logo
Inside Liverpool's Premier League title party: A 3am finish, cigars and a bike ride

Inside Liverpool's Premier League title party: A 3am finish, cigars and a bike ride

New York Times29-04-2025
It was shortly before 3am when the party finally ended inside Anfield's Carlsberg Dugout.
The plush sports bar in the Main Stand was the setting for Liverpool players and staff to celebrate clinching the Premier League title on Sunday following their 5-1 demolition of Tottenham Hotspur.
With family and friends also in attendance, the dancefloor was packed for most of the evening, with a DJ taking requests. The Virgil van Dijk and Luis Diaz songs led to both players being serenaded by their jubilant team-mates, many of whom were wearing their special 'Champions 24-25' home shirt.
Sultans of Swing by British rock band Dire Straits, which has become the squad's anthem of the season, went down a storm. It was Alisson's contribution to the dressing-room Spotify list and has been first on after every cherished victory.
Arne Slot had vowed in his post-match press conference that he would enjoy 'a glass of beer or two or three' and he was true to his word. Having become the first Dutch manager to win England's top flight, he soaked up the occasion with his family.
It was all very informal, with no speeches. Liverpool principal owner John W. Henry and his wife Linda Pizzuti made an appearance at the party but said their goodbyes long before the early hours.
Advertisement
Liverpool actor James Nelson-Joyce was also there, along with former British super-middleweight boxing champion Paul Smith, who is a good friend of Kostas Tsimikas, and his younger brother Liam Smith, the former world light-middleweight champion.
Some of the players, including Van Dijk in his club tracksuit, took the opportunity to go back out on to the pitch to have photographs taken in front of a deserted Kop with their loved ones.
Ibrahima Konate walked up the first tier of the Main Stand before taking a seat and then spent a few minutes in quiet contemplation.
Ibrahima Konate sat in the Main Stand looking out over the pitch: 'What a feeling to see it from up here.'#LFC pic.twitter.com/30GRSnwDa1
— James Pearce (@JamesPearceLFC) April 27, 2025
'I don't have words to describe what I felt. I just wanted to enjoy the moment on my own,' Konate said. 'We won it with 60,000 fans and us on the pitch. I just wanted to feel something different and I am very happy now. I was close to crying. It's crazy, unbelievable, and we have to really enjoy it now. I'm the first French player from Liverpool to lift it.'
A few hours earlier, it had been bedlam inside Anfield as the final whistle sparked an unforgettable outpouring of emotion as Liverpool won the title in front of their supporters for the first time in 35 years.
There was the classy gesture of Slot leading a chant of 'Jurgen Klopp', returning the compliment from nearly a year ago when his predecessor helped ensure it was the smoothest of handovers.
'I did it because of what he did before I even arrived here,' Slot explained. 'I think that is something not one manager ever did before. That definitely helped me. But he helped me even more by the team he left behind and the culture he left behind.'
A video went viral of Darwin Nunez trying to drench Mohamed Salah with what appeared to be a bottle of champagne. However, it was actually alcohol-free Nozeco in all the large bottles used for the celebrations out of respect for Liverpool's Muslim players. On his return to the home dressing room, Nunez posted a picture of himself with a large cigar.
Advertisement
Salah had celebrated scoring Liverpool's fourth goal by taking an iconic selfie as he stood on the pitch with the triumphant Kop behind him.
Initially, it looked like the Egyptian had borrowed the mobile phone from a fan at the front of the stand, but it was in fact given to him by one of Liverpool's club photographers, who Salah had spotted.
Liverpool have a lucrative commercial partnership with Google Pixel and Van Dijk did something similar after Nunez's late winner away at Nottingham Forest in March 2024. The players do not have to get involved but they know where the phone is if they want it.
'Since the beginning of the season, I've always taken a selfie with the players (who scored) so for this one I said: 'OK, I have to think of something special' because this picture is going to be there forever,' Salah told Opus Sport. 'So I worked my mind a little bit around that idea and it was fine.'
