Estranged sisters and a curious gift: 14 new books to get stuck into this month
It may be the start of winter and things outside are cooling down, but there's no loss of heat in the book world, with a bumper crop of books being published this month. This selection includes an astonishing memoir, speculative fiction, love and other disasters in the `90s and so much more.
Salvage
Jennifer Mills
Picador, $34.99
In her fifth, speculative novel, the always imaginative Jennifer Mills plunges us into the lives of sisters Jude and Celeste. Jude is on an Earth plagued by climate disaster, war and antagonism, struggling to survive in the Freelands. Celeste, meanwhile, is trapped on some sort of spacecraft designed to help plutocrats escape the benighted world. But when something falls from the sky, we learn the full, human story of the estranged sisters.
The War Within Me
Tracy Ryan
Transit Lounge, $34.99
In the second of her Queens of Navarre series, poet and novelist Tracy Ryan turns her focus from Marguerite of Navarre to her daughter, Jeanne d'Albret. It's a story of royal and religious conflict as Jeanne escapes an arranged marriage to find love with Antoine, with whom she reigned before the Counter-Reformation pitted them on opposing sides of the long-running French wars of religion. Ryan is working on a third instalment, To Share His Fortune.
A Beautiful Family
Jennifer Trevelyan
Allen & Unwin, $32.99
There's an irony in the title of New Zealand writer Jennifer Trevelyan's much-anticipated coming-of-age debut as the narrator, 10-year-old Alix, discovers much more about her family and its secrets during a summer holiday in 1985. From Kahu, a boy she meets on the beach, she learns the story of Charlotte, a girl who drowned two years earlier and whose body has never been found. Together, they try to find out the truth of her death, which reveals truths not bargained for.
A Different Kind of Power
Jacinda Ardern
Penguin, $55
Jacinda Ardern became prime minister of New Zealand at the age of 37, and the way she dealt with the travails of high office along with the many major crises in NZ won her international admiration. Just think of her humane response to the appalling attack on the Christchurch mosques. Is there really a different way for politicians − and others − to lead? She argues forcefully that kindness and empathy are crucial. Let's hope other leaders take note of her methods.
Our New Gods
Thomas Vowles
UQP, $34.99
Whether Thomas Vowles becomes a new god of literature remains to be seen, but judging by this debut novel set in the queer world of Melbourne he can certainly write gripping fiction. Ash is new to town and has quickly been befriended by James, who takes him to a party where his boyfriend, the charismatic and mysterious Raf, is DJing. But when Ash decides to leave, he stumbles across Raf outside and what he witnesses him doing is unsettling. Soon Ash is mixed up in something he really doesn't understand.
The Death of Stalin
Sheila Fitzpatrick
Black Inc., $27.99
Black Inc. has made a point of publishing crisply written short books and essays that dissect global and local issues. In The Death of Stalin − not to be confused with Armando Iannucci's satirical film − Australia's pre-eminent Soviet historian tells us about the immediate change of direction after March 5, 1953, that was driven largely by the appalling director of the secret police, Lavrentiy Beria. In the simultaneously published Bombard the Headquarters, Linda Jaivin chronicles the disasters of Mao Zedong's Cultural Revolution.
Aftertaste
Daria Lavelle
Bloomsbury, $32.99
Daria Lavelle's first novel is a bit bonkers really. Kostya's beloved dad is dead, but suddenly he tastes his father's favourite Ukrainian dish, pechonka. Over the years, aftertastes of food appear 'in his mouth like messages', until he discovers that by preparing specific foods or drinks he can bring the dead back from the purgatorial food hall where they are marooned. So, Kostya opens a restaurant to ease them to their next stage of death – but then things go a bit berserk.
