All That Talk About the Panama Canal Could Pay Off — For Panama
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Here's an insanely niche pop culture fact 1 that you can casually drop at your next dinner party: Luann de Lesseps — AKA 'The Countess' from The Real Housewives of New York City — married, had kids with and then divorced a descendant of Ferdinand de Lesseps, the French diplomat who developed the Suez Canal and attempted — key word! — to build the Panama Canal.
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French Women Have Decided These 3 Shoe Trends Are Officially Chicer Than Flat Sandals
When you buy through links on our articles, Future and its syndication partners may earn a commission. I hate to say it, but sandal season is slowly slipping away. With unpredictable weather and fall on the horizon, the risk of soggy feet and a new shoe purchase you'll only be able to wear for a month just isn't worth it. Like many of us, I'm being nudged toward practicality and leaving my beloved sandals tucked safely in the wardrobe—at least for now. After living in them all summer long, the thought of styling anything but sandals feels slightly disorienting. In need of inspiration, I turned to the ever-reliable French style set to see how they're transitioning their footwear for these in-between days. As always, they delivered, offering chic, weather-appropriate alternatives that still manage to retain a breezy feel. From elegant slip-on flats to timeless classics, I've rounded up the three key shoe trends French women are genuinely wearing in place of sandals right now—just look at the images below for further proof. 3 Shoes French Women Are Wearing Instead of Sandals Now 1. Espadrille Wedges Style Notes: With their rope soles and fabric uppers, espadrille wedges capture the essence of summer while offering more coverage than your average sandals. Style Notes: Whether worn with classic blue denim, floaty white skirts, or cotton dresses, espadrille wedges strike the perfect balance between casual and polished, a style that French women always master. Shop Espadrille Wedges Style with a white cotton dress or your favorite jeans. View Deal You can never go wrong with a classic. View Deal This style is so unique. View Deal 2. Ballet Flats Style Notes: No roundup of French footwear would be complete without ballet flats. The go-to shoes for effortless elegance, this versatile staple is perfect for navigating late-summer dressing. Style Notes: Soft, comfortable, and enduringly chic, they're easy to style with miniskirts and tailored shorts now and full-length trousers and jeans as the weather continues to cool. Shop Ballet Flats Wear these with white socks to give your styling a preppy edge. View Deal Honestly, these look so much more expensive than they actually are. View Deal These also come in a fresh shade of white. View Deal 3. Closed-Toe Mules Style Notes: Equal parts laid-back and luxe, mules are having a real moment. Whether you opt for flats or a heeled version, these slip-on styles bring an instant sense of polish to any outfit. Style Notes: Flat mules are great for everyday wear, and a low heel adds just the right amount of lift for evening plans. French women are styling them with everything from wide-leg trousers to tailored co-ords, proving just how adaptable they can be. Shop Closed-Toe Mules Yes, that price is correct. View Deal The almond-toe detail gives these such an elevated edge. View Deal Be quick—these are on their way to selling out. View Deal This post originally appeared on Who What Wear UK.
