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The Independent
06-08-2025
- Entertainment
- The Independent
Best summer books that are perfect for your 2025 holidays
When packing your summer holiday suitcase, a good beach read is essential – alongside your passport, swimwear and SPF, of course. Helping you unwind and relax, there's no better feeling than escaping into the pages of a book while stretched out on a sun lounger (Hugo Spritz, optional). But what makes a good summer book? For some, it's revisiting the comforting reads that they associate with a certain place and time, while for others it's indulging in romantasy, diving into exciting debuts, page-turning thrillers or classics set in the destination you're sojourning in. Above all, you want to enjoy yourself – and you don't want to waste valuable sun lounging time on a bad book. Luckily, the IndyBest team is on hand with their literary recommendations for this summer. From a century-spanning William Boyd tome to a classic Patricia Highsmith thriller and Sarah J Maas's TikTok-viral A Court of Thorns and Roses series, these are the best summer books that deserve a special spot in your suitcase. This is one of the best novels I've ever read. I'm certain that this forgotten classic will make its way onto best lists and university curricula over the coming decades. Set just after the First World War, it follows an ex-serviceman as he restores a medieval fresco in a Yorkshire village. Taking place over just a month in 1920, it's full of perfect portrayals of the English countryside. Anyone who has spent time in rural Yorkshire will love Carr's tight, neat descriptions of its fields and woods in summertime. This quiet novel is a surprising page-turner; as Tom Birkin chips away at the wall painting, he confronts his damage from the war, and draws you further and further into his relationship with the villagers and the painting he uncovers. It's a short book – you can read it in an afternoon by the pool – but it's one of those novels that stays with you for months after you read it. The book is available in the usual places, but you can also buy a copy from Carr's own Quince Tree Press (£10, Alex Aitcheson-David, Deputy IndyBest Editor A truly great family saga is one that spans generations, cleverly weaves together different plots and intertwines personal stories with historical events – The Covenant of Water is a story that ticked all these boxes for me and more. The novel opens in 1900 in Travancore, in south west India (in what is now part of Kerala), where a young girl is sent by boat to meet her much older husband-to-be for the first time. From that moment we see her grow into the matriarch of her family, affectionately known as Big Ammachi. Over the next seven decades, we witness the lives, deaths, marriages, triumphs and more of her descendants, all touched by a mysterious curse. In every generation, at least one person dies by drowning and yet, their home of Parambil, is surrounded by water. Verghese crafts an epic tale with a cast of beautifully written characters and unexpected twists. The lakes and rivers of southern India are brought vividly to life and I felt completely drawn into the world he so wonderfully creates. With more than 700 pages, it's a chunky read, but the storytelling is so immersive that you won't want it to end. It's ideal for a long summer getaway but if you're travelling light, it's definitely one to download on your e-reader. If you're a fan of Pachinko or Homegoing, I think you'll love this too. Sabrina Sahota, Consumer Editor I envy you if you're yet to devour William Boyd's Any Human Heart. Just as enjoyable on its first read as it is on its second (or even third), the cult novel follows Logan Mountstuart's life that stretches across the 20th Century. Spanning an anything-but-ordinary existence as a writer mingling with Hemingway in Paris, a spy during the Second World War recruited by none other than Ian Fleming, an art dealer in the swinging Sixties and much more, Boyd explores familial, romantic and platonic love his signature warm and witty voice. A modern classic, it's a masterclass in storytelling that's just as joyous as it is emotional (be warned), and the perfect companion on your sun lounger this summer. Daisy Lester, Senior Shopping Writer After seeing so much hype online about Sarah J Maas's romantesy series, A Court of Thorns and Roses, I hesitantly brought the first book with me on a family holiday last summer. It wasn't long before I was hooked and immediately regretted not bringing the entire six-book series with me. In the novel, we meet Feyre, a human huntress who kills a wolf that is not all it appears to be. Feyre is soon taken prisoner in the faerie realm, as revenge for the murder of a fellow faerie. As she discovers more about her captor, the high lord of the spring court Tamlin, Feyre develops feelings for her enemy (in true 'romantasy' style). Meanwhile, a war is brewing, thanks to Amarantha, the evil and vindictive high queen of Prythian. Yes, it all sounds faintly ridiculous, but as a former fantasy literature hater, Sarah J Maas has made me a convert. It's excellent at world building while the enemy-to-lover storyline keeps you hooked until