
‘Hacks' star and co-creator Paul W. Downs talks Season 4's ‘surreal' cameos
From Jimmy Kimmel to Kristen Bell and Seth Rogen, the only other current comedy to rival the collection of cameos on HBO Max's 'Hacks' is Rogen's 'The Studio,' Apple TV's similarly industry-centric satirical show that features Hollywood heavyweights like Martin Scorsese and Ron Howard playing themselves in hilarious turns.
'Hacks' co-creator Paul W. Downs – who also figures in the regular cast as frazzled agent Jimmy LuSaque – focused in on one particular appearance from this season, that of Carol Burnett, calling it 'surreal' in a recent interview via email with CNN.
'When we conceived of 'Hacks' it was to tell the story of female comedians who had paved the way for the generations that followed them,' Downs said of his show, which follows fictional comedian Deborah Vance (played by Jean Smart) and her writer/protégée Ava Daniels (Hannah Einbinder) as Vance vies to become to the first female host of a network late-night show.
'Carol is that for all of us,' he added. 'And we shot at Television City (in Los Angeles) steps away from the sound stage where 'The Carol Burnett Show' was filmed. It was such a full circle moment for all of us.'
Downs – who counts 'Broad City,' which featured some fantastic cameos (here's looking at you, Kelly Ripa), among his earlier credits – pointed to surprise appearances in shows from years past as inspiration, like Harpo Marx in 'I Love Lucy.'
'With Deborah Vance finally getting her late night show, actors and musicians would inevitably be a part of that journey, but we tried to be selective and only employ them when the story demanded it,' he said.
'Like when Deborah experiences stage fright for the first time in her long career it was an opportunity for her to get some wisdom from someone she would look up to, and there was no one better than Carol Burnett,' Downs explained. 'And featuring Rosie O'Donnell at a moment when Deborah needed some perspective on what life would be like after her show was very special for us.'
Downs said securing the cameos took some effort, such as Randy Newman, who appeared as himself in Episode 4 as one of Vance's first musical guests.
'(He) doesn't play as much as he once did and 'I Love LA' is one of his more demanding songs to play, but we're so glad he got on board,' he said.
Rogen, who co-created and stars in 'The Studio,' also referenced the inherent challenges of getting major stars to play themselves on his show, even briefly.
'It was a combination of (calling in) favors and people that we've never met before that I'm amazed came and did this, honestly,' he said on a recent episode of the Hollywood-focused podcast 'The Town' – whose host, Matt Belloni, funnily enough, also made a cameo as himself on the show.
'One of the hardest things was just conceptually, making these people understand what we were trying to do, and to sign onto it,' Rogen said on the podcast.
He and his producing partner Evan Goldberg discussed how several of the stars they courted to appear as versions themselves on 'The Studio' – Zoë Kravitz, Charlize Theron and Zac Efron, to name only a few – wanted to know 'what their joke was,' and if it was something they found funny, they agreed to do it.
In a very meta-moment, the creators and stars of 'Hacks' also made cameos this season on 'The Studio.' Both shows have been renewed for new seasons. Rogen's future cameo wishlist includes Steven Spielberg, Leonardo DiCaprio and Daniel Day-Lewis.
Season 1 of 'The Studio' is now streaming on Apple TV+. Seasons 1 through 4 of 'Hacks' stream on HBO Max, which like CNN is owned by Warner Bros. Discovery.