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2 hours ago
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Broadway Star Audra McDonald Said A Fan Followed Her Home Because They Thought They "Deserved" An Autograph, And People Are Scared For Her
Audra McDonald is reflecting on a "stalking" incident with a fan that left her uneasy. Audra is currently starring in the Broadway revival of the musical Gypsy, playing the notable role of Momma Rose at the Majestic Theatre. The show opened in December 2024 and will run until August 17, for 269 regular performances and 28 preview shows. She is the most decorated actor in Broadway history, while also making a name for herself on both the small and big screen in projects like Private Practice, The Good Fight, The Gilded Age, and Rustin, so it's safe to say she has a ton of supporters around the world. But what happens when a line is crossed in the name of support? Related: On Saturday, in a video shared to Instagram, Audra opened up about why she doesn't always use the stage door (an alternative exit/entrance that performers often use to leave/enter the building — fans often wait outside this door in hopes of meeting the performers). "There are a lot of reasons that performers don't do the stage door," Audra said. "There have been shows that I've done it and shows that I've not done it. But some of the reasons are: they're exhausted; some people have anxiety about doing stage door; some people are in a rush to catch trains so they can get home; and some people avoid the stage door because of health reasons." "And that's perfectly fair. Actors, as much as we would love to greet every single one of you after a show, sometimes we're just exhausted, and it's hard. There are a million reasons. And some people love to do it, and that's great. There have been shows when I've done it, but I have not been doing it in Gypsy for a myriad of reasons. The main ones have been because of health, exhaustion, and vocal health, and trying to conserve what little vocal energy I have so that I can get through the next show, and the next show, and the next show. So, I have not been doing the stage door." Audra added that when she can, she'll smile and wave, but most of the time she's just trying to get out of there. More importantly, Audra said she has a kid at home that she's trying to get back to — referring to her 8-year-old daughter Sally who she shares with her husband Will Swenson. Audra also has a 23-year-old daughter named Zoe from a previous marriage. But after leaving a show on Friday, she was forced into an extremely uncomfortable situation with a fan who had no regard for her boundaries and welfare, after they decided to follow Audra back to her temporary place of residence. Related: "Last night, someone, not only, I don't even know if they did the stage door or not, but they snuck around and found me the way I had exited from the theater last night and followed me all the way to where I was staying, came into the building, and was uncomfortably close." "Then, when I finally got some security to help me, their response was, 'Well, hey, I've come all the way — and they named some town, some city that they've come all the way from — and they wanted an autograph, and sort of deserve an autograph.' That is crossing a big old boundary, and I just want to call that out. That's a big no-no. That's now messing with my safety, and it's not right." She then sent a general message to fans about how to properly address and/or approach celebrities in the future: "When you see an actor leave the stage door, if they don't stop, leave them alone. There is a reason that they're not stopping, and it has nothing to do with you. It's them protecting their space and peace, whatever that may be, and if they do stop or wave or take a picture with you or sign an autograph, great, but please respect the proper boundaries." Her comments were filled with people acknowledging how scary that situation must've been, while also advocating for the right to privacy and respected boundaries: Related: The video eventually made its way to Reddit, where Redditors revealed that, unfortunately, in the Broadway community, this is nothing new: Iwoulddiefcftbatk commented, "How many people who 'stage door' would like a total stranger meeting them at their workplace at what is essentially the back door to say 'hi' to them or ask for a picture after clocking out of a shift? I don't care if they are actors, no one and I mean no one deserves to be harassed when they leave their job." They went on to say, "There are so many stories on the Broadway sub of unhinged 'stage-dooring' fan behavior where people will harass actors for blocks, even chasing them once they get into taxis, once they leave a theater after performing in a show. It's become so normalized that it's fine to swarm people leaving work just because you might have (not all 'stage doorers' do so) watched the show. It's so scary for all the staff and actors since it's getting worse. I'm glad Audra wasn't hurt, but there needs to be a hammer dropped on this since this is going to end badly for someone eventually." Related: joodee3 added, "Geez, I didn't know it was getting