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Why Alvin Ailey's new ‘Sacred Songs' is a homecoming: L.A. arts and culture this weekend

Why Alvin Ailey's new ‘Sacred Songs' is a homecoming: L.A. arts and culture this weekend

Alvin Ailey American Dance Theater's 'Sacred Songs' is a homecoming of sorts. It was initially conceived to celebrate the 60th anniversary of 'Revelations,' the seminal masterpiece that closes every Ailey show.
' 'Revelations' is a history lesson through dance that evades antiquity, a timeless reminder of how far we've come, and how far we have to go,' wrote critic Lauren Warnecke. 'Technically demanding, choreographically sound and aesthetically magnificent, … it's the closest we get in dance to a permanent exhibit.'
Matthew Rushing, the company's interim artistic director who choreographed 'Sacred Songs,' was intrigued by the chapter in Jennifer Dunning's 1996 book 'Alvin Ailey: A Life in Dance' that detailed the classic's initial form. 'It was over an hour long and with live musicians and singers on stage,' he told The Times. 'But when it came time to take it on tour, he decided to condense it by removing half of the songs.'
Rushing perused the list of omitted 'Revelations' songs and collaborated with composer Du'Bois A'Keen to reimagine this left-out collection of spirituals for a new piece. 'These spirituals have such power and history, but some of them are extremely well known and important to a lot of people,' he said.
'We wanted to present them in a fresh way. We spent two weeks brainstorming with musicians at the 92nd Street Y in New York, where 'Revelations' premiered in 1960. It was amazing to be in that room, creating sounds to honor the original.'
Though the debut of 'Sacred Songs' was delayed by the pandemic, the piece made its world premiere last year at New York City Center as part of the Whitney Museum of American Art's exhibit 'Edges of Ailey' — complete with instrumentalists and a chorus on stage. Its music fuses jazz, African drums, gospel and hip-hop, and it went over so well that the suite was recently released as an album.
The company will perform Rushing's 'Sacred Songs' as part of its seven shows at the Music Center's Dorothy Chandler Pavilion (April 2 to 6) — marking its Los Angeles premiere, a notable milestone for the L.A. native. While the dancers pays homage to Ailey and 'Revelations,' Rushing personally dedicates the song 'Troubles Troubling,' a reimagining of 'Troubles of This World,' to his late mother, Barbara DeLoach, who passed away as he was choreographing the piece.
'One of the omitted 'Revelations' songs happens to be about someone transitioning; the lyrics say, 'I'm going home to live with God,' ' said Rushing. 'I was able to choreograph this section as a way of grieving, and it's been the most amazing experience to watch that special part, sometimes with laughter or tears.'
I'm Ashley Lee, and I'm looking forward to witnessing this new Ailey creation. I'm with my fellow Times staff writer Jessica Gelt to bring you more arts and culture news and things to do:
'Cypress Hill and the London Symphony Orchestra: Black Sunday Live at the Royal Albert Hall'When the hip-hop group released 'Black Sunday' in 1993, The Times' review noted it 'boasts even sharper insights, crisper beats and a more tantalizingly ominous tone' than their debut album. Last year, the icons reimagined this masterpiece release with the London Symphony Orchestra — yes, another 'Simpsons' joke predicted the future — and the resulting collaboration, conducted and arranged by Troy Miller, debuts stateside via a filmed performance. It's playing in theaters throughout L.A. on Sunday, Monday and Wednesday, ahead of the live album's release on June 6. iconicreleasing.com
'Multiple Loads'Nicholas Pilapil's last play, 'God Will Do the Rest,' had me laughing, crying and returning for a second viewing. His new stage show centers on two men in L.A. who fall in and out of love over the course of a decade. Playwrights' Arena is presenting a reading as part of its New Pages Lab, a series designed for playwrights to hear their work with an audience. George Salazar and Adrián González star in the reading, directed by Shinshin Yuder Tsai. Admission is free with online RSVP. Sunday, 1 p.m. Art of Acting Studio, 1017 N. Orange Drive, L.A. playwrightsarena.org
