MBC Group receives top honors at Al Dana Drama Awards
Both television drama, Share' Al A'sha (Al Asha Street), and the hit comedy series, Yawmiyat Rajol Anis (Diaries of a Bachelor) – broadcast on MBC TV channels and streamed on Shahid during Ramadan this year – received accolades.
While Share' Al A'sha was named the best social series in recognition of its powerful narrative and cultural impact, Yawmiyat Rajol Anis secured the title of best comedy series.
Additionally, Share' Al A'sha also earned the audience choice award for best series, while Khaled Saqer was recognized as best actor for his performance as Abu Ibrahim.
Lama Abdulwahab received the award for best actress in the audience choice category for her portrayal of Aziza, which has gained incredible popularity across the region.
The Al Dana Drama Awards 2025 ceremony was held as part of the 17th Gulf Radio and Television Festival, organized by Bahrain's Ministry of Information in cooperation with the Gulf Radio and Television Organization (GRTO).
The annual event honors outstanding achievements in television and drama across the Arab world across a range of competitive categories.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Arab News
4 hours ago
- Arab News
Where We Are Going Today: Chinwa in Riyadh
Chinwa is a Chinese restaurant in Riyadh which delivers a mix of authentic, aromatic, and sometimes challenging flavors. The undisputed star is the kimchi — a fiery, fermented, punchy delight bursting with complex tang and lingering heat, showcasing masterful balance. Among the mains, the volcano spicy karaage chicken offers immediate satisfying, umami-rich comfort. The savory, creamy, slightly unctuous broth envelopes tender noodles and crisp veg, and is topped with a soft-boiled egg. The chicken's initial crispy, golden coating is irresistible, but the steamy container transforms it into soggy, spongy pieces far too quickly. It is a dish demanding immediate consumption. The crab roll is a refreshing, light triumph. Its translucent rice paper reveals vibrant fillings: cool cucumber, lusciously sweet mango, mild crab sticks, and crisp lettuce. Dipped in the nutty, slightly sweet peanut sauce, it offers a texturally playful, bright, balanced bite. The shrimp dumplings are similarly excellent — delicate, thin-skinned steamed parcels revealing plump, succulent, fresh shrimp enhanced by aromatic, well-spiced flavors. Each bite confirms a skilled hand with dim sum. The main letdown is the black pepper beef. While the glossy, sweet-savory sauce and fragrant peppers hold promise, the beef itself is unpleasantly chewy, gristly, and overly fatty, lacking any redeeming tenderness. For night cravings, Chinwa offers vibrant highs like the robust kimchi, bright crab rolls, and succulent dumplings. The flavorful karaage chicken suffers from a decline in texture en route, and skip the tough beef. Focus on fresh, well-executed starters and dumplings for reliable satisfaction and save broth dishes for dine-in freshness.
Asharq Al-Awsat
12 hours ago
- Asharq Al-Awsat
Museums Commission to Launch 1st Phase of ‘Our Saudi Story' Exhibition in Qassim
Saudi Arabia's Museums Commission is scheduled to inaugurate the first phase of the traveling interactive exhibition 'Our Saudi Story: A Window on Museums' in September, which will be held in Buraidah, Qassim, from September 1 to 13. The exhibition offers visitors an immersive visual and auditory journey through motion design techniques and sensory sound effects. It will be open to the public free of charge, showcasing 11 carefully selected artifacts from Saudi regional museums, digitally reinterpreted and presented in a way that blends authenticity with innovation. Coinciding with its first stop, the exhibition will be held alongside the Buraidah Dates Carnival, recognized by the Guinness World Records as the world's largest event for showcasing and marketing dates. The carnival combines commercial diversity with economic vitality and serves as a famous platform celebrating a traditional Saudi product deeply rooted in cultural memory and the agricultural identity of the region. Following Qassim, the exhibition will travel to Najran, Jeddah, and Riyadh, offering in each city a unique experience that highlights the richness of regional museums.