What was certainly impromptu was the wholesome sight of Andy Robertson and Alisson inviting the ball boys from the club's academy, who were grouped together just off the pitch, to embrace their heroes in a joyous huddle.
And then there was midfielder Curtis Jones giving young supporter Harry Whitehurst a memory he will cherish forever, as he lifted him from the Kop and brought him on to the field so he could be part of the celebrations.
Earlier this season, the LFCTV cameras had captured some touching footage of Jones making a surprise visit to meet Whitehurst, who suffers from the rare genetic condition Williams syndrome, while he was volunteering at Homebaked cafe close to the stadium.
Amid all the dancing and the singing, there was the sight of former Manchester United goalkeeper turned TV pundit Peter Schmeichel on the touchline putting club allegiances aside to congratulate Alisson on his outstanding contribution to Liverpool's 20th title, and time for the entire playing squad and coaching staff to pose in front of the Kop for a group photo — a recognition that this had been a truly team effort.
1. Curtis Jones, 2. Mohamed Salah, 3. Alexis Mac Allister, 4. Dominik Szoboszlai, 5. Arne Slot, 6. John Heitinga (assistant coach), 7. Harvey Davies, 8. Conor Bradley, 9. Harvey Elliott, 10. Luis Diaz, 11. Ryan Gravenberch, 12. Darwin Nunez, 13. Kostas Tsimikas, 14. Sipke Hulshoff (assistant), 15. Vitezslav Jaros, 16. Trey Nyoni, 17. Caoimhin Kelleher, 18. Andy Robertson, 19. Diogo Jota, 20. Wataru Endo, 21. Federico Chiesa, 22. Conall Murtagh (head of physical performance), 23. Fabian Otte (head of first team goalkeeper coaching), 24. Jonathan Power (director of medicine and performance), 25. Aaron Briggs (first team individual development coach), 26. Ruben Peeters (lead physical performance coach), 27. Clare Farrell (lead performance nutritionist), 28. Brendan McIlduff (kit co-ordinator), 29. Tyler Morton, 30. Jarell Quansah, 31. James McConnell, 32. Trent Alexander-Arnold, 33. Joe Gomez, 34. Alisson, 35. Virgil van Dijk, 36. Ibrahima Konate, 37. Chris Morgan (head of performance physical therapy), 38. Cody Gakpo, 39. Phil Holliday (director of first team operations & travel), 40. Louise Dobson (head of first team operations), 41. Roderick van der Ham (first team tactical analyst), 42. Michelle Hudson (masseur), 43. Max Thompson (doctor), 44. Jansen Moreno (opposition analyst), 45. Lee Nobes (head of rehab physiotherapy), 46. Lee Radcliffe (kit operations manager), 47. Paul Small (masseur)
With thousands of fans who hadn't attended the game converging on Anfield, fireworks and red flares lit up the sky outside the ground late into Sunday night.
Nearly three hours after the final whistle, Walton Breck Road, which runs behind the Kop, was still closed to traffic due to the sheer volume of people with many clambering up railings, lamp posts or onto nearby roofs to gain the best possible vantage point as the beer flowed.
Advertisement
As the clean-up operation got underway early on Monday morning, Liverpool wasted no time in getting both the Champions Wall outside Anfield and the Walk of Champions inside the ground updated to reflect sealing their 20th top-flight title.
'Super grateful for the past,' Klopp posted on Instagram with an image of Liverpool's players and staff standing together in front of the Kop during You'll Never Walk Alone on Sunday. 'Super, super happy about the present, extremely positive about the future! Congratulations — YNWA. Thank you Luv.'
Klopp will be back on Merseyside next month when he's the guest speaker at the LFC Foundation gala dinner and he's been invited to attend the final game against Crystal Palace on May 25 when the trophy presentation will take place.
Everyone based at the club's Kirkby training base has been given two days off to get over Sunday's exploits with Slot's squad due to reconvene on Wednesday.
Diogo Jota was spotted cycling along the coast in the town of Crosby, north of the city, on Monday while proudly wearing his 'Champions 24-25' home shirt.
A guard of honour awaits Liverpool at Stamford Bridge next weekend. And the celebrations will keep on coming.
(Top photos: Instagram/darwin_n9; Getty Images)
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

In the sharp ‘Lurker,' Instagram stalking leads to the inner circle, but how do you keep others out?
In the sharp ‘Lurker,' Instagram stalking leads to the inner circle, but how do you keep others out?