'Yorgos Lanthimos: Photographs''Lanthimos' worlds operate like a transparent watch exposed straight through to the gears,' wrote Times film critic Amy Nicholson of the filmmaker's 2024 movie 'Kinds of Kindness.' 'The fascination comes from seeing how each piece of the machine pressures the others to behave. His characters speak their minds without apology.'
Starting Saturday, the Oscar-nominated director and screenwriter exhibits his still photography for the first time, featuring images from his recent books: 'i shall sing these songs beautifully,' made during the filming of 'Kinds of Kindness' and published by Mack; and 'Dear God, the Parthenon Is Still Broken,' shot during the making of his 2023 hit 'Poor Things' and published by Void. The exhibition is on view through May 24. MACK + Webber at 939, 939 S. Santa Fe Ave., Los Angeles. webberrepresents.com
— Ashley Lee
FRIDAY🎸🎭 Adobe Punk Sparks fly as a 1980s musical trio squatting in an old Bell Gardens adobe home power through rehearsal in this punk rock musical written and directed by Gabriel Garza and Theresa Chavez.⏰ Through April 13. Margo Albert Theatre, Plaza de la Raza, 3540 N. Mission Road. aboutpd.org/adobe-punk
🎭 Into the Woods Musical Theatre West presents Stephen Sondheim's fairy-tale-fueled musical.⏰ Through April 13. Carpenter Performing Arts Center, 6200 E. Atherton St., Long Beach. musical.org
🎼 🎻 Kerson Leong The Canadian violinist performs a dynamic program of sonatas by Poulenc, Fauré, Boulanger and Franck. Leong will also lead a master class at 11 a.m. Saturday.⏰ 7 p.m. Colburn School, 200 S. Grand Ave., downtown L.A. colburnschool.edu
🎸 Papa Roach/Rise Against The bands team up for the Rise of the Roach tour.⏰ 7 p.m. Kia Forum, 3900 .W Manchester Blvd., Inglewood. thekiaforum.com
SATURDAY🎸 Franz Ferdinand The Scottish rockers reach L.A. in the Human Fear tour.⏰ 7 p.m. The Wiltern, 3790 Wilshire Blvd. wiltern.com/shows
🎭 Jane Eyre Geoff Elliott directs Elizabeth Williamson's adaptation of the Charlotte Brontë novel. ⏰ Through April 20. A Noise Within, 3352 E. Foothill Blvd., Pasadena. anoisewithin.org
💃 A Jewish Child's Story Choreographer Louise Reichlin's autobiographical dance multimedia work reflects on her early dreams as the granddaughter of Jewish immigrants.⏰ 1:30 p.m. Culver City Senior Center, 4095 Overland Ave. lachoreographersanddancers.org
🎼 Nowruz: The Concert — Return of the MastersThe Pacific Symphony and Farhang Foundation's annual celebration includes the Pournazeri Trio — Kaykhosro, Tahmoures and Sohrab Pournazeri.⏰ 8 p.m. Segerstrom Hall, Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. pacificsymphony.org
🪘🎵 Orquesta Akokán The Havana jazz ensemble provides a 21st century take on Cuban mambo.⏰ 8 p.m. The United Theater on Broadway, 929 S. Broadway, downtown L.A. cap.ucla.edu
🎭 🎵 El Otro Oz Salsa, merengue, Mexican folk songs and Dora, 'a contemporary Latiné teenager,' take center stage in this bilingual musical inspired by 'The Wizard of Oz.'⏰ Through April 13. Kirk Douglas Theatre, 9820 Washington Blvd., Culver City. centertheatregroup.org
SUNDAY🎭 🎵 Adanza: Show Me Your Dreams A musical adventure featuring juggling, unicycles, breakdancing, animation, bubbles, glow sticks, drumming, aerial artists and more.⏰ 2 and 6 p.m. Sunday; 7 p.m. Friday; 3 and 7 p.m. Saturday. The Eastwood, 1089 N. Oxford Ave. adanzamusical.com
🎭 Aristotle/Alexander The Greek philosopher engages in an intellectual battle of wits with his star pupil in a new play written and directed by Alex Lyras.⏰ 3 p.m. Sundays; 8 p.m. Saturdays, through May 4. Company of Angels, 1350 San Pablo St. aristotlealexander.com/
🎼 🎹 Leif Ove Andsnes The Norwegian pianist performs Grieg's Piano Sonata in E minor, Op. 7; Geirr Tveitt's Piano Sonata No. 29, Op. 129, 'Sonata Etere'; and Chopin's 24 Preludes, Op. 28.⏰ 3 p.m. Soka Performing Arts Center, Soka University, 1 University Drive, Aliso Viejo. soka.edu
🎨 Carole Caroompas 'Heathcliff and the Femme Fatale Go on Tour' is a series of works created by the feminist artist between 1997 and 2001, inspired by Emily Brontë's 19th century novel 'Wuthering Heights.'⏰ 10 a.m.-5 p.m. Tuesday-Sunday, through July 13. Laguna Art Museum, 307 Cliff Drive, Laguna Beach. lagunaartmuseum.org
🎼 Hear Now Music Festival: Voices Raised The 14th annual event features three programs of new music by contemporary Los Angeles composers: Electroacoustic with Vocal (co-presented with People Inside Electronics), Brightwork Ensemble, David Cubek, conductor HEX and Fahad Siadat, director; Instrumental Chamber Music (April 13); and Vocal Chamber Music (May 18). ⏰ 5 p.m. 2220 Arts + Archives, 2200 Beverly Blvd. hearnowmusicfestival.com
