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‘Blood-pumping', ‘outstanding', ‘urgent and essential': the best Australian books out in April

‘Blood-pumping', ‘outstanding', ‘urgent and essential': the best Australian books out in April

The Guardian04-04-2025

Nonfiction, Black Inc, $36.99
Twenty years after she fictionalised her ex-convict great-great-great-grandfather Solomon Wiseman in The Secret River, speculating he took part in killing Dharug people, Grenville makes a pilgrimage through the landscape of northern New South Wales to better understand more than two centuries of suffering by Indigenous people dispossessed by colonisation.
Moments of profound clarity ensue in Unsettled: looking down on Mogo Creek to the Hawkesbury River's north, Grenville's imagination tracks her great-great uncles riding horseback armed with guns. 'In the great humming silence of this landscape – a silence created in part by what people like my forebears did – I know how little I really belong.' – Steve Dow
Fiction, Ultimo Press, $34.99
In former Triple J presenter Vijay Khurana's debut novel, two schoolboys flee their small town in Canada for a road trip to wherever. Adam is the alpha, an apparent student of Tate and Peterson and the only licensed driver – but it's Teddy who has the gun licence, and the money to put it to use. The devastating story that follows – narrated by each character in alternating chapters – is a tense and gripping power struggle of toxic masculinity, as the teenagers push each other further and further down a violent road of no return.
Where hit UK TV show Adolescence illuminated the myriad societal failures that are driving young boys to violence, this outstanding debut takes us inside the darkest and most vulnerable parts of their minds. – Steph Harmon
Poetry, UQP, $29.99
Safdar Ahmed, whose graphic memoir Still Alive was a searing indictment of Australia's refugee detention system, teams up with poet and author Omar Sakr (Non-Essential Work; The Lost Arabs) for this collection of poems and illustrations responding to the atrocities committed by Israel against the Palestinian people in Gaza and the West Bank since 7 October 2023.
Read cover to cover, it evokes Sakr's excruciating, sometimes bewildered, experience of bearing daily witness from afar (heightened by recently becoming a father), while the poet and artist both grapple with the moral complexities of their roles documenting what Sakr describes as 'the daily immiseration of Palestinians in the brutal reality of apartheid'. As the people of Palestine continue to suffer systemic violence and dehumanisation, this is urgent, essential work. – Dee Jefferson
Fiction, Hachette, $32.99
Chris Flynn's fourth novel follows a trio of old friends – who grew up together in the small country town of Gattan – in the aftermath of an inexplicable global catastrophe, which sees every nine-year-old on the planet suddenly drop dead. Each of them is struggling, in their own way, to regain some sense of agency in the face of this threat, and to protect or honour their children as the world threatens to collapse around them.
This is a fast-paced and compelling novel, written with Flynn's characteristic dark humour, and great generosity of heart as well. – Fiona Wright
Fiction, Allen & Unwin, $32.99
Debut author Sophie Quick's sharp, pacy satire centres on an unexpected antihero: a scammer with a heart of gold. Christina is a single mum in suburban Melbourne who has created a Zoom-only alter ego – Dr Ruth Carlisle – for the purposes of life coaching, then blackmailing her clients. As we learn more about her background, Christina's actions take on a Robin Hood quality. Her targets are wealthy – grifty influencers and sleazy marketers – while her financial situation is shaky at best.
Taking aim at TedCore and the self improvement industrial complex, the story also contains shades of Caroline and Natalie. Timely and slyly funny, it is a gut-check for anyone who's ever taken social media-sized slivers of life advice too seriously. – Alyx Gorman
Fiction, UQP, $34.99
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The premise might feel a dime a dozen: disillusioned woman flees big city to find herself in an exotic location. But this short, sparse, deeply absorbing debut – which won the 2024 Victorian premier's literary prize for an unpublished manuscript – is about so much more than that.
Ruth's refuge is Guatemala: a tourist town called Panajachel, painted so vividly you can almost see it. There she meets two women who inspire two very different infatuations; and soon, without us even noticing, Ruth is stuck – with a job, a house, and a desire to go deeper into the country and into herself. The promo calls the novel 'perfect for fans of Deborah Levy, Miranda July and Rachel Cusk'; as a fan of all three, I loved this one too. – Steph Harmon
Fiction, Transit Lounge, $34.99
What does it mean to bear witness? To listen to the survivors of war crimes recount their experiences and suffering? Out of the Woods, Gretchen Shirm's fourth novel, offers a poignant, insightful answer.
Incorporating real witness testimony, the narrative is closely intertwined with real events: namely the massacre of 8,000 Bosnian Muslim men and boys in the town of Srebrenica in 1995, and the conviction at The Hague of a senior military commander for genocide. Though imperfect, the story asks probing questions about how we can begin to comprehend the incomprehensible. – Jack Callil
Crime/thriller, Penguin Australia, $34.99
This is a return-of-sorts to familiar territory for Bradley, who writes timely and thrilling novels imbued with a sense of social urgency, often involving the climate crisis and scientific developments. His last book, Deep Water, was a nonfiction hit – but he's back on fiction again, this time a crime novel set in a future Sydney that has been transformed by rising sea levels.
This propulsive novel follows Senior Detective Sadiya Azad's efforts to find a missing five-year-old who disappeared 'in the tideline', amid submerged apartments and pontoons as a huge storm approaches. – Sian Cain
Graphic novel, Scribe, $39.99
Rachel Ang's graphic novel is made to be devoured. Blood-pumping and fresh, these five loosely connected tales revolve around Jenny, a young Australian woman who stumbles through interactions with lovers, family and strangers with a sense of paralysis. From feeding fetishes, repressed childhood horrors and surreal exchanges with her future child, Jenny endures much in her painful quest to overcome bodily shame, and to connect.
Ang's expressive compositions and darkly comic voice perfectly capture these hermetic moments, which appear so slight and mundane on the surface but belie an interior storm. A bold, hallucinogenic collection that feels uncomfortably human. – Claire Cao
Nonfiction, UNSW, $34.99
By her own admission, Jane Rawson is not a nature natural. A novelist, former environment editor at the Conversation and literary magazine editor, her comfort zone is less bushcraft, more towncraft. In Human/Nature, she weaves in her own complex relationship with nature as she dissects the broader human understanding of the natural world, offering a moment of pause as the environment changes around us.
With levity, beauty and deep contemplation Human/Nature interrogates how our own ideas of purity, intelligence, care (for starters) affect how we impact, ignore, undermine and protect all the wild things which are not human. – Celina Ribeiro
Cookbook, Murdoch Books, $29.99
Zucchinis were the gateway veg for Alex Elliott-Howery's pickling habit. Her partner had a bountiful back yard crop that her kids didn't want to eat, so she taught herself to pickle. Her hobby became an obsession and then a business, when she opened Sydney's now-closed neighbourhood cafe Cornersmith in 2012. Four cookbooks, community cooking classes and another cafe later, she's a leading force in delicious solutions to food waste.
Her fifth book goes back to basics, featuring 80 quick, achievable recipes for condiments, such as bread and butter cucumber pickles, cauliflower relish and banana ketchup. It's no-fuss, light on storytelling and keeps it seasonal. A truly compelling pocket-sized guide to making your kitchen scraps worth keeping. – Emma Joyce