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Forbes
an hour ago
- Forbes
Designing Excellent Costumes For A Whole Cast Of ‘Hacks'
Deborah Vance (Jean Smart) and Ava Daniels (Hannah Einbinder) face off in Season Four of 'Hacks' on HBO Max. Courtesy of HBO Max 'I take a lot of inspiration from my grandmother,' Kathleen Felix-Hager told me when I asked her about the origins of Deborah Vance, one of the main characters in the HBO Max series, Hacks . 'My grandmother was a very flamboyant, over-the-top, larger-than-life woman. And it couldn't be too bedazzled, too sparkly or too colorful. Her hair was done, her nails were done, her makeup was done. She always had a drink in her hand and a cigarette; she was just a big lover of life. When we were first envisioning Debra Vance, we didn't want to make her derivative of any other women comedians of the time, though there have been references to Phyllis Diller. We really wanted to make her her own being. I did take a lot of inspiration from my grandmother. She's no longer with us, but I have a collection of her costume jewelry and I often use some of them on Debra.' Vance, portrayed by the fabulous Jean Smart, is someone who straddles the line between clothing and costume in her personal and professional lives, very much to the viewer's benefit, after speaking with Felix-Hager, I know that this is the result of a ton of work behind the scenes. 'The show is really grounded in reality,' the designer continued, 'we don't ever skew towards quote-unquote costumey things unless the script specifically calls for a moment that is describing something Deborah's wearing, like that yellow dress she wore in season three. But even that, I tried not to make it too jokey because I wanted you to believe that Deborah would actually have at one point bought it, worn it, and thought it was pretty.' Deborah (Jean Smart) in a sequined jacket Bill Blass would very much appricate. Courtesy of HBO Max As my regular readers doubtless know, I am very interested in the line between clothing and costume. Any artist who performs their own work, as themself on stage, must have an opinion about the point when what they are wearing stops being clothing and becomes a costume. I've been able to explore this idea with some exceptional musicians (and more of those conversations are coming) and I believe this applies to comedians as well. The question of who they are on stage vs who they are privately, it seems inexplicably linked to the clothes. I was very lucky, because Felix-Hager, who also costumed Dexter (2011-2013) and Veep (2014-2019) was able to meet with me to discuss her work on the show, and ask her all my nosiest questions about her impeccable work. Of course I started with Deborah Vance? How could I not? 'I do think that she tries on different personas. She's tried on different personas throughout the series. You know, when we first meet her, she's a Vegas comedian, and that has a very specific show look; lots of sequins, long duster jackets and soft silhouettes. And then as she moved forward in her career and her life, she started wearing more tailored things on stage, more structured things. Especially in Season Four, she still wore pantsuits, but they were much more structured than we saw in Season One. We also put a lot more dresses on her in Season Four for her show looks, so you could see her great legs. But when we see her, like, when she's not performing, I think her go-to is luxurious casual. She wears lots of silk and lots of cashmere and lots of drapey things. If she wears a blouse, it has a looser structure, but she does like a collar pop. She does dress for herself, I think, more when she's off stage. When she's performing or doing an event, I think she thinks of the persona that she's selling, so to speak.' This show is filmed (mostly) in Los Angeles but, in the world of the series, is fairly evenly split between Hollywood and Las Vegas, and the cities are effectively characters, as distinct as any spoken role, and I wondered if the location, even if it was on a set, made any changes to how Felix-Hager dressed the characters. The writing staff of Deborah's show does their best to keep up in Vegas. (L to R: Grover C. Whitmore, Holmes, Sandy Honig, Gavin Matts, Katy Sullivan, Matt Oberg, Jasmine Ashanti and Danny Jolles.) Courtesy of HBO Max 'I love both cities and both looks,' Felix-Hager told me, 'but I'm also a born and bred Los Angeles girl. So, this is my city. We do film the show in LA, even though we do go on location to do some Vegas stuff. The majority of our show is filmed in Los Angeles, which is a treat these days. But to shoot LA and have it be LA in the show this season was really lovely. It's kind of, you know, a love letter to our city. And even with all the fires and everything that happened this year, it was bittersweet that we were able to portray LA as like people that live in Los Angeles County, which I think was really nice. I enjoyed that a lot, not having to pretend we were somewhere else, but we can embrace everything that LA has and show it to the world.' Ava, the brilliant Hannah Einbinder, Deborah's partner (when they aren't pissed at each other) is very much a Los Angeleno, much in the same way that Deborah is very much a Vegas lady. Under the watchful eyes and careful hands of the production's costume designer, there are details about every character embedded in their apparel, little clues left for anyone curious enough to start digging. 