📺 Neo-Japonism: Samurai and Beyond Japanese broadcaster NHK showcases its use of technology in the presentation of its annual 'Taiga' historical dramas.⏰ 11 a.m.-7 p.m. Monday-Friday; 11 a.m-8 p.m. Saturday-Sunday, through Sept. 1. Japan House, Ovation Hollywood, 6801 Hollywood Blvd. japanhousela.com
🎨 Su Yu-Xin The L.A.-based artist discusses materiality, the intersection of art and science, and the ways color shapes our understanding of the world with OCMA CEO and director Heidi Zuckerman.⏰ 3 p.m. Orange County Museum of Art, 3333 Avenue of the Arts, Costa Mesa. ocma.art
A 90-year-old mystery was solved earlier this year when the Ebell of Los Angeles discovered that a series of frescoes painted by revered female muralist Maxine Albro in 1933 still exist beneath more than nine layers of paint in the center's north loggia. The frescoes were commissioned by the Ebell's president in 1933 and became a flash point for controversy, with many members of the prominent women's club complaining that they were too modern and did not fit with the aesthetic of the garden. The artworks were thought to have been destroyed in 1945, so it was with great joy that the Ebell discovered they had only been painted over and can be restored when the moment is right.
Stephen Laughton's play, 'One Jewish Boy,' which premiered in London in 2018, is making its West Coast debut in an Echo Theater Company production at Atwater Village Theatre. The show explores the relationship between a young Jewish man and his mixed-race wife. It begins at a point of crisis in their marriage and unspools back to their first meeting in Ibiza many years ago. 'The debate between them is handled with admirable complexity, but the characters don't have enough room to develop beyond the central argument of the play,' writes Times theater critic Charles McNulty in his review.
Ron Sossi, founder of L.A.'s Odyssey Theatre, died March 19 of congestive heart failure at age 85. Sossi was revered in the local theater community and known for his boundary-pushing experimentation and willingness to take big swings and risks when it came to the stage. Read Sossi's obituary by staff writer Cerys Davies, here.
Joe Goode, the Los Angeles-based visual artist best known for his milk bottle paintings and his ties to the Light and Space movement, has died. He was 87. In an appreciation, Times Art Critic Christopher Knight writes, 'In the 1960s, Goode's work was uncomfortably tagged as Pop art. It shared some attributes of paintings by Ed Ruscha, his childhood friend from Oklahoma City, as well as Southern California artists as diverse as John Baldessari, Billy Al Bengston, Wallace Berman and Vija Celmins. But those artists approached representational imagery in a wide variety of ways. As his career developed over the next five decades, and as art movements began to unravel as a way to characterize art, the term fell away.'
Ten Los Angeles-based contemporary arts institutions got a boost Friday when the Mike Kelley Foundation for the Arts announced its first Infinite Expansion Grants, which support upcoming projects that present, according to a news release, 'thought provoking and compelling work.' These new grants are a departure from previous years when the foundation supported more grantees with less money. By choosing only 10 organizations this time around, the foundation handed out larger grants ranging from $32,000 to $45,000. The current crop of grantees are: 18th Street Arts Center, the Brick, CalArts REDCAT, Fulcrum Arts/home LA, Future Roots/Canary Test, Human Resources, JOAN, Los Angeles Nomadic Division (LAND), Pieter Performance Space, and Self-Help Graphics & Art. The title 'Infinite Expansion' is derived from one of Kelley's large drawings that features a small landscape at its center with psychedelic wood-grain patterns radiating outward. 'In a nod to the title, these grants emphasize the resounding impact that arts organizations and artists make in the communities they build and the world at large,' the foundation wrote in its announcement.
— Jessica Gelt
A gorgeous read on outgoing Loewe fashion house head Jonathan Anderson, and 'his holistic approach to design, seamlessly fusing together art, fashion, poetry, architecture, and interior design.'
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Nic Novicki's life looking up at the world helped him reach new heights in comedy
Nic Novicki's life looking up at the world helped him reach new heights in comedy