the very last page - the true marker of a good sun lounger read. Daisy Lester Part psychological thriller and part story of disaffected university students, Tartt's tome follows a group of clever misfits at an elite New England college and the chain of events that led to the death of a classmate. Although from a lower-class family, newbie Richard is accepted into the clique of students who are all under the cult-like influence of their charismatic Greek classics professor. When one member of the group threatens to reveal the group's role in the murder, tensions rise and the second half of the novel explores the psychological consequences of hiding such a terrible secret. Offering pure escapism, Tartt both thrills and intrigues the reader. Daisy Lester If you're on the romantasy train then let Quicksilver be your next point of call after the dreaded Fourth Wing slump. Set across several worlds abundant with vampires, fae and wolves, the novel follows the journey of Saeris Fane as she struggles to keep her family safe. Within the first couple of chapters, you'll watch as her life changes overnight and, seemingly, everything she knows to be true turns on its head. Expect enemies-to-lovers arcs, 'chosen family' (as the #booktok community calls it) and plenty of action and mystery. The male protagonist, Kingfisher, will prove an ultimate summer holiday romance – even if he is fictional – and there's even a bit of spice to keep things interesting. Don't balk at those 600+ pages, you'll be cover-to-cover before you know it. Lucy Smith, Beauty Writer I read this book last summer on holiday in Croatia after falling in love with Dolly's now infamous 2018 memoir, ' Everything I Know about Love '. It's a collection of entries from her Sunday Times Style agony aunt column, which covers everything from friendship to careers and, of course, love lives. An easy and insightful read, the book's plotless nature makes it a great one to dip in and out of in between fun-filled vacation excursions. You'll naturally find yourself relating to the queries of both those writing in and Dolly's comforting, non-judgemental big sister advice. It doesn't try too hard to be all-knowing or too existential, instead walking the line between self-help and having a chat with a friend. Additionally, the scenarios that readers write in make for great conversation topics over evening cocktails. Ella Duggan I have yet to read this one but can't wait to pick it up this summer. It sounds like the perfect mix of crime thriller, twisted feminist fantasy and gourmet cooking – what more could you want? The plot follows a chef as she sits in a Japanese detention centre, accused of murdering lonely businessmen after seducing them with her cooking. Once a scrappy journalist begins to break down her walls through a, seemingly, shared love of food we begin to learn more about obsession, romance, misogyny and the layered relationship between Japan and food. Ella Duggan 'Big Swiss' by Jen Beagin, published by Faber & Faber: £7.87, I'm only halfway through this book, but I'm completely hooked. The story follows a woman who transcribes sex and relationship therapy sessions in a quirky small town. As she listens to her neighbours' most intimate confessions, their secrets start to seep hilariously, and often cringe-inducingly, into her own life. One voice inparticular captures her attention: the enigmatic 'Big Swiss.' As fate (and small-town dynamics) would have it, she meets this woman in real life, and the story takes off with intrigue, drama, and unexpected connection. The writing is sharp, sexy, and packed with dry humour. It's gossipy in the best way, like eavesdropping on a very juicy secret. A perfect summer read that's both smart and irresistibly entertaining. Even more exciting? It's being adapted into an HBO series starring Jodie Comer. If you love character-driven, offbeat stories with a voyeuristic twist, this one's a must. Ella Duggan, Production Journalist The first book in the epic Neapolitan novels series charts the early years of the relationship between protagonist Elena and her friend Lila. The dark heart of their neighborhood is exposed after the murder of crime boss Don Achille, a sinister figure whose death rearranges the power dynamics of the intertwined families. Against the backdrop of an impoverished Naples and woven into a complex and claustrophobic community, the two girls navigate love, class, education and betrayal. But through books and writing, Elena is given glimpses of life outside her neighbourhood. Each character is flawed and complicated, and we experience the sometimes catastrophic consequences of their decisions along with them. Will Elena's education, always measured against her intelligent but sometimes cruel friend Lila, allow her to transcend her oppressive situation? Samuel Mathewson, Audience Editor With the critically acclaimed Netflix series Ripley causing a stir earlier in the year, American novelist Patricia Highsmith's wily anti-hero Tom Ripley has captured a new generation of fans. The first book in the series, which was originally published in 1955, tells the story of Tom Ripley, a young, aimless man from New York who is offered a lot of money by the wealthy father