Foreign Country
Marija Pericic
Utimo Press, $34.99
Another pair of estranged sisters. When Eva gets a surprise letter from Elisabeta at her new apartment in Berlin she's puzzled to find it contains an airline ticket back to Australia. They've been apart for years, but Eva sets off to the Blue Mountains only to find that Elisabeta is dead and she is left to sort the debris of her life. Tucked into an absorbing narrative about the interaction of past and the present are documents and photos to provide a visual contrast with the emotional discoveries that Eva makes about her sister.
The Prime Minister's Potato and Other Essays
Anne-Marie Condé
Upswell, $29.99
Historian and museum curator Anne-Marie Condé says she meditates on 'how the past can be understood through the interactions of people, places and things'. Her titular essay in this diverse and rather lovely collection tells of a curious 1942 gift from one William Frith to John Curtin as a 'cure for your akes and Pains'. Other essays dwell on the Australian War Memorial, Barry Humphries' character Sandy Stone, and the man who owned the house outside which the school bus would drop Condé each afternoon.
The Name of the Sister
Gail Jones
Text, $34.99
Gail Jones is becoming positively prolific − this is her fourth novel in five years. She has turned away from the literary figures of her previous two books to what might be called literary crime. Who is this 'Jane', found wandering at night on a highway near Broken Hill? Freelance journalist Angie sees a feature in the predicament of the unknown woman, while her detective friend Bev is in charge of the case. Both want to discover the backstory, 'the maw of possibilities, deep down and red'.
New Skin
Miranda Nation
Allen & Unwin, $32.99
Miranda Nation has runs on the board writing and directing the 2018 thriller Undertow and writing the TV series Playing Gracie Darling, due later this year. Which is clearly quite a big one for her as now comes publication of her first novel, one that features an intense first love between two medical students in the '90s, the drugs, the sex, the parties and then flashing years forward to the consequences and emotional hangovers. It's all a question of timing.
Things in Nature Merely Grow
Yiyun Li
Fourth Estate, $32.99, June 4
Yiyun Li's memoir is an account of the death of her two sons, Vincent and James, by suicide six years apart. It is remarkable for its clear-sightedness and sensitivity. The Chinese-born novelist argues that children have to have the space to become fully themselves, and writes: 'I loved them, and I still love them, but more important than loving is understanding and respecting them, and this includes, more than anything else, understanding and respecting their choices to end their lives.'
Apple in China
Patrick McGee
Simon & Schuster, $36.99
June 4
Apple has got itself into something of a jam. As Financial Times journalist Patrick McGee puts it, the tech company's relationship with China 'has become politically untenable, yet the business ties are unbreakable'. Today, 90 per cent of all Apple's production takes place in China. With Apple's future 'inextricably linked to a ruthless authoritarian state', McGee also argues that today's China wouldn't be what it is without the company. Donald Trump may yet have more to say about all this.
A Wisdom of Age
Jacinta Parsons
ABC Books, $34.99, June 6
Following on from A Question of Age, Jacinta Parsons delves into women's 'felt senses' to learn what it means to be human and how this understanding is changed by accumulated years. Through talking to many women around the country, she focuses on the disconnect between the way women who are ageing are treated in society and how they actually feel inside. Ageing, she writes, is not a malady that needs fixing, 'it needs for us to embrace it for what it offers us'.