this bad. That truly sucks. I stage-doored when visiting Broadway a few years ago, and it was good vibes, but I know that's just an individual experience. That really sucks that the behavior is growing more prevalent. Yeah, if performers are feeling like things are getting too dangerous, then they should definitely do what makes them feel safe." LemonKurt said, "Broadway and theatre fans can be especially rabid. Something about the theatre space feeling smaller, the actors being less famous and having less media training and the direct access through stage doors etc. makes some people's parasocial relationships much more intense. So glad she's safe, but I feel like this entitled and scary behaviour happens way too often on Broadway and the West End." butterflyvision wrote: "This has happened to other performers this Broadway season as well. It's always been a problem, but it feels like post-COVID, the problems have really amped up. The obsessed, entitled fan culture is ruining things for everyone. I really hope shows stop doing stagedoor. I know she says she doesn't know if they were there or not, but it's getting SO dangerous." I'm glad everyone could see the danger in this situation and that no harm was brought to Audra. Everyone should remember that although we might feel like we know these celebrities or are big fans of their work, we're still not entitled to anything from even a greeting. Please be respectful. What are your thoughts on this? Watch her full video here, and share your comments with me. Also in Celebrity: Also in Celebrity: Also in Celebrity:
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3 hours ago
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NY Film Festival Adds Bruce Springsteen Biopic ‘Deliver Me From Nowhere' as Spotlight Gala
The 2025 New York Film Festival has added the premiere of Scott Cooper's Bruce Springsteen biopic, Deliver Me From Nowhere, starring Jeremy Allen White as the iconic musician, as its Spotlight Gala selection. The film, adapted from Warren Zanes' 2023 best-selling book of the same name, is set in the early '80s at a key time in Springsteen's career as he was recording the personal, acoustic songs that would make up his Nebraska album while also working on demos for Born in the U.S.A. and navigating his growing fame. Cooper directs from his own script. In addition to White, Deliver Me From Nowhere stars Jeremy Strong as Springsteen's longtime manager Jon Landau as well as Marc Maron, Stephen Graham, Gaby Hoffman, Paul Walter Hauser, David Krumholtz and Odessa Young. Cooper, Ellen Goldsmith-Vein, Eric Robinson and Scott Stuber produce, with Tracey London and Zanes executive producing. 20th Century Studios is set to release Deliver Me From Nowhere in theaters Oct. 24. More from The Hollywood Reporter Mark Ronson's Latest High Note How a K-Pop Veteran Made Five Figures in a Weekend on a New Music Merch Startup Rupert Grint Returns as Ed Sheeran's Obsessed Fan in "A Little More" Music Video Springsteen: Deliver Me From Nowhere will have its New York Film Festival premiere Sunday, Sept. 28, with Cooper, White, Strong, Young and Springsteen, himself, all expected to be in attendance. 'The New York Film Festival has always felt like a spiritual home for the kind of cinema I believe in,' Cooper said in a statement. 'To now arrive with a film about Bruce Springsteen — an artist whose music shaped not just a country but my own sense of storytelling — is something I could never have imagined. Getting to know Bruce, to explore his world and his spirit, has been one of the most profound creative experiences of my life. To share that experience with New York audiences, in a city that defines artistic possibility, is both an honor and a responsibility I hold with deep gratitude.' NYFF artistic director Dennis Lim added, 'Taking its cue from the stark majesty of Bruce Springsteen's classic album Nebraska, Scott Cooper's Springsteen: Deliver Me from Nowhere has an intimacy and immediacy that eludes most film biographies. Anchored by Jeremy Allen White's revelatory performance, this year's Spotlight Gala selection is a fitting tribute to a living legend.' The NYFF previously announced its currents lineup and main slate, including its opening-night film, Luca Guadagnino's Julia Roberts starrer After the Hunt, which also features Ayo Edebiri and Andrew Garfield; centerpiece film Jim Jarmusch's Father Mother Sister Brother; and closing night film Bradley Cooper's Is This Thing On? Additional highlights from the 34-film main slate include Jafar Panahi's Cannes' Palme d'Or winner It Was Just an Accident, Kathryn Bigelow's A House of Dynamite, Noah Baumbach's George Clooney and Adam Sandler starrer Jay Kelly, Kelly Reichardt's The Mastermind, the Laura Poitras- and Mark Obenhaus-directed Seymour Hersh documentary Cover-Up, and Mary Bronstein's Rose Byrne and Conan O'Brien starrer If I Had Legs I'd Kick You. The 63rd New York Film Festival, presented by Film at Lincoln Center, is set to run Sept. 26 to Oct. 13. Best of The Hollywood Reporter The 25 Best U.S. Film Schools in 2025 The 40 Greatest Needle Drops in Film History The 40 Best Films About the Immigrant Experience Solve the daily Crossword