of Dickie Greenleaf to go to Italy and persuade him to return to America. Tom integrates himself with Dickie and his girlfriend Marge on the sunny Italian coast, and becomes enamoured with the Mediterranean lifestyle. But when Tom's relationship with Dickie becomes more and more unsettling, Marge begins to suspect that Tom isn't everything he claims to be. Things turn deadly and Tom has to go on the run from the Italian police. The book's vivid portrayal of towns and cities across Italy coupled with a nail-biting narrative will draw you into Tom Ripley's twisted universe. Samuel Mathewson, Audience Editor If you find yourself sweltering by a pool this summer, forget dipping in the water to cool off. Instead, dive into this captivating memoir, which follows painter Christiane Ritter as she decides to join her hunter-trapper husband in the Arctic Circle, where the mercury falls as low as -35C. Just reading about the icy, sub-zero conditions is enough to make your temperature drop. Spending a year living in an isolated hut in Spitsbergen – an island in the Svalbard archipelago – Ritter endures everything from dwindling supplies to the threat of polar bears. From unblinking daylight and glittering glaciers in summer to never-ending nights and severe storms in winter, Ritter marvels at her surroundings and discovers what it takes to survive so far north. What makes the author's Arctic adventure even more awe-inspiring is the fact it took place in the 1930s, without any of the hi-tech gear used by polar explorers today. Like all the best travel writers, Ritter transports readers to the otherworldly landscape she encounters. Even if your own travels are more likely to involve swimwear and sangria than snow boots and sea ice, you can't help but be drawn in by Ritter's grit and good humour. The 'unimaginable world of splendour and beauty' she describes is enough to make you want to say goodbye to sun loungers in Saint-Tropez, in favour of eking out an existence in a frozen shack in Svalbard. Well, almost – on second thought, perhaps it's better to stick to reading about it by the pool. Angharad Moran, Senior Production Journalist Everyone was reading or talking about this book at one point, and it's still a strong contender for your summer reading pile. The main character uses sleep as a form of extreme 'rest and relaxation' – the goal being to sleep for a year to escape feelings of disillusionment and emerge anew, which she attempts by getting sleep-inducing medications from a bizarre, very questionable psychiatrist. It mostly unfolds in her New York apartment, and socialising is more of less limited to one dysfunctional friendship, so it's a claustrophobic read. Dark, but very funny, it covers themes of isolation, grief, and privilege. If you like a book with lots of twists and turns then this may bore you (it can be quite repetitive), but it's an interesting take on something like self care, and quite addicting. I'm about halfway through Maud Ventura's My Husband, translated from French by Emma Ramadan, on Audible, and I can't wait to get back to it. Consumed with thoughts of her husband, even after years of marriage, the protagonist of the novel is, to put it plainly, obsessed with him. She ruminates on her husband's behaviour, second-guesses his feelings for her, and, in pursuit of a perfect relationship, takes things to the extreme. It's unnerving and, at points, quietly hilarious. A dark, compelling novel, this reads as easily as a hot knife glides through butter, making it (so far) the perfect psychological thriller to pick up and rip through by the pool this summer. Lois Borny, Production Journalist and Writer I knew from the start that Tiny Beautiful Things was going to be something special. As an anonymous advice column turned book, this read is for the deep and introspective – for those who see a holiday as a time to slow down and reconnect with themselves. I found pieces of myself in stories that weren't mine, reminding me how deeply connected we all are. It's a book that nudges you to spend more time with your thoughts, along with the quiet, everyday moments that make up your life. It's raw, honest, and comforting in the way a conversation with someone who truly sees you would be. A perfect companion for long, reflective summer days. Niki Cottrell, In seven short stories, Haruki Murakami leads the reader through the lives and stories of men who have loved and lost women in some way in their lives, and the lasting impact that each of these relationships hold. Although translated from Japanese, so I'm not reading it in its original form, Murakami has a unique way of storytelling that makes all of his books so easy to read. This one felt especially impactful in the way that it examined completely different relationships with completely different types of people and, while remaining fully their own stories, brought together an overall message of appreciation for women and their impact on men. I took Men without Women with me on a beach holiday this year and it was a perfect holiday read in it being a short, easily digestible book with vivid imagery and depth. There was a sense of calm that I had while reading this book, as I've experienced with other Murakami books, that keep the author at the top of my list in stories to reach for. Niki Cottrell,
