
CBeebies Bedtime Story reveal latest celebrity to take on role as they announce Glastonbury-themed week
Loyle Carner is set to make his CBeebies Bedtime Story debut on Monday ahead of his much-anticipated Glastonbury set.
The hip hop star, 30, has a son, four, and a daughter, born in 2024, whose names he has not revealed.
In honour of his children he will be reading one of their favourite stories on the show -I Touched The Sun by Leah Hayes.
The sweet story follows a young boy who goes on a journey to quite literally touch the sun and it leads him to discover his own inner light.
Speaking about the show, Loyle said: 'Let's go! I've practised for this every night in my son's room. Reading a CBeebies Bedtime Story is just a magical thing to do.
'I know this story inside out - it's my favourite book, and my son's and my daughter's. We read it almost every night.'
Airing at 6:50pm on Monday on the CBeebies channel and iPlayer, the story will be followed by Loyle's appearance on the Other Stage at Glastonbury on Saturday.
Loyle is one of several Glastonbury stars who will be reading the nation's children to sleep as part of the festival-themed week.
The Last Dinner Party's Abigail Morris, 25, will read on Tuesday; Sampha, 36, will appear on Wednesday, and The Streets' Mike Skinner, 46, is set to feature on Thursday.
The popular format has seen many celebrities read for children, including Snow White star Rachel Zegler, 24.
She recently appeared on the show and aptly read a story about a 'powerful princess' - Never Mess with a Pirate Princess by Holly Ryan.
Rachel said: 'We can all be powerful princesses. You don't need a king or a queen as parents, or a beautiful white horse, or even a fancy castle to live in.
'To be a powerful princess you just need to be wonderful, brilliant you!'
Other big names who have also read CBeebies Bedtime Stories include Harry Styles, 31, Tom Hardy, 47, and music legend Dolly Parton, 79.
John Harkins, who said he has been executive editor of the show since 2019, said he is continually surprised by the caliber of celebrities who want to read a story.
He told GQ: 'I got the opportunity to go to Nashville to film Dolly Parton and brief her in her dressing room, which was just incredible.
'She requested to do it, and invited us over to Dollywood, [which was set up] with loads of teddy bears.
'She wanted to know how to read and was asking our advice.'
CBeebies Bedtime Story has been a staple of the channel since it launched back in 2002.
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The Sun
13 minutes ago
- The Sun
Emmerdale's Bear Wolf in dramatic new storyline as Lisa Riley reveals shock developments for the Dingles
EMMERDALE'S Bear Wolf will find himself in a dramatic new storyline, Lisa Riley has revealed. In recent episodes of the hit ITV show, Lisa's character Mandy Dingle and partner Paddy, played by Dominic Brunt, have been voicing their concerns about Paddy's dad, Bear. 4 4 4 The couple have tried to help him - from arranging a doctor's appointment to giving him an old motorbike to restore, but he simply puts his strange behaviour down to 'being a pain in the bum.' Now, after an incident at the garage that saw Bear getting very frustrated with the bike, and an altercation with Kammy Hadiq, Emmerdale fans have begun to question whether Bear has a secret health condition. Dropping some hints about the storyline, Lisa Riley, 48, spoke to The Sun and said: 'Whatever's going on with Bear, it'll bring Mandy and Paddy closer together. 'Next week, people are going to see Paddy and Mandy getting their new home and it's all very exciting. And as new homeowners, they want to take advantage of it because they love each other and can't keep their hands off each other. 'It's their passion pad. They like to call it Paddy Towers. But Paddy is also very aware about mental health issues, so what does that mean for Bear moving forward? 'Is he a grumpy old man? Is he suffering from mental health issues? Will he have something severe as we go on? Of course, it's going to go off.' The talented actress, who will celebrate a huge 30 years on the show next month, also spoke about the Dingles and serial killer John Sugden being part of the family. 'Mandy loves John. She's very flirty with him, and she thinks he's great for Aaron. Lisa Riley opens up on the grief of losing her mum 'She thinks that he'll look after Aaron, yeah, and obviously with the viewers, it's so hilarious, honestly. 'When I'm in Waitrose, people go, 'Mandy, Mandy, be careful of that John' and I'm going, 'yeah, OK,' but how do you say it in a non-patronising way? 'I know as a viewer, but obviously Mandy loves him and doesn't see anything wrong with him and has no idea. And if Mandy does find out in so many months to come, oh God help him. 'I mean, her brick would come out - she has a brick in her bag, and you'd see the crazy side of Mandy if she had any inkling that John had something to do with Nate's death.' Lisa added: 'She's the Queen of the family, and you don't cross the Queen.' Away from her life portraying Mandy Dingle on hit soap Emmerdale, Lisa has been supporting Sue Ryder with their latest campaign. Lisa was incredibly close to her mum Cath, but sadly lost her to cancer in 2012. Now, Lisa has joined forces with their Back for a Moment campaign, to help bereaved people get the support they need. And in doing so, the star chatted to The Sun about her mum, and how she sometimes finds herself hiding behind her character Mandy, to disguise the pain of losing her. But Lisa says it's her Emmerdale cast mates who get her through those tougher times. She said: 'On the tough days, I do think Mandy Dingle has been a great person to hide behind. I do hide behind the bravado. 'Because there are some days where you want to sort of roll over on your pillow and cry. But I am so grateful to do what I love, and I am very lucky. 'I am guilty of pressing the bravado button, but I have my wonderful co-stars around me, including Dom - who plays Paddy - and the incredible Bradley Johnson, who plays my son. 'We're all so in tune with each other, they've got my back and I've got theirs, and honestly we're so lucky we do, because sometimes I watch my scenes back and think 'if only people knew what was really going on in my head.'' But the star said she recognises that, for some people, it's hard to find others to turn to when losing someone, especially as 88% of bereaved people feel alone in their grief. Lisa continued: 'There are thousands of people who need to know that Sue Ryder is there, and that they don't have to be by themselves. 'My dad was a bit in denial when my mum died, and that is what the campaign is there for.' Sue Ryder offers a range of free grief support, including an online bereavement community and in-person Grief Kind Spaces. Search 'Grief Deserves Better' or visit this website 4


Telegraph
13 minutes ago
- Telegraph
The blind, autistic piano genius – who happens to be the Queen's nephew
Derek Paravicini cannot tell his right hand from his left or dress himself; he lives with two other people with severe learning difficulties who all receive round-the-clock care. The 45-year-old is totally blind and autistic after being born prematurely at 26 weeks and 1lb 8oz (less than 1kg). At the time, the chance of survival for children born that premature was just 55 per cent. But, sat behind the piano, he is a master of all he surveys. A world-renowned concert pianist, he has performed around the world and has a fanbase of 500,000 followers across his social media platforms. He has perfect pitch – the capacity to identify each musical note by ear – can play two pianos at once and has become known as the 'human iPod' for his ability to reproduce and riff on any piece of music he has ever heard. With regular visits to dementia care homes and schools – where he takes requests – his repertoire covers everything from Glenn Miller's 1937 hit Don't Sit Under The Apple Tree to video game theme tunes. Now, he is the subject of a short film, Key of Genius, which premiered in London on June 21 this year. It tells the story of his first encounter, in 1985, with Adam Ockelford, who was working at a Wimbledon school for blind children. The teacher was giving a girl named Kelly a piano lesson, when a five-year-old Paravicini, visiting with his parents, made his presence known. He let out a squeal, before shoving Ockelford in the back. Both remember the encounter to this day. 'And then I pushed Kelly off the stool and started to play Don't Cry for Me Argentina,' Paravicini recalls. As a young child, Ockelford tells me, Paravicini played 'in this very, what should I say, unorthodox way'. This involved assaulting the keys with knuckles, head and karate-style 'chops and elbows', having taught himself on a toy organ his nanny had brought down from the loft. In fact, when Ockelford asked to tutor him at home, his father said it was not possible. The piano he had moved on to had been wrecked. That was exactly 40 years ago, but Paravicini and Ockelford are still playing together. Ockelford is now professor of music at the University of Roehampton and founder and chair of The Amber Trust, which provides blind and partially sighted children with the opportunity to have music remake their lives, by funding lessons, instruments, software and travel. I meet the duo at Ockelford's south London home where they convene weekly for a session with another autistic student, 24-year-old Romy Smith. For Paravicini's party trick, I am asked to play four random notes on the piano. 'I can do that,' he exclaims, in his singsong voice, before instantly turning them into a jazzy piece he tells me is called 'the Etan Blues'. It is all a long way from his early days when he refused to allow Ockelford to touch his own piano. The teacher resorted to picking up and dropping Paravicini on the other side of the room, allowing Ockelford a few seconds of tinkling before the child prodigy barged him back out of the way. 'Then I think it dawned on you that this was quite a good game,' says the 66-year-old. 'And then you realised you could actually have a relationship that involved music rather than fists. The essence of the film is absolutely right, that it was just this eureka moment for Derek. He suddenly realised, here was his window on to the world, and other people.' Ockelford believes Paravicini's talents are so exceptional that there are 'maybe half a dozen in the world like him'. But such exceptionalism can be a burden. The 1988 Oscar-winning film Rain Man – which featured an autistic savant played by Dustin Hoffman – created a pervasive stereotype that equates neurodivergence with genius, something that many in the community have described as suffocating. Ockelford says: 'Derek's unusual, unlike Rain Man, in that he's autistic and also has severe learning difficulties. He's the first person with severe learning difficulties anywhere in the world, as far as I know, who's had a kind of a public international life. He's regarded as something of a hero amongst the autism community.' Forty per cent of children born blind go on to develop perfect pitch. Paravicini's autism also gave him an interest more in the 'qualities of sounds, rather than what they meant', as well as a hyper-focus, allowing him to spend hours every day practising the same thing. 'With Derek, you can't really separate ability and disability,' says Ockelford. 'They're different sides of the same coin.' Paravicini can play all day quite happily, alighting from a 13-hour flight to the US straight into rehearsals. Ockelford once detected Paravicini's chords 'getting a bit repetitive, and I noticed he had fallen asleep!'. It says something about Paravicini's talent that it overshadows his lineage – his mother Mary Ann is the sister of Andrew Parker Bowles, making the Queen his aunt by marriage. (He is also the great-grandson of novelist W Somerset Maugham and great-great-grandson of charity founder Dr Barnardo). Paravicini's family have not always wholeheartedly welcomed the royal connection to the pianist, though. In 2007, the late Telegraph interviewer Cassandra Jardine reported that his mother was 'mildly huffy at what she calls the 'Camilla-isation/caramelisation' of her gifted son'. Mary Ann said: 'It's all Parker Bowles this and that. But I don't mind, if it draws attention to him. I'm just so delighted that he's having such fun playing concerts and raising thousands of pounds for charity.' But Her Majesty has always taken a close interest in Paravicini's achievements. 'She's a good aunt, isn't she, Derek,' says Ockelford. The Queen is also president of The Amber Trust and, on taking up the role in 2012, said: 'I have followed the progress of their outstanding work with blind children for many years and I hope that my involvement will enable the charity and the children it supports to fulfil their ambitions in the coming years.' In 2023, the Queen invited Olivia Taylor – a blind seven-year-old who has been helped by the Trust and who sang as part of a choir in the King's Christmas broadcast – to tea at Windsor Castle. Earlier in the same year, she appeared close to tears after hearing Lucy Illingworth, the blind 13-year-old who won Channel 4's The Piano and another Amber alumna, at the Coronation Concert at Windsor Castle. (Ockelford discovered Lucy aged four while she was playing at her school.) Royal patronage may help raise a charity's profile, but Ockelford says disability is the great leveller. 'It cuts right across society. Derek can play for the Queen or he can play for some kids in a pupil referral unit. It's the same thing.' He is sure Paravicini's privileged upbringing is 'completely incidental. I work with kids who come from every conceivable background, including from areas of high social deprivation.' Paravicini's sister, Libbet, nine years his senior, was the first person to recognise his musical gift when she heard him bashing out a hymn from church. She rushed to get her parents, but 'when I was saying, 'Play it again', he didn't understand.' The family would have to wait until he did Just One Cornetto from a TV advert. Had their nanny never salvaged the plastic organ, 'there would have been no way to get the energy out,' notes Libbet. 'He'd have been like so many other children that we've known over the years, who do get very frustrated and then sometimes aggressive.' She says it remains to this day 'a head scratcher' how, unlike a blind pianist such as Stevie Wonder – who always keeps his fingers on the keys – Paravicini can lift his high up in the air and then slam them down on exactly the right notes. 