Los Angeles Times

time8 hours ago

  • Los Angeles Times

Nic Novicki's life looking up at the world helped him reach new heights in comedy

Nearly two decades ago, Nic Novicki was another young comedian living in Queens, testing his mettle in the competitive New York City comedy scene. There, he shared not just an apartment, but a living room separated by a sheet with another up-and-comer trying to make a name for himself: Nate Bargatze. They shared an apartment with fellow comedians Dustin Chafin and Rich Aronovitch. Fast forward 20 years, and Bargatze is one of the most popular comedians around, selling out arenas across the country. And, he hasn't forgotten his old friend. Novicki frequently tours with him, bringing those humble beginnings to larger audiences than they ever imagined, including taking their act to the high seas on the Nateland cruise this February. 'We would perform shows together every night, and then I would stay with them when I would go back to New York [from L.A.],' Novicki tells The Times over Zoom. 'It started with five people at a show in New York, and then clubs, and suddenly, things got bigger and bigger. It's been one of my biggest thrills to step out on stage and see that many people.' As a little person standing 3 feet 10, Novicki has a unique perspective from a physical and emotional standpoint, which he brings to his comedy. Some of his most rewarding projects have involved his work with Easterseals, the nation's largest disability services organization. With them, he's organized the Disability Film Challenge, which launched nearly 13 years ago. It's an annual five-day filmmaking competition where people with disabilities are either in front of or behind the camera, and make a film related to a specific genre — this year, for example, the theme was thriller and suspense. 'I created this film competition 12 years ago because I was always making my own content,' he says. 'The story of my life has been, as a comedian, to get up on stage and do as much as you can rather than wait for the industry to come to me.' In addition to comedic endeavors, Novicki has made a name for himself as an actor. He was a regular on the HBO series 'Boardwalk Empire' and appeared on 'The Sopranos,' 'Loudermilk,' 'The Neighbors' and 'Drop Dead Diva.' We spoke with the Culver City-based comedian ahead of his slot at the Burbank Comedy Festival next week, where he breaks down his stand-up routine, opening for Nate and his perspective on comedy as a little person, as well as why the work he's done with Easterseals has been so imperative. Do you have a different approach when you're performing in front of thousands at an arena show with Nate versus a club show? My act is focused on storytelling. A lot of what I do is kind of story-based about my life and the interactions that have happened. Nowadays, it's with my family, and my daughters are a huge part of it. Regardless of the size of the venue. For example, if I'm doing a late-night set at the Comedy Store or another comedy club, my act stays the same. Ultimately, I'm at that stage in my life. I do the same bits, and there's no need for me to feel like I need to be edgier. The same bits will work late night or early in the day when Nate has an early show. Recently, I did a show that was really fun called BYOB — bring your own baby. Where was that and what was it like? It was at [Santa Monica comedy club] the Crow. My wife brought our baby. Ultimately, I've always been able and comfortable talking about who I am. I've always done well with kids, which was the origin [of comedy] for me. When I was 10 or 11 years old, I started doing speeches that raised money for the Little People of America. I would perform at Rotary Clubs, and I remember early on, I would be standing behind a podium, be like, 'Oh, did you guys forget the stool here? What's going on?' It would be the Invisible Man bit, and everybody laughed. I realized then that I had everybody, and they were paying attention. Even at that age, you understood showbiz. You knew how to work an audience. It's funny. I didn't think of it as a comedian, but I was doing a version of stand-up comedy. Growing up on the East Coast and being a little person, I used comedy as a way to break the ice, and also be like, 'Hey, let's be funny and lighten the situation.' When did you decide to pursue comedy as a career? I started doing stand-up comedy during my freshman year of college at Temple University in Philadelphia. I went there to study business, but I was like, 'What is this?' It's a great city for comedy, and now, in a full circle