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Nail-biting MasterChef Australia semi-final sees shock elimination as the two going head-to-head in grand finale are revealed: 'Just missed out'

Nail-biting MasterChef Australia semi-final sees shock elimination as the two going head-to-head in grand finale are revealed: 'Just missed out'

Daily Mail​5 days ago
MasterChef Australia is heading for the grand finale on Tuesday night.
And on Monday, the contestant kicked out just short of vying for the Back To Win crown was revealed.
Laura Sharrad, Callum Hann and Jamie Fleming went head-to-head in a challenge that required them to make a three-course menu for 20 people.
In the end, it was Jamie who fell short, after his overly ambitious menu left him having to make multiple substitutions to finish on time.
Upon being eliminated, Jamie was modest in defeat, telling the judges that he understood he could have performed better.
'I always thought to beat either one of these two, I had to absolutely swing for the fences in both technique and flavour and concept,' he said.
'I think I missed the mark a little bit. But as a concept, that whole menu, like, the excitement that I felt from you guys, the excitement I felt writing it, that was pretty phenomenal. And I'm very proud,' he went on.
'I can't thank this process enough. But to share this experience with these two? Amazing.'
While he missed out on the $250,000 prize and the MasterChef crown, Jamie did win $10,000 in travel vouchers.
In an interview with Channel Ten after the episode was filmed, Jamie, who came fourth on the sixth season of MasterChef Australia in 2014, said his family gave him strength throughout the competition.
'Once I got into the semi-final I definitely started to think about and imagine my partner, Clare, and the kids up on the gantry supporting me,' he said.
'As it stands, we just missed out so… give me a decade and if they do another Back To Win and I get invited, we'll see.'
He added: 'Even though the disappointment was there, I was still proud of what I did.'
On social media, Jamie further reflected on his journey.
'I cook to nourish and I cook because it gives me a chance to share and learn from other people and cultures,' he wrote.
'Simple food, beautiful produce, served with purpose and restraint. That's me. And ironically it's taken coming back to this place to remember that,' he said.
'I think that stripping back of ingredients is certainly the cooking I love, I think that is beautiful cooking.
'So the fact that I sort of came the long way around to figure that out, and figure out that's not just what I like eating but it's how I like to cook and celebrate the ingredients, I think that it was a big thing and I'm happy it happened.'
Despite being happy to make the grand finale alongside fellow fan favourite Laura, an emotional Callum said he felt bad for Jamie.
'I'm really chuffed to be in the finale, but it's, like, at the expense of this guy. It doesn't quite feel as good as maybe I'd hoped,' Callum admitted.
'I think the friendships we've made over the course of the last few months... I want to reserve happiness for maybe a little bit later.
'I think this is a moment to celebrate how good this guy's been in the competition so far.'
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The great American road trip that music lovers will adore
The great American road trip that music lovers will adore

