
Book of the Week: When white liberalism gets fed up with the oppressed
Tanaka was born here and has a Zimbabwean mother and a New Zealand father. As she says of her experiences as a Black girl in Aotearoa, 'The circle of people who connect with my personal cultural experience is very small, yet very kind and always welcoming. But being a Black person in Aotearoa is tough. Living as a Black person, I've been set apart from other children my age, marked as different.'
Our family was fortunate to be able to welcome these lovely rangitahi, who brought with them stories and histories quite different from our own – stories and histories defined by the experience of racism in Aotearoa New Zealand. Tanaka explains, 'Every school, shop and community I walked into has treated me as a Black person. Stares and sly comments from older and whiter strangers asking about my roots, teachers questioning my academic abilities. That has been my experience of Aotearoa.'
As an American from Tennessee, welcoming a Black New Zealander and a Māori teen into my home was a delight and chance to grow our whānau and deepen our connections with others here in our chosen home. But it also meant we needed to expand our vocabulary and our understanding of what life here was like for the young people who joined our family. And being young people, they too needed to learn the words to talk about their experiences and how those experiences are shaped by larger structures, history, and forces that were operating long before they were even born.
In Tanaka's words, 'Feeling alone in my culture is something I struggled with from a very young age. I didn't know how to learn about what I was experiencing. I knew it affected others, but didn't know much more than that. I did know being Black was dangerous. For a long time I thought the fear I felt walking down the street was in my head. But I saw other Black, Pacifica and Māori girls having the same experiences. It wasn't until later that I came to understand that we were experiencing something systemic. It was racism. And it left me feeling excluded and angry.'
Racism hurts and it kills. An animating force for so much of our politics, racism and love of money combine to immiserate far too many here in Aotearoa and around the world, even as we still struggle to find words and stories to talk about it. A new collection of essays, Oceans Between Us: Pacific Peoples and Racism in Aotearoa offers a dissection of racism and is just the kind of book whānau like mine need. Its editor, Serena Naepi, writes, 'Racism. There, we said it. You can let your shoulders drop now that you know we will say the word and not sidestep it to protect people's comfort. Or, you can raise your shoulders in preparation for tension as you realise that this book will not talk about unconscious bias or other terms that enable us to excuse ourselves from our own complicity in, inaction on, or upholding of racist structures.'
Thirteen Pacific scholars weave together a truth about how structural racial oppression organises our society and how we can do the work of remaking it. The book combines hard facts with glimpses of the human toll behind those facts, and allows an understanding of how racism defines the experiences of Pacific Islanders in Aotearoa.
There are essays on history, economics, climate, health and other issues. Writing on migration policy, Evalesi Tu'inukuafe details the unfairness of the Recognised Seasonal Employer scheme, which appears designed, intentionally or not, to entrap Pacific Islanders in exploitative labour relationships. Generously sharing his own family history of migration and solidarity during the era of the Dawn Raids, Tu'inukuafe uses storytelling to elaborate on what might otherwise feel dry and abstract. He tells us of his own whānau, 'My uncle Karl and aunty Naima helped many students, family members, and friends during the Dawn Raids, risking not only their own their safety, but also the safety of their three children so that others could have a chance to start a new life in New Zealand.'
Barbara-Luhia Graham focuses on Section 127 of the Sentencing Act 2002. With searing clarity, she details the life of 'Fetu', a fictional stand-in, bringing readers into the life of a young Pacifica man entangled in the criminal justice system. 'Fetu's story of suffering,' she writes, 'starts before he was born, with the colonial powers' expansion in the Pacific Islands from the late 1700s'. From here we follow Fetu and his whānau as they struggle against systems that put barriers and challenges in front of them at every turn. Intertwined with explanations about how Pacific Islanders fare under New Zealand's immigration and criminal justice systems, she leaves it to readers to choose a future for Fetu, a literary choice that invites readers to think carefully and offers brilliant opportunities for classroom use in both secondary and tertiary settings.
