
The Story Behind Japanese Action Thriller Bullet Train Explosion
Trains have been popular in cinema arguably since the beginning of film, when the Lumière brothers' 'The Arrival of a Train at La Ciotat Station' became one of the first movies ever made and commercially screened in 1896. From the silent Civil War movie The General to Alfred Hitchcock's suspenseful Strangers on a Train to the quiet romance of Before Sunrise, trains propel narratives across genre and time. For the Japanese filmmaker Shinji Higuchi, an interest in trains on screen dates back to at least 1975, when he saw The Bullet Train as a fourth grader. Fifty years later, it remains one of his favorite films and he has directed its sequel: the action thriller Bullet Train Explosion, out April 23 on Netflix.
Shinji recalls being particularly affected by The Bullet Train 's depiction of Japanese National Railway staff members. In the film's press notes, he writes, 'I liked watching ordinary workers, who had a strong sense of duty to do something about the unbelievable situation, give everything they had to perform their jobs.'
Speaking with TIME through an interpreter, Shinji says he wanted to make sure to give the original story its due when making the sequel.
'I really had to grapple with how I wanted to approach the themes that would be depicted in this film,' Shinji says. 'It was quite an arduous task for me, and I had to put my all in it.'
Let's break down the deep cinematic roots of Bullet Train Explosion, and how Shinji brought one of film's first subjects into the modern action movie world.
Bullet Train Explosion 's direct inspiration
Netflix's Bullet Train Explosion is a sequel to 1975's The Bullet Train, which was directed by Junya Sato and stars Ken Takakura, Sonny Chiba, and Ken Utsui. The original film tells the story of a perilous trip undertaken by Hikari 109, a high-speed, first-generation bullet train traveling from Tokyo to Hakata. Shortly after Hikari 109's departure, the railway security head is informed that a bomb has been planted. If the train slows below 80 kilometers per hour (roughly 50mph), it will explode. Railway staff and the police work to keep the 1,500 passengers safe, while a $5 million ransom is demanded.
In Bullet Train Explosion, Shinji keeps the same general premise as The Bullet Train, but ups the ante and expands the focus. In the 2025 sequel, the train's speed can't dip below 100 kilometers per hour or roughly 62 mph (the train can reach a top speed of 320 kilometers per hour, or roughly 199 mph), and the ransom is a whopping 100 billion yen (roughly $710,360,000). The mysterious ransomer asks the sum to be raised by the general public, depicting a social media culture that moves faster than the fastest of trains. Unlike the 1975 film, which focuses more on? we spend more time with those passengers, which include a scandal-embroiled politician (Machiko Ono), a YouTube celebrity (Jun Kaname), and a gaggle of teenage schoolchildren. On the staff side, train conductor Kazuya Takaichi (Tsuyoshi Kusanagi) is as close to a hero-protagonist as we get in a story about the efficiency of working together.
Shinji's adoration of both the original film and its depiction of Japanese railway culture shines through in Bullet Train Explosion, which eschews the classic arc of a Hollywood action movie for a Japanese tale of collective problem-solving and the benefits of being good at one's job. It's what Spider-Man 2 might have looked like if, instead of Peter Parker stopping a careening 'L' train with only his sticky webs and superhuman strength, he was aided by an idealistic train conductor, a sleepy mechanic, and a dedicated team back at the Chicago Transit Authority—and if that was the whole movie.
With Bullet Train Explosion, Shinji also makes an effort to deepen the mechanical realism of the franchise, saying in the film's press notes that the original movie was criticized for the way it portrayed trains. 'As someone who likes both movies and railroads, I was really upset by this response,' he writes. 'So when we started this project, I wanted to make something that wouldn't face this same criticism. I talked to experts knowledgeable about bullet train designs and researched the actual mechanisms.'
Unlike the original film, the Netflix production included support from a major Japanese railway company, the East Japan Railway Company. 'The [JR East] staff knew about the original film and wanted to show real bullet trains to people around the world,' Shinji explains in the press notes. 'This feeling matched well with our intent to show real bullet trains on the screen.'
When filming on a real-size bullet train carriage was not possible for a scene, Shinji used miniature models. 'As much as the budgeting allowed, we would make models that were as big as possible, model trains that would probably fit on maybe two tables,' he tells TIME. 'And then we would wreck those models.'
How is Bullet Train Explosion connected to Speed?
