logo
Here's the running order for the Eurovision Grand Final 2025

Here's the running order for the Eurovision Grand Final 2025

RTÉ News​16-05-2025

Ireland may not have made the cut, but there'll be plenty to look forward to in Saturday's Eurovision Song Contest Grand Final.
Six countries - France, Germany, Italy, Spain, the United Kingdom, and last year's winners, Switzerland - automatically qualified for the final. They are joined by 20 others who progressed through the semi-finals held on Tuesday and Thursday.
Ireland was among six countries eliminated during Thursday night's semi-final, with Greece clinching the final spot in Saturday's decider.
Those who made it through include Austria's JJ (Johannes Pietsch), considered one of this year's frontrunners with his song Wasted Love, as well as Armenian artist PARG, Denmark's Sissal, and Luxembourg's Laura Thorn.
Tuesday's qualifiers included Norway's Kyle Alessandro, Albania's Shkodra Elektronike, Sweden's KAJ, and Ukrainian group Ziferblat.
Sweden now has the chance to become the most successful country in Eurovision history, as it currently shares the record of seven wins with Ireland. This year's Swedish entry, Bara bada bastu, is performed by the group KAJ.
The theme for this year's contest is Unity Shapes Love.
Here is the running order for the Grand Final this Saturday:
1. Norway | Kyle Alessandro – Lighter
2. Luxembourg | Laura Thorn – La Poupée Monte Le Son
3. Estonia | Tommy Cash – Espresso Macchiato
4. Israel | Yuval Raphael – New Day Will Rise
5. Lithuania | Katarsis – Tavo Akys
6. Spain | Melody – ESA DIVA
7. Ukraine | Ziferblat – Bird of Pray
8. United Kingdom | Remember Monday – What The Hell Just Happened?
9. Austria | JJ – Wasted Love
10. Iceland | VÆB – RÓA
11. Latvia | Tautumeitas – Bur Man Laimi
12. Netherlands | Claude – C'est La Vie
13. Finland | Erika Vikman – ICH KOMME
14. Italy | Lucio Corsi | Volevo Essere Un Duro
15. Poland | Justyna Steczkowska – GAJA
16. Germany | Abor & Tynna – Baller
17. Greece | Klavdia – Asteromáta
18. Armenia | PARG – SURVIVOR
19. Switzerland | Zoë Më – Voyage
20. Malta | Miriana Conte – SERVING
21. Portugal | NAPA – Deslocado
22. Denmark | Sissal – Hallucination
23. Sweden | KAJ – Bara Bada Bastu
24. France | Louane – maman
25. San Marino | Gabry Ponte – Tutta L'Italia
26. Albania | Shkodra Elektronike – Zjerm
The Grand Final takes place on Saturday, 17 May, and will be shown live on RTÉ One and RTÉ Player from 8pm.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

30 years since Riverdance blew our minds and our 'holy f**ks' still echo'
30 years since Riverdance blew our minds and our 'holy f**ks' still echo'

Irish Daily Mirror

time6 hours ago

  • Irish Daily Mirror

30 years since Riverdance blew our minds and our 'holy f**ks' still echo'