In his essay on health, Caleb Marsters makes a compelling case for a full transformation in our health systems and asks where the responsibility for that change should lie. He writes, 'I fear that the drain of structural racism becomes twofold for Pacific communities, in that the same communities impacted by these structural disparities will also bear the brunt of attempting to solve these issues … What we have to do, if we are to get real about addressing structural racism, is to ensure that resources and opportunities, or the social determinants of health, are shared in an equitable way so that Pacific and other marginalised communities are able to live in a country that values their cultures, worldviews, and ways of knowing and being just as much as European Pākekā cultures, worldviews, and ways of knowing and being.'
At a time when privatisation and service cuts are dominating our political imaginations, Marsters offers a refreshing alternative vision.
Chelsea Naepi brings in the voice of youth and a focus on the future in the concluding chapter. She calls out the current Government for their dismantling of policies that served to move us closer to a world less based in racism, policies that benefited everyone including Smokefree Aotearoa and Fair Pay Agreements. Naepi writes with the full power and urgency of youth, crafting a vision of an Aotearoa where the values of 'love, empathy (mafana or aroha), relationality (fakatauiaga or whakawhanaungatanga), and reciprocity (fakatautonu or utu),' are used as 'tools' to realise a positive vision for Aotearoa's future.
At the same time she calls out white liberalism: 'The removal of these policies confirms that movements of anti-racism and equality can quickly come to a halt once White liberalism becomes fed up with the demands of the oppressed.'
There is always a risk with a book like this that those not from Pacific communities will overlook it and consider it not for them. But this book is for all of us in Aotearoa. I discussed it with Tanaka and she said, 'I know this book can change people. Going into reading this with an open mind and an open heart can help to bring about a transformation in our understanding of racism in Aotearoa. I found solace and support in the stories shared. Books like this are a vital part of the journey towards an Aotearoa where all people are welcomed.'
The political winds of the moment are blowing us backwards in frightening ways. To right our collective ship, we need the voices and wisdom of the contributors to this book – and we need scholars like these to help us all to find the courage to talk about racism and to help our rangitahi learn the words and the facts they need to name the old evil. The fight is all of ours and, as this book reminds us, the moment to redouble our efforts is now.
Oceans Between Us: Pacific Peoples and Racism in Aotearoa edited by Sereana Naepi (Auckland University Press, $39.99) is available in bookstores nationwide.

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Otago Daily Times
2 days ago
- Otago Daily Times
Life of tireless advocate profiled in exhibition
An exhibition opening next week will profile the life of an extraordinary political leader and Kāi Tahu rakatira (chief). The life and legacy of Hōri Kerei (H.K.) Taiaroa and his wife Tini Kerei Taiaroa will be explored at the Dunedin Public Art Gallery exhibition "H.K. Taiaroa: 'Kua marara hoki ngā mana o tōna kaha ki runga i te katoa'." The title is a quote from his personal manuscripts and can be interpreted in English as "His authority and strength is dispersed to all". The exhibition will include contemporary artworks, archival materials, taoka tuku iho (heritage treasures) and existing works by Māori artists. H.K. Taiaroa was born at Ōtākou, on the Otago peninsula, in the 1830s or early 1840s. He was the son of Ngāi Tahu chief Te Mātenga Taiaroa and Mawera of Ngāti Rangiwhakaputa. He married Tini Kerei, a respected and intelligent community leader and they had six