
Is Daily Planet journalist Clark Kent the true hero of new Superman movie?
"Everybody's gotten so cynical and ironic," said Gunn. "Everybody's ironic about everything all the time. And he (Superman) is a good-natured guy who wants to be kind. And when you see the world through Superman's eyes, everyone is beautiful."
Superman, which has flown into cinemas worldwide, is a change in tone for the writer and director who brought a mischievous playfulness and snark to the chaotic worlds of Suicide Squad and the Guardians of the Galaxy. But this wasn't some fringe misfit: It's Superman. And a certain amount of optimism was necessary.
The Man of Steel has been a symbol since he first appeared in 1938 among the technicolor pages of Action Comics #1 as a baby from the planet Krypton sent to Earth as a last resort to save him from his planet's demise. In the 87 years since, various iterations of Superman have graced countless comic books, animated series and live-action television shows and films, many focusing on the hero's origin story.
Through Gunn's lens, audiences meet a Superman three years into his self-appointed journey to save anyone in need of help.
Superman has reached a point where he must confront what it means to do good and seek justice in a complicated world where many, especially the infamous Lex Luthor, question his intentions.
"We get to really discover what are his flaws, what are his opinions, what are his ideals. I think we get a very intimate look at his relationship with Lois. I also think that it's a bigger movie than it's ever been told with Superman before," Gunn said.
Gunn's vulnerable Superman is someone simply wanting to make the world a better place in an attempt to be accepted by his adopted homeland. He quickly learns that despite his super strength and metahuman abilities, he cannot do it all on his own.
The Man of Steel is accompanied by his superdog Krypto or Lois Lane and the team of journalists at the Daily Planet. Clark Kent's job at the paper isn't just a title either: Journalism gets its own spotlight in the fabric of the film.
Gunn doesn't just focus on Superman's humanity but highlights the importance of truth and the power of journalism to fight against injustice.
Brosnahan, who plays reporter Lois Lane, said the director's focus on the importance of journalism was intentional.
"Journalistic integrity in this film is potentially more important now than it has been," she said.
"One of the joys of stepping into this has been understanding in a deeper way what you all do and the ways in which you put yourselves on the line in pursuit of the truth, and it's been an honour to step into that."
Beck Bennett, who plays reporter Steve Lombard, says it was nice to see the Daily Planet journalists help the superhero go up against the villain.
"They are exposing some truth so that people can get the truth and turn on the person who is actually doing them harm," Bennett said. "It's really cool to see that. I think that could be exciting for younger people who might want to be journalists to be like, 'Wow, they do have this power. They are superheroes.'"
Skyler Gisondo, who plays Daily Planet reporter Jimmy Olsen and best friend to Clark Kent, says the scenes in the newsroom felt as high stakes as the action sequences.
"Reading the script, you have a sense that the work that we're doing is just as important as the action itself," said Gisondo.
One real journalist makes a cameo in the film: news correspondent Will Reeve, son of Christopher Reeve, who played Superman in the 1978 film. Reeve said that the message of hope from the early film is one that still reigns true today from his father's legacy.
"The fact that my dad and his character and then his subsequent personal story resonated and perhaps inspired maybe billions of people around the world," Reeve said. "That means a lot to me, and I think that has a lot with what Superman is and represents as a character."
For actor Wendell Pierce, who plays Daily Planet editor-in-chief Perry White, superhero films like Superman are more than just a fun pastime for comic book fans. They bring a sense of optimism in troubled times and a feeling that even the everyday person has the power to create change.
"People want to feel empowered," Pierce said. "They want to feel as though they can make a contribution in some way and change the dynamic to change this dysfunctional paradigm. And so we turn off the lights and go into a small theatre because we want to see collectively, decide what our values are and who we are, where we've been, where we've failed, where we can triumph. But ultimately decide what our values are and walk out of the theatre and act on those."
Superman might do more than just save Metropolis. Filmmaker James Gunn hopes the beloved superhero will bring hope to a cynical world.
"Everybody's gotten so cynical and ironic," said Gunn. "Everybody's ironic about everything all the time. And he (Superman) is a good-natured guy who wants to be kind. And when you see the world through Superman's eyes, everyone is beautiful."