If the shared premise of Bullet Train and Bullet Train Explosion sounds familiar, then you've probably seen Speed, the 1994 Hollywood action movie classic starring Keanu Reeves and Sandra Bullock. In it, an LA bus is held hostage by a bomber threatening to blow up the vehicle if it drops below 50 mph (80 kilometers per hour), or if a ransom of $3.7 million isn't paid. The 20th Century Fox film was the fifth highest-grossing film of 1994, and had a 1997 sequel.
It seems hard to believe, but there is no direct connection between 1975's The Bullet Train and 1994's Speed. Speed screenwriter Graham Yost has gone on record saying the idea for Speed came from a 1985 American film called The Runaway Train. The film was recommended to Yost by his father, Elwy Yost, a Canadian TV personality who hosted TVOntario's Saturday Night at the Movies from 1974 to 1999. The Runaway Train was directed by Andrei Konchalovsky and stars Jon Voight and Eric Roberts as two incarcerated men who escape prison only to end up on a train without brakes, careening across the frozen Alaskan wilderness.
The plot thickens because Runaway Train was based on an original screenplay from Japanese film legend Akira Kurosawa, known for medium-defining works such as Rashomon and Seven Samurai. In the 1960s, Kurosawa wrote a script, alongside frequent collaborators Hideo Oguni and Ryūzō Kikushima, about a runaway train. Kurosawa was set to direct the international co-production in New York in late 1966, but shooting was canceled at the last minute due to difficulties with American financial backers. The script would be used for Runaway Train two decades later.
Shinji notes that a 1966 American TV movie called The Doomsday Flight was an inspiration for 1975's The Bullet Train. Written by Twilight Zone creator Rod Serling, the film follows an airliner threatened by a bomb that will detonate if the plane drops below 4,000 feet. The Doomsday Flight was very popular. When it aired on NBC in December 1966, it became the most-watched TV film ever, up to that point.
A Japanese movie for global audiences
'I love bullet train carriages, so I regard the bullet train as a star in my film,' says Shinji. 'How to aesthetically approach shooting the bullet train was very important to me.' From the perspective of someone living in the U.S.—where we're still waiting for the launch of our next generation of high-speed trains, initially planned for 2021 —the trains and train culture depicted in Bullet Train Explosion can feel like a science fiction film.
Shinji notes that the celebration of efficiency and teamwork is something that exists in the 1975 film. 'It is [a theme] that we also aspire after [in Bullet Train Explosion ]: people who are diligent, people who follow the rules, and people in uniform,' says Shinji. 'Maybe it's a very Japanese thing. Maybe the youngsters now are a bit different, but for boys of our generation, there was something wonderful about looking towards the same goal and growing up.'
While Shinji recognizes that, in some ways, Bullet Train Explosion is a Japanese story, he is not worried about its relatability for global audiences. 'Of course, it is a domestic story, but I didn't want to make something that would only resonate with the Japanese audience,' he says. 'I wanted a universal touchstone in the emotions.'
Compared to some of the previous films Shinji has worked on, such as the live-action Attack on Titan or Shin Godzilla, it was easier to ground the story in a reality diverse audiences could recognize. '[With previous films], it was all about, how do I connect that gap between reality and something that's far out there,' he says. 'But this is something that could happen in reality. There are perhaps some eccentric characters in this film, but these are very real people that you would see next to you.'