The Guardian
15-06-2025
- Entertainment
- The Guardian
A Visit to Friends/The Gildas Quartet review – Colin Matthews's luminous new opera opens Aldeburgh in fine style
Few events feel as haunted as the Aldeburgh festival. Nearly 80 years since it was established by Benjamin Britten and Peter Pears – and decades since their deaths – the couple still loom large in its Suffolk environs, their project continued by younger friends and collaborators. None are more eminent than the composer Colin Matthews, who assisted Britten in the final years of his life. Now 79, Matthews has produced his own first opera, on a Chekhov-inspired libretto by William Boyd: the world premiere of A Visit to Friends opened this year's festival, on the same stage where Britten's Death in Venice made its debut 52 years ago. A Visit to Friends features an opera within the opera: scenes of a work with a libretto by Chekhov and a score by an unknown composer that Matthews models on Scriabin are interrupted by the 'real world' of rehearsals. Life imitates art imitating life; it's 'a very complicated visit to friends', as one character says. We hop between stages of the rehearsal process, while the internal opera's plot pushes on. In Leanne Vandenbussche's ingeniously simple set, the wall of a modern rehearsal room revolves to reveal the disintegrating veranda of a once-grand Russian house. Harsh lighting flicks up as run-throughs are halted. The rehearsal pianist slides on and off (upright and all). Colours play constantly across a video backdrop, as if taking the temperature of the action. Matthews' score moves between the charged, late-Romantic meandering of the internal opera and something a little more incisive for the rehearsals. But much of the music is slow and delicately loose-limbed, its stagiest moment (a freeze-frame-like trio and quartet) in 'real life', not the fictional opera. Gesturally, though, the opera's thespiness – hand-clasping, studied pointing, walking with an extravagant turning-circle – is a world away from the rehearsal's naturalism. That the self-conscious cleverness of the framing device didn't pall says much about both the quality of performance and the lucidity of Rachael Hewer's production. The small cast was uniformly excellent: Marcus Farnsworth was smoothly unpleasant as Misha/Marcus, Susanna Hurrell a bright, brittle Nadia/Natalie and Edward Hawkins a pitch-perfect parody of a certain brand of director. Lotte Betts-Dean's Varia/Vanessa dominated, her mezzo so effusively rounded it was as if she kept finding the resonant frequency of the auditorium. Conducted by Jessica Cottis, Aurora Orchestra revelled in Matthews' suavely luminous score. More Matthews followed the next morning: the world premiere by the Gildas Quartet of his Quartet No 6, between the Three Idylls by Britten's teacher Frank Bridge and Beethoven's String Quartet No 9 in C, Op 59 No 3. The eight movements of Matthews' quartet were vividly characterised: there were impish cascades of pizzicato, melodic lines that wandered, unhurried, and a slow-motion elegy that lingered like the perfume of a loved one. Bridge's Three Idylls showcased the Gildas's fine-grained, mellow tone and total musical symbiosis. Their Beethoven was exquisitely stylish, from the cool, vibrato-free introduction to its final intoxicating rush. It was an utterly compelling performance: exhilarating playing that urged us to listen anew. The Aldeburgh festival continues until 29 June.
Telegraph
14-06-2025
- Entertainment
- Telegraph
A Visit to Friends, Aldeburgh Festival: an exceptionally subtle and affecting take on Chekhov
The composer Colin Matthews has been for so long a central part of the Aldeburgh Festival, assisting Benjamin Britten in his final years, then as chairman of the Britten Estate, and mentor of so many young composers at the Britten-Pears School, that it is perhaps surprising that he has never written an opera. Now, working with the novelist William Boyd as librettist, he has conceived an exceptionally subtle and affecting one-act drama, interweaving an imaginary chamber opera based on a Chekhov short story with a modern rehearsal of the piece, with eloquently entangled results. The original Chekhov narrative of 1898 is a meditation on the transience of happiness and innocence lost: Misha is revisiting the dilapidated country estate where the mature Vadia and the younger Nadia live, and their emotional states are rekindled as both are in love with him – or the idea of him – but he cannot commit to either. The 10 scenes alternate between this story and the modern rehearsal of a newly-rediscovered opera based on it, with the characters Natalie and Vanessa playing the two women and Marcus as the visitor. This could all be deeply confusing, but the clear direction by Rachael Hewer, and designs by Leanne Vandenbussche, sharply clarifies the interactions, mostly with a set that revolves between the scenes, alternating the opera's Chekhovian setting with the modern rehearsal room. A well-observed rehearsal pianist supports the singers and the director Gregor, who also plays a silent Chekhov at the start and finish (with impeccably