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The Age
15 hours ago
- The Age
‘Tactful disharmony': An interior designer's offbeat path to success
This story is part of the June 7 edition of Good Weekend. See all 14 stories. Tamsin Johnson is perched on a white sofa, sipping ginger and lemongrass tea beneath a 19th-century French crystal chandelier in her Darling Point home in Sydney's east. Before her, roses nestle in a vase on a marble coffee table next to a pair of oak armchairs by Frank Lloyd Wright. Looming behind, a large religious icon, painted by the Indigenous-Australian artist Dan Boyd, is half obscured by an antique console laden with coffee-table books with titles like Equestrian Life in the Hamptons and Haute Bohemians: Greece. Every detail in the room is a quiet signifier of cultural erudition and taste. Indeed, there's so much to admire, the harbour view feels like a distraction. At 40, Johnson has become one of Australia's most sought-after interior designers. Locally, her work ranges from the Byron Bay hotel, Raes on Wategos, to the Bondi store of jewellery designer Lucy Folk, while international jobs include a Dubai members club and Frank Sinatra's former Hollywood office. In 2021, publisher Rizzoli New York released her first book, Tamsin Johnson: Spaces for Living, while a second is now in the works. 'Tamsin is a true artist,' says Nick Smart, the fragrance entrepreneur behind the Libertine Parfumerie boutiques. He enlisted her to design his Paddington flagship store, which includes parquetry flooring and antique marble basins from France. The cost of decorating the 200-square-metre space exceeded $1 million, but Smart is keen to use Johnson again. 'People emulate Tamsin's style, but they don't make it look good,' he says. 'She puts together pieces from different eras in a breathtaking way.' 'Tactful disharmony' is how Johnson describes her mix-and-match approach. 'It's about finding the balance of elements that might not have necessarily worked together – the old and the new, the pristine and the slightly messy, the weird and the super polished.' She points above her fireplace to a contemporary mirror whose jagged edges counter the curves of an antique bronze nude. Similarly, offbeat notes pepper Johnson's own look. Tall and slender in a floaty, pinstripe shirt and cream slacks, she sports a jumble of accessories, including a Jaeger-LeCoultre Reverso watch in burgundy, a diamond tennis bracelet, and a mishmash of rings that includes vintage sapphires and a dark-green bloodstone. Her husband, Patrick Johnson, is also a tastemaker. In 2009, the 44-year-old launched his P. Johnson tailoring brand that today also encompasses womenswear, and has expanded to 10 shops as far afield as London and New York. The couple have two children, Arthur, 8, and Bunny, 7, but parenthood hasn't curbed their panache. Damien Woolnough, fashion editor of The Sydney Morning Herald and The Age, believes the pair's aspirational image – the holidays in Tuscany, the artworks, the clothes – feeds into P. Johnson's appeal. 'You so want to be them, and that lifestyle justifies the price as much as the cut and fabrics.' In one showroom, an antique chandelier beams onto a portrait of André the Giant. Johnson decorates her husband's showrooms to evoke a refined but playful mood of relaxed hospitality. In the Windsor location in Melbourne, for example, an antique chandelier beams onto a portrait of the late pro wrestler, André the Giant. 'I never wanted spaces that were all old wood and leather, like a traditional English tailoring shop,' Patrick says. 'I wanted the interiors to be an extension of our lives and the things we found beautiful. I wanted people to feel like they're coming into our home.' Johnson's eye for an art-deco sideboard also started at home. Her parents, Edward and Peta Clark, were successful antique dealers, and she grew up in Melbourne playing beneath Louis XV sofas and Venetian gilt mirrors. Her father's big break had come in 1974, when he negotiated a huge sale from the Maharajah of Mysore that included a lavish collection of royal carriages. 'I made a few bob and I've lived on that ever since, really,' Clark admits. The proceeds bought the family's former home, the converted Golden Crust bakery in Armadale, that Domain describes as one of 'Melbourne's truly great homes'. From a young age, Johnson and her sister Tess accompanied their parents on buying trips to Paris markets and Rome galleries. 'Subconsciously, I was learning, not just about furniture and antiques, but about selling as well,' Johnson reflects. She instinctively mastered the latter. When she was eight, her father recalls taking her to Camberwell market, where Johnson bought a gold bracelet for $5. 