sons. H.K. Taiaroa served as a member of the House of Representatives for the Southern Māori district from 1871 and was also a member of the Legislative Council. He was instrumental in petitioning the government to establish a committee to look at "unfulfilled promises to the Natives in the Middle Island", what the South Island was referred to as at the time. This led to the establishment of the 1879 Middle Island Native Purchases Royal Commission of Inquiry. He travelled across Te Waipounamu speaking to kaumātua to gather knowledge as evidence for this inquiry, creating what is now known as the "Taiaroa Map". The commission was not completed due to its funding being halted by a new government. However, his faithful records of knowledge shared by kaumātua became a fundamental piece of evidence to the success of Te Kerēme — the Ngāi Tahu claim. H.K. Taiaroa wrote extensively and his unpublished personal writings became important sources in the revitalisation of Kāi Tahu tikaka (customs), place names and te reo Māori. The exhibition features artworks by contemporary Māori artists Taiaroa Royal and Ephraim Russell. In 1878, H.K. Taiaroa and his family moved into Te Awhitū, a large house he had built at Taumutu near Lake Ellesmere, one of his father's ancestral places. Taiaroa Royal said he was inspired by H.K. Taiaroa's personal writings to create an audiovisual presentation reflecting on his thoughts while standing on the coastline at Taumutu. The exhibition also features works by Ralph Hotere, Fiona Pardington and Gottfried Lindauer as well as taoka such as a kete woven by Tini Kerei Taiaroa. The Dunedin Public Art Gallery is presenting the exhibition in collaboration with descendants of H.K. Taiaroa through the Riki Te Mairaki Ellison Taiaroa Whānau Trust and Te Rūnaka o Ōtākou. Trust chairwoman Michelle Taiaroa said the exhibition presented a look into a turbulent yet special time in the city's early years. "Generally known as a Scottish city, I have always known it to be much more than that. We invite the public to share in the life of our tipuna." • The exhibition opens on Monday.


Scoop
3 days ago
- Scoop
A Legacy Of Faith In Aotearoa
Today the Church of Jesus Christ of Latter-day Saints in Aotearoa celebrated the Groundbreaking for the Wellington New Zealand Temple marking a historic milestone for Latter-day Saints in the region and continuing a legacy of faith that began in New Zealand over 170 years ago. Elder Taniela B. Wakolo, a member of the Pacific Area Presidency of the Church, presided at the groundbreaking. The temple will be constructed on a 3.35-acre site near Okowai Road and Whitford Brown Avenue in the Aotea neighbourhood of Porirua. Once completed, it will be the third temple in New Zealand, joining those in Hamilton and Auckland. The Church's presence in New Zealand dates back to 1853. The first baptisms were performed in Karori Wellington. Since then, the Church has grown to nearly 120,000 members across the country, with deep roots among both Māori and other communities. The Wellington Temple will serve thousands of members in the lower North Island and South Island, including most of the whānau who reside in the Kahungunu rohe from (Hawke's Bay through to Wairarapa), providing a sacred space for worship, reflection, and spiritual renewal. "Ngāti Kahungunu has a rich history in the Church of Jesus Christ of Latter-Day Saints with many strongholds throughout our rohe in places like Māhia and Nuhaka, Hastings, Bridge Pā, Te Hauke, Dannevirke and Masterton. Many of our parents, grandparents and tipuna sacrificed much to build the Hamilton Temple, Church College and the many chapels around the motu. Having a Temple in Porirua is a huge achievement and will bring the Temple blessings closer to our iwi of the East Coast, Lower North Island and Te Waipounamu' – Bayden Barber, Ngāti Kahungunu Iwi Incorporated Chairman. A significant portion of the membership of the Church of Jesus Christ of Latter-day Saints in New Zealand are of Māori descent. When the Hamilton New Zealand Temple was built, many whānau members migrated to Hamilton to live in 'Temple View' to be closer to the Temple and for their children to attend the Church College of New Zealand. Ngati Toa Chief Executive, Helmit Modlik, is a devout member of the Church of Jesus Christ of Latter-day Saints. When asked what the impact of having a Temple built in Porirua, he commented as follows: 'It's impossible to overstate the significance to Latter-day Saints in our iwi, and even many not of our faith, how significant it is to have the Temple built here' 'Like all temples, it will bring peace, beauty, and spiritual blessings to our community'. 'The Temple represents a blessing upon the heads of this generation that flows out of the faith and service of our faithful tūpuna to whom we owe so much' 'A blessing of the temple in Porirua is that it will bring our manurere home! Only 30-40% of our iwi live at home, with large numbers in Hamilton and further abroad. No doubt the attraction of a temple on our doorstep will bring many home…a great blessing for our iwi' – Helmut Modlik Temples are central to Latter-day Saint worship, where members participate in sacred ordinances and make covenants with God. For local members, including members who reside as far as the Hawke's Bay region, the Wellington Temple will reduce the environmental footprint that is produced by the need for long-distance travel and offer greater access to spiritual blessings. The temple will also bring economic and social benefits to the area, including local employment and a beautifully maintained site that enhances the neighbourhood. The groundbreaking ceremony was attended by Church leaders, local dignitaries, and special guests. Local members who could not attend were invited to a special devotional at the Porirua Stake Centre taking place on Sunday 3 August. Church leader Elder Taniela Wakolo will share inspiring messages and will acknowledge Pioneers of the Region. In his closing remarks Elder Wakolo gave special mention of the early saints of the Aotearoa and visited Te Ore Ore marae in Kahungunu ki Wairarapa to acknowledge the place where many prophesies of the church in Aotearoa occurred. 'With the temple being built here our whanau will have easy access to the House of the Lord that will bring all the blessings that temple attendance always brings greater peace, faith, kindness, and other fruits of the spirit in the lives of attendees and their whānau' – says Modlik. The gathering today was very inspiring. Young Kahungunu ki Wairarapa tamaiti, Hemi Fermanis, was among the few Primary (young) Children who were able to turn the soil alongside church and community leaders. It was a fantastic day. Ngati Kahungunu Iwi Incorporated acknowledges all faiths and church ministers, other iwi, government dignitaries and other special guests who attended today's proceedings but especially the Church of Jesus Christ of Latter-day Saints officials for a special day. Helmut Karewa Modlik Helmut KarewaModlik (Ngāti Toa Rangatira; Tainui waka) is a well-respected Māori leader, economist, and Christian servant whose work spans iwi development, governance, and faith-based community action. In 2019 he became Tumu Whakarae (Chief Executive) of Te Rūnanga o Ngāti Toa Rangatira, where he has pioneered projects grounded in tino rangatiratanga and mātauranga Māori. Helmut is a member of the Church of Jesus Christ of Latter-day Saints and is currently serving in his Ward as the Sunday School President. Bayden Barber Bayden Barber (Ngāti Kahungunu, Ngāpuhi, Ngāi Tahu) is a respected tribal leader and governance expert hailing from Waimārama in Hawke's Bay. In 2022 he was elected Chair of Ngāti Kahungunu Iwi Incorporated, one of Aotearoa's largest iwi organizations, representing over 100 hapū & 90 marae. Bayden Barber is a member of the Church of Jesus Christ of Latter-day Saints. Bayden and his devoted wife, Myra Barber, serve in their Ward as Gospel Doctrine teachers.


NZ Herald
3 days ago
- NZ Herald
The legacy of Sir Michael Hill: Jeweller, violinist, philanthropist
And now he's gone, aged 86. Despite the green smoothies and the vigorous health regime, cancer sadly caught up with him in the end earlier this week. Hill's story is so familiar that most Kiwis from his era will know it: The shy, picked-on boy who hated school but found solace learning the violin at primary school and later at Whangārei Boys' High. He went on to build a multi-million business with 287 stores in New Zealand, Australia and Canada. He dreamed of becoming a professional violinist, practising up to eight hours a day after he dropped out of school. Hearing about a Herald violin competition, his parents agreed to support him if he won. Young Michael played a Haydn violin concerto, came fourth and that was the end of that. Young Michael Hill dreamed of playing the violin as a career. He was put to work as an apprentice watchmaker in his Uncle Arthur's Whangārei jewellery shop. Uncle Arthur thought his nephew was pretty 'useless' and eventually sent him out to the shop front instead, a move he might one day have lived to regret. The teenage Michael loved the retail side, the thrill of a sale. He might have stayed there forever – he endured it for 20 years – had it not been for a devastating house fire. By then Hill had met the love of his life, Christine Roe, a young arts teacher from Yorkshire. They met in November 1964 and married four months later. Sir Michael and Lady Christine Hill shared a love of art and music. Photo / Mark Hill They had two children, Mark and Emma, and slowly built their Claude Megson-designed dream home, inspired by American architect Frank Lloyd Wright, on the Whangārei Heads. The family went to the movies one night and came home to find it ablaze. Rescuing the violin and the jewels Shocked at the sight, Hill rushed inside to rescue his 150-year-old violin and his wife's jewellery. Those rescued items were to dominate the rest of his life. Devastated by the smouldering – and uninsured – remains of his house, he vowed that things would change. When his uncle refused to sell him the business, he opened his own shop – Michael Hill Jeweller – five doors away in 1979. But this shop was nothing like Uncle Arthur's or any other jewellery shop at the time for that matter. Gone were the traditional clocks, china, crystal, trophies, china and silver. Michael Hill Jeweller would sell only jewellery and watches. The shop had a wide entrance and the goods were temptingly displayed in generous-sized glass counters. Michael and Christine Hill, with their children Mark and Emma, outside their first shop in Whangārei in 1979. He did a turnover of $400,000 in his first year; six years later the turnover had increased to $7 million with the help of six shops and 70 staff. Hill might have had a late start but the 'useless' jeweller was on his way. He wrote in his book Toughen Up, by which time he was a multi-millionaire, 'I took him [the uncle] at his own game ... and I won.' The school drop-out went on to build a global business which made him rich enough to own a Stradivarius violin, build a beautiful home near Arrowtown, and establish The Hills, an 18-hole championship golf course and a nine-hole course known as The Farm, built on a 200ha estate dotted with stunning sculptures. The Hills golf resort near Arrowtown showing the clubhouse and the 18th hole. He used to drive his Aston Martin very fast on the private road between his home and the golf club, just for the thrill of it. Hill named his first superyacht (34m) VvS1, a jewellery term for an almost flawless diamond. That was something he had learned in life, he said. 'Nothing is perfect, that's what keeps you striving for more.' Sir Michael Hill on board his super yacht VVSI in Auckland's Viaduct Harbour in 2015. Photo / Nick Reed Some wacky ideas Hill's ambition was limited only by his imagination and, by all accounts, he had plenty of it. Family friend Anne Rodda described him as 'an entrepreneur, a dreamer and a big thinker'. 'There was a lot to Michael. That fizzy brain, the one that's always coming up with ideas, some brilliant, some absolutely unattainable and wacky. One out of 10 of his ideas would be absolutely brilliant and we'd go with that.' Rodda, a trained classical cellist, met Hill 25 years ago in her role as artistic manager for the Auckland Philharmonia. She heard he wanted to organise a violin competition and she helped make it happen. Since then she's been the competition's executive director. Anne Rodda, the executive director of the Michael Hill International Violin Competition, pictured with Sir Michael in 2023. Photo / James Robertson The resulting Michael Hill International Violin Competition (the next one is in May 2026) is now recognised as one of the most important events in the cultural calendar. Sixteen competitors, selected from 160 applicants around the world, are flown to Queenstown to audition in front of seven international judges. The finalists then perform in front of a packed Auckland Town Hall audience and the judges. In 2023, 350,000 people watched the livestreamed finalists' performance, and the competition auditions attracted 1.3m views online. Hill was not just invested financially in the competition but on a deep personal level, Rodda says. 'He was sitting in the front row of every competition. He would bounce up in the interval full of enthusiasm, sure that the last one he heard play was going to win. He sat through all the auditions as the panel selected the competitors.' In his own way, Hill was helping talented young musicians achieve what he had been unable to do, have a career as a professional artist. 'It's an incredible story,' Rodda says. 'The competition is what was closest to his soul and the thing that gave him the most resonance and the most joy in his life.' Although he never played professionally, his love of the violin endured. In his 80s he still practised Bach on his 190-year-old Italian violin, kayaked on Lake Hayes and played golf. Sir Michael Hill practising Bach on his violin at home in / Mark Hill In a moving video tribute to their violin mentor, the 11 first-prize winners from the violin competitions contributed to a recording of Bach's Chaconne in D minor in his memory, each playing a different part of the movement. 'Michael Hill ... jeweller' But the wider public rarely saw the dedicated violinist who practised for hours. Instead. many will remember Hill from his excruciating TV ads that ran through the 80s. 'Hello,' he'd say in his best nasal tone, smiling at the camera, 'Michael Hill ... (pause) jeweller.' He'd purse his lips to emphasis the 'M'. The ads were irritating, to the point where DJs would mock and impersonate him. The jeweller even tried to teach his daughter Emma to impersonate him, but no one could quite pull it off. "Hello, Michael If anyone pointed out to him how awful his ads were, Hill would laugh. He was the first to admit they were 'unbelievably boring and amateurish' and that he looked 'terrible' in those early ads. But the point was, they worked. Everyone in New Zealand knew who Michael Hill was and what he sold. And they came to buy his jewellery. In 1987, Michael Hill International listed on the NZX, buoyed by steadily increasing sales and successful shop openings. Four months later the stock market crashed, a day that became known as Black Monday (October 19). Kiwis investors lost fortunes overnight and billions of dollars were wiped off the value of New Zealand shares. (The company had a less eventful listing on the ASX in 2016). It could have been the end of Michael Hill, jeweller, but no. Several smaller jewellery businesses didn't survive and Hill saw it as an opportunity to pick up new business when the economy recovered. That year he won the Air New Zealand enterprise award for business entrepreneurship and made it to the big smoke, opening his largest shop in Auckland's Queen St. And he started moving into the Australian market. Sir Michael Hill at the company's flagship Queen St store in Auckland. Photo / Brett Phibbs Not one to arrive quietly, a September 1989 newspaper clipping trumpets: 'Michael Hill's sale a riot.' And indeed it was. Hundreds of bargain hunters broke into a Canberra shopping mall at 4am, eager to get first dibs on $1 diamond rings, stock that Michael Hill International wanted to clear from a shop before displaying its own range. By the time the shop opened, 700 people were crowded outside and a woman punched a shop assistant when she was told she could only buy one ring. It took four carloads of police and the mall security guards to clear the crowd. Australians were also incensed to see a series of jewellery bargains scrolling in a TV ad, accompanied by the piercing sound of a bugle playing The Last Post. The ad caused pandemonium at the Michael Hill head office as complaints poured in, the Australian Ministry of Defence was enraged, there were bomb threats in Sydney and it made front-page news. But, as Sir Michael said at the time, 'sales went through the roof'. In his own way, he was a showman, full of ideas – often quirky - designed to make a splash. In 1988, he hired a woman, clad in a black sports bra, a striped bikini bottom and black tights to show off $450,000 worth of jewellery at the maiden annual shareholder meeting in Whangārei. Hill wasn't one for clustering his shareholders into boring meeting rooms. Instead, he'd take them for a joyride on the Waitematā Harbour, entertained by a jazz band; or a cruise to a vineyard on Waiheke Island, or to Pakatoa Island, or to the Ellerslie Racecourse. Sir Michael Hill entertained his shareholders with a jazz band on the Quickcat catamaran in 1989, with his accountant John Ryer (left) and joint managing director Howard Bretherion (right). One time his shareholders met in an aircraft hangar in Auckland's Museum of Transport and Technology (Motat). At each AGM they were usually told the joyous news that the company could expect another