behaved dog Shosty). There is a clear delineation between old and new in this staging, but Matthews has chosen not to reflect this in his score, which is through-composed in an idiom that echoes the early style of the Russian composer Scriabin rather than his own mature modernism. This blurs the temporal framing of the piece, and cleverly enables him to evoke a rhapsodic romanticism at the moments when the two women express their love for the same man. It becomes increasingly clear that both Misha back then, and Marcus right now, cannot cope with the women's attentions, and he retreats from the scene. The revelation of the present-day relationships renders the opera impossible to produce. Misha's ultimate dilemma, his weakness, is the focus of Chekhov's story, and really the story should just evaporate at this point, but here it is Vanessa who has the last word with a visionary aria about life's choices as the scenery hovers between old and new. The four singers – Lotte Betts-Dean and Susanna Hurrell as Varia/Vanessa and Nadia/Natalie, Marcus Farnsworth as Misha/Marcus and Edward Hawkins as the director Gregor – project Boyd's rather conversational text with clarity, and while Matthews's vocal writing may not provide sharp delineation between the characters, it is beautifully crafted to allow the words to project. As has happened before in Matthews's pre-operatic work with voices, it is in the dramatic instrumental interludes between the scenes that the passions are fully unleashed, and conductor Jessica Cottis evokes these powerfully with the superb players of the Aurora Orchestra. We are left with the regretful, Chekhovian sense that much remains unspoken and unsung in the taut drama we have witnessed.
The Independent
29-05-2025
- Entertainment
- The Independent
The books we're packing for summer 2025 holidays, from fantasy to romances
Alongside your passport, swimwear and SPF, a good beach read is an essential in your summer holiday suitcase. Helping you switch off and relax, there a few better feelings than escaping into the pages of a book while stretched out on a sun lounger (Aperol Spritz, optional). But what makes a good summer book? For some, it's revisiting the comforting reads that they associate with a certain place and time, while for others it's indulging in romantasy, diving into exciting debuts, page-turning thrillers or classics set in the destination you're sojourning in. Above all, you want to enjoy yourself – and you don't want to waste valuable sun lounging time on a bad book. Luckily, the IndyBest team is on hand with their literary recommendations for this summer. From a century-spanning William Boyd tome to a classic Patricia Highsmith thriller and Sarah J Maas's TikTok-viral A Court of Thorns and Roses series, these are the best summer books that deserve a special spot in your suitcase. This is one of the best novels I've ever read. I'm certain that this forgotten classic will make its way onto best lists and university curricula over the coming decades. Set just after the First World War, it follows an ex-serviceman as he restores a medieval fresco in a Yorkshire village. Taking place over just a month in 1920, it's full of perfect portrayals of the English countryside. Anyone who has spent time in rural Yorkshire will love Carr's tight, neat descriptions of its fields and woods in summertime. This quiet novel is a surprising page-turner; as Tom Birkin chips away at the wall painting, he confronts his damage from the war, and draws you further and further into his relationship with the villagers and the painting he uncovers. It's a short book – you can read it in an afternoon by the pool – but it's one of those novels that stays with you for months after you read it. A truly great family saga is one that spans generations, cleverly weaves together different plots and intertwines personal stories with historical events – The Covenant of Water is a story that ticked all these boxes for me and more. The novel opens in 1900 in Travancore, in the south west of India (in what is now part of Kerala), where a young girl is sent by boat to meet her much older husband-to-be for the first time. From that moment we see her grow into the matriarch of her family, affectionately known as Big Ammachi. Over the next seven decades we witness the lives, deaths, marriages, triumphs and more of her descendants, all touched by a mysterious curse. In every generation, at least one person dies by drowning and yet, their home of Parambil, is surrounded by water. Verghese crafts an epic tale with a cast of beautifully written characters and unexpected twists. The lakes and rivers of southern India are brought vividly to life and I felt completely drawn into the world he so wonderfully creates. With more than 700 pages, it's a chunky read, but the storytelling is so immersive that you won't want it to end. It's ideal for a long summer getaway but if you're travelling light, it's definitely one to download on your e-reader. If you're a fan of Pachinko or Homegoing, I think you'll love this too. I envy you if you're yet to devour William Boyd's Any Human Heart. Just as enjoyable on its first read as it is on its second (or even third), the cult novel follows Logan Mountstuart's life that stretches across the 20th Century. Spanning an anything-but-ordinary existence as a writer mingling with Hemingway in Paris, a spy during the Second World War recruited by none-other than Ian Fleming, an art-dealer in the swinging Sixties and much more, Boyd explores familial, romantic and platonic love his signature warm and witty voice. A modern classic, it's a masterclass in story telling that's just as joyous as it is emotional (be warned), and the perfect companion on your sun lounger this summer. 