of wildness, we [Bargatze and he] are performing two shows at the Wells Fargo Center. There are these different places that I haven't been to in a long time, like Erie, Pa., where I have family. Thanks to comedy, going back there for the first time to perform in a giant arena with Nate is pretty wild. What is it about both of your comedic styles that appeals to so many? Aside from Nate being one of my best friends, he's just the best at what he does. Both of us have very similar sensibilities and senses of humor. It's been great for me because I don't have to change my style of comedy to fit with his. When I was starting, I was never dirty, but maybe I'd swear a little. I realized so much of my life is about being in the Little People of America. Little people and people with disabilities are asking me for advice about how I was able to create my own projects. Ultimately, that's the kind of comedy that I'm drawn to, and it's part of my daily life. I'm proud to be a little person. I'm proud to be who I am, and I can't hide it. It's not easy, though, to get the audience to laugh at something uncomfortable. In this case, laughing with you about your disability. I'm 3-10. So it's not like I could be not 3-10, so it's part of what my world is. My wife is little, and I've grown up in Little People of America. It's not entirely what I'm about as a comedian — I like to talk about things other than my height, but it is a part of who I am. I'm a storyteller, and the situations that happen involve my height. Whether it's dropping my daughter off at daycare … these are real-life situations that happen. Rather than be uncomfortable in the moment, I've embraced it, laughed and been OK with just having that discussion in that moment. I look at the positive and the comedy of a situation because it's something that I find funny, rather than being upset by it, like being patient and asking someone to help me press a button in an elevator. This may sound crazy, but I've met so many people by asking for help, like reaching for a plate. Now, I have a connection with this person that I wouldn't have had. As a comedian, I think you have to be open to life and what happens, and be able to comment on it. The Easterseals Disability Film Challenge is a significant source of pride for you. Now, nearly 13 years later, what do you see as its legacy? It's grown so much. Since partnering with Easterseals Southern California, we've had 850 films created from around the world. We have our awards ceremony at Sony Pictures every year. Nate has presented alongside the Farrelly brothers, Phil Lord and Chris Miller. I feel like the disability community is a community, and it's something I'm so proud to be a part of. I've made so many friends and forged lifelong bonds with both little people and through the Film Challenge. Much like my comedy career, it's been a gradual climb. It's been the long game for me, as an actor and comedian with the Film Challenge. My whole vision is to do as much as you can, and I think the world wants to see more disability representation. I do a regular show at Flappers in Burbank where I headline, and it's Nic Novicki and friends. I always have a disabled comic from the Easterseals Disability Film Challenge perform to highlight them. I love having that world where people can get themselves out there, and that was always the mission. Initially, the Disability Film Challenge was going to be a one-off competition where I helped disabled friends who asked me for advice, and allowed them to make a film and tell their own stories. After that first one, right away, casting directors started reaching out to me asking how to get in touch with a guy in a wheelchair, and all of a sudden, we had five films that first year. All of these films are starring and created by people with disabilities. It's been great to see the number of jobs that have come from this, and something I'm incredibly proud of. It's funny. I was in New York City with a group of people, and I was like, 'I know every little person in the world,' and they were like, 'Yeah, sure, sure, you do.' So we're walking on Madison Avenue, and a little person popped up out of nowhere and said, 'Hey, Nick, what's up?' I looked at them and said, 'You see?' I swear to God, it was sitcom-esque timing, but it really happened.

Bold & Beautiful Spoilers Preview: What Will Happen This Week (August 11-15)?
Bold & Beautiful Spoilers Preview: What Will Happen This Week (August 11-15)?

Yahoo

time10 hours ago

  • Yahoo

Bold & Beautiful Spoilers Preview: What Will Happen This Week (August 11-15)?

