. The ultimate outcome was a suite of experimental rules that were rolled out for the 2020 season and voted into the rule book in the spring of the following year. Some of them – like outlawing the hand-passed goal and no longer allowing three players to face a penalty – aligned camogie with changes that had already been made in hurling. But there were innovations too. A free awarded inside the defensive 45 can now be taken from the hand by the player who has been fouled – even though it is not often seen in practice. When a ball goes wide there is also provision in the rules for a quick puck-out, something that, in hurling, is still at the referee's discretion. Galway's Sarah Healy is tackled by Jean Kelly and Karen Kennedy of Tipperary in July's semi-final. Photograph: Bryan Keane/Inpho Camogie, though, still balked at a full-on shoulder charge. Instead, it came up with a fudge: a side-on tackle, 'with minimal force once [the player] is making a reasonable effort to gain possession. Contact must not be made in an aggressive or cynical manner'. In reality, though, this gave referees more latitude to tolerate harder tackling and it gave players more licence. In a see-saw graph, free counts dropped as contests for the ball became more intense. There are still some squeamish referees on the circuit, or those who are more committed to old customs and practices. But matches between elite teams are no longer strangled by a referee's whistle. The All-Ireland semi-finals in Nowlan Park last month were perfect illustrations of the modern game: accomplished and tactical and exceptionally physical. 'The rule changes have been huge and so refreshing to see,' says Ryan. 'The girls nowadays are so strong – you can see it in them. They're S&Ced to within an inch of their lives. It's so brilliant to see them hopping off each other.' How much has the game changed? When Downey started playing for Kilkenny in the 1970s, there were two crossbars in camogie – one conventional crossbar and another at the top of the uprights. To score a point, the ball had to pass between both crossbars. The second crossbar survived until 1979. Just 20 years later they moved the goalposts again. And you thought camogie had no mind for change.

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