'A Court of Thorns and Roses' by Sarah J Maas, published by Bloomsbury: £5, After seeing so much hype online about Sarah J Maas's romantesy series, A Court of Thorns and Roses, I hesitantly brought the first book with me on a family holiday last summer. It wasn't long before I was hooked and immediately regretting not bringing the entire six-book series with me. In the novel, we meet Feyre, a human huntress who kills a wolf that is not all it appears to be. Feyre is soon taken prisoner in the faerie realm, as revenge for the murder of a fellow faerie. As she discovers more about her captor, the high lord of the spring court Tamlin, Feyre develops feelings for her enemy (in true 'romantasy' style). Meanwhile, a war is brewing, thanks to Amarantha, the evil and vindictive high queen of Prythian. Yes, it all sounds faintly ridiculous, but as a former fantasy literature hater, Sarah J Maas has made me a convert. It's excellent at world building while the enemy-to-lover storyline keeps you hooked until the very last page - the true marker of a good sun lounger read. Part psychological thriller and part story of disaffected university students, Tartt's tome follows a group of clever misfits at an elite New England college and the chain of events that led to the death of a classmate. Although from a lower-class family, newbie Richard is accepted into the clique of students who are all under the cult-like influence of their charismatic Greek classics professor. When one member of the group threatens to reveal the group's role in the murder, tensions rise and the second half of the novel explores the psychological consequences of hiding such a terrible secret. Offering pure escapsim, Tartt boths thrills and intrigues the reader. I read this book last summer on holiday in Croatia after falling in love with Dolly's now infamous 2018 memoir, ' Everything I know about Love '. It's a collection of entries from her Sunday Times Style agony aunt column, which covers everything from friendship to careers and, of course, love lives. An easy and insightful read, the book's plotless nature makes it a great one to dip in and out of in between fun-filled vacation excursions. You'll naturally find yourself relating to the queries of both those writing in and Dolly's comforting, non-judgemental big sister advice. It doesn't try too hard to be all-knowing or too existential, instead walking the line between self-help and having a chat with a friend. Additionally, the scenarios that readers write in make for great conversation topics over evening cocktails. I have yet to read this one but can't wait to pick it up this summer. It sounds like the perfect mix of crime thriller, twisted feminist fantasy and gourmet cooking – what more could you want? The plot follows a chef as she sits in a Japanese detention centre, accused of murdering lonely businessmen after seducing them with her cooking. Once a scrappy journalist begins to break down her walls through a, seemingly, shared love of food we begin to learn more about obsession, romance, misogyny and the layered relationship between Japan and food. I'm only halfway through this book, but I'm completely hooked. The story follows a woman who transcribes sex and relationship therapy sessions in a quirky small town. As she listens to her neighbours' most intimate confessions, their secrets start to seep hilariously, and often cringe-inducingly, into her own life. One voice inparticular captures her attention: the enigmatic 'Big Swiss.' As fate (and small-town dynamics) would have it, she meets this woman in real life, and the story takes off with intrigue, drama, and unexpected connection. The writing is sharp, sexy, and packed with dry humour. It's gossipy in the best way, like eavesdropping on a very juicy secret. A perfect summer read that's both smart and irresistibly entertaining. Even more exciting? It's being adapted into an HBO series starring Jodie Comer. If you love character-driven, offbeat stories with a voyeuristic twist, this one's a must. With the critically acclaimed Netflix series Ripley causing a stir earlier in the year, American novelist Patricia Highsmith's wily anti-hero Tom Ripley has captured a new generation of first book in the series, which was originally published in 1955, tells the story of Tom Ripley, a young, aimless man from New York who is offered a lot of money by the wealthy father of Dickie Greenleaf to go to Italy and persuade him to return to America. Tom integrates himself with Dickie and his girlfriend Marge on the sunny Italian coast, and becomes enamoured with the Mediterranean lifestyle. But when Tom's relationship with Dickie becomes more and more unsettling, Marge begins