Wondering what drama unfolds this week in Los Angeles? The latest spoilers preview a week of shocking revelations, life-changing proposals, and family tensions that could alter relationships forever. Here's what Bold and the Beautiful spoilers reveal about confrontations, heartfelt confessions, and unexpected twists ahead. The Bold and the Beautiful spoilers preview for what happens this week Liam tells Bill that Grace fabricated his brain tumor diagnosis and gave him medication to imitate symptoms. Grace admits she created the scheme to extort one million dollars from Bill to cover her ex-husband's debts. Bill reacts angrily and declares she will face consequences. Hope is present and recalls previous harm caused by the Buckingham family. Ridge returns from Italy and tells Taylor that Brooke fell overboard during a boat trip with Nick and that he rescued her. Taylor expresses relief that no one was injured but says Brooke's future does not include Ridge. She firmly states she will not remove her engagement ring. Nick visits Brooke at Forrester Creations after the boating incident. He professes his love, produces a ring, and proposes marriage. Nick tells Brooke their relationship is not over, leaving her to carefully consider his unexpected and emotionally charged offer for their future. Sheila arrives at Li's home and discovers Luna alive and supported by medical equipment. She reacts to the sight and questions Li's decision to save her. Li explains that Luna's troubled upbringing influenced her actions and expresses belief in Luna's ability to change. Following the discovery, Sheila says she wants to take part in Luna's care and recovery. Li listens but does not immediately agree to the request. The development creates uncertainty about Luna's rehabilitation, future well-being, and the complex family relationships going forward. The Bold and the Beautiful airs weekdays on CBS and streams the next day on Paramount Plus. The post Bold & Beautiful Spoilers Preview: What Will Happen This Week (August 11-15)? appeared first on - Movie Trailers, TV & Streaming News, and More. Solve the daily Crossword

Lindsay Lohan Says She Has ‘PTSD to the Extreme' From Being ‘Chased by' Cameras as a Young Adult
Lindsay Lohan Says She Has ‘PTSD to the Extreme' From Being ‘Chased by' Cameras as a Young Adult

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Lindsay Lohan Says She Has ‘PTSD to the Extreme' From Being ‘Chased by' Cameras as a Young Adult

Lindsay Lohan is reflecting on the cost of spending her formative years in the spotlight. 'I don't ever want my family to experience being chased by the paparazzi the way I was,' Lohan, 39, told The Times of London in a Saturday, August 2, profile. 'They were terrifying moments I had in my life. I have PTSD to the extreme from those things.' Lohan started acting in 1998, when she landed her breakout role in The Parent Trap. Since then, she has been at the center of often relentless media attention. Speaking to The Times, Lohan recalled dealing with 'really scary' and 'the most invasive situations." 'I pray stuff like that never comes back,' she said. 'It's not safe. It's not fair.' Lindsay Lohan Through the Years Lohan, who was born in New York and later lived in Los Angeles, has since moved to Dubai, where she met now-husband Bader Shammas. The pair reside in the United Arab Emirates with their 2-year-old son, Luai. 'I lived like that and it's not who I am. Dubai is a safe place where we can just have a normal life, outside of what I call 'the noise,'' Lohan explained to the British newspaper. '[It is] where my husband and I can see what is right for our child. It's not about me anymore.' Lohan and Shammas, 38, have also made a conscious decision to keep Luai out of the limelight, opting against sharing photos of his face on social media. 'It's something my husband and I discuss all the time. 'Do we want to show our son?'' she said. 'We will know when the time might be right, but it's also a protection.' The Freakier Friday actress added, 'Kids are so pure, such a clean slate, and they are learning everything for the first time — it is beautiful. I want to relive those moments with my son, like I have never seen them before.' Lindsay Lohan Says Her Career Is 'Changing' After Welcoming Son Luai: 'A Learning Process' It is Luai, in part, who inspired Lohan to reprise her Freaky Friday role in the long-awaited sequel. 'Jamie [Lee Curtis] mentioned the idea when I was pregnant and I was like, 'Well, not right this second,'' Lohan quipped of her onscreen mother. In the 2003 film, Lohan's character was 16 and switched bodies with Curtis' onscreen persona. In the follow-up flick, Lohan's Anna Coleman is now a single mother and changes places with her own teenage child. Curtis' Tess, meanwhile, swaps positions with Anna's soon-to-be British stepdaughter. Freakier Friday is the first time that Lohan has played a mother onscreen. 'Yes, this is a first,' she quipped to The Times. 'It's timing. Time is working on my side, which is great.' Solve the daily Crossword

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