Superman, which has flown into cinemas worldwide, is a change in tone for the writer and director who brought a mischievous playfulness and snark to the chaotic worlds of Suicide Squad and the Guardians of the Galaxy. But this wasn't some fringe misfit: It's Superman. And a certain amount of optimism was necessary.
The Man of Steel has been a symbol since he first appeared in 1938 among the technicolor pages of Action Comics #1 as a baby from the planet Krypton sent to Earth as a last resort to save him from his planet's demise. In the 87 years since, various iterations of Superman have graced countless comic books, animated series and live-action television shows and films, many focusing on the hero's origin story.
Through Gunn's lens, audiences meet a Superman three years into his self-appointed journey to save anyone in need of help.
Superman has reached a point where he must confront what it means to do good and seek justice in a complicated world where many, especially the infamous Lex Luthor, question his intentions.
"We get to really discover what are his flaws, what are his opinions, what are his ideals. I think we get a very intimate look at his relationship with Lois. I also think that it's a bigger movie than it's ever been told with Superman before," Gunn said.
Gunn's vulnerable Superman is someone simply wanting to make the world a better place in an attempt to be accepted by his adopted homeland. He quickly learns that despite his super strength and metahuman abilities, he cannot do it all on his own.
The Man of Steel is accompanied by his superdog Krypto or Lois Lane and the team of journalists at the Daily Planet. Clark Kent's job at the paper isn't just a title either: Journalism gets its own spotlight in the fabric of the film.
Gunn doesn't just focus on Superman's humanity but highlights the importance of truth and the power of journalism to fight against injustice.
Brosnahan, who plays reporter Lois Lane, said the director's focus on the importance of journalism was intentional.
"Journalistic integrity in this film is potentially more important now than it has been," she said.
"One of the joys of stepping into this has been understanding in a deeper way what you all do and the ways in which you put yourselves on the line in pursuit of the truth, and it's been an honour to step into that."
Beck Bennett, who plays reporter Steve Lombard, says it was nice to see the Daily Planet journalists help the superhero go up against the villain.
"They are exposing some truth so that people can get the truth and turn on the person who is actually doing them harm," Bennett said. "It's really cool to see that. I think that could be exciting for younger people who might want to be journalists to be like, 'Wow, they do have this power. They are superheroes.'"
Skyler Gisondo, who plays Daily Planet reporter Jimmy Olsen and best friend to Clark Kent, says the scenes in the newsroom felt as high stakes as the action sequences.
"Reading the script, you have a sense that the work that we're doing is just as important as the action itself," said Gisondo.
One real journalist makes a cameo in the film: news correspondent Will Reeve, son of Christopher Reeve, who played Superman in the 1978 film. Reeve said that the message of hope from the early film is one that still reigns true today from his father's legacy.
"The fact that my dad and his character and then his subsequent personal story resonated and perhaps inspired maybe billions of people around the world," Reeve said. "That means a lot to me, and I think that has a lot with what Superman is and represents as a character."
For actor Wendell Pierce, who plays Daily Planet editor-in-chief Perry White, superhero films like Superman are more than just a fun pastime for comic book fans. They bring a sense of optimism in troubled times and a feeling that even the everyday person has the power to create change.
"People want to feel empowered," Pierce said. "They want to feel as though they can make a contribution in some way and change the dynamic to change this dysfunctional paradigm. And so we turn off the lights and go into a small theatre because we want to see collectively, decide what our values are and who we are, where we've been, where we've failed, where we can triumph. But ultimately decide what our values are and walk out of the theatre and act on those."
Superman might do more than just save Metropolis. Filmmaker James Gunn hopes the beloved superhero will bring hope to a cynical world.
"Everybody's gotten so cynical and ironic," said Gunn. "Everybody's ironic about everything all the time. And he (Superman) is a good-natured guy who wants to be kind. And when you see the world through Superman's eyes, everyone is beautiful."
Superman, which has flown into cinemas worldwide, is a change in tone for the writer and director who brought a mischievous playfulness and snark to the chaotic worlds of Suicide Squad and the Guardians of the Galaxy. But this wasn't some fringe misfit: It's Superman. And a certain amount of optimism was necessary.
The Man of Steel has been a symbol since he first appeared in 1938 among the technicolor pages of Action Comics #1 as a baby from the planet Krypton sent to Earth as a last resort to save him from his planet's demise. In the 87 years since, various iterations of Superman have graced countless comic books, animated series and live-action television shows and films, many focusing on the hero's origin story.