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a stunning and powerful production... can't be missed
a stunning and powerful production... can't be missed

Time Out

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a stunning and powerful production... can't be missed

It's a chilly but beautiful winter's night on Cadigal land as I walk towards the Sydney Opera House. The lights of Vivid Sydney paint the harbour with mesmerising displays, creating the perfect atmosphere in the lead up to seeing Bangarra Dance Theatre 's brand new production, Illume. While Vivid lights up the exterior of the iconic Opera House, Illume sets the stage alight from the inside. An otherworldly spectacle, Illume is a collaboration between Mirning choreographer (and Bangarra's visionary artistic director) Frances Rings and Goolarrgon Bard visual artist Darrell Sibosado. Sibosado, known for his innovative contemporary light installations, lends his talents to the set and stage design in a theatrical experience that pays tribute to the creation stories of the Bard and Jawi people and the cultural hero, Galaloong. As the performance begins, audiences are immediately awestruck by a stunning display of the night sky – the dancers are enveloped by twinkling stars projected onto a sheer screen at the front of the stage and also on the back wall, with yet more lights darting around the stage providing an atmospheric glimmer. Elizabeth Gadsby 's costume design complements this, sparkly black dresses shimmer under the lights, alluding to the pristine beauty of land and sky untouched by environmental pollution. As the story progresses, and with each change in season, the costumes reflect the surroundings; shades of brown, red and beige are worn in the warmer and dry seasons. This attention to detail demonstrates a strong commitment to holistic storytelling. The symbolism woven throughout, by way of the choreography, props and stage design, transports the audience through a journey of Country and spiritualism. Vertical light blocks move up and down while the dancers navigate their bodies around them in a beautiful symbolic display of the spiritual significance of trees in Indigenous cultures. As the dancers travel across the stage, they move through a combination of dance styles, from traditional cultural dance, to contemporary dance and lyrical steps. Rings' stylistic choices expertly utilise the dancers' bodies to create beautiful patterns and shapes, and to mimic natural elements. Throughout the production we see the women dancing together as a united group, followed by the men dancing together; and while these groups remain separate in some scenes, in others they are combined. Rings' use of perspective and height is also successful in creating atmosphere and continuity of the story. As the dancers fall and roll across the stage in sync with one another, it mimics rolling water or wind. As the dancers lift each other up, creating differences in height, we can follow the story of the trees as they grow, sway and react to the elements. The music, composed by Brendon Boney, is also spectacular and, in some scenes, unexpected. While we are treated to percussive beats involving traditional instruments such as clapping sticks, there are also nods to science-fiction. As the show progresses, we start to experience more futuristic music and visuals, including some elements of hip-hop style movements accompanied by more techno-forward scores. The production's prop work also builds off the stunning light display. For example, one memorable scene involves dancers holding large illuminated ropes, twisting them and creating patterns. As a dancer myself, I want to note just how difficult that is to do – the precision required to ensure every dancer arrives at the specific spot on stage at the right moment to produce the shape is something that takes many hours of intricate planning and rehearsals. Yet, the dancers move with such ease and grace that it appears effortless. This ensemble's seamless and impressive transitions are to be highly commended. For me, the most beautiful moment of the whole show would have to be the yarning circle that occurs towards the end. A calm, quiet and seemingly 'simple' moment, this scene is able to convey deep connection with little movement. As a fire steadily burns to the right side of the stage, a group of dancers to the left are huddled together in a yarning circle, a cultural practice undertaken for close connection between mob. As the dancers sit there, under a spotlight, ash gently falls from the sky onto them. The effect is calm and serene. Overall, Illume is a stunning and powerful production. It is evident that an enormous amount of work has gone into this, and the result is a striking show that can't be missed. I highly recommend that you get out to see it.