'I mean, Hannah herself is just a really beautiful being,' Felix-Hager said. 'I think that when people have that sort of light inside them, you really can't dim it. She's a really wonderful actor to work with. She's grown so much from season one to season four, I think, as an actor and as a character. It was nice to see, especially for me this season, the growth of her. She's head writer. She's buying more 'important pieces.' She's investing in different brands and trying on the more professional look. And I think it just helps because she doesn't wear her sexuality overtly, but she is queer, she's talked about this in life and in the show, I think it's been nice to work with someone who's embracing who they are in reality and also bringing a little bit of themselves to the screen too.' Ava (Hannah Einbinder), in her upgraded office wardrobe, in front of Nate (Danny Jolles), one of the writers for the show. Courtesy of HBO Max Jimmy, the wonderful Paul W. Downs, grows up this season too, maybe as much as Ava does, and we see it in his wardrobe as well. Every character feels flushed out, well rounded and attended to. There is zero about anything that feels rushed or forced. 'It's interesting, because I think about Jimmy's backstory,' Felix-Hager explained, 'and we as an audience don't know very much about that. I have to take little clues from the tidbits that are in the script. And I mean, I do have access to Paul who plays Jimmy, so I do ask questions, but we don't really have a backstory of his personal life. I think he really does want to step into his father's shoes. Now that he and Kayla have this business together, he is really, you know, trying to be the boss, but he's also trying to balance that with being a partner. And, this new dynamic of the wonderful Robbie Hoffman as the assistant. It was really fun to work with her this year also. I loved her style, and we really took a cue from her personal style in creating Randy. That was nice too. I think she felt really comfortable and it just helped her performance. I think we talked about it, that she was really happy with the choices we made for her character.' Kayla (Megan Stalter) and Jimmy are so much happier working together at their own company. Courtesy of HBO Max Oh, how I wish I could have seen Kayla's episode of Super Sweet 16 , even if they cut whatever that dolphin did that convinced Kayla to kill it. The character, a wickedly funny Megan Stalter, has a feral energy which becomes more frenetic and frightening when those she interacts with begin to understand the level of chaos her entrance promises. And how incredible she's going to look while burning whatever bridge or slaying whatever mythical beast. Kayla, the heart (and fists and wallet and mouth) of the agency and her ferocious mama bear energy is so beautifully echoed in her costumes. 'I love the character Kayla and working with Meg has been amazing,' Felix-Hager told me. 'Meg is someone that becomes Kayla the minute she puts those clothes on. You have to be careful sometimes like not making someone a caricature, but in this instance, I think it really works. Like, the clothing complements her outrageousness and it makes sense because as a character, she is unfiltered. She's a free spirit. She doesn't really care what people think of her. Kayla's her own being and she walks through the world very confidently and just like, 'here I am, I'm fantastic, this is what I felt like wearing today.' Her style is a little bit all over, the silhouettes vary, but the one constant is that she's always the loudest in the room because her character, her persona, is loud and outspoken. So I think it matches very well.' There is a lot to love about Hacks , but it's the little bitty details that I always appreciate most. Helen Hunt joins the cast as Winnie in Season Four, which absolutely adds dimension to the power dynamics of the series. When I caught on that Winnie's wardrobe, all these wonderfully loud and sometimes clashing prints, was proof of her executive strategist skills, I made some very on-brand, fashion-nerd notes in anticipation of our conversation. Winnie (Helen Hunt) wearing mixed prints during a confrontation with Deborah. Standing next to her is Cece Heaumeaux (Bresha Webb). Courtesy of HBO Max 'It was really amazing to work with Helen,' Felix-Hager told me. 