logo
Today's NYT Strands Hints, Answer and Help for Aug. 2 #517

Today's NYT Strands Hints, Answer and Help for Aug. 2 #517

CNET5 days ago
Looking for the most recent Strands answer? Click here for our daily Strands hints, as well as our daily answers and hints for The New York Times Mini Crossword, Wordle, Connections and Connections: Sports Edition puzzles.
Today's NYT Strands puzzle has a pretty modern topic. If you've ever used Photoshop, or even one of many similar photo-editing programs, you'll know all the answers. If you need hints and answers, read on.
I go into depth about the rules for Strands in this story.
If you're looking for today's Wordle, Connections and Mini Crossword answers, you can visit CNET's NYT puzzle hints page.
Read more: NYT Connections Turns 1: These Are the 5 Toughest Puzzles So Far
Hint for today's Strands puzzle
Today's Strands theme is: Pretty as a picture.
If that doesn't help you, here's a clue: Photoshop that image.
Clue words to unlock in-game hints
Your goal is to find hidden words that fit the puzzle's theme. If you're stuck, find any words you can. Every time you find three words of four letters or more, Strands will reveal one of the theme words. These are the words I used to get those hints but any words of four or more letters that you find will work:
LUTE, TORE, TATE, JUST, CARE, CARES, CARS, CARET, CARETS, SCAR, SCARS, SCARE, SCARES
Answers for today's Strands puzzle
These are the answers that tie into the theme. The goal of the puzzle is to find them all, including the spangram, a theme word that reaches from one side of the puzzle to the other. When you have all of them (I originally thought there were always eight but learned that the number can vary), every letter on the board will be used. Here are the nonspangram answers:
BLUR, CROP, ERASE, ADJUST, FILTER, ROTATE, MARKUP
Today's Strands spangram
The completed NYT Strands puzzle for Aug. 2, 2025, #517.
NYT/Screenshot by CNET
Today's Strands spangram is PHOTOEDITOR. To find it, look for the P that's six letters down on the far-left row, and wind up, over and down.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Mr. Fantastic and His Powers Were Underutilized in THE FANTASTIC FOUR: FIRST STEPS; He Deserved Better — GeekTyrant
Mr. Fantastic and His Powers Were Underutilized in THE FANTASTIC FOUR: FIRST STEPS; He Deserved Better — GeekTyrant

Geek Tyrant

time3 minutes ago

  • Geek Tyrant

Mr. Fantastic and His Powers Were Underutilized in THE FANTASTIC FOUR: FIRST STEPS; He Deserved Better — GeekTyrant

The Fantastic Four: First Steps missed a huge opportunity with one of Marvel's most visually creative superheroes. Reed Richards, aka Mister Fantastic, is supposed to be a stretchy powerhouse with abilities that defy the laws of physics. In the film, though, those powers are barely touched. What should've been a display of inventive, wild, and over-the-top visuals turned into a muted, limited showcase that felt more like an afterthought than a highlight. Now, credit where it's due, the film did a decent job of portraying Reed's intellect and leadership. He's thoughtful, composed, and clearly the brain of the group. But that's only half the picture. In the comics, Reed has a subtle charm and awkward charisma that makes him both relatable and admirable. That side of his personality was barely explored. He didn't need to crack jokes or go full Tony Stark, but a bit more emotional depth and nuance would've made him feel more alive. The biggest letdown, though, was how the film's creative team handled his powers. Mr. Fantastic can stretch, mold, twist, flatten, inflate… you name it. There are comic book moments where he's used his body as a net, wrapped himself around massive cosmic entities like Galactus, and turned into practically any shape needed to solve a problem. But in the film, his powers a very underutilized and limiting. At one point in the film we are watching Galactus strech Mr. Fantastic like a rubber band and he's screaming in pain. When you see how far is stretching ability goes in the comics, Galactus stretching him like that shouldn't have been an issue for him because it was nothing compared to what we've seen him do in the comics! We barely see any of those cool visuals from the comics in this film. His action moments are stiff and uninspired. Instead of showing Reed's resilience, it just made him look weak. The movie ignored everything fans know about how cool and versatile his powers really are. The creativity behind Reed's abilities is what makes him stand out in the superhero landscape. His power set should be a director's playground. You can do so much with the elasticity and adaptability of his body, yet the movie seemed afraid to go there. We didn't see him shape-shift in creative ways, use his body as a shield or slingshot, or even do something as simple as multitask with extended limbs in a high-stakes moment. They kept his abilities small, which is the opposite of what Mr. Fantastic should be. At the end of the day, The Fantastic Four: First Steps didn't give Mister Fantastic the treatment he deserved. His powers were underused, his moments of brilliance were too few, and his potential was left on the table. Reed Richards is a genius, yes, but he's also a one-man Swiss Army knife of superpowers. Hopefully, future film will fully embrace what makes Mister Fantastic truly fantastic.

If Charmaine Lee loses focus during a concert ‘this whole thing can collapse'
If Charmaine Lee loses focus during a concert ‘this whole thing can collapse'

Washington Post

time4 minutes ago

  • Washington Post

If Charmaine Lee loses focus during a concert ‘this whole thing can collapse'

Think of all the things a musician can produce by contorting their vocal cords, from operatic wallops and birdsong trills to percussive raps and wordless scats. Now think of the voice as a tool used to express the gasps, gurgles, glottal stops, murmurs and mumbles that fill the space between words, like a Foley artist for the spoken word. As an artist, Charmaine Lee is closer to the latter, speaking through a musical language of her own creation and using her voice in a way she says has been compared to 'Charlie Parker with a bunch of broken keys.' While sonically reminiscent of experimental electronics and noise music, Lee's practice is actually an extension of her training as a modern jazz vocalist, growing out of a formal approach to free improvisation that she studied at the New England Conservatory. 'I'd always had this yearning for something weirder, a context that was stranger than I had previously had any real life experience in,' Lee says over Zoom. 'A lot of that lived in free improvisation … in the very few experiences I had, it was incredibly liberating and the most authentic way that I could express myself.' Lee has spent a decade chasing that feeling, approaching composition and improvisation as creating obstacle courses to conquer in real-time and bringing herself to 'the edge of nowhere.' Her process has reached its apotheosis on her most expansive record to date, 'Tulpa,' which is due out on Oct. 31 via her new label Kou Records. 'Tulpa' is the result of four days in the studio with her partner, Randall Dunn, a producer known for his work in the worlds of black and drone metal that Lee describes as 'a master of amplification and feedback and tone.' Dunn set up an array of vintage tube amplifiers around Lee, splitting her signal through the amps to create different colors and shifts of feedback. The album takes its title from a term in Tibetan Buddhism that refers to the conjuring of an alternate being. 'This music feels like its own organism … and stretches me into new directions in ways that I've never done prior to that,' Lee says. 'To bring myself to that place where, if I lapse in focus or commitment, this whole thing can collapse … I find that very thrilling, life affirming and exciting.' In concert, