
‘Kaalidhar Laapata' review: An effective tale of losing and finding a family
The ZEE5 release is led by 49-year-old Abhishek Bachchan as 40-year-old Kaalidhar, who appears to have early onset dementia. Tired of caring for Kaalidhar, his greedy brothers Manohar (Vishwanath Chatterjee) and Sundar (Priyank Tiwari) and Manohar's wife Neetu (Madhulika Jatoliya) dump him at the Kumbh Mela.
Only Kaalidhar's sister Gudiya (Priya Yadav) mourns the disappearance of a man who has sacrificed his life and his love Meera (Nimrat Kaur) for his family. All seems lost for Kaalidhar until he runs into the precocious orphan Ballu (Daivik Baghela).
Ballu adopts the disoriented Kaalidhar and encourages him to have the experiences he has denied himself. Meanwhile, government official Subodh (Mohammed Zeeshan Ayyub) sets out to find Kaalidhar, his motives as murky as Kaalidhar's kin.
By directing the Hindi version and co-writing the screenplay with Amitosh Nagpal, Madhumita stays in charge of the film's emotional beats. The core relationship between two cast-aside souls who find that they have a lot in common was the chief draw of the original film and is the reason the Hindi retooling works too.
The choice of a younger protagonist means that the adaptation needs to justify itself more vigorously. The exact nature of Kaalidhar's ailment isn't clear, not are his symptoms consistent with his behaviour.
Subodh feels shoehorned into the story, rather than an important neutral witness to Kaalidhar's journey. While Kaalidhar Laapata is sluggishly paced and doesn't capture the sheer ordinariness of its anguished hero or his milieu, the remake does portray the ways in which love and empathy transcend familial ties.
Abhishek Bachchan and Daivik Baghela bring out the warmth and mutual respect that develops between Kaalidhar and Ballu – the older man vulnerable and confused, the boy confident and cheerfully cynical.
Bachchan has played this type of sad sack character in recent films, including I Want to Talk (2024) and Be Happy (2025). Under Madhumita's careful direction, Bachchan delivers one of his more affecting performances.
Play

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Indian Express
35 minutes ago
- Indian Express
Rajesh Khanna believed Amitabh Bachchan ‘played dirty politics' against him; Big B felt ‘betrayed' when Namak Haraam's climax was changed
Actors Amitabh Bachchan and Rajesh Khanna were seen as arch rivals for a brief period in the 1970s. Rajesh had dominated the Hindi film industry with his superstardom in the late 1960s and the early 1970s, but soon after Zanjeer released in 1973, the tide started to turn in the favour of Amitabh Bachchan. While Rajesh continued to appear in hit films across the 1970s, it was becoming evident that Amitabh was now the bigger star. The two had not shared screen space since 1971's Anand, so, when director Hrishikesh Mukherjee decided to cast the two stars alongside each other in Namak Haraam, it turned into a battle. Rajesh believed that Amitabh was poisoning the director against him and forced the director to change the climax of the film so it favoured him. Rajesh's character died a poetic death at the end of Anand, which convinced him that a death scene leaves an impression on the audience. So, when Namak Haraam came around, Rajesh insisted that his character should be the one who dies, despite the fact that Hrishikesh Mukherjee had other plans. Gulzar, who wrote the film, was quoted as saying in Yasser Usman's book Rajesh Khanna: The Untold Story of India's First Superstar, 'In Namak Haraam, we had to change the end because Hrishikesh Mukherjee had promised Rajesh Khanna the death scene.' Amitabh had no clue about this agreement, and found out about it on the day of the shoot. 'In Hindi films, the one who dies is considered a hero, so both were keen on being heroic. It was only on the day of the shooting that Amitabh finally learnt the truth. He was crestfallen. He was so hurt that he didn't speak to me for several days. He felt I had betrayed him,' he shared in the same book. ALSO READ | Metro In Dino movie review: Sara Ali Khan plays a Kareena Kapoor-coded character in Anurag Basu's annoying and exhilarating film Rajesh Khanna's secretary and associate for 20 years, Prashant Roy, said in the book, 'Those days, Kakaji used to be very angry with Amitabh Bachchan. He used to tell his close friends that Hrishikesh Mukherjee is his favourite director, but Amitabh has filled his ears. Kakaji used to say that during the entire shooting of Namak Haraam, Amitabh played dirty politics with him. During my 20 years working with Kakaji, I never saw Amitabh coming to Aashirwaad. Earlier, Hrishikesh Mukherjee used to come quite often, but after Namak Haraam, even his visits were rare,' he said. Rajesh and Amitabh never shared the screen again. Rajesh passed away at 69 in 2012.


Time of India
37 minutes ago
- Time of India
From Umrao Jaan to Pakeezah, how an archive frames Bollywood's unseen history
From Umrao Jaan to Pakeezah, how an archive frames Bollywood's unseen history Shruti Sonal TNN Jul 5, 2025, 19:35 IST IST For eighty years, Kamat Foto Flash has been chronicling Hindi cinema's most iconic movies through stills When Muzaffar Ali 's ' Umrao Jaan ' released in 1981, its poetic storytelling, the enigmatic Rekha , Asha Bhonsle's unforgettable songs, and the stunning set and costume design made it an instant classic. Over 40 years later, Ali, Rekha, and Bhonsle reunited in Mumbai to celebrate the release of the film's beautifully restored 4K version in theatres. Alongside the remastered film, Ali also launched a limited-edition coffee table book with photography stills that captured behind-the-scenes of the film's making. 'My background in advertising and painting has made me aware of the power that images hold. I thought a book would help in keeping the film's stills zinda (alive) for a long time, along with the different layers of truth that go behind a single scene in the film,' Ali says.


India.com
43 minutes ago
- India.com
Abhishek Bachchan reveals that Aishwarya Rai imposes restrictions on Aaradhya due to...
Actor Abhishek Bachchan and Aishwarya Rai Bachchan are one of the most talked-about couples in Bollywood. Despite being fan favourites, the couple rarely speaks about their relationship in public. Recently, in an interview with Nayandeep Rakshit, Abhishek Bachchan shared details about his first real-life meeting with Aishwarya and also praised her for being a key figure in their daughter Aaradhya Bachchan's upbringing. Abhishek Bachchan on Aaradhya's upbringing Speaking about Aaradhya's upbringing, Abhishek praised Aishwarya. He said, 'I have to give the credit for that entirely to her mother. I get to go out and make my movies, and Aishwarya does the heavy lifting with Aaradhya. She's amazing and selfless. Mothers are wired differently. They prioritise their child above everything else. That's why our go-to person in life is always our mum. It holds true for me even today.' Aishwarya has put some restrictions on Aaradhya Abhishek gave all the credit for Aaradhya's good upbringing to Aishwarya. He revealed that his daughter Aaradhya stays away from social media and doesn't even have a phone. Aishwarya has banned all these things for Aaradhya. He said, 'She is becoming a sensible child, who is learning a lot on her own. She is creating her own identity and we are very proud of her. Aaradhya is the happiness and pride of our family.' Meanwhile, coming back to Abhishek Bachchan's work front, the actor has some exciting projects ahead of him. He will be seen in Kalidhaar Laapata on Zee5. Abhishek will also feature with Shah Rukh Khan in his upcoming film King. The movie will also star SRK's daughter Suhana Khan.