'I love her as an actor, I've always been a fan, and she's so smart about character. It was really, really just a wonderful experience working with Helen. When she first came on, we had a lovely conversation on the phone. The first time I met her, I actually did the fitting at her house. And we were on the same page. YShe's this high-powered executive and the reality is that a lot of those high-powered female executives in Hollywood wear very muted tones, very simple, classic navies and browns and black, very simple silhouettes. And for some reason, we just wanted to make her pop. I love the idea of these really strong blazers that had a very severe structure to them, but had a very interesting texture or a pattern. And she was very open to playing with pattern on pattern. It was not something that I think she gravitates towards in real life, so I think it was really helpful for her also to step into Winnie's shoes with these powerful, strong silhouettes.' When the patterns on Winnie's clothing clash, it feels like a sign that she is on the hunt, that she smells weakness or blood in the water. On the complete and total opposite end of the sanity spectrum there is Julianne Nicholson, who I cannot help but think of as 'Dance Mom' in this context. The actress is phenomenal, and I loved seeing her in a role like this, where she could play against type and go wild with abandon. Hacks is probably the most joyful series a person could become obsessed with and the costumes consistently become a refrain against the larger themes of an episode or season. Dance Mom is an excellent example of this designer's prowess. Jimmy (Paul W. Downs) and Kayla (Megan Stalter) help carry Dance Mom (Julianne Nicholson) into a dressing room back stage. Courtesy of HBO Max 'I have to tell you,' Felix-Hager said to me, 'that she was one of the most fun characters for me to have done on the show. She was so wonderful to work with. You know, Julianne's serious,and known for such serious, dramatic roles. Her work is so incredible and she was so excited to be able to have the chance to play this complete wackadoodle character and just go all out in the comedy world. She was really game. There were a lot of TikTok videos that we looked at. And when we first meet Dance Mom, she's very earnest and dorky and a little cliche in a way.' 'But then her evolution was really fun when she went off the rails. I mean, that fitting was bananas and we just put together outfits and laughed. There was so much joy in that fitting room. We had a ball, but she was great and she's one of my favorite characters this season on Hacks. I take fitting photos, but we were doing videos too because she wanted to be able to make sure she could dance. So I have all these fun little videos of her on my phone, they're little treasures for me.' I've written a lot about how costume design can be a tool for the audience, the many ways that clothing can provide information to the viewer when words cannot be trusted to do so. But please understand, costume and character design are a bipartite instrument. Ava (Hannah Einbinder) has a meltdown in the writer's room. Courtesy of HBO Max For an actor going to a fitting, what could be more helpful than to look into a mirror in costume, and even for a fraction of a second, to not see themself in their reflection, I asked Felix-Hager if she could talk to me about being part of that experience. 'There's this little magic moment in the fitting room,' the designer told me, 'when you're working with an actor, especially a new character that's coming in. You're trying on clothes and all of a sudden the clothes become the character, or they help the actor see themselves as the character. And just all of a sudden, body language will shift and they'll walk a little different. It's just so informative, for me, helping to create the character and also for the actor to find the character. I guess that's when clothing becomes costume, or when costume becomes clothing, that is when magic happens.' All four seasons of Hacks can be seen on HBO Max. Kathleen Felix-Hager's work on season four has been nominated for an Emmy for Outstanding Costume Design in a Comedy Series for the 77th Emmy Awards . MORE FROM FORBES Forbes Janie Bryant Recreates The End Of The Wild West For Paramount's '1923' By Rachel Elspeth Gross Forbes Thousands Of Costumes Were Handmade For Amazon Prime's 'House Of David' By Rachel Elspeth Gross Forbes Exquisite Costumes Elevate 'A Thousand Blows,' Hulu's Latest Hit Series By Rachel Elspeth Gross


Forbes
5 hours ago
- Forbes
Pulisic Controversy Has Turned Into A USMNT Off-The-Field Soap Opera
From now until the end of the 2026 World Cup, there will be an intriguing generational competition concerning the U.S. Men's National Team. No, not inside the team, but heroes of the past and the current squad. It has turned into an interesting off-the-field, he-said, he-said soap opera. The most recent bruhaha came after U.S. standout Christian Pulisic decided to sit out the team's involvement in the Concacaf Gold Cup, saying that he needed a rest after a grueling Serie A season for A.C. Milan. He got slammed by critics, including former USMNT stars that have a voice on TV, streaming, podcasts and blogs. His critics have included Landon Donovan, Alexi Lalas and Tony Meola, among others, who have shared their thoughts, opinions and analysis. Donovan makes his point "This is what it means to represent your country," Donovan said on the FOX broadcast of the UEFA Nations League final in June. He