IT remains a flame that will never burn low for anybody gifted a ringside seat for its mighty, ecstatic, hot-blooded, jaw-dropping, spine-tingling, seven-minutes-of-wonderment unveiling. In truth, we were more than a little tipsy that night, yet even through that long-ago fug of alcohol, the wave of rapture that invaded the packed bar where we witnessed - stupefied, teary, a chorus of astonished "holy f***s" the only words we could summon - Riverdance being midwifed into the world remains as vivid three decades on as Michael Flatley's immaculately waxed chest. It felt like a detonation of some new Irishness, a marriage of ancient dance and modern expression, something liberating and fresh invading both the evening and the heart with its riveting beauty, mesmerising a global audience of some 300 million. Before writing this piece, to reassure myself my memory wasn't playing tricks, I re-watched Flatley and, first, Jean Butler thundering onto the stage at The Point Theatre on April 30th 1994, the interval act at the Eurovision Song Contest. It is gobsmacking, electrifying, primal, emotional, an authentic "wow" moment that retains all its capacity to fire a lovely cascade of shivers down the spinal chord. A cocktail of fiddles and bodhráns, the lead dancers owning the coliseum, alone under the klieg lights, a triumph of athletic movement, rhythmic tempo, exquisite balance and beguiling cadence. Master and Mistress of the universe. The urge then was to lock away the memory, retain it for the rest of time, the same compulsion that might overwhelm an art lover on encountering a renaissance master's brushstrokes hanging on the gallery walls of the Louvre. At that moment it felt unsurpassable. Perfect. Before it became a commercial behemoth - one watched live by more than 30 million people (five times the population of Ireland) at some 15,000 performances in 49 countries, selling over 10 million DVDs worldwide) - there was this. Just this. A seven minute slot. A transfixed house erupting in spontaneous, orgasmic acclaim. An 'is this really happening?' sense of disbelief and awe. And, as the camera pans to a breathless Flatley, giggling as he accepts the rapture of the audience, the vertigo of new possibilities opening dizzyingly before him, an impossibly youthful Gerry Ryan asking his audience a rhetorical question. "What about that, stunning music, amazing dancing, was that or was it not the most spectacular performance you have ever seen?" Few who had watched Flatley's feet move as if fired from the mouth of a howitzer were inclined to raise a dissenting voice. Looking at it now through the telescope of all those years, Ryan's words don't feel remotely contrived or rehearsed, but, rather an instinctive and visceral response to something irresistible. I was 25 years of age and Irish dancing was so far distant on the polar opposite side of the bandwidth to my interests that it might have existed on the dark side of the moon. And yet, like half the nation, I was entranced by the orchestra of sounds and the sway of elegant, angelic movement. Flatley and Butler had carried the night into another dimension. Our football team was in the long since vanished O'Dwyer's Bar on Dublin's Mount Street, celebrating a league title we had claimed that afternoon courtesy of our own exhibition of superior, Flatley-esque footwork (for some reason I still haven't figured we never toured the world, never had to fight off groupies, never made tens of millions, but, hey, them's the breaks). The Eurovision was on in the background. Nobody was too bothered. Then Bill Whelan's score exploded into life and it was like every living creature in that bustling tavern had been hypnotised. There was never a moment over the next 500 or so seconds when our attention was allowed veer from the TV screen. It was that good, that instantly stimulating, dance as mainlined narcotic, a mood-altering Celtic opiate. Sense of place played a significant role in the elemental ache of joy. It was one of the few times since Italia 90 four years earlier that I had felt that sudden surge - call it patriotism, call it a sense of belonging, call it pride in our heritage - that fills a room to the brim with something I can only describe as heartsoar. We embraced and emoted as we had at the end of the game a few hours earlier. I think there might even have been an eruption of the dreaded Oles. It was a slightly self-conscious way of trying to mask the fact that we were all on the verge of sobbing. It really was that powerful. There we were, a group whose preferred music ranged from The Jam to Bowie to Ska to The Stones, incontinent with emotion because of something we might have scoffed at ten minutes earlier. We were in our native city, yet for some reason the lyric that best describes how I felt in that moment comes from U2's A Sort of Homecoming. "For tonight, at last/I am coming home/I am coming home." So many of those Eurovision interval slots tend to be twee and insecure, but here was an exhibition of rip-roaring Irish self-confidence. A visual, aural, comfortable-in-its-skin feast of excellence. A year later, Riverdance went on the road, and it is that 30th anniversary landmark that was celebrated this week at The Gaiety and at various afterparties that ran long into the night. A confession: I have never been to the full show and never felt an urgent need. In some perverse way, I find the vast global ATM - churning out dollars and yen and all the currencies of the world - into which it has transformed, slightly off-putting. But, we'll always have O'Dwyer's. The emotions awakened by that seismic seven minute rumble in 1994 were sufficiently pure to last a hundred lifetimes. Its innocence; the bone-shaking delight of Flatley hot-footing across the floor with manic, charismatic glee; Butler's effortless elegance and natural-born class; the blur of feet; the way the music hit you beneath the rib cage; the astonishment as we observed the birth of something magical and, the way it made us all all remains gloriously evocative. Ireland would win the Eurovision that night - back then, as invincible as a team co-managed by Jim Gavin and John Kiely, we almost always won - courtesy of Charlie McGettigan and Paul Harrington performing Rock 'n' Roll Kids. Harrington watched the interval act from backstage and still recalls how the arena convulsed. "That night," he says, "felt like the beginning of the roar of the Celtic Tiger and I was right at the epicentre." Riverdance became a synonym for excellence, for a slightly mythical Irish form of self-expression, a way of articulating a cultural moment that triggered a wash of reverence. Liam Griffin, the messianic and erudite Wexford manager who led the county to a first All-Ireland title for 28 years in 1996, lovingly depicted hurling as the "Riverdance of sport." His poetic description was both arresting and apt. Here were two uniquely Irish forms of cultural expression, both dances, one using feet, the other a sliotar and a wand of ash, each seeming to eloquently express a powerful sense of Irishness. In their liquid movement, their natural flow, Cian Lynch or Patrick Horgan or TJ Reid might well be riverdancing. A great hurling match is both a spectacle and a feeling. It finds your gut. It lifts you to a place of brighter light, this tumultuous choir of stick and ball and galloping athletes. At its best, it dresses itself in a cloak of myth. As Flatley and Butler did all those years ago. On Anna Livia's banks, they danced their dance and the ancient river was not alone in nodding its damp, splashing head in approval, in understanding it had witnessed the shifting of Irish art to the highest ground.