Through Gunn's lens, audiences meet a Superman three years into his self-appointed journey to save anyone in need of help.
Superman has reached a point where he must confront what it means to do good and seek justice in a complicated world where many, especially the infamous Lex Luthor, question his intentions.
"We get to really discover what are his flaws, what are his opinions, what are his ideals. I think we get a very intimate look at his relationship with Lois. I also think that it's a bigger movie than it's ever been told with Superman before," Gunn said.
Gunn's vulnerable Superman is someone simply wanting to make the world a better place in an attempt to be accepted by his adopted homeland. He quickly learns that despite his super strength and metahuman abilities, he cannot do it all on his own.
The Man of Steel is accompanied by his superdog Krypto or Lois Lane and the team of journalists at the Daily Planet. Clark Kent's job at the paper isn't just a title either: Journalism gets its own spotlight in the fabric of the film.
Gunn doesn't just focus on Superman's humanity but highlights the importance of truth and the power of journalism to fight against injustice.
Brosnahan, who plays reporter Lois Lane, said the director's focus on the importance of journalism was intentional.
"Journalistic integrity in this film is potentially more important now than it has been," she said.
"One of the joys of stepping into this has been understanding in a deeper way what you all do and the ways in which you put yourselves on the line in pursuit of the truth, and it's been an honour to step into that."
Beck Bennett, who plays reporter Steve Lombard, says it was nice to see the Daily Planet journalists help the superhero go up against the villain.
"They are exposing some truth so that people can get the truth and turn on the person who is actually doing them harm," Bennett said. "It's really cool to see that. I think that could be exciting for younger people who might want to be journalists to be like, 'Wow, they do have this power. They are superheroes.'"
Skyler Gisondo, who plays Daily Planet reporter Jimmy Olsen and best friend to Clark Kent, says the scenes in the newsroom felt as high stakes as the action sequences.
"Reading the script, you have a sense that the work that we're doing is just as important as the action itself," said Gisondo.
One real journalist makes a cameo in the film: news correspondent Will Reeve, son of Christopher Reeve, who played Superman in the 1978 film. Reeve said that the message of hope from the early film is one that still reigns true today from his father's legacy.
"The fact that my dad and his character and then his subsequent personal story resonated and perhaps inspired maybe billions of people around the world," Reeve said. "That means a lot to me, and I think that has a lot with what Superman is and represents as a character."
For actor Wendell Pierce, who plays Daily Planet editor-in-chief Perry White, superhero films like Superman are more than just a fun pastime for comic book fans. They bring a sense of optimism in troubled times and a feeling that even the everyday person has the power to create change.
"People want to feel empowered," Pierce said. "They want to feel as though they can make a contribution in some way and change the dynamic to change this dysfunctional paradigm. And so we turn off the lights and go into a small theatre because we want to see collectively, decide what our values are and who we are, where we've been, where we've failed, where we can triumph. But ultimately decide what our values are and walk out of the theatre and act on those."
Superman might do more than just save Metropolis. Filmmaker James Gunn hopes the beloved superhero will bring hope to a cynical world.
"Everybody's gotten so cynical and ironic," said Gunn. "Everybody's ironic about everything all the time. And he (Superman) is a good-natured guy who wants to be kind. And when you see the world through Superman's eyes, everyone is beautiful."
Superman, which has flown into cinemas worldwide, is a change in tone for the writer and director who brought a mischievous playfulness and snark to the chaotic worlds of Suicide Squad and the Guardians of the Galaxy. But this wasn't some fringe misfit: It's Superman. And a certain amount of optimism was necessary.
The Man of Steel has been a symbol since he first appeared in 1938 among the technicolor pages of Action Comics #1 as a baby from the planet Krypton sent to Earth as a last resort to save him from his planet's demise. In the 87 years since, various iterations of Superman have graced countless comic books, animated series and live-action television shows and films, many focusing on the hero's origin story.
Through Gunn's lens, audiences meet a Superman three years into his self-appointed journey to save anyone in need of help.
Superman has reached a point where he must confront what it means to do good and seek justice in a complicated world where many, especially the infamous Lex Luthor, question his intentions.