'An hour later, she resold it from my stall to a lady for $15.' Lauren Kozica, a high-school friend from Wesley College, remembers Johnson constantly hurling herself into extracurricular projects. 'Tamsin's always had the energy and stamina most people search for in a tablet.' As a teen, Johnson took sewing classes and began tie-dying petticoats and making her own clothes. By 18, she'd sold a line of beaded necklaces to Scanlan Theodore. That early win encouraged her to study fashion at RMIT; she then clinched an internship in London at Stella McCartney. After-wards, Johnson got a job with a London PR firm and during that period, she met her future husband in a pub. 'She just radiated this energy, this brightness,' Patrick says of his first impression. Raised on a 4000-hectare farm north of Adelaide, Patrick had already been in London for six years and was working for Robert Emmett, a high-end shirtmaker on Jermyn Street. Tamsin, meanwhile, was turning away from fashion. Recognising her sartorial taste would never be sufficiently edgy to stand out, she enrolled in a course at Inchbald School of Design in Chelsea: 'The minute I walked in, I was like: 'This is absolutely my field.' ' In 2009, the pair returned to Australia. While Patrick set up his tailoring business, Johnson got an interior design job at Sydney practice, Meacham Nockles McQualter. 'When Tam arrived she was well-travelled, with a broad knowledge of the history of art, design and architecture, which enabled her to develop designs with a distinctive language,' says her former boss, Don McQualter. Johnson credits her four-year stint with teaching her the fundamentals of her profession. But in 2013, she resigned to go out on her own. 'It wasn't a surprise,' says McQualter. Loading Her first job as a sole practitioner was with one of Patrick's tailoring clients, and in a business where social cachet matters, it proved to be heaven-sent. The Bondi home belonged to James Packer. Johnson turned the opportunity into a springboard. Her three-women team currently has 20 jobs on the go that range from overhauling a seven-bedroom home in Vaucluse to fitting new wardrobes in a child's bedroom. Johnson also runs a Paddington antiques shop that she opened in 2015. Each year she trawls the antique fairs in France, Italy and Spain for stock, shipping back five 12-metre-long containers laden with new (old) treasures. Sitting with her, I get the same pang of unease you get from too much Instagram, when you inadvertently compare your own reality to glimpses of the unattainable. It's not just her jet-set lifestyle. My kids are the same age as Johnson's, and we've twice had to get our sofa reupholstered due to peanut-butter stains and worse. How is her white sofa so pristine? 'We've always made sure the covers can be slipped off and cleaned,' she shrugs. What about the juggle of raising two children while running an internationally successful business? The family has help on Mondays and Tuesdays, when a nanny collects the kids from school, but Johnson admits to being pathologically efficient: 'If I've got something on my to-do list, I need to get it done. On holidays, I'll write an itinerary that Patch [Patrick] jokes is down to the minute.' As if to validate her working-mum credentials, Johnson's phone rings. It's her daughter's school: Bunny has a tummy-ache and needs collecting. Apologising, Johnson dashes out, urging me to finish my tea and try a piece of shortbread. Cut into heart shapes, even her biscuits are charmingly photogenic. Loading A week later, we chat on the phone. Johnson is driving to Melbourne Airport after seeing clients in the Otways who want an American ranch-style interior. I'm curious to know what her next chapter holds. She's already living the dream: where does she go from here? 'I've got a small, personal business and that's the way I like it,' she insists. 'I'm not trying to set up an office in London or New York. I like that we can still deliver amazing outcomes for clients that are super personal. Also, I want to raise my own kids.' She mentions how her signet ring, a gift from Patrick, is engraved with a turtle. 'I think it was to remind me to slow down.' Suddenly, I'm reminded of a recurring detail from her house. Beside the Bill Henson in the hallway, on the antique Spanish dining table, by the custom-made sofa, there were vases of mixed roses everywhere. Are they a visual cue, like that ring – a literal reminder to stop and smell the roses? 'Well, they are my favourites,' Johnson laughs. 'But maybe subconsciously, yeah.'