Arab News
18 hours ago
- Arab News
Middle Eastern art takes center stage in Sotheby's London exhibition
DUBAI: Highlights from Sotheby's exhibition of highlights from its upcoming Modern & Contemporary Middle East and Arts of the Islamic World & India auctions. Abdulhalim Radwi 'Untitled (Desert Scene)' The late Abdulhalim Radwi is one of the most significant Saudi artists of all time. He studied in Italy in the 1960s and his work has drawn comparisons to that of the great French impressionist Paul Cézanne and the Dutch master Vincent Van Gogh. 'Radwi's ability to merge popular culture and sentiments with newly acquired artistic techniques serves as a precursor to contemporary Saudi art today,' an old Sotheby's catalogue states. At first, however, his style was met with confusion in his homeland, where local artistic sensibilities 'very much remained grounded in more realistic artistic renderings.' Discussing his first local exhibition in 1964, Radwi said: 'My works were shot down in exoticism, irony and surprise, while the people's visual imagination in that era was held by representation and copying from reality.' The Sotheby's catalogue continues: 'He was driven by the conviction that art has a cerebral function in an environment that considered it as ornamental. According to Radwi, the very essence of a piece lies not in its physicality but in the emotions it triggers.' This piece — a mix of oil paint and sand on canvas — was created in 1975, and is expected to fetch between £40,000 and £60,000 (SAR 203k-305k) in October's auction. Ahmed Mater 'X-ray Painting 5' This work from arguably Saudi Arabia's most important contemporary artist comes from the series that established him as a pioneer of the Kingdom's art scene back in 2004, when he was featured alongside Abdulnasser Gharem and Sahraf Fayadh in a Jeddah exhibition. It combines his two occupations: medicine and art. 'In these works, the first synthesis of art and science, faith and medicine can be seen,' Mater writes on his website. 'Ahmed Mater demonstrates the very special ability to speak in a universal voice but from a personal perspective,' Linda Komaroff of the LA Country Museum of Art wrote in a 2010 essay in which she also noted of the artist's 'X-ray' series: 'What could be more intimate and personal than literally to see inside another individual? … The skeletal images suggest some elemental form of humanity, stripped of the skin, hair, eyes, and clothes that differentiate as well as separate us.' Paul Guiragossian 'Portefaix en Chomage' This depiction of unemployed porters is typical of the acclaimed Jerusalem-born Lebanese-Armenian artist's work, in terms of both subject matter and style. 'Guiragossian was primarily a painter of clustered people: elongated figures, huddled close together, hunched or squatting. They crowd the canvas, never over-spilling its edges. Togetherness usually feels threatened, somehow, but also a spell that might ward against loss,' the art writer and curator Sam Thorne wrote in 2014. Speaking to Selections, the art website, in 2019, one of Guiragossian's daughters said: 'He would say he was like a reporter of his environment. When he was unemployed, he painted the street porters who were unemployed and hungry. When he got married … (and) had children, he painted families. I would say his objective in the early stages was portraying marginalized people based on his own life.' Fahrelnissa Zeid 'Untitled (Flowers)' Zeid was an extraordinary artist who lived an extraordinary life, which included seeing her brother convicted of the murder of their father, marrying an Iraqi prince, and becoming the first woman to have a solo exhibition at London's Institute for Contemporary Arts (in 1954). 'Her practice underwent transformations ranging from a figurative expressionism to the abstract sublime,' an old Sotheby's catalogue states. 'Untitled (Flowers)' dates from the late 1940s, a time when Zeid's artistic style was in the midst of that transition from figurative artwork to a more complex abstraction, and bridges those two worlds. It is expected to fetch between £40,000 and £60,000 at auction. Hassan Hajjaj 'BB Stance' This work from 2000 is a classic example of the Moroccan filmmaker, designer and photographer's signature style — vibrant colors, stylized poses, and a border of that puts a twist on Andy Warhol's 'Campbell's Soup Cans' by using products local to the Moroccan market (in this case, beef mortadella). 'His frames are at once a nod to the twentieth-century avant garde concept of the readymade, as well as to his childhood in Morocco, where recycling was an everyday part of his life,' an entry on Sotheby's website reads. 'Hajjaj's inclination to such materials is prompted by their immediacy and multifaced nature; in another act of recovery, the repeated patterns also make reference to Moroccan zellige tiles.' This particular image also references another of Hajjaj's major influences — hip-hop. Monir Shahroudy Farmanfarmaian 'A Drawing (Variations on a Hexagram)' Arguably Iran's best-known female artist, Farmanfarmaian crafted her own definitive style over the course of her six-decade career, mixing classical Iranian culture and Islamic geometry with avant garde ideas often inspired by her time in New York in the 1940s and 1950s — and again in the Seventies and Eighties. She is perhaps most well-known for her mirror mosaics, but drawings such as this one clearly show her fascination with geometry and the principles of Islamic art, which was the cornerstone of those famed mosaics.