to suspect that Tom isn't everything he claims to be. Things turn deadly and Tom has to go on the run from the Italian police. The book's vivid portrayal of towns and cities across Italy coupled with a nail-biting narrative will draw you into Tom Ripley's twisted universe. If you find yourself sweltering by a pool this summer, forget dipping in the water to cool off. Instead, dive into this captivating memoir, which follows painter Christiane Ritter as she decides to join her hunter-trapper husband in the Arctic Circle, where the mercury falls as low as -35C. Just reading about the icy, sub-zero conditions is enough to make your temperature drop. Spending a year living in an isolated hut in Spitsbergen – an island in the Svalbard archipelago – Ritter endures everything from dwindling supplies to the threat of polar bears. From unblinking daylight and glittering glaciers in summer to never-ending nights and severe storms in winter, Ritter marvels at her surroundings and discovers what it takes to survive so far north. What makes the author's Arctic adventure even more awe-inspiring is the fact it took place in the 1930s, without any of the hi-tech gear used by polar explorers today. Like all the best travel writers, Ritter transports readers to the otherworldly landscape she encounters. Even if your own travels are more likely to involve swimwear and sangria than snow boots and sea ice, you can't help but be drawn in by Ritter's grit and good humour. The 'unimaginable world of splendour and beauty' she describes is enough to make you want to say goodbye to sun loungers in Saint-Tropez, in favour of eking out an existence in a frozen shack in Svalbard. Well, almost – on second thought, perhaps it's better to stick to reading about it by the pool. 'My Year of Rest and Relaxation' by Ottessa Moshfegh, published by Jonathan Cape: £8.41, Everyone was reading or talking about this book at one point, and it's still a strong contender for your summer reading pile. The main character uses sleep as a form of extreme 'rest and relaxation' – the goal being to sleep for a year to escape feelings of disillusionment and emerge anew, which she attempts by getting sleep-inducing medications from a bizarre, very questionable psychiatrist. It mostly unfolds in her New York apartment, and socialising is more of less limited to one dysfunctional friendship, so it's a claustrophobic read. Dark, but very funny, it covers themes of isolation, grief, and privilege. If you like a book with lots of twists and turns then this may bore you (it can be quite repetitive), but it's an interesting take on something like self care, and quite addicting. I'm about halfway through Maud Ventura's My Husband, translated from French by Emma Ramadan, on Audible, and I can't wait to get back to it. Consumed with thoughts of her husband, even after years of marriage, the protagonist of the novel is, to put it plainly, obsessed with him. She ruminates on her husband's behaviour, second-guesses his feelings for her, and, in pursuit of the perfect relationship, takes things to the extreme. It's unnerving and, at points, quietly hilarious. A dark, compelling novel, this reads as easily as a hot knife glides through butter, making it (so far) the perfect psychological thriller to pick up and rip through by the pool this summer. In seven short stories, Haruki Murakami leads the reader through the lives and stories of men who have loved and lost women in some way in their lives, and the lasting impact that each of these relationships hold. Although translated from Japanese, so I'm not reading it in its original form, Murakami has a unique way of storytelling that makes all of his books so easy to read. This one felt especially impactful in the way that it examined completely different relationships with completely different types of people and, while remaining fully their own stories, brought together an overall message of appreciation for women and their impact on men. I took Men without Women with me on a beach holiday this year and it was a perfect holiday read in it being a short, easily digestible book with vivid imagery and depth. There was a sense of calm that I had while reading this book, as I've experienced with other Murakami books, that keep the author at the top of my list in stories to reach for.
Times
30-04-2025
- Entertainment
- Times
The 14 best Second World War novels — chosen by William Boyd and Max Hastings
Let's begin with an intriguing thought experiment: the celebrated writers of the First World War contrasted with those of the Second, writes William Boyd. The essential writers of 1914-18 — the Great War — might be judiciously considered as, for instance: Wilfred Owen, Siegfried Sassoon, Edmund Blunden, Robert Graves, Isaac Rosenberg, Ivor Gurney and Charles Sorley. Whereas the 1939-45 conflict produces names like Evelyn Waugh, Graham Greene, Norman Mailer, Joseph Heller, Muriel Spark, Anthony Powell, Elizabeth Bowen, Vasily Grossman and Hans Hellmut Kirst, for example. The first group contains only poets; the second is all novelists. How can this schism, this paradox between the two art forms be explained? Why was poetry the chosen means of literary expression in the Great War and the