Times

time3 hours ago

  • Times

The great American road trip that music lovers will adore

Out they stream, hands a-clappin' and feet a-tappin', a whirl of crimson cowboy shirts and petticoat-boosted skirts. Saturday night is square dance night at the Grand Ole Opry and the packed house is loving it, the woman sitting next to me more than anyone. 'That's my granddaughter,' she says proudly, pointing up at one of the dancers. 'Let's go, Casey!' Grand Ole Opry, America's longest-running radio programme, turned 100 this year. Broadcasting live musical performances (with the odd high-kicking interlude) from Nashville, it is known as the show that made country music famous, showcasing everyone from Hank Williams to Taylor Swift (tickets from £32; There is a full calendar of special events to mark the centenary, including the Opry's first foray overseas, at the Royal Albert Hall in September, when the golden boy Luke Combs will headline. I was at the start of a week of pure musical indulgence, going from the honky-tonks of downtown Nashville to the blues bars of Memphis and the jazz joints of New Orleans: a 600-mile dream of a road trip with a no-skip playlist. The Opry has been staged at a snazzy 4,000-capacity venue next to an out-of-town shopping mall since the mid-Seventies. Actually, the shopping mall is relatively new; until 1997 there was a theme park here called Opryland. What I would give to have seen Dolly Parton riding the log flume while Johnny Cash minded the bags and nibbled at a corn dog. For the real romance of the Opry you have to go downtown to the Ryman Auditorium, the former church that hosted the show for the 30 years beforehand. Built by a riverboat captain who found God, the Ryman is where the likes of Patsy Cline and Elvis Presley took some of their first steps towards stardom, performing in front of audiences perched on wooden pews. 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The three-hour, 200-mile drive west to Memphis is largely unremarkable, other than the odd church sign on the side of the road telling me that 'Satan is on a rampage'. But there are points of interest if you know what you're looking for. Interstate 40 takes you right past Jackson, where Carl 'Blue Suede Shoes' Perkins is buried, as well as Brownsville and Nutbush, Tina Turner's old stomping grounds. I know to look out for these places because of a guy called Aubrey Preston, whom I'd met in Leiper's Fork, a pretty village half an hour's drive south of Nashville. Preston is a music nut and his passion project is the Americana Music Triangle, an initiative that uses live music events and guided driving routes to champion the stories of the musicians and places dotted between the three cities I'm visiting ( • 10 of the best places to visit in the US Over a plate of barbecue at Fox & Locke, the village's main bar (mains from £6; we chatted about how British and Irish immigrants moved inland from the Appalachians towards Nashville, bringing their fiddles and ballads. And about how that music mixed with the banjos, drums and rhythms of enslaved Africans, the folk songs of Cajun settlers, Spanish guitars and countless other influences that made their way up and down the Mississippi River. 'It all came crashing together inside this triangle, like in a big washing machine,' Preston said. 'And what came out of it was country, blues, jazz, rock'n'roll, gospel … everything. It's all related. And there's music everywhere.' It's something I thought about as I checked out of the Dark Horse Estate the next morning. A rustic retreat between Leiper's Fork and the small city of Franklin, the Estate is a working recording studio with a handful of simple, comfortable, overpriced rooms, primarily for artists to stay in while making albums. Keith Urban, Carrie Underwood and Tim McGraw have all recorded here, although I don't know who was playing drums as I packed up the car. Pulling off the highway into Memphis, the contrast with the country music capital is immediate and obvious. While Nashville felt glossy and prosperous, Memphis feels gritty and unvarnished. But what the city lacks in glitter, it makes up for in soul. And blues. And rock'n'roll. For soul there's the Stax museum, a fabulous shrine to the record label that gave us Otis Redding and Isaac Hayes (£15; For rock'n'roll there's Sun Studio (£15; where Elvis cut his first record, and Graceland, his mansion on the outskirts of town, which has huge exhibition halls covering every rhinestone-encrusted inch of Mr Pelvis's life (from £38; And for blues? Well, as Lower Broad is to Nashville, so Beale Street is to Memphis: a live music hot box dripping in neon and party people. Musicians have been stopping to play here since the mid-1800s, its heyday coming a hundred years later, when big hitters like Muddy Waters and BB King would clamber up on to various stages here, helping to define Memphis blues. • 10 of the most beautiful places in America After a finger-lickin' dinner of crispy chicken and fried green tomatoes at Gus's, a local paper plate and plastic cup favourite (mains from £8; I leave the car back at my hotel, the grand, old-school Peabody. They say the Mississippi Delta starts in the lobby here; I don't know about that, but I do know that it's home to Lansky Bros, the outfitters who used to dress Elvis in all those fabulous suits he wore when he was starting out. I also know that twice a day crowds gather to watch a man in a red tailcoat escort a parade of ducks to and from the lobby fountain. It's a five-minute waddle from the Peabody to Beale Street, where I spend the evening dipping in and out of its two dozen music bars. I pull up a stool at the BB King's Blues Club for last orders and the final few songs from the All-Stars (£7; before slipping over the road to an alleyway with a stage, a ramshackle bar and a blistering blues band who laugh in the face of closing time. The next morning, after a breakfast of great sausage, delicious biscuits and grim, tasteless grits at the Arcade diner, an old Elvis hangout (mains from £8; I point the car south. As with the route from Nashville to Memphis, there's not much to see on the six-hour, 400-mile drive down Interstate 55 to New Orleans, but I have good company. Al Green and Jerry Lee Lewis play me through Tennessee and Mississippi, before I hit Louisiana and my old friends Dr John and Fats Domino usher me into the Big Easy. Peering out over Bourbon Street from my hotel room balcony that evening, I can see a group of teenagers drumming on upturned buckets and, further along, a brass band cranking out some wild Dixieland tunes. The street's trickle of revellers clutching overpriced cocktails in novelty glasses is slowly turning into a river. The Bourbon is starting to flow. But this strip is for the amateurs; everyone knows the best music in New Orleans is on Frenchmen Street. I load up on rich, tangy turtle soup and soft, sweet, pecan-crusted catfish at Palace Café on Canal Street (mains from £13; then hop on a streetcar and head Frenchwards. • Read our full US travel guide A small, rickety, dimly lit joint with a stage by the door, the Spotted Cat is jumping, courtesy of the Jumbo Shrimp Jazz Band, who are laying down some playful, horn-heavy jazz, mixing in a little country twang and bluesy muscle (drinks from £7; I spend the rest of the night moseying between the dozen or so bars, stopping to listen to a soul singer here, pausing to catch a zydeco band there. At Preservation Hall the next afternoon the atmosphere is more cerebral. This is a peach of a venue, a dilapidated room in the French Quarter with wooden benches for the audience and a stage where master musicians play a handful of short trad jazz sets each day (from £20; There's no a/c, booze or loos and I booked my ticket late so have to stand at the back. Yet hearing the house band steam through standards like When the Saints Go Marching In and Basin Street Blues in this hall, in this city, is so good I almost weep. I leave and wander down towards the Mississippi, passing saxophonists on street corners and bars with trios playing to day drinkers. Past the French Market, where a jazz band entertains the beignet brigade at Café du Monde, and on to Elysian Fields Avenue, the setting for A Streetcar Named Desire. I cross Frenchmen Street and find my way to Louis Armstrong Park, named after one of the city's most famous sons and home to Congo Square. In the early 19th century this square was the only place where enslaved Africans were allowed to gather, on Sunday afternoons, and express their culture through music and dance. Those were the rhythms that are thought to have formed the foundations of New Orleans jazz. And those were the rhythms that travelled up the Mississippi and into Aubrey Preston's incredible washing machine. Now there's a name for a band. See you at the Albert Hall in Atkins was a guest of the Tennessee Department of Tourism ( New Orleans ( Sheraton Grand Nashville Downtown, which has room-only doubles from £121 ( Dark Horse Estate, which has one night's self-catering for four from £290 ( the Peabody Memphis, which has room-only doubles from £148 a night ( Hyatt Centric French Quarter, which has B&B doubles from £160 ( and Wexas, which has 11 nights' B&B from £2,495pp on the All-American Music Tour, including flights and car hire (