Sydney Morning Herald
15 hours ago
- Sydney Morning Herald
‘Tactful disharmony': An interior designer's offbeat path to success
This story is part of the June 7 edition of Good Weekend. See all 14 stories. Tamsin Johnson is perched on a white sofa, sipping ginger and lemongrass tea beneath a 19th-century French crystal chandelier in her Darling Point home in Sydney's east. Before her, roses nestle in a vase on a marble coffee table next to a pair of oak armchairs by Frank Lloyd Wright. Looming behind, a large religious icon, painted by the Indigenous-Australian artist Dan Boyd, is half obscured by an antique console laden with coffee-table books with titles like Equestrian Life in the Hamptons and Haute Bohemians: Greece. Every detail in the room is a quiet signifier of cultural erudition and taste. Indeed, there's so much to admire, the harbour view feels like a distraction. At 40, Johnson has become one of Australia's most sought-after interior designers. Locally, her work ranges from the Byron Bay hotel, Raes on Wategos, to the Bondi store of jewellery designer Lucy Folk, while international jobs include a Dubai members club and Frank Sinatra's former Hollywood office. In 2021, publisher Rizzoli New York released her first book, Tamsin Johnson: Spaces for Living, while a second is now in the works. 'Tamsin is a true artist,' says Nick Smart, the fragrance entrepreneur behind the Libertine Parfumerie boutiques. He enlisted her to design his Paddington flagship store, which includes parquetry flooring and antique marble basins from France. The cost of decorating the 200-square-metre space exceeded $1 million, but Smart is keen to use Johnson again. 'People emulate Tamsin's style, but they don't make it look good,' he says. 'She puts together pieces from different eras in a breathtaking way.' 'Tactful disharmony' is how Johnson describes her mix-and-match approach. 'It's about finding the balance of elements that might not have necessarily worked together – the old and the new, the pristine and the slightly messy, the weird and the super polished.' She points above her fireplace to a contemporary mirror whose jagged edges counter the curves of an antique bronze nude. Similarly, offbeat notes pepper Johnson's own look. Tall and slender in a floaty, pinstripe shirt and cream slacks, she sports a jumble of accessories, including a Jaeger-LeCoultre Reverso watch in burgundy, a diamond tennis bracelet, and a mishmash of rings that includes vintage sapphires and a dark-green bloodstone. Her husband, Patrick Johnson, is also a tastemaker. In 2009, the 44-year-old launched his P. Johnson tailoring brand that today also encompasses womenswear, and has expanded to 10 shops as far afield as London and New York. The couple have two children, Arthur, 8, and Bunny, 7, but parenthood hasn't curbed their panache. Damien Woolnough, fashion editor of The Sydney Morning Herald and The Age, believes the pair's aspirational image – the holidays in Tuscany, the artworks, the clothes – feeds into P. Johnson's appeal. 'You so want to be them, and that lifestyle justifies the price as much as the cut and fabrics.' In one showroom, an antique chandelier beams onto a portrait of André the Giant. Johnson decorates her husband's showrooms to evoke a refined but playful mood of relaxed hospitality. In the Windsor location in Melbourne, for example, an antique chandelier beams onto a portrait of the late pro wrestler, André the Giant. 'I never wanted spaces that were all old wood and leather, like a traditional English tailoring shop,' Patrick says. 'I wanted the interiors to be an extension of our lives and the things we found beautiful. I wanted people to feel like they're coming into our home.' Johnson's eye for an art-deco sideboard also started at home. Her parents, Edward and Peta Clark, were successful antique dealers, and she grew up in Melbourne playing beneath Louis XV sofas and Venetian gilt mirrors. Her father's big break had come in 1974, when he negotiated a huge sale from the Maharajah of Mysore that included a lavish collection of royal carriages. 'I made a few bob and I've lived on that ever since, really,' Clark admits. The proceeds bought the family's former home, the converted Golden Crust bakery in Armadale, that Domain describes as one of 'Melbourne's truly great homes'. From a young age, Johnson and her sister Tess accompanied their parents on buying trips to Paris markets and Rome galleries. 'Subconsciously, I was learning, not just about furniture and antiques, but about selling as well,' Johnson reflects. She instinctively mastered the latter. When she was eight, her father recalls taking her to Camberwell market, where Johnson bought a gold bracelet for $5. 