then citied Portugal superstar Ronaldo, who is 40 years old. "He's played a long season. He's tired," Donovan added. "He's out there grinding, hurt himself in the process. And I can't help but think about some of our guys on vacation, not wanting to play in the Gold Cup. It's p---ing me off." It should be noted that Donovan took time off from the national team in 2013. Pulisic makes his point In the latest episode of the docuseries PULISIC, the talented forward claimed that his critics 'disrespected me in a lot of ways, and just completely forgotten about what I've done for this national team." Pulisic, who turns 27 on Sept. 18, made his international debut in 2016. He has become the team's talisman, making 78 appearances while scoring 32 goals, a current team high. "To talk about my commitment? The commitment that I've given to this game? That I've given to my national team, you know, for 10 years?" said on docuseries. "I have paid the price. That's the only thing that starts to get on my nerves. But to be honest, it just fuels me to get back on the field and just shut everyone up and show everyone what I'm about, at the end of the day." Weah isn't happy Wait! It doesn't stop with Pulisic. USMNT teammate Tim Weah, who recently completed a transfer from Juventus to Marseille, called the former players who have dared to criticize the team as "evil." That's right, evil. "I think those guys are chasing checks, and for me, I just feel like they're really evil, honestly, because they've been players and they know what it's like when you're getting bashed," Weah said. Those are the same guys that'll turn around and shake your hand and try to be friends with you at the end of the day. "Don't get me wrong, I respect all of them. They were players that I looked up to. But quite frankly, the guys before us didn't win anything, either." Well, the earlier generations did set the table for the current team. Meola, for example, backstopped the U.S. in its first World Cup appearance in 40 years in 1990. But we'll have to do a U.S. soccer history in another piece. Mark Pulisic defends his son It should not come as a surprise that Pulisic's father, Mark, a former pro soccer player himself, backed his son. "These guys want clicks," he said. "On social media, it's 'subscribe to my channels, listen to my podcasts,' or whatever. I think they should look in the mirror and look at their last performances for the national team before they start talking s#@t." Lalas' response Those remarks opened the door for a response from Lalas on Fox and Meola on the Call It What You Want podcast on CBS Sports. Lalas wrote "don't bring your dad to a fight. I get that Mark Pulisic, like other dads out there, has been involved directly in bringing up, in this case, Christian. I get that he's a former coach. But who brings their dad to a fight? If you're angry at me or Landon or anybody else that is being critical of you, that's fine. You have a platform, you have a microphone – some would say bigger than anybody else out there – to get that off your chest, but you don't need to bring your dad. "Never once has it even occurred to have my father defend me from the slings and arrows that are inevitable but well done. You got me to watch, and you got exactly what you wanted." Meola has his say Meola and Mark Pulisic were teammates on the Oceanside Navahos team that captured the Eastern New York Youth Soccer Association Boys Under-19 crown in 1987. Pulisic scored twice that day, including a late game-winner in a 2-1 triumph over B.W. Gottschee. 'I've been friends with Mark Pulisic for a long time. We played together at the youth level. You gotta stay out, Mark," Meola said. 'I know you're a dad, I know you get emotional, your kid is at the top of the heap, right? I've got other friends in other major sports in America that their kids right now are in top of the heap. They listen to this all the time about their kids. You can't respond. "Stay out. Christian is a big boy. He will be able to do this on his own. He will be able to carry this team.' This criticism and replies aren't about to go away anytime soon, if ever. The U.S. men have two friendlies coming up during the September FIFA international window against a pair of top-flight Asian sides. The Americans will face the Korea Republic at Sports Illustrated Stadium in Harrison, N.J. on Sept. 6 before meeting Japan at Field in Columbus, Ohio on Sept. 9. Like it or not, Pulisic and his teammates will be under the microscopic and then some in those friendlies and anything concerning club or country from now until the end of the European domestic season in May and the first part of the Major League Soccer campaign before it takes its World Cup break. And those criticisms and opinions won't stop with the end of the World Cup. In the media environment that we live in today, it likely will continue forever. Who knows? After this generation of USMNT players retire, they might find themselves in a similar situation when they become media pundits and get an opportunity to share their opinions, criticisms and analysis about another generation.