Inside Yahoo Serious' Hollywood downfall, from having the world at his feet in a $3 million mansion with his glamourous wife, to living out of his car at age 72
Inside Yahoo Serious' Hollywood downfall, from having the world at his feet in a $3 million mansion with his glamourous wife, to living out of his car at age 72

Daily Mail​

time3 hours ago

  • Daily Mail​

Inside Yahoo Serious' Hollywood downfall, from having the world at his feet in a $3 million mansion with his glamourous wife, to living out of his car at age 72

In 1988, an unknown bloke with a strange name from Australia's coal-mining heartland became the toast of Hollywood. Yahoo Serious blazed to international success with his film Young Einstein - which he directed and starred in - making $20 million at the box office. His professional relationship with his movie-making collaborator Lulu Pinkus - herself an acclaimed Australian actress and artist - had blossomed into romance. They married in 1989. Yahoo was on top of the world, with US media describing him as 'the next big thing from Down Under'. Which makes it all the more shocking that almost 40 years later, he is understood to be homeless in Sydney after being evicted for illegally squatting in a Palm Beach mansion. The 72-year-old was forced to flee with his Jack Russell terrier Jingle after police were called to help his landlord kick him out last Tuesday. Serious left an array of items behind in his ageing BMW sedan, which lies abandoned outside the Barrenjoey Road home, including a box of Jingle's medication, Ugg boots, a length of rope, an esky, and a cooking pan. It's understood he may still be on the city's northern beaches, given his longtime affinity for the area. In much better times, the then Mr and Mrs Serious owned a stunning house on Norma Road, which overlooked the postcard-perfect biscuit-coloured sands of Palm and Whale beaches. The four-bedroom, three-bathroom home featured a pool with a stunning vista over the Pacific Ocean, which the couple sold in 2011 for $3.1 million. It's now estimated to be worth $5.8 million. Ms Pinkus and Serious split in 2007, after working together on Einstein, Reckless Kelly (1993) and Mr Accident (2000). On his website, Yahoo described Lulu as 'My partner in everything. She is an extremely versatile artist. Lulu works so silently that few people are aware that every character and every scene is so enriched by her critical eye and deft touch.' They divorced in 2010. It's not known why they split, but it appears to mark the beginning of Serious' downward spiral. Ms Pinkus has fared far better since the divorce, moving to a waterfront apartment overlooking Sydney's Double Bay, which she bought for $1.5 million in 2011. Today, it would be worth around $2.9 million. He once lived on Palm Beach's Norma Road, with stunning views over the Pacific Ocean She was not at home when Daily Mail approached her for comment on Tuesday. Serious, apparently attached to the northern beaches, rented an apartment in Avalon, which he was evicted from in 2020 for not paying rent - and was ordered to pay his landlord $15,000 in arrears. Not long after, he was homeless and living out of his car with his dog at Palm Beach, using its public shower block for his ablutions, when kindhearted local Margie Charlton took pity on the ageing former star. She told the Daily Mail in June that she invited him to live in the granny flat at the home of Palm Beach resident Charles Phillip Porter, for whom she held power of attorney. Ms Charlton, who lived in nearby Avalon, explained that while she took care of Mr Porter's cooking and cleaning, she wanted someone around to keep an eye on her ageing charge when she wasn't there. She said it was made clear to Serious that the offer only stood until Mr Porter was moved to a nursing home when his dementia advanced so far that living in his mansion was no longer feasible. She would then need Serious to vacate the property so she could sell it to help with Mr Porter's care. But when the time came, Serious not only refused to leave - he had moved from the basement into the main house. This kick-started an ugly battle between Serious and Ms Charlton in the NSW Civil and Administrative Tribunal, which came to a head earlier this month. Serious was ordered to leave by August 4, and after an altercation between him and Ms Charlton on August 5 - in which he claimed she was being violent, which Ms Charlton vehemently denies - police turfed him out. In the days before his eviction, Serious claimed he was not squatting, but 'surviving'. It is understood he has been receiving treatment for Lymphoma, and indeed in the past year has appeared a shadow of his former self. 'I'm greatly improving, I was very close to death very recently … I just, I'm coming good but I'm having trouble with just, recall of day to day things,' he said during his tribunal appearance. In 2016, he underwent debilitating hip surgery. A quirky website registered to Serious in 2000 - the same year he tried and failed to sue the search engine Yahoo! for trademark infringement -provides an insight into his chaotic mind. After growing up as Greg Pead in NSW's Cardiff, near Newcastle, he explained on his site why he changed his name by deed poll in 1980. 'Each day there are a million choices to be made starting with what you put on your toast. You're born with a name but so what?' he said. 'You can choose every other aspect of your life, so why not your name?' In an undated interview posted to his site, Serious said he sees himself as, 'Nasty, untrustworthy, rude, unreliable, and childish'. A perhaps foreboding sentence uttered years before he left a trail of furious landlords in his wake. Now, grave fears are held for Serious and his dog Jingle's wellbeing. When he was forced to leave the Barrenjoey Road home, Sydney was suffering through days of cold rainstorms. Neighbours did not know where the fallen Hollywood star and his faithful dog went after being kicked out, and his car remained untouched a week after the eviction. A Daily Mail search of the Palm Beach area - where he once enjoyed prime position in the home he shared with Lulu - turned up no sign of Serious or Jingle.