'An hour later, she resold it from my stall to a lady for $15.' Lauren Kozica, a high-school friend from Wesley College, remembers Johnson constantly hurling herself into extracurricular projects. 'Tamsin's always had the energy and stamina most people search for in a tablet.' As a teen, Johnson took sewing classes and began tie-dying petticoats and making her own clothes. By 18, she'd sold a line of beaded necklaces to Scanlan Theodore. That early win encouraged her to study fashion at RMIT; she then clinched an internship in London at Stella McCartney. After-wards, Johnson got a job with a London PR firm and during that period, she met her future husband in a pub. 'She just radiated this energy, this brightness,' Patrick says of his first impression. Raised on a 4000-hectare farm north of Adelaide, Patrick had already been in London for six years and was working for Robert Emmett, a high-end shirtmaker on Jermyn Street. Tamsin, meanwhile, was turning away from fashion. Recognising her sartorial taste would never be sufficiently edgy to stand out, she enrolled in a course at Inchbald School of Design in Chelsea: 'The minute I walked in, I was like: 'This is absolutely my field.' ' In 2009, the pair returned to Australia. While Patrick set up his tailoring business, Johnson got an interior design job at Sydney practice, Meacham Nockles McQualter. 'When Tam arrived she was well-travelled, with a broad knowledge of the history of art, design and architecture, which enabled her to develop designs with a distinctive language,' says her former boss, Don McQualter. Johnson credits her four-year stint with teaching her the fundamentals of her profession. But in 2013, she resigned to go out on her own. 'It wasn't a surprise,' says McQualter. Loading Her first job as a sole practitioner was with one of Patrick's tailoring clients, and in a business where social cachet matters, it proved to be heaven-sent. The Bondi home belonged to James Packer. Johnson turned the opportunity into a springboard. Her three-women team currently has 20 jobs on the go that range from overhauling a seven-bedroom home in Vaucluse to fitting new wardrobes in a child's bedroom. Johnson also runs a Paddington antiques shop that she opened in 2015. Each year she trawls the antique fairs in France, Italy and Spain for stock, shipping back five 12-metre-long containers laden with new (old) treasures. Sitting with her, I get the same pang of unease you get from too much Instagram, when you inadvertently compare your own reality to glimpses of the unattainable. It's not just her jet-set lifestyle. My kids are the same age as Johnson's, and we've twice had to get our sofa reupholstered due to peanut-butter stains and worse. How is her white sofa so pristine? 'We've always made sure the covers can be slipped off and cleaned,' she shrugs. What about the juggle of raising two children while running an internationally successful business? The family has help on Mondays and Tuesdays, when a nanny collects the kids from school, but Johnson admits to being pathologically efficient: 'If I've got something on my to-do list, I need to get it done. On holidays, I'll write an itinerary that Patch [Patrick] jokes is down to the minute.' As if to validate her working-mum credentials, Johnson's phone rings. It's her daughter's school: Bunny has a tummy-ache and needs collecting. Apologising, Johnson dashes out, urging me to finish my tea and try a piece of shortbread. Cut into heart shapes, even her biscuits are charmingly photogenic. Loading A week later, we chat on the phone. Johnson is driving to Melbourne Airport after seeing clients in the Otways who want an American ranch-style interior. I'm curious to know what her next chapter holds. She's already living the dream: where does she go from here? 'I've got a small, personal business and that's the way I like it,' she insists. 'I'm not trying to set up an office in London or New York. I like that we can still deliver amazing outcomes for clients that are super personal. Also, I want to raise my own kids.' She mentions how her signet ring, a gift from Patrick, is engraved with a turtle. 'I think it was to remind me to slow down.' Suddenly, I'm reminded of a recurring detail from her house. Beside the Bill Henson in the hallway, on the antique Spanish dining table, by the custom-made sofa, there were vases of mixed roses everywhere. Are they a visual cue, like that ring – a literal reminder to stop and smell the roses? 'Well, they are my favourites,' Johnson laughs. 'But maybe subconsciously, yeah.'