"We get to really discover what are his flaws, what are his opinions, what are his ideals. I think we get a very intimate look at his relationship with Lois. I also think that it's a bigger movie than it's ever been told with Superman before," Gunn said.
Gunn's vulnerable Superman is someone simply wanting to make the world a better place in an attempt to be accepted by his adopted homeland. He quickly learns that despite his super strength and metahuman abilities, he cannot do it all on his own.
The Man of Steel is accompanied by his superdog Krypto or Lois Lane and the team of journalists at the Daily Planet. Clark Kent's job at the paper isn't just a title either: Journalism gets its own spotlight in the fabric of the film.
Gunn doesn't just focus on Superman's humanity but highlights the importance of truth and the power of journalism to fight against injustice.
Brosnahan, who plays reporter Lois Lane, said the director's focus on the importance of journalism was intentional.
"Journalistic integrity in this film is potentially more important now than it has been," she said.
"One of the joys of stepping into this has been understanding in a deeper way what you all do and the ways in which you put yourselves on the line in pursuit of the truth, and it's been an honour to step into that."
Beck Bennett, who plays reporter Steve Lombard, says it was nice to see the Daily Planet journalists help the superhero go up against the villain.
"They are exposing some truth so that people can get the truth and turn on the person who is actually doing them harm," Bennett said. "It's really cool to see that. I think that could be exciting for younger people who might want to be journalists to be like, 'Wow, they do have this power. They are superheroes.'"
Skyler Gisondo, who plays Daily Planet reporter Jimmy Olsen and best friend to Clark Kent, says the scenes in the newsroom felt as high stakes as the action sequences.
"Reading the script, you have a sense that the work that we're doing is just as important as the action itself," said Gisondo.
One real journalist makes a cameo in the film: news correspondent Will Reeve, son of Christopher Reeve, who played Superman in the 1978 film. Reeve said that the message of hope from the early film is one that still reigns true today from his father's legacy.
"The fact that my dad and his character and then his subsequent personal story resonated and perhaps inspired maybe billions of people around the world," Reeve said. "That means a lot to me, and I think that has a lot with what Superman is and represents as a character."
For actor Wendell Pierce, who plays Daily Planet editor-in-chief Perry White, superhero films like Superman are more than just a fun pastime for comic book fans. They bring a sense of optimism in troubled times and a feeling that even the everyday person has the power to create change.
"People want to feel empowered," Pierce said. "They want to feel as though they can make a contribution in some way and change the dynamic to change this dysfunctional paradigm. And so we turn off the lights and go into a small theatre because we want to see collectively, decide what our values are and who we are, where we've been, where we've failed, where we can triumph. But ultimately decide what our values are and walk out of the theatre and act on those."

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7NEWS
4 days ago
- 7NEWS
What the ‘Superwoke' debate over Superman overlooks
A baby arrives in America from a home in turmoil. A family in Kansas raises him. And he struggles to balance two identities. Comic books, TV shows and films have repeatedly recounted these details from Superman's backstory over the past 87 years. But the director of the latest big-screen adaptation drew backlash recently when he stated something that's been said many times before: Superman is an immigrant. 'I mean, Superman is the story of America,' director James Gunn told The Times of London. 'An immigrant that came from other places and populated the country, but for me it is mostly a story that says basic human kindness is a value and is something we have lost.' Coming as the Trump administration steps up its immigration crackdowns, the comments quickly sparked criticism from right-wing media personalities. A Fox News banner blasted the new movie as 'Superwoke' as pundits offered their takes. 'We don't go to the movie theatre to be lectured to and to have somebody throw their ideology on to us,' former Trump adviser Kellyanne Conway SAID. Dean Cain, an actor who starred for years on TV in Lois & Clark: The New Adventures of Superman and is now a conservative commentator, told TMZ he didn't like Gunn's comments and speculated that the director's decision to invoke immigration while promoting the film could be a costly mistake. So far, it hasn't been. The movie, released by Warner Brothers Discovery, finished No. 1 on its opening weekend with $US122 million ($AU187 million) in domestic ticket sales and continues to draw large audiences. And longtime fans and historians of the comic books note that Gunn's comments weren't superimposing a new storyline on the beloved hero. 