Jodie Whittaker is far too good for this contrived Aussie thriller
Jodie Whittaker is far too good for this contrived Aussie thriller

Telegraph

time3 hours ago

  • Telegraph

Jodie Whittaker is far too good for this contrived Aussie thriller

You'd be forgiven for thinking you've seen something like this before, as the Australia-set thrillers have been coming to our screens thick and fast recently (see also The Last Anniversary, The Secrets She Keeps, Apples Never Fall). This one, which had a brief showing on Paramount+ in 2023 but is now on ITV1, stars former Doctor Who lead Jodie Whittaker. Sadly it's so lacklustre that Whittaker might wish that she'd opted to eat kangaroo genitalia on I'm a Celebrity with Ant and Dec instead. Since hanging up her sonic screwdriver, Whittaker has spread her wings in eclectic roles. She played an imprisoned single mother in gut-punch BBC drama Time and was the standout star of Netflix's factual drama Toxic Town. Here she loses her native Yorkshire tones to adopt an Australian accent. I'm no expert in Antipodean linguistics, but she does a decent job. Set on the stunning New South Wales coast, One Night follows three women – Tess (Whittaker), Simone (Nicole da Silva) and Hat (Yael Stone) – who remain haunted by a harrowing event during their teens. Twenty years later, Simone writes a thinly disguised novel about that fateful night. It reopens wounds in cathartic ways. There's the germ of an interesting drama here about trauma and truth, justice and healing. But whenever it looks about to emerge, it gets bogged down in repetitive flashbacks or clichéd contrivances. Supporting characters are uniformly ghastly – either leering small-town gangsters, spoilt kids or self-serving adults. Worst of all, there's a fatal flaw at the heart of the story. Simone stole Tess's tragedy for her own gain, yet we're supposed to sympathise as she makes her friend's pain all about her. Stretched out over six episodes, One Night moves with all the urgency of an asthmatic koala. With its ocean views and high-flying female friends, it's a try-hard Sydney spin on Big Little Lies. Whittaker is rawly convincing as a sexual assault victim whose repressed memories come bubbling to the surface. Tess is a mass of body issues: bulimic, covered in tattoos, prone to pulling her hair out. There's a wordless scene in the finale where Whittaker acts her socks off with facial expressions alone. It's just a shame the script isn't in the same league as her performance. One Night is available now on ITVX and begins on ITV1 on Saturday 16 August at 9.30pm

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