Adolescence star Stephen Graham reveals terrifying moment he had emergency operation mid-air on flight from UK to US
Adolescence star Stephen Graham reveals terrifying moment he had emergency operation mid-air on flight from UK to US

Scottish Sun

time8 hours ago

  • Scottish Sun

Adolescence star Stephen Graham reveals terrifying moment he had emergency operation mid-air on flight from UK to US

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) STEPHEN Graham has revealed he had to get surgery while on an airplane after a painful medical issue. The Adolescence and Thousand Blows star, 51, appeared on Late Night with Seth Meyers, where he was grilled on an unfortunate incident last time he flew to the States. Sign up for the Entertainment newsletter Sign up 6 Stephen Graham shared the terrifying incident on Seth Meyers 6 Adolescence has been the must-watch show of 2025 so far Credit: AP 6 The actor credited the crew and surgeons for their quick thinking Credit: Not known, clear with picture desk 6 The actor later grabbed a selfie with the surgeon and doctor who performed on him Credit: Not known, clear with picture desk Asking if he was OK now, Stephen shared that he found himself getting a surgical catheter installed at 10,000ft during one of his last flights. Recounting the shocking story, Stephen explained that "past the age of 45, you need to go to the toilet more" but found himself unable to urinate for reasons he didn't know. "I'm like, Oh, this doesn't feel right" he told the host. "I knew I had to, and then silly Stephen thought, 'Oh, well, if I go back to my seat and I just keep drinking water, at some point it will happen.'" However, he shared that an hour later, when he tried to go again "long story short, all of a sudden I went, but it was just pure blood." Admitting it was "very scary", Stephen reached out to a doctor he already knew was on the plane for advice and help. "Next minute, the doctor comes around the corner, and he goes, Stephen! and I'm like 'Doc, hello!', and I explained the situation. "He had another friend with him, who was a surgeon, so I'm there, and I explain. He's like, okay, and the surgeon, Dr Haji, says, we can work this out." However, Stephen noted that they then sterilised the lounge area between the economy and first class seats, and a catheter is pulled out of an emergency box. When shocked Seth asked if anyone had walked in on him, Stephen thanked the crew on the flight for keeping curtains drawn so he could have some privacy during the sensitive operation. "I drop me kecks, I get on the couch, and he performs a catheter operation there and then," Stephen said, later sharing a selfie he grabbed with the doctors after the op was done. Netflix fans in tears over Ashey Walters and Stephen Graham's show Adolescence - as boss reveals how 'impossible' shot was done "The relief was unbelievable as you can imagine, but it was a little clot that had got stuck behind, well, not little, but, had got stuck behind my urethra," he concluded. "I went to the toilet, and it was one of the nicest experience with me and my penis!" he said as the audience burst into fits of laughter, noting after he was done "he came running out like a kid that had just learned to use the toilet". 6 Stephen's work in Adolescence has been praised around the world Credit: AP

'It shouldn't be illegal for men to buy sex' Ash Regan bill won't work
'It shouldn't be illegal for men to buy sex' Ash Regan bill won't work

The Herald Scotland

timea day ago

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'It shouldn't be illegal for men to buy sex' Ash Regan bill won't work