Los Angeles Times

time28 minutes ago

  • Los Angeles Times

In the sharp ‘Lurker,' Instagram stalking leads to the inner circle, but how do you keep others out?

'Lurker' is a teeth-grittingly great dramedy that insists there's more tension in the entourage of a mellow hipster than a king. At least imperial courtiers trust in strict codes about curtsies and proper titles. The rules of hanging out with British-born, L.A.-based emo-pop musician Oliver (Archie Madekwe) are vague and fraught. An impulsive, baby-faced charmer on the ascent from Instagram popularity to mainstream icon, Oliver isn't that rich or that famous (yet), but he's already surrounded by friends-slash-employees who ferociously guard his fiefdom and their access to it. Oliver thrives on vibes, bro, and these ones are cutthroat. First-time feature filmmaker Alex Russell brings us into this demi-star's orbit through a Melrose streetwear sales clerk named Matthew (Théodore Pellerin). The gawky kid is an Oliver obsessive. But he's clever enough to hide it, negging his hero into giving him a backstage pass. (Here, it's an insult to be called a fan.) Upon entering the green room, Matthew is hazed by Oliver's buddies Swett and Bowen (Zack Fox and Wale Onayemi, both inscrutable, funny and terrifying), who order the nervous outsider to pull down his pants as a tribute to their dead homie. He passes that test. There will be more to come. Russell sharpened his knives as a writer and producer on 'The Bear' and 'Beef.' He makes bleak comedies about strivers with shiv-like gags that make you wheeze in pain. Advised to make himself useful, Matthew quickly gets promoted from Oliver's unofficial dishwasher to his unofficial documentary director. Just as quickly, he makes enemies with Oliver's somewhat more official music video director, Noah (Daniel Zolghadri), who attempts to give Matthew the royal brush-off, as in 'We appreciate your help, but ...' and then patronizingly calls him his 'sous-chef.' As Matthew learns when his pal, Jamie (Sunny Suljic), finagles his own party invite, anyone who gets their claws in Oliver attacks their rivals. 'Lurker' is too passive a title for this story of competition. 'Clinger' or 'Leecher' would be more apropos. Oliver presents as all sunny, breezy love, sporting a trucker cap over a babushka over bleached pink hair. The costumer Megan Gray outfits the 6'5' Madekwe in floppy sweaters that exaggerate his eagerness to pull people in for a long-limbed hug. Flighty and magnetic, Oliver trills that his clique is 'one big happy family,' using his faux-obliviousness to shield himself from being the bad guy. That responsibility lands on everyone else, especially the observant and exhausted Shai (Havana Rose Liu), who might be called Oliver's manager if anyone had a formal job description. Madekwe played a more obviously cruel gatekeeper in 'Saltburn' as Jacob Elordi's snotty American cousin, but he still holds all the keys. In scenes where Madekwe shuts off his character's warmth, the movie gets 30 degrees colder (and his artificial pep more chilling). Meanwhile, Pellerin's flinchy smiles and forced guffaws prove how much effort it takes to act effortless. At his most nonchalant, he's doing an Oliver impression. 'Lurker' has a casual malevolence, Russell sidling up to his targets before he attacks. He stress-tests our icky, grubby pity for Matthew and, beyond that, the flimsiness of modern fame culture and its fake-it-till-you-make-it inspirational platitudes. In a hilarious bit, one of Matthew's own fans stops him on the street to gush, 'I wanna be like you — but what do you do?' What Russell really seems to be wondering is what separates a real artist from a fake? If 'Lurker' had been made a generation ago, it would have drawn a line along the boundary of authenticity: Is Oliver sincere about his vulnerable anthems? Today, that question is passé. We now recognize the pressure to forge a brand, even if said brand is a pretense of not caring about one's image. At this point in his career, Oliver likes framing himself as giddy, low-fi and spontaneous. He loves videos of himself crashing his bike into a trash can, frolicking on a beach, prancing around a field with a retro camcorder strapped to a sheep. 'Am I tripping or is this sick?' Oliver asks about the farm footage. Since his posse won't admit the truth, I will: It sucks. Oliver's charisma is its own trap. A crib of yes-men limits how big he can grow. The film's image-first focus doesn't give it much runway to explore what motivates Oliver as an artist. There are several performance scenes that showcase Madekwe's ability to croon in a convincing limber lilt but little engagement with his actual music. You sense that Russell is more confident dissecting the qualities of a good steak sandwich than a good song. My impression of the tunes is that Kenny Beats (who had a hand in all of them and also the brilliantly anxious electronic score) has written the bulk to be decent but not dynamite. How a singer vaults up in quality is as mysterious as trying to define cool itself. Only toward the end of the film does Russell tease the question that we, too, have forgotten to ask: Does anyone care whether Oliver is a genuine talent? Despite its thorny psychology, 'Lurker' strips its characters of everything but a scrap of backstory. We're aware that Matthew lives with his grandmother, but we don't know why and we don't even know her name. That starkness gives the movie the in-the-moment immediacy of a nature doc about a shark and a swarm of remoras. Russell insists we make our own diagnosis about what drives Matthew and Oliver's hunger for applause — and if their symbiotic dynamic has echoes throughout the entire music industry. Twice, Russell cues up the R&B classic 'I'm Your Puppet,' which is once too many for my taste. We're already concentrating on who's pulling the strings. Elsewhere, there are moments when I wish Russell himself didn't play things quite so casually. He's so smart about noting the details — tiny glances, awkward smiles — that it's head-scrambling when he obscures a major plot point under hasty editing and cryptic dialogue. It's a key sequence in the script, yet we can't get a grip on whether it's horrific luck or a game of six-dimensional chess. The distinction matters. Still, Russell has captured us with this tale of a pawn trying to capture a king. We feel for them both. And we understand why castles have moats.

