Opinion Shaji N Karun, Malayalam cinema's master of shadows and silences
Before he became a celebrated director, Karun was already a highly regarded cinematographer, collaborating with eminent filmmakers — his work with Aravindan shaping his sensibilities and teaching him, as he would say later, the expressiveness of silence. This is on full display in, for example, M T Vasudevan Nair's Manju (1983), and in Aravindan's Chidambaram (1985), the natural beauty of whose setting amplifies the desire, forbidden and fatal, that drives the plot. By the time Karun made Piravi — an Emergency-era tale of a father's wait for his missing son — he was in command of his gifts. Piravi won Best Film and Best Director at the National Film Awards that year and the Camera d'Or (Special Mention) at Cannes in 1989.
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Mint
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Why India's music labels are eyeing regional catalogues
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Time of India
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