'I say, 'You're showing off, aren't you?' And he says, 'Yes'.' Libbet, who chaperones her 'immaculately mannered' brother around the globe, says she is 'of course really proud. But also so used to that it's Derek, and this is what Derek does'. Hollywood writer-director Daniel Persitz became aware of the story after his mother sent him a YouTube clip of Paravicini playing. Persitz – who is also a classically trained violinist with the Santa Monica Symphony – read Ockelford's memoir of their musical relationship (also titled in the Key of Genius) and 'fell in love with the story', which he says 'felt like an underdog sports movie in a way'. The film of their partnership was made after Persitz crowdfunded £25,000 and scoured the US for a blind boy to take the lead role. But eight-year-old Cannon Wood did not play the piano, leaving Ockelford having to attempt a six-week crash course over Zoom. British actors Gavin Stenhouse and Lauren Samuels play Ockelford and Mary Ann. Persitz's meetings with Paravicini shaped the sound design, which he wanted to reflect the savant's hyperawareness. 'He hears us speaking, he hears cars outside, he hears the hum of a motor over there and it's almost like a superpower,' says Persitz on a video call from his home in LA. The journey has been a long haul. In 2017, his script featured on the Black List, the prestigious annual rundown of the top-rated unproduced screenplays, based on a survey of Hollywood executives. The 12-minute short is intended as a stepping stone to a feature-length version, the script for which was worked on by David Seidler, Oscar-winning writer of The King's Speech, before his death last year. The film makes clear, and Ockelford is the first to admit, that the learning has always gone in two directions. Paravicini has taught him as much – about music and humanity – as he was ever able to impart to his student. 'I've got a PhD in applied musicology,' he says, 'but it's not nearly as challenging as figuring out a non-speaking little child who doesn't seem to relate to the world. The child may block you out for years.' (Paravicini, for instance, spent years treating words 'like music' that he enjoyed repeating, only beginning to 'grasp the full significance of language in his late teens'). Paravicini has also been a trailblazer for other gifted musicians. The Amber Trust was founded off the back of his work with Ockelford and through it Paravicini mentored and befriended Illingworth, and The Piano 's latest star, Chapman Shum, 14. Another of Paravicini's protégés, Romy, may be autistic and non-verbal but – playing a version of the 40-year-old 'copy game' – is conducting the entire room like a maestro. I leave the pair communicating to each other via two adjacent pianos, relishing a frenetic, improvised conversation through the keys – without a word needing to be spoken.


Daily Mail
15 minutes ago
- Daily Mail
Man abandoned as a baby in a Co-Op plastic bag inside a public toilet with placenta still attached to him finally meets his birth siblings after 40 years
A man who was abandoned by his birth mother just moments after being born was left near-speechless after meeting his half-siblings for the first time. 40-year-old Jon Scarlett-Phillips was found in the toilet of a leisure centre car park in Bletchley, Milton Keynes, in September, 1984. He was wrapped in a blanket and placed inside a Co-Op shopping bag with his placenta still attached. Luckily, three teenage girls found him and called for help to get him an ambulance and further medical support. 'I was found by three girls,' Jon said in ITV 's Long Lost Family: Born Without a Trace, adding, 'Finding something like that at that age is absolutely crazy. I'm grateful, very grateful that they heard me and found me. They're the ones that saved my life.' Jon, who now works as a chef in Wiltshire, was left without a note, and was later adopted by loving parents, John and Marilyn, and big sister, Debbie. For many years, he avoided thinking about his beginnings. 'I didn't want to search for a very long time,' he said on the show's upcoming episode, which airs on Wednesday at 9pm. Jon, while outside the public toilets where he was left, added, 'It's hard, it's hard to deal with,' adding, 'The question is still there: Why did she do it?' In his quest for answers, Jon contacted the Long Lost Family team, and in a whirlwind episode, he was finally able to solve some of the mysteries surrounding his life after meeting his birth siblings. Despite Jon having a positive childhood, he was prone to emotional outbursts throughout his adolescence. He explained, 'I had a really good childhood. I always knew I was a foundling. But when you're a kid, it messes with you and you rebel against everything and anyone.' 'I had a lot of anger issues, a lot of emptiness, and when you feel empty, you don't know how to fill that.' When Jon was 15, his adoptive mother sadly suffered a serious accident that left her with brain damage. In the aftermath of the accident, Jon 'went off the rails', and turned to substance abuse for a few years after. After a near overdose when he was 18, Jon never turned to drugs again. He later trained as a chef and now lives and works in Wiltshire with his wife Becky and their 17-year-old son. 'She's the one that stabilised me [and] stopped me from making silly decisions in life. I used to push people away, and then she decided to push through that barrier. He added, 'I have my own family, they fill my gap, they fill emptiness.' It was Becky who finally gave Jon enough encouragement for him to seek answers about his past. Because Jon had no paper trail leading him to any birth family, the Long Lost Family started their search by DNA. But before the team's search progressed any further, Jon received an update of his own. He had uploaded his DNA to an ancestry website before he came on the show, and during filming, he received a match from his biological father, who was on the website to seek information about his own past. 'I was at work and an email came through on my phone,' Jon told co-host Nicky Campbell, adding, 'It said you have a close match - father. I was a bit shell shocked.' His birth father and his wife gave him few details, including that he'd spent one weekend with a woman who he assumed was Jon's birth mother. Jon had no direct contact with his birth father, and instead spoke to him via his wife. The communication between them was brief and did not continue. He said, 'I've always felt that if people want a relationship with me, that's for them to approach me. I suppose that's because I'm a foundling, I've always handled rejection quite hard.' Meanwhile, Long Lost Family's Ariel Bruce made a series of discoveries about Jon's birth mother. Ariel learned that she was still alive, her location, and that she was not the woman his birth father assumed she would be. Jon's birth mother was 20 at the time she had him, her marriage had recently ended, and she had two very young daughters when she found herself pregnant again. 'I suspect she surprisingly found herself pregnant with Jon, and I think she couldn't cope. When she left him, she was mentally in a very bad place,' Ariel said. The birth mother's husband isn't Jon's birth father and she kept the pregnancy a secret from her family. When she left Jon, she was in a very bad place. She's not yet ready to meet him, but his two half-sisters, who are very supportive of their mother, wanted to meet him as soon as possible. In an emotional scene, Jon read out the letter that his birth sisters had given to him via Davina. The letter read, 'To our long lost brother Jon. We are writing this letter to express to you how delighted we are to learn that you have a brother. 'Finding out about you has been a complete rollercoaster of emotions. Initially, we were heartbroken and devastated to find out how many years we had missed together. However, as emotions settled, we were left with such happiness.' 'We realise that learning about us today will be a shock to you, but we want you to know that you have a family, and we will try and help you piece everything together as much as we can. 'We have 40 years to catch up on and a very long bucket list. We would like you to know you have two loving sisters wanting to be a part of your life. We are so looking forward to meeting you.' After reading the letter, a near-speechless Jon said, 'Wow, that's amazing. It's a whirl of emotions. It's like a tornado going off at the moment.' In a heartwarming final scene, Jon finally met his birth sisters for the first time. Their names and faces were hidden to protect their mother's identity. Jon and his birth siblings instantly connected, and despite not growing up together, they share multiple interests. His mother also sent a message for their meet-up, which read, 'Hi, I've sent this message to the girls so they can let you know the reasons why I'm not with them today. 'Unfortunately, I feel unable, both physically and mentally, to come today following a long period of illness.' She added that she's struggling with feelings of guilt and shame, and that she needs to process them before going any further. After reading the note, one of his birth sisters said, 'It's not a no Jon, it's just time.' The experience proved to be positive for Jon, who told his half-sisters that he holds no grudges. He said, 'I feel a lot lighter. I feel a bit more full, as well. That emptiness has disappeared completely now. I'm a happy man.'