Man of Many
a day ago
- Man of Many
Original Birkin Bag Crafted For Jane Birkin Heads to Auction
By Ben McKimm - News Published: 6 June 2025 Share Copy Link Readtime: 4 min Every product is carefully selected by our editors and experts. If you buy from a link, we may earn a commission. Learn more. For more information on how we test products, click here. Jane Birkin's original 1985 Birkin is going to auction July 10. Expected to break the Birkin price record of over USD$450,000. Custom prototype: unique size, hardware, and non-removable shoulder strap. Includes original charity auction certificate signed by Jane Birkin. Exhibited at MoMA and V&A museums before entering private collection. Likely to become the most expensive Birkin bag ever sold, Sotheby's is auctioning off the Original Birkin Crafted For Jane Birkin in 1985 at an auction on July 10th, 2025. While auction estimates are withheld, the bag will likely eclipse the USD$450,000 plus sales price of the Diamond Himalaya Birkin 30, which sold at Sotheby's in 2022. It's not often that handbags carry provenance, but this Birkin is different. The story goes that the actress was sitting alongside Jean-Louis Dumas, the French billionaire businessman who was the chairman of the Hermès group from 1978 to 2006, on an Air France flight. She complained that she couldn't find a bag big enough for daily life, so the brand designed one and asked if they could name it after her. The rest is history, as they say. Now, her original bag is headed to auction, and it carries serious provenance not just from Jane Birkin, but from those who have held onto the bag since she donated it at Millon, Paris, Les enchéres de I'espoir, Association Solidarité Sida on Wednesday, October 5, 1994, Théâtre de l'Empire. It was sold in Poulain Le Fur, Paris, on Friday, May 12 2000 (lot 70) and has sat in a private collection (and museums) ever since. The Original Birkin Crafted For Jane Birkin, 1985 | Image: Sotheby's What's interesting about this Birkin is that it's a prototype. There are key differences between this and the bag that would eventually hit the production run in 1985, including: It has the width and height of a Birkin 35, but the depth of a Birkin 40 Size : 36 x 27 x 21 cm: W It features closed pontet rings, whereas rings remained open at the bottom until the early 1990s There's gilded brass hardware, replaced by gold-plated hardware (with a check mark) at launch 'Eclair' branded inner zip, which was replaced by Riri Company in the 1990s Smaller bottom studs, or 'feet' It has a non-removable shoulder strap, the only one of its kind Not only is this bag made in a one-off custom size, but it comes in the same condition in which it was auctioned for charity by Jane Birkin. That means that you're getting a bag that was crafted for the namesake and lovingly used by the namesake until it was passed on, and it comes in the same condition as it hasn't been used since. Heck, it's even branded with her initials, J.B., and inside is the nail clipper that she kept hanging from the bag's strap. The Original Birkin Crafted For Jane Birkin, 1985 | Image: Sotheby's The Original Birkin Crafted For Jane Birkin, 1985 | Image: Sotheby's The Original Birkin Crafted For Jane Birkin, 1985 | Image: Sotheby's The Original Birkin Crafted For Jane Birkin, 1985 | Image: Sotheby's The lucky buyer will also recieve the original certificate of the charity auction 'Les Enchères de l'Espoir,' which was signed by Jane Birkin, 5 October 1994 alongside the original Hotel des Ventes du Palais auction catalogue, Poulain Le Fur, 12 Mai 2000, and exhibition catalog 'Bags Inside Out', V&A, 2020. Given the provenance of this bag, it was exhibited at the MoMA in New York for the ' Items: Is Fashion Modern?,' exhibition in 2018 before it was sent to London's Victoria and Albert Museum for the 'Bags Inside Out' exhibition in 2020. Now, it's hitting the auction block at Sotheby's on July 10th, 2025, where it will likely make history as the most expensive Birkin ever sold.