Putin's secret daughter, 22, ‘working in anti-war art gallery in Paris' after ‘ditching tyrant's name'
Putin's secret daughter, 22, ‘working in anti-war art gallery in Paris' after ‘ditching tyrant's name'

The Irish Sun

time9 hours ago

  • The Irish Sun

Putin's secret daughter, 22, ‘working in anti-war art gallery in Paris' after ‘ditching tyrant's name'

VLADIMIR Putin's alleged secret daughter is reportedly working at two Parisian art galleries that showcase anti-war exhibitions. Elizaveta Krivonogikh, 22 – also known as Luiza Rozova and now Elizaveta Rudnova – is said to be rubbing shoulders with Russian dissidents and Ukrainian artists in the French capital. Advertisement 6 Elizaveta Krivonogikh, also known as Elizaveta Rudnova, is said to be Vladimir Putin's secret daughter Credit: East2West 6 The 22-year-old is reportedly working at two art galleries in Paris Credit: Social media 6 She is said to be Putin's offspring with his former long-term lover Svetlana Krivonogikh Credit: Elizaveta Krivonogikh 6 One of the galleries is said to be Espace Albatros in the neighbourhood of Montreuil Credit: Google Maps Reports say she is working at L Galerie in Belleville and Espace Albatros in Montreuil, despite being the daughter of a regime responsible for the war they oppose. Both galleries are said to be known for exhibiting anti-war art, according to outlet She also Her role as gallery manager includes helping organise shows and make videos, and it has seemed to spark fury among exiled Russians and Ukrainians. Advertisement Read more on Vladimir Putin Artist Nastya Rodionova, who fled Russia in 2022, said she couldn't stay silent. In a Facebook post, she wrote: 'It's important to say that I believe in the presumption of innocence and that children are not responsible for the crimes of their parents. 'But with the war reaching its heights it is inadmissible to allow a person who comes from a family of beneficiaries of [Putin's] regime to come into confrontation with the victims of that regime. 'We need to know who we are working with and decide whether we are ready for that. My personal answer in this case is no.' Advertisement Most read in The US Sun Exclusive Dmitry Dolinsky, director of L Association that controls Studio Albatros and L Galerie, defended Rudnova's role. Putin warns Trump he 'will have to respond' to Ukraine's daring drone attack in hour-long phone call with president He told Some insiders back her, calling her a 'cultured person' and 'excellent worker'. But Rodionova hit back, warning that victims of the war shouldn't be forced to share space with anyone tied to the regime – alleged daughter or not. Advertisement Rudnova's mother, Svetlana Krivonogikh, was sanctioned by the UK in 2023 and linked to Putin's inner circle by independent Russian media. She reportedly owns property worth $100million and was outed as Putin's former mistress by the Proekt investigative team. Elizaveta vanished from Russian social media shortly before the invasion of Ukraine in 2022. She once flaunted a lavish lifestyle on Instagram, posting photos in designer clothes, sipping champagne, and DJing under the name Luiza Rozova. Advertisement Ukrainian TV later claimed she was living in Paris with a passport under the name Rudnova, allegedly ditching the patronymic Vladimirovna, which would confirm her father's name as Vladimir. 6 Elizaveta would often flaunt her wealth with social media posts Credit: East2West 6 She also allegedly ditched her tyrant dad's surname Credit: East2West Born in March 2003, Elizaveta has never publicly confirmed a link to the Russian tyrant. Advertisement The Kremlin has never confirmed her existence either. But the timing of her birth, her resemblance to Putin, and her mother's major financial rise have fuelled years of speculation. Kremlin critics say she is part of the hidden empire Putin has built for his inner circle and family. Officially, Putin only acknowledges two daughters, Maria and Katerina, from his marriage to Lyudmila Putina, whom he divorced in 2014. Advertisement But it's long been rumoured he has more children — including two sons with former gymnast Alina Kabaeva. Who are Vladimir Putin's daughters? VLADIMIR Putin is known for keeping his personal and family life very private, but some details about the tyrant's children have surfaced over the years . Maria Vorontsova (née Putin, born April 28, 1985) : His eldest, 39, leads government-funded programs personally overseen by Putin, which have received billions from the Kremlin for genetic research. She is the first of two daughters of Putin and his ex-wife, Lyudmila Putina. Maria is said to be an expert in rare genetic diseases in children, and also dwarfism, according to reports. She was married to Dutch businessman Jorrit Faassen. In 2013, the couple were living in a penthouse in Voorschoten, the The pair are believed to have moved the Moscow the following year. In March 2022, it was reported that the couple had split after the war in Ukraine crushed Maria's dreams of opening a money-spinning clinic for wealthy foreigners in Russia Katerina Tikhonova (née Putin, born August 31, 1986) : Also daughter of Putin and Lyudmila, 38-year-old Katerina is a tech boss whose work supports the Russian government and defence industry. She started as a "rock'n'roll" dancer before moving into the world of artificial intelligence. In 2013, his daughter Katerina married Kirill Shamalov, whose father, Nikolai, is a longtime friend of the president. Nikolai Shamalov is a shareholder in Bank Rossiya, described by US officials as the Russian elite's personal bank. They were married in a secret ceremony at the Igor ski resort just north of St Petersburg. It was reported at the time that the pair rode into the ceremony on a sleigh pulled by three white horses. All the guests invited were sworn to secrecy, and the Kremlin has never confirmed that the wedding took place. "I have a private life in which I do not permit interference," Putin once said. "It must be respected." The couple had corporate holdings worth around $2 billion, according to Kirill also bought off Timchenko's luxury villa in the seaside resort of Biarritz, southern In March 2022, the house was taken over by pro-Ukraine activists, in response to Russia's brutal invasion. But Katerina and Kirill divorced in January 2018, with Putin's former son in law rumoured to have been romantically involved with After the split, Kirill was said to be forced to give up his stocks in Sibur, and he lost almost half his wealth. Their divorce settlement hasn't been disclosed but likely runs into the millions. Despite that, Kirill is still worth an estimated $800 million. Putin was reported to be "quietly grooming" Katerina to be his successor. Vlad is also rumoured to have "hidden" children, though he has never confirmed these reports. Elizaveta Rozova (aka Luiza Rozova) : Elizaveta, also known as Luiza Rozova, 21, is the rumoured love child from Putin's alleged affair with a former cleaner. The daughter of Svetlana Krivonogikh, who later became a millionaire, is now She often shared details from her lavish life on Speculation also surrounds his supposed secret family with , a former rhythmic gymnast once known as "the most flexible woman in Russia". Officials have denied that A petition demanding she is thrown out by the Swiss authorities has garnered 75,000 signatures, demanding that "it's time you reunite Eva Braun with her Führer". Alina retired from gymnastics and took a strange career turn to become a Russian MP. The former athlete - dubbed "Russia's First Mistress" - the Duma, the Russian parliament in 2007, representing her alleged lover's United Russia party but left years later to pick up a lucrative job running a media company, despite having no previous experience. In April, Alina's name and picture was