It helps that, at its center, is a mode of transportation that is so thrilling, whether it is part of your culture or not. 'It is indeed an extraordinary and exciting journey on the bullet train ride,' says Shinji. 'So it's quite different from other means of transportation, and we hope that we are able to deliver that excitement to you.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Elle
35 minutes ago
- Elle
The Question Everyone's Asking After ‘Ginny & Georgia' Season 3
Spoilers below. Somebody get Maury Povich in touch with Georgia Miller. The 'Mayoress Murderess' of Wellsbury and co-lead protagonist of Netflix's hit dramedy Ginny & Georgia is officially pregnant again—for real this time!—and she might need some help determining paternity. In season 3, Georgia fakes a pregnancy using her daughter's (real) positive pregnancy test, so as to convince her husband, Mayor Paul Randolph, not to divorce her during her ongoing murder trial. But before she makes this objectively awful decision, Georgia first comforts her daughter, Ginny, after the latter has an abortion. As the two cuddle on the couch, Georgia shares that, when she herself was pregnant as a teenager, she wanted 'milk, just all the time. Straight from the carton. I would've sucked a cow.' She also jokes to Ginny, 'We are very fertile. Men sneeze at me, I'm ovulatin'. I had two kids before I could legally order a margarita.' Both throwaway lines serve as foreshadowing for what's to come in the finale episode, when a freed Georgia trots through the kitchen, drinking a quart of milk straight from the carton. 'Mom,' a startled Ginny begins, 'didn't you say you drink milk when you're pregnant?' The look on Georgia's face quickly confirms Ginny's suspicions. So has show creator Sarah Lampert, who asserts that Georgia is indeed pregnant. The big question everyone's asking, then: Who's the father? As Lampert joked to Netflix's Tudum, 'Ginny gets pregnant, Georgia fakes a pregnancy, and then Georgia really gets pregnant, and we don't know who the dad is. And when you say these things out loud, you're like, 'What in the world is this show?!'' (A fair question.) There are two potential options for the baby's father, as far as the audience knows: Mayor Paul and Blue Farm Café owner Joe, who first met Georgia as a teenager. Earlier in the season, Georgia sleeps with her then-husband Paul in a last-ditch effort to make their marriage work, before she makes the false pregnancy claim. Later, Paul leaves her and she makes the decision to skip town and dodge her trial. Joe shows up at her door hours before she makes a run for it, and the two end up sleeping together. 'In that moment, who shows up, but Joe, and he's not there to make a move,' Lampert told Deadline. 'He's not there in a romantic like, 'Oh, man, she really needs a friend.' So there's a little bit of an opening there for them to appreciate new things about each other. Because for him, it's always been this infatuation.' And if her reciprocation is any indicator, Georgia has feelings for him, too. So, who is the father of her unborn child? By the end of the season, it's clear that Paul and Georgia's relationship is officially over. There's little but hurt between them now, which has led Brianne Howey, who plays Georgia, to theorize that Joe would make for a better dad. 'Seeing the way things ended [between Georgia and Paul], seeing all of our true colors, and what we brought out of one another, I think the healthiest option for everyone was probably for that relationship to dissolve,' Howey told Tudum. 'And perhaps someone new is about to be a dad,' she teases. Added Raymond Ablack, who plays Joe, 'I would die of a broken heart [if Paul were the father].' Lampert told TVLine in a post-finale interview that, despite some early 'debate,' the Ginny & Georgia writers' room has indeed 'landed on whose baby it is.' Still, she insisted in a separate interview with Deadline that she can always change her mind. 'Here's what I'll say about that,' she told the outlet. 'I know whose baby she's carrying, but I went into the writer's room this season and I said, 'Here's who the daddy is. Change my mind.' So it's live wire in there. I'm telling you right now, I am open to being convinced otherwise.' Clearly, when it comes to love affairs, so is Georgia. After she turned down Joe's advances in the season 3 finale, she might have to reconsider her relationship with him when season 4 comes around. Until then, she'll just have to frequent the dairy aisle. This story will be updated.
Yahoo
36 minutes ago
- Yahoo
YouTube overtakes streaming rivals as the go-to for TV and movies
Gone are the days when YouTube was just for catching up on vlogs or diving into late-night rabbit holes. Today, the platform is staking its claim in TV and film. Why you're catching the 'ick' so easily, according to science Why AI Is Making 1:1 Meetings Irrelevant Where are the wildfires in Canada? Maps pinpoint the location of fires and air-quality threats from smoke According to a new survey conducted by Looper Insights between April 16 and 25, 66% of consumers discover TV or film content via YouTube. For 61%, it's already part of their regular streaming habits, and for 34%, it's a main source for TV and film content, as reported by Media Play News. This shift isn't surprising. In April, the Google-owned platform captured a record 12.4% share of all TV viewing. And it's not just rival streamers who should be concerned. For three consecutive months, YouTube has ranked as the No. 1 distributor of television content, according