tax-paid profit, and that new shops were about to be added to the fast-growing chain. For the company's 10th AGM in 1997, 250 shareholders were loaded onto a train in Auckland bound for Waimauku. Hill, nattily dressed in pinstriped pants and sporting a red tie decorated with yellow worms, served bubbly and wine on the journey to his faithful followers. Again the news was good: a plan to open 100 stores and move to other countries as the market became saturated. Former Herald writer Bernadette Rae was on the train that day. As she put it: 'So many fingers to ring, so many necks to chain.' In the early 1990s, everything Michael-Hill-jeweller touched seemed to turn to gold. (He famously sold his wife's engagement rings four times after they were admired, each time replacing it with a bigger stone). Sir Michael and Lady Christine Hill at the opening of their revamped Whangārei store in 2013. Sir Michael famously sold his wife's engagement ring four times. Then came the stumble of the shoe era. He bought the assets from a Christchurch shoe company and by 1992 had added nine shoe shops to his 41 jewellery stores. The trouble was they not only didn't make money, they lost money, a lot. By 1994 all nine shoe stores had closed and 'Michael Hill ... cobbler' was no more. He later acknowledged that the foray into shoes was a 'disaster' and that the company needed to stick to jewellery and watches. Undeterred by the footwear trip-up, the group continued to expand. Well on his way to saturating the Australian market, Hill based his family in Queensland's Sanctuary Cove in the mid 1990s, with his launch Rough Diamond parked at the back door. 'A wimpy thing to do' He couldn't understand why more people didn't want to get into retail. By 2009, he had 250 stores in New Zealand, Australia and Canada, opening new stores so fast he couldn't find enough staff to fill them. He was puzzled why Kiwis were willing to work in hospitality but thought a male working in a jewellery shop was a 'wimpy, poncy thing to do'. So he wrote Toughen Up (the proceeds of which went to Cure Kids) as a recruitment tool. He told me during an interview that his CEO earned three, possibly four, times more than the (then) Prime Minister John Key. Don't ever suggest working in a shop is a dead-end career, he said. By then he had invested in Joe's Garage in Arrowtown and had no shortage of applicants wanting to work in the cafe, but he was struggling to find good people to join his jewellery empire. Take his group diamond buyer at the time, Galina Hirtzel, he said, a girl from Invercargill who stated on $10 an hour. She was now (in 2009) flying round the world spending $100m of the company's money on diamonds every year. He thought her hippy long hair and floaty dress tricked merchants into not realising she was a tough negotiator. Knighted in 2011 for services to business and the arts, Hill was exhilarated by the company's growth and didn't mind talking it up, describing himself on one interview as 'the Ferrari of the jewellery business'. He was a businessman in the quick lane overtaking the rest of the jewellery world. At the same time he told business journalists he wanted 'controlled, sensible growth'. He and Lady Christine built a home on land that used to be a deer farm. Locals nicknamed it 'Hillbrook' and some took exception to the building, complaining it was too 'pink'. That caused the council to request a colour change; the Hills held firm. The 'terracotta' house later won the South Regional Architectural Award (for its colour scheme), a victory that used to make Hill chuckle. The Hills are a close family. Children Emma and Mark, and the four grandchildren, all live on the estate, with sculptures by Mark Hill among other artworks strategically placed through The Hills. Sculptor Mark Hill with his sculpture "Emergence", made from hand-forged corten steel, at The Hills Golf Club. He preferred to be low key and with the family when he was on holiday, often escaping Otago's winter to cruise in the Pacific on The Beast, his 40m adventure catamaran. In the summer The Beast's captain, Andy Grocott, who has worked for 'the boss' since 2006, would sail to remote places in New Zealand's Far North so the Hills could fish, swim, hike, dive and kayak. Jetskis were not their style. Sir Michael Hill and family preferred to explore remote places on The Beast. Photo / Michael Craig As tributes poured in this week, members of The Hills golf club penned their own. 'Rest peacefully Sir Michael,' it said at the end. 'You will forever be part of The Hills.' Beneath is one of the many cartoons he drew for his own and others' amusement. It shows an aviator clinging to a rocket as it zooms into space. Underneath Hill has signed off with the quote, 'Live every day as if it was going to be your last, for one day you're sure to be right.' Jane Phare is the New Zealand Herald's deputy print editor. Sign up to The Daily H, a free newsletter curated by our editors and delivered straight to your inbox every weekday.