Will Ferrell ‘excited' to bring Eurovision musical to Broadway
Will Ferrell ‘excited' to bring Eurovision musical to Broadway

Irish Examiner

time3 days ago

  • Irish Examiner

Will Ferrell ‘excited' to bring Eurovision musical to Broadway

Will Ferrell has said he is 'excited' to bring a musical version of the Eurovision Song Contest to Broadway. The American actor, 57, is basing the project on his Netflix movie, Eurovision Song Contest: The Story Of Fire Saga, which he starred in opposite Canadian actress Rachel McAdams and British actor Dan Stevens. 'We are more than excited to bring Eurovision to Broadway,' said Ferrell. 'The stage musical is a perfect place to continue our celebration of all the things we love about this amazing and unifying song competition.' Ferrell starred opposite Canadian actress Rachel McAdams, pictured, in the Netflix movie (Ian West/PA) The production will feature a book by Ferrell, Harper Steele, who both co-wrote the original film and were in the documentary Will & Harper together, and Anthony King, a TV and Broadway writer. Music will come from Savan Kotecha, who was behind the songs for the Netflix movie, and will be directed by Alex Timbers. 'Will Ferrell and Harper Steele are my comedy heroes,' Timbers, a Tony award-winning director, said. 'And when I first saw their joyful movie Eurovision during the pandemic, it buoyed spirits during a very dark time. 'With this stage adaptation, I can't wait to bring that same mix of heart, spectacle, irreverence, and awe to audiences across the world.' In the 2020 movie, The Notebook actress McAdams, an Oscar nominee, and Elf star Ferrell play Icelandic musicians Lars Erickssong and Sigrit Ericksdottir who are competing at Eurovision. JJ from Austria won Eurovision 2025 (AP Photo/Denes Erdos) It was nominated for a best original song Academy Award for Husavik (My Hometown) written by Kotecha, Fat Max Gsus, and Rickard Goransson. Eurovision director Martin Green, from the organising group, the European Broadcasting Union (EBU), said: 'This is a stellar team for what I am sure will be an equally stellar adaption of a film the world loved. 'Our aim always is to bring the joy of the Eurovision Song Contest to more people globally – especially as we approach our 70th edition in 2026.' Last month, the 2025 winner of Eurovision was crowned as 24-year-old opera singer JJ from Austria, who entered with the dramatic Wasted Love. Netflix has previously turned its popular science fiction show Stranger Things into a play in the West End called Stranger Things: The First Shadow, which serves as a prequel to the series.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store