Norway soccer federation says it will donate profits from Israel game to humanitarian work in Gaza
Norway soccer federation says it will donate profits from Israel game to humanitarian work in Gaza

Yahoo

time42 minutes ago

  • Yahoo

Norway soccer federation says it will donate profits from Israel game to humanitarian work in Gaza

GENEVA (AP) — Norway's soccer federation says it 'cannot remain indifferent' to humanitarian suffering in Gaza and will donate any profits from an upcoming World Cup qualifying game against Israel to aid work there. Norway plays Israel in Oslo on Oct. 11. 'Neither we nor other organizations can remain indifferent to the humanitarian suffering and disproportionate attacks that the civilian population in Gaza has been subjected to for a long time,' Norwegian Football Federation President Lise Klaveness said in a statement Tuesday. 'We want to donate the proceeds to a humanitarian organization that saves lives in Gaza every day and provides active emergency aid on the ground,' she said. It wasn't immediately clear how much the Norwegian federation expected to earn through ticket sales for the match, which begin next week. The Israeli soccer federation responded to the move on Wednesday by urging its Norwegian counterpart also to condemn the Oct. 7, 2023, attacks and hostage-taking by Hamas. In a statement first published by British daily The Telegraph, the Israeli federation also called on the Norwegians to 'make sure that the money is not transferred to terrorist organizations or to whale hunting,' referring to an issue Norway has faced global criticism for. The Norwegian federation said it is working with UEFA and local police on security arrangements for the Oct. 11 game. Extra security is expected to limit capacity by up to 3,000 tickets, the federation said. Ullevaal Stadium typically has crowds of 26,000 for national-team games. Israel has been unable to host games in international competitions for security reasons since October 2023. It staged its 'home' qualifying game against Norway in Hungary. Norway won that game 4-2 in March. Norway currently tops the five-nation qualifying group ahead of Israel. ___ AP soccer:

Sharon Horgan: A mother's love is central to 'Twisted Tale of Amanda Knox'
Sharon Horgan: A mother's love is central to 'Twisted Tale of Amanda Knox'

UPI

timean hour ago

  • UPI

Sharon Horgan: A mother's love is central to 'Twisted Tale of Amanda Knox'