'The idea of Superman being an immigrant, or maybe a refugee, has been part of the character's mythos since the very beginning. It's not something he invented or tried to shoehorn in,' Danny Fingeroth, author of Superman on the Couch: What Comic Book Heroes Really Tell Us About Ourselves and Our Society, said. The first Superman story, published in 1938, stated he was sent to Earth from Krypton, a fictional doomed planet. 'It makes him not an immigrant of choice. It makes him an immigrant of necessity…a refugee,' Fingeroth says. 'He's someone who comes to Earth and to America, to then blend in and become as American as mum, the flag and apple pie.' And, Fingeroth says, there are a lot of good reasons why these details are such a key part of Superman's story. Superman's creators knew what it meant to be an immigrant in America Take the comic's creators, for example. Artist Joe Shuster and writer Jerry Siegel were both the children of Jewish immigrants who'd fled rising antisemitism in Europe. 'Just given their backgrounds and their sympathies, I think it's always been important that Superman comes from somewhere else,' Fingeroth says. The Cleveland-based duo wrote Superman's story as World War II loomed. The first page of his story describes him as 'champion of the oppressed.' 'The clouds of fascism are rolling through Europe. There's echoes of it here in America … and Superman's early adventure are fighting for the little guy, fighting for abused women, fighting for exploited mine workers, fighting against corrupt politicians,' Fingeroth says. Even before America was fighting Nazis in World War II, Superman was fighting them on comic book pages, he says. Through it all, 'Superman is the immigrant embodying the best of American qualities, even though he's from somewhere else.' What advocacy groups and professors have seen in Superman It's a connection historians and immigrant rights advocates have made, too. More than a decade ago, comic book historian Craig This organised a panel at Wright State University highlighting the immigrant backgrounds of Superman and Wonder Woman. The idea resonated with the college students he was teaching at the time, he says. 'People were coming to this large public research university, maybe thinking that they were an outsider, and then said, 'Oh, wow, look, I can see these individuals as role models. I want to try and fit in. But really, it's going to be my differences that make me survive and be successful, not just here on a college campus, but also here in the United States.'' In 2013, the organisations Define American and the Harry Potter Alliance launched a social media campaign inviting people to share selfies and their family's immigration stories with the hashtag #SupermanIsAnImmigrant. Last week that campaign's creators pushed back against critics who've been accusing Gunn of politicising his take on Superman. 'You can't politicise the truth,' Define American founder Jose Antonio Vargas and narrative strategist Andrew Slack wrote in The Hollywood Reporter. 'Superman has been an 'illegal alien' for 87 years.' A one-time undocumented immigrant himself, Vargas says today he sees an even more important message in the superhero's story. 'I think for the first time, because of this movie, because of what's happening in the country … I have people who have never talked to me about immigration talking to me about immigration,' he says. 'So we have people's attention. Now I think the question is, what are they going to do?' But Superman's immigration story isn't always mentioned Of course, Superman's origin is just one part of his story. And in the initial comic, it was also a convenient plot device, Fingeroth says, allowing the authors to explain his powers. In some versions, Fingeroth says, 'Superman's immigrant status is not mentioned.' The hero could be from Metropolis or Kansas or anywhere, 'depending on the era, depending on the creators.' Each version of Superman comes with its own plot twists. In the new film, for example, the backstory of the superhero's parents takes an unexpected turn. Superman sometimes changes with the times. And sometimes different audiences perceive him differently. Many superheroes are outsiders. And one common thread that gives them such staying power is that people from many different walks of life connect with the characters, says Fingeroth, a longtime editor of Spiderman comics. 'Their mythos and storylines and origins speak to various aspects of the human condition, and that makes them appealing. Their adventures are enjoyed by people from a wide variety of political and social and religious backgrounds,' he says. 'And yet, the myths are so powerful that they all take it as their own.' In other words, all of us can see ourselves in Superman. And that may be a reason why so many people have such strong opinions about the character even today. Last week the White House's social media accounts shared an AI-generated image based on the new movie's poster, depicting President Trump in the title role. A few days later, though, it wasn't the Man of Steel that the Trump administration referenced on social media when it drew a connection between a beloved sci-fi character and today's undocumented immigrants. Instead, the Department of Homeland Security shared the iconic image of ET's bicycling silhouette. The text superimposed over the moon: 'GO HOME.'

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