
Author William Boyd explains how Nigerian Civil War experience shaped his work
Author William Boyd has recalled how his work was shaped by an experience during the Nigerian Civil War involving 'six or seven drunk soldiers with their AK-47s'.
The writer, known for novels including A Good Man In Africa, was born in Ghana in 1952 and moved to Nigeria with his family in 1964, three years before the Biafran War began.
'You couldn't escape the war,' he told BBC Radio 4's Desert Island Discs.
He continued: 'One great event, which really did shape and change my thinking was, I was learning to drive, and we used to drive on deserted roads at the edge of the campus, with my father teaching.
'And we were driving home, he took a shortcut, and we passed a road block, a very flimsy road block, and my father spotted it, screeched to a halt, but out of the bushes came six or seven drunk soldiers with their AK-47s shouting and screaming at us because they thought we were trying to avoid the roadblock.
'They ordered us out of the car, guns pointing at us. And that moment, I thought, this could all go horribly wrong, because they were out of control, there was no officer.
'We were alone on a road in the bush. My father, to his great credit, said, 'Call that a roadblock, you useless bunch of soldiers'.
'And he upgraded them, and they started to laugh, and the whole thing was diffused, but I've never forgotten that moment of knife edge, 'uh oh. This could all end very, very badly.'
'It's affected my work, and it's affected the way I look at conflict and the way I understand wars.
'Because, even though I was never in any great danger, I did live in a country that was tearing itself apart in a civil war, and saw and had friends in the African army and heard their stories. I realised that real war is nothing like the movies.'
He continued: 'I think things that happened to me, like that moment of the roadblock in Nigeria, or my father's early death, and my wife's mother's early death… showed me that the universe is a kind of random, unsparing place.
'So I came up with this idea that everybody has their share of good luck and their share of bad luck, and with most people that the two piles that accrue in their life sort of match up, but don't expect the road to be straight and narrow.'
His first novel, A Good Man In Africa, won him the first novel gong at the Whitbread Literary Awards, now the Costa Book Awards, in 1981.
It was turned into a 1994 film starring Sean Connery and John Lithgow.
His other novels include Love Is Blind, Restless, which was adapted for TV, and Waiting For Sunrise.
Following in the footsteps of authors including Sir Kingsley Amis and Sebastian Faulks, he also wrote Solo, a James Bond continuation novel released in 2013.
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The Herald Scotland
13 hours ago
- The Herald Scotland
Tribute: The genius of Brian Wilson and a lifetime of Good Vibrations
Brian Wilson told the story of how Don Henley once came backstage after a concert. The Eagles co-founder arrived clutching his copy of Pet Sounds, the Beach Boys' classic 1966 album, and told Wilson how much their music had inspired him when he was younger. Keen to have Wilson autograph the album, he watched as Wilson picked up a Sharpie and wrote: 'To Don – thanks for all the great songs.' Henley turned to leave but Wilson called him back and, grabbing the record, crossed out 'great' and replaced it with 'good'. Henley took it well. Wilson could get away with it. After all, this is the man who created Pet Sounds – identified as the second greatest album of all time by Rolling Stone magazine in 2012 – and who co-wrote so many Beach Boys classic songs and shaped their distinctive sound. The anecdote also sheds light on the esteem in which many rock legends themselves hold Pet Sounds, which was created when Wilson was just 23, and was released in the States on the same day in May as Bob Dylan's Blonde on Blonde. Paul McCartney has described God Only Knows, the album's centrepiece, as the greatest song ever written (it was interesting that his daughter, Stella, should have chosen it as one of her Desert Island Discs recently), and the Beatles themselves were influenced by the album to create Sgt Pepper's Lonely Hearts Club Band, their own high watermark. By 1966 the Beach Boys had had four years of remarkable success with their catchy, harmony-laden songs about surfing, cars and girls. Wilson, however, had grown weary of the incessant touring and promotional duties that came with being in such a successful group. For all that he had achieved, he wanted to explore his creativity even more fully. 'I wanted to spend more time in my house, writing songs at home, so I told the guys I was gonna stop touring,' he told the BBC Two Classic Albums programme on Pet Sounds last year. But further impetus had come in December 1965 when he had listened to the Beatles' Rubber Soul, an album he saw as 'definitely a challenge for me'. Brian Wilson on stage in 2016 (Image: Christopher Stuba) On that same programme, author and music journalist David Wild said Wilson's decision to quit the road and spend more time in the studio 'is one of the most profound moments in rock history, because it really is when Brian Wilson, I think intuitively, decided that he was going to be an artist … he found that his instrument was the recording studio'. Wilson co-wrote the songs with Terry Asher, who at the time was working in the advertising industry. 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The song and its stately, yearning intro – all French horn and staccato piano chords – is utterly perfect for the final, emotional scene in Richard Curtis's 2003 rom-com Love Actually, when families and lovers are reunited at Heathrow's arrivals hall. In his liner notes in a two-CD reissue of Pet Sounds (released last year at the same time as a five-disc deluxe boxset, containing outtakes, live recordings and alternate mixes), journalist David Fricke said he could hear its 'textural invention, symphonic drive and confessional intensity' in everything from late 1960s/early 1970s R'n'B, in the 'cathedral resonance' in the guitar work of U2's the Edge, in Radiohead's groundbreaking album Kid A and in Jeff Buckley's 1994 studio album Grace. That is quite a legacy. Paul McCartney has acknowledged the impact on Sgt Pepper. 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Shimmering at the centre was God Only Knows – a pop hymn that still sounds akin to wings ripped from an angel.' Jon Savage's verdict in his book, 1966: The Year the Decade Exploded, summarises for many people the reasons why Pet Sounds remains fresh and relevant. The album, he writes, created 'a consistent and emotional mood, with every one of the 12 tracks forming a whole. It was, in essence, a concept album about loss, alienation and the end of adolescence. 'Blending the true sound of Los Angeles – the full range of exotica, surf and lounge music – with the trademark Beach Boys harmonies, Wilson wrote a series of gorgeous, tricksy melodies and contrapuntal harmony parts that perfectly matched lyricist Tony Asher's disquisitions on failure, loneliness and dashed dreams.' It was probably David Wild who put it best. 'Pet Sounds to me,' he has said, 'is this beautiful marriage of a childlike innocence, emotional vulnerability and an adult sort of musical genius.'


Wales Online
2 days ago
- Wales Online
Ed Sheeran says he identifies culturally as Irish
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South Wales Argus
2 days ago
- South Wales Argus
Ed Sheeran says he identifies culturally as Irish
The Galway Girl singer, 34, who was brought up in Suffolk, has a large Irish family and said he would spend his holidays in the country as a child. 'I class my culture as Irish. I think that's what I grew up with,' he told The Louis Theroux Podcast. Ed Sheeran spoke to Louis Theroux (Ian West/PA) 'My mum's family is very, very small, it's her and her parents, and my dad's family is… he's got seven brothers and sisters. 'We'd spend all of our holidays in Ireland. My first musical experiences were in Ireland, I grew up with trad music in the house. So I identify culturally as Irish, but I was obviously born and raised in Britain. 'I do feel like my culture is something that I'm really proud of and grew up with and want to express. 'And I feel like just because I was born in Britain doesn't necessarily mean that I have to just be (British), there's loads of people I know that are half this or quarter this.' He added: 'I don't think there's any rules to it. It should be how you feel and how you were raised and what you lean into.' Asked if he gets 'a lot of love' in Ireland, he said: 'I'd say it's basically my second home musically. I'd say Ireland is the place that I am most successful musically.' Sheeran previously told BBC Radio 4's Desert Island Discs that he has Irish family and spent most of his childhood summers, birthdays and Christmases in the country. Also on the podcast, Sheeran reflected on the drawbacks of fame and said he is 'really sensitive' to people taking pictures of his children. 'My first daughter, six weeks after she was born, we hadn't sent any photos of her whatsoever, but there was paparazzi outside our house that got a photo of her, and it was in the paper and I just found it weird that some strange old man that I'd never met was the only person with an image of my kid on their device. 'It's a strange trade-off because, obviously, to be successful in the music industry, you end up being rich, famous and successful, and those things are things that people go, 'Well, that's the trade-off.' 'But my kids have not signed up to that, and I find it weird that it's normal to take pictures of other people's children if they're famous.' Sheeran is married to Cherry Seaborn and the couple have two children. The four-time Grammy-winning singer also revealed that he does not own a private jet and likes to travel via train. 'I like the environment, I like trees. I'd find it hard to justify. No one's perfect. When we're doing intense promo trips, there will be the odd time', he told Theroux.