1 of 4 | Sharon Horgan's "The Twisted Tale of Amanda Knox" premieres on Wednesday. Photo courtesy of Hulu NEW YORK, Aug. 20 (UPI) -- Catastrophe and Bad Sisters creator and actress Sharon Horgan says she wanted to star in Hulu's The Twisted Tale of Amanda Knox because it is a nuanced family drama as opposed to a salacious true-crime saga. "It is looking at the story from a new perspective and sort of giving it a wider lens and not just focusing on the courtroom drama of it, but on Amanda's journey," Horgan, 55, told UPI in a recent Zoom interview "A lot of what led up to it and and happened after involved her family and impacted her family and, as someone who plays her mother, I realized how much of the the story was about their relationship and what you do for the people you love." The actual Knox was a producer on the fact-based miniseries, which premieres Wednesday. Horgan plays Edda Mellas, a German-born Seattle math teacher who is shocked to learn her daughter Amanda (Grace Van Patten) has been wrongfully imprisoned for the sexual assault and murder of her British flatmate while they were studying abroad in Italy in 2007. As a real-life parent herself, Horgan couldn't help but envision how hard she would fight to protect her own daughter if she ended up at the center of such a painful ordeal half a world away. "I'm a mama," she said. "I've got a 21-year-old girl and a 17-year-old girl, so, I, unfortunately, found it very easy to imagine either of my girls finding themselves in a terrifying situation [like this]." Knox's trial, conviction, retrial and eventual acquittal made news headlines around the world for more than a decade. "There was sort of a feeding of the public's obsession with it," Horgan said of the non-stop media coverage of the case, which led to countless documentaries and TV news-magazine specials. "It's an absolutely tragic, terrible story involving two young women, so I understand why it got under people's skin so much." Horgan was happy to spend time with the real Mellas and Knox when they visited the show's set. "When I was researching for the role, I was watching anything I could find of her online and there wasn't really that much. There were a few interviews and [some footage of Mellas] dealing with the media, dealing with the press and I was always struck by her composure ... and how calmly she dealt with the whole circus of it," Horgan said. "When I met her in real life, she's just a lovely, fun, young-for-her-age woman and I liked her very much and I think it's a testament to her strength of personality and her character that she's managed to pull together as normal a life as possible. I don't know if I'd have been able to manage that." The real Knox was involved in the project from the very first Zoom call Horgan took with the filmmakers. "It was Amanda and how she spoke about her mom, actually, how she spoke about what her mom went through while she was in prison, that made me want to do it, if I'm honest," Horgan said. "She's incredibly smart, a very emotionally intelligent, very warm, friendly mother," Horgan said of Knox, who now has two children of her own. "She's someone who had a real curiosity about the film and TV making process, as well. She's very open about being so new to that and I really enjoyed having them around. Edda came down for a couple of days, as well." Horgan said it was easy to bond with Van Patten (Tell Me Lies, Nine Perfect Strangers) and make that mother-daughter connection seem authentic. "I just felt incredibly motherly towards her. I was away from my girls at the time and I did not love that," Horgan laughed, noting that Van Patten's sister Anna played Amanda's sister Deanna, so she also looked out for her. "The two of them are adorable, sweet, kind girls and we hung out a bit. We did a bit of wall climbing together. We went for a few drinks," she added. "But, really, it was something that happened very quickly and, then, after that you're on set for so long. You have these long, long days, especially for the courtroom scenes. You really are sitting around for hours and days and, so, you do really just get to know each other." Horgan described the production as having a relaxed, collaborative atmosphere in which everyone involved understood the responsibility they had to get this story right after years of misinformation, misunderstandings and bias obscured the truth. "There's nothing about the team that made you feel anything other than protected," she said about the cast and crew. "You were in good company and everyone was there to take care of the story and tell it to the best of their ability. That was a good feeling. You felt like everyone was very aware of the story that they were telling and being careful with that." Amanda Knox returns to the U.S. Amanda Knox, left, follows her attorney Michael Nifong as they attend a news conference held at the Seattle-Tacoma International Airport near Seattle, Washington on October 4, 2011. After spending four years in an Italian prison Knox arrived in the United States after departing Rome's Leonardo da Vinci airport. Knox's life turned around dramatically Monday when an Italian appeals court threw out her conviction in the sexual assault and fatal stabbing of her British roommate. UPI/Jim Bryant | License Photo

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store