
BBC share major update over Kneecap's controversial Glastonbury performance
Kneecap's Glastonbury Festival performance will not be streamed on BBC iPlayer today, the broadcaster has announced in a new statement. The trio's highly controversial gig won't be streamed live but an on-demand version will be available.
BBC spokesperson said: "As the broadcast partner, the BBC is bringing audiences extensive music coverage from Glastonbury, with artists booked by the festival organisers. Whilst the BBC doesn't ban artists, our plans ensure that our programming meets our editorial guidelines.
"We don't always live stream every act from the main stages and look to make an on-demand version of Kneecap's performance available on our digital platforms, alongside more than 90 other sets."
This comes after Glastonbury bosses issued a warning ahead of their performance this weekend. They sent out a crowd warning as they named a list of artists who they think will draw in the biggest crowds.
They told festival goers: "Kneecap will draw a large audience for their 4pm West Holts show. If you're not planning to see them, please plan alternative routes around that area. If you do plan to attend, listen to stewards, and please have some other entertainment options in mind in case the field reaches capacity and we need to close it as part of our crowd planning measures."

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Daily Mail
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Telegraph
an hour ago
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Telegraph
an hour ago
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Justice demands that Connolly and Vylan are held to the same standard
Long after it ceased being fashionable to hate on Margaret Thatcher, Pascal Robinson-Foster – AKA Bobby Vylan – was shouting about desecrating her grave. 'Let's go dig up Maggie!' he cried, to a cheering crowd at Glastonbury, in 2022. With this unpleasant entreaty, the controversial rapper was building on a well-established theme, having used his first ever big gig to rant about assassinating the Queen. 'After all, she killed Diana,' went his warped logic. For a broadcaster doing due diligence, Robinson-Foster's back catalogue should have raised more red flags than the sea of pro-Palestinian banners fluttering over the fields of Somerset last weekend. A glance at the shock jock lyrics favoured by the dreadlocked artiste ought to have been plenty enough warning for the boneheaded BBC that no good was likely to come of live-broadcasting his set. Nonetheless, in front an open-air crowd of thousands, and an at-home audience of millions, the rabble rousing rapper was allowed to chant 'Death, Death to the IDF' (Israel Defence Forces). In much the same breath, he encouraged spectators to chorus 'From the River to the Sea' – a highly inflammatory expression of desire to see Israel erased from the world. Lest anyone be in any doubt about Vylan's deep-seated antipathy towards Jews and the Jewish state, ahead of Saturday's gig, he publicly labelled a Jewish music executive a 'bald-headed c---,' making clear his displeasure at having had to work for what he called 'f---ing Zionists'. Nor can there be any ambiguity about the ugly sentiment behind the political slogan used by Hamas and other militant Palestinian groups to call for the destruction of Israel. As the sinister masked mobs that continue to march around our towns and cities reciting the phrase know full well, the words are extremely offensive to the Jewish community. 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Unlike foul-mouthed Vylan, Connolly had no public profile whatsoever when she posted her now notorious message. In the three hours before she thought better of it and deleted it, her post was certainly viewed many times, but she could not possibly have been described as a role model to anyone, other than perhaps her own family and the little ones she looked after as a childminder. As such, it was vanishingly unlikely that anyone would be inspired by her words. Indeed, there is not a shred of evidence that they were. Moreover, unlike Vylan, who must have rehearsed his vile rhetoric many times over in the run up to what was surely the biggest public performance of his career, Connolly did not have months in which to find the right words to express her anger and grief. Had it not been for the extraordinary decision to throw her in jail, her ill-judged outburst would have attracted no attention whatsoever. 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Doubtless, apologists for the outrages of October 7 will seek to draw some fine difference between the two cases. In the court of public opinion, however, the two cases are one and the same. If public confidence in the justice system is to be maintained, there must be equal consequences for both. The truth is that neither character belongs in jail. While Connolly was a fool, Vylan is just a puerile professional provocateur whose stupid stunt is unlikely to result in any real harm to the IDF. 'Inshallah' – as he would say – it might at least mark the demise of his career.