The details of his crimes are harrowing and heartbreaking. The case exposed just how deeply seated the police's systemic bias towards sex workers was. Just how vile and entrenched its institutional racism towards Indigenous people was – many of the missing women were Indigenous. Read more The failures in this case made one thing crystal clear. To the police in Vancouver, sex workers had no value. Pleas from families and the community to trace missing women were ignored over and over again. To say the results were devastating is an understatement. It is for this reason that I do not think sex workers or the people (men) who buy sex should be criminalised. Because the involvement of police with prostitution historically does not bode well for the women involved. It also ignores the agency of women in sex work and ensures the industry remains stigmatised. And marginalises those within it further. This week, Alba MSP Ash Regan introduced her 'Unbuyable Bill'. The Prostitution (Offences and Support) (Scotland) Bill would see the buying of sex criminalised and the selling of sexual services decriminalised. It hinges on the principle that prostitution is a form of male violence against women. The Bill would also quash historic convictions and create a statutory right to support for those in and exiting prostitution. Essentially following the Nordic model. Though, will those statutory support services be funded properly? If not, they are redundant. Right now, in Scotland, the sale of sex is not illegal, but it might as well be. Running a brothel and soliciting or loitering in public to sell sex are against the law. In Canada after the Robert Pickton trial concluded, outrage over the way the way the missing women were ignored led to the Missing Women Commission of Inquiry. A direct result of the inquiry was a new policing strategy in Vancouver that effectively decriminalised sex work. Alba MSP Ash Regan (Image: free) The result was meaningful change, and sex workers were safer for it. But despite recommendations to replicate the Vancouver approach nationwide, in 2014, Stephen Harper's Conservative Government introduced Bill C-36, which followed the Nordic model. Buying sex became illegal. Advertising someone's sexual services was criminalised. So was accepting money to place those ads and profiting from someone's sexual services. It has been more than ten years since the Nordic Model was introduced in Canada, and sex workers have argued that it still polices sex work, and they still face harassment from the force. They also say that it makes it more difficult to screen clients, which pushes the industry further into the shadows. The other issue is that the model does not recognise the autonomy of sex workers. Not all sex work is survival sex work, and no abolitionist policy will be able to control the fact that consensual sex work does exist. Bill C-36, like the 'Unbuyable Bill', is rooted in radical feminist and abolitionist views. The law claims to address gender inequality and coercion, but it paradoxically limits women's ability to choose sex work, keeps their circumstances criminalised and fails to provide viable alternatives. A paper published in the Melbourne Journal of International Law found that if you separate Bill C-36's rhetorical claims from its actual effects, the law in reality 'is exposed as little more than a moralising condemnation of female sex workers, designed to limit their freedoms and capacity for self-determination, in order to induce their exit from sex work, in a manner which is wholly irreconcilable with the pursuit of 'gender equality'.' Legislating sex work is inherently difficult. It's crucial to make sure that the most vulnerable are protected, but it's contentious to paint everyone with the same brush. In Ireland, where buying sex was criminalised in 2015, sex workers reported that demand actually increased following the introduction of the new legislation. A report on the new law by the Department of Justice published in 2019 found that the law had a 'minimal effect' on demand. Sex workers also reported a heightened fear of crime, and it contributed to a climate where they felt even more marginalised and stigmatised. READ MORE MARISSA MACWHIRTER Scotland has a history of institutionalised abuse of working-class women and girls that is intertwined with its view of the 'social evil' of prostitution. The Glasgow System of the mid-nineteenth century saw the systemic policing of women and girls. Aged from seven to 39, they were plucked off the streets by police officers at will and taken to places like the Magdalene Asylum or the Lock Hospital for brutal and intimate examinations (often carried out by men) and barbaric treatments for venereal disease that often killed them. The Lochburn Magdalene Institution closed in 1960. Not that long ago. The case of Emma Caldwell, a 27-year-old woman murdered in 2005 by serial rapist Iain Packer, highlights how stigma against sex workers remains a serious issue in Scotland, just as it does in Canada. Failures in the police investigation have led to a forthcoming independent public inquiry. It took 19 years for Packer to be brought to justice. Regan's Bill is good in the sense that it has sparked fresh debate about the rights of sex workers. Though the reality of it becoming law before Scottish Parliament elections in 2026 is pretty unlikely. As in Canada, decriminalising sex work does not win as many votes as clamping down on it. And the Nordic model, as far as I am concerned, is still a crackdown. Shifting the burden of criminality does not constitute gender equality. Marissa MacWhirter is a columnist and feature writer at The Herald, and the editor of The Glasgow Wrap. The newsletter is curated between 5-7am each morning, bringing the best of local news to your inbox each morning without ads, clickbait, or hyperbole. Oh, and it's free. She can be found on X @marissaamayy1

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