to Nielsen. Media executives are taking notice. Among the 65 surveyed, 84% view YouTube as a viable platform for launching long-form content, and 30% are actively considering it for upcoming releases. In Q1 2025, more Americans watched YouTube on TV screens than on mobile devices—a first. Meeting audiences in the living room, media companies have begun uploading premium content directly to the platform. Earlier this year, Warner Bros. quietly released more than 30 full-length films on YouTube, free to watch. Yet as YouTube continues its rise, creators face critical decisions. Some, like Ms Rachel, have signed licensing deals with Netflix. MrBeast (aka Jimmy Donaldson), YouTube's most-subscribed creator, brought Beast Games to the small screen via Prime Video. Still, many fans would rather their favorite YouTubers stay where they started. More than half (54%) of respondents said YouTubers feel more authentic and better suited to the platform that launched their careers. Meanwhile, nearly three-quarters (74%) of executives noted that creator-led shows often underperform on platforms like Netflix and Prime, citing poor audience migration and an overreliance on follower counts. The good news: The YouTube takeover is already in full swing—so creators may not need to go anywhere at all. This post originally appeared at to get the Fast Company newsletter:


New York Post
44 minutes ago
- New York Post
Stephen Graham reveals the 'ultimate' goal of 'Adolescence'
Stephen Graham, who co-created, co-wrote and stars in the critically acclaimed Netflix series 'Adolescence,' hopes that the show sparks conversations at home. 'When me and Jack (co-creator, Jack Thorne) started talking about this and writing and creating it, we wanted there to be conversations between parents and children,' he told The Post exclusively at the Gotham Television Awards on Monday, June 2. 'That was our ultimate thing. 'We wanted to try and see if we could create that conversation that needs to happen.' 8 Stephen Graham as Eddie Miller in 'Adolescence.' Courtesy of Netflix It's safe to say that the creative duo fulfilled their wish. The show, which premiered in March, has reached nearly 150 million views worldwide. It centers around a 13-year-old boy named Jamie Miller (played by Owen Cooper) who is arrested after the murder of a girl in his school. The series takes a pointed look at the role social media has in shaping young male teens and their views of women. London's Lord Mayor, Sadiq Khan, recently praised the show for highlighting the 'epidemic of violence against women and girls' in the United Kingdom. The 'Peaky Blinders' alum, 51, doesn't lay all the blame on the internet and social media. 8 (L to R) Owen Cooper as Jamie Miller, Stephen Graham as Eddie Miller in 'Adolescence.' Courtesy of Netflix 8 'We wanted to try and see if we could create that conversation that needs to happen,' he told The Post. Courtesy of Netflix 8 He used real-life crimes in Great Britain over the recent years as the inspiration behind the show. Courtesy of Netflix 'I think it's something that we all maybe need to take accountability for,' he opined. 'I mean, you know, from the schooling, parenting, social kind of environment that our kids grow up in, and now I think these big social media companies themselves have a responsibility.' Graham was quick to clarify that 'I'm not saying police it' but rather 'I'm just saying [they] have a responsibility to be mindful.' The show won big at the Gotham Awards, winning for Breakthrough Limited Series, Outstanding Lead Performance in a Limited Series and Outstanding Supporting Performance in a Limited Series. 8 'Adolescence' centers around a teen boy named Jamie Miller ( Owen Cooper) who is arrested after the murder of a girl in his school. Courtesy of Netflix 8 (L to R) Stephen Graham as Eddie Miller, Christine Tremarco as Manda Miller, in 'Adolescence.' Courtesy of Netflix Graham recently opened up that while 'Adolescents' is fictional, he used real-life crimes in Great Britain over the recent years as the inspiration behind the show. 'I read an article in the newspaper, which was about a young boy who had stabbed a young girl to death. And … I was stunned by what I was reading,' he said in March, per NPR. 'And then, about three or four months later, there was a story on the news … about a young boy who had stabbed a young girl to death, and this incident was the opposite end to the country to the first incident that I'd read about,' Graham continued. 8 'Adolescence' is available to stream on Netflix. Courtesy of Netflix 8 (L/R) British actors Owen Cooper, Stephen Graham, Ashley Walters and Erin Doherty attend Netflix's 'Adolescence.' AFP via Getty Images He initially blamed the parents; however, he admitted that he later realized he needed to dig deeper. 'Adolescence is a very difficult age, as we all know. You go through a lot of different things, physically, mentally, and even spiritually in the greater scheme of things,' the actor shared. 'My main question was why: Why is this happening?' Graham continued, 'There's a wonderful saying, which is, it takes a village to raise a child. And within that kind of complexity … it's kind of like, maybe we're all accountable. 'When a child closed the door back in the day when it was me and you, we didn't have access to the rest of the world [via the internet], and we couldn't be influenced dramatically by other people and their theories and their thought processes. So that was what we really wanted to look at.' 'Adolescence' is available to stream on Netflix.