Yahoo
5 hours ago
- Yahoo
Dillon Gabriel's ‘entertainers, competitors' comments will get Browns fans talking
The post Dillon Gabriel's 'entertainers, competitors' comments will get Browns fans talking appeared first on ClutchPoints. The Cleveland Browns are expected to be one of the worst teams in the NFL this season, but they are also one of the most powerful media magnets in the league right now. And that statement will carry even more validity following Saturday's 22-13 preseason win versus the Philadelphia Eagles. While there are certainly interesting aspects of the game to unpack, the biggest attention-grabber occurred during a sideline interview in the third quarter. Rookie quarterback Dillon Gabriel, who made his preseason debut after recently battling a hamstring injury, dropped a soundbite that is sure to go viral. When asked how he 'tunes out the noise,' the third-round draft pick responded with an interesting choice of words that had many fans immediately thinking of one man. 'That's just part of it… there's entertainers and there's competitors,' Gabriel said, via TheDayroomExperience X account. 'And I totally understand that, and my job is to compete… I just want to be the best teammate that I can and create an environment where we can all do our best work.' The 'entertainers' remark immediately put the spotlight on fellow rookie signal-caller Shedeur Sanders, who famously has a big personality and flashy appearance. However, given the nature of the question, which focused on 'the noise,' it is definitely possible Gabriel was talking about the media circus that is encircling the Browns QB room, and not his teammate. Do not forget, one reporter was caught on video mouthing 'I'm taller than him' in the spring, so it is possible the 24-year-0ld already has some reservations about the local press. A narrative will take shape regardless. Browns' Dillon Gabriel, Shedeur Sanders must push through all the hoopla Whether or not he intended to bring Sanders back into focus, Gabriel just threw gasoline on the QB controversy that was already brewing in Cleveland. He should know how the specific word 'entertainer' is going to be perceived by those watching. Although it is not a written part of the job description, a quarterback is supposed to ward off distractions when talking into a microphone. Unfortunately, this will have the opposite effect. Gabriel wants his game to speak louder than anything he said off the field, but while he did show some promise on Saturday afternoon, the All-American and former Oregon star posted a mixed outing. He completed 13-of-18 passes for 143 yards, while also throwing an interception that was returned for a touchdown and committing a lost fumble on a handoff. Gabriel's pass-catchers share accountability on the pick-six — bunched-up and did not make a strong move for the ball — but he needs to recognize potential dangers during such unfavorable circumstances. Nevertheless, the young Hawaiian still made enough good throws to inspire some optimism. Since Shedeur Sanders is nursing an oblique injury, and Dillon Gabriel was sidelined last week, fans have still yet to see both signal-callers compete in the same exhibition game. Perhaps that will change in the Browns' preseason finale against the Los Angeles Rams next Saturday. The team and NFL world can expect much speculation until that day arrives. Related: Dillon Gabriel's unbothered take on Browns QB depth chart position Related: Kevin Stefanski's blunt verdict on Dillon Gabriel-led Browns offense vs. Eagles