Selangor Sultan visits renowned Yusof Ghani's art gallery
SHAH ALAM: The Sultan of Selangor, Sultan Sharafuddin Idris Shah, today visited the TAPAK Gallery in Section 8, which is owned by renowned Malaysian artist Yusof Ghani.
His Royal Highness spent nearly 40 minutes viewing the works of the Johor-born artist, whose paintings have featured in various local and international art exhibitions.
Segerak, Biring, Wajah and Ombak were among the popular paintings on display at the gallery, which has been open since 2009 and captivated the interest of the Sultan, who is known for his strong appreciation of art.
Sultan Sharafuddin also graced the unveiling of Yusof's latest book, titled Cenderawasih: Energy and Emotion, which has been in production since 2022.
His Royal Highness also viewed a live painting demonstration by Yusof, featuring his newest creation inspired by Cenderawasih, or the Bird-of-Paradise.
Yusof, a prominent national artist, began his career in the early 1980s. His paintings have since been exhibited at numerous international art exhibitions, including in Singapore, Indonesia, Thailand, Japan, the United Kingdom, Germany, Spain, the United States and Canada.
Among his popular artworks are Tari, Protest, Topeng, Wayang, Hijau, Segerak, Biring, Wajah and Ombak.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Sinar Daily
4 hours ago
- Sinar Daily
Divided voices of Seribu Tahun reflect Malaysia's growing media maturity
In a local TV landscape often filled with predictable plots and familiar tropes, Seribu Tahun has quietly emerged as a bold outlier. The Malay-language drama, which has sparked conversations across social media, stepped into rarely explored territory, weaving LGBT themes into its storyline while firmly grounded in Malay-Muslim cultural contexts. Unlike shows designed to provoke controversy for attention, Seribu Tahun took a different path: it doesn't push agendas, it invites dialogue. Through emotional storytelling and layered characters, it challenges viewers to reflect, not react — offering a rare lens into conversations often left unheard in mainstream Malaysian media. Universiti Teknologi Mara (UiTM) Faculty of Film, Theatre and Animation lecturer, Ts Mastura Muhammad viewed this public discourse as a sign of progress rather than division. 'The polarised response to Seribu Tahun reveals the evolving state of public discourse in Malaysia. These reactions reflect a society negotiating its values, caught between maintaining traditional norms and grappling with modern complexities. 'Rather than viewing this division as a weakness, it signals the maturity of a media-literate public willing to critically engage with content,' she told Sinar Daily. The series stands out precisely because it refuses to offer simple answers or push a singular perspective. Instead, Seribu Tahun contextualises the struggles of its characters with nuance and care. This approach transforms mainstream media into a dynamic arena for national conversation, provided stories like these are handled with depth and ethical clarity. Mastura emphasised that the drama's layered storytelling offers multiple perspectives rather than promoting a specific ideology or identity. In Malaysia, television drama is often seen as light entertainment, an escape from daily life. But Seribu Tahun challenges this perception. Mastura pointed out that drama can and should serve as a platform for meaningful dialogue. The Seribu Tahun debates reflect a growing public willingness to think critically, engage deeply and confront complexity. Photo: Facebook 'Audience reactions, especially those expressed via platforms like TikTok, have offered thoughtful interpretations of the show's themes, drawing from both social and religious frameworks. These kinds of responses contribute to a richer and more constructive media environment than the usual reception given to formulaic romantic dramas. 'In contrast to other local productions that have mishandled sensitive themes, such as the casual acknowledgment of biological fathers in cases of children born out of wedlock, a portrayal that contradicts Islamic teachings, Seribu Tahun demonstrates a more ethically grounded narrative approach. 'Controversial issues in the series are carefully contextualised or resolved, reflecting a sincere effort to balance creative freedom with cultural and religious considerations,' she added. Malaysia's society is often labelled as conservative, but this simplification overlooks the rich diversity of moral and ideological standpoints held across its population. For filmmakers navigating this landscape, ethical storytelling becomes a tightrope walk. 'Directors and scriptwriters must navigate this complex terrain, shaped by regulation, religious sensitivities and public expectations. Ethical representation in such a setting demands commitment to narrative integrity without falling into sensationalism. 'When addressing taboo topics like LGBT identities, religion, or intersexuality (khunsa), it is crucial for filmmakers to craft portrayals that are contextually relevant, culturally respectful and ethically responsible,' she mentioned. The reach of television drama means these stories carry the power to amplify voices too often sidelined. More than just showing these identities or issues, such narratives invite society to listen and reflect rather than react in knee-jerk fashion. Through these stories, Mastura said that we can come closer to understanding Malaysia's heterogeneous social fabric, rather than perpetuating the illusion of cultural uniformity.
The Sun
14 hours ago
- The Sun
Selangor Sultan visits renowned Yusof Ghani's art gallery
SHAH ALAM: The Sultan of Selangor, Sultan Sharafuddin Idris Shah, today visited the TAPAK Gallery in Section 8, which is owned by renowned Malaysian artist Yusof Ghani. His Royal Highness spent nearly 40 minutes viewing the works of the Johor-born artist, whose paintings have featured in various local and international art exhibitions. Segerak, Biring, Wajah and Ombak were among the popular paintings on display at the gallery, which has been open since 2009 and captivated the interest of the Sultan, who is known for his strong appreciation of art. Sultan Sharafuddin also graced the unveiling of Yusof's latest book, titled Cenderawasih: Energy and Emotion, which has been in production since 2022. His Royal Highness also viewed a live painting demonstration by Yusof, featuring his newest creation inspired by Cenderawasih, or the Bird-of-Paradise. Yusof, a prominent national artist, began his career in the early 1980s. His paintings have since been exhibited at numerous international art exhibitions, including in Singapore, Indonesia, Thailand, Japan, the United Kingdom, Germany, Spain, the United States and Canada. Among his popular artworks are Tari, Protest, Topeng, Wayang, Hijau, Segerak, Biring, Wajah and Ombak.
Barnama
15 hours ago
- Barnama
Selangor Sultan Visits Renowned Artist Yusof Ghani's Art Gallery In Shah Alam
SHAH ALAM, June 28 (Bernama) -- The Sultan of Selangor, Sultan Sharafuddin Idris Shah, today visited the TAPAK Gallery in Section 8, which is owned by renowned Malaysian artist Yusof Ghani. His Royal Highness spent nearly 40 minutes viewing the works of the Johor-born artist, whose paintings have featured in various local and international art exhibitions. Segerak, Biring, Wajah and Ombak were among the popular paintings on display at the gallery, which has been open since 2009 and captivated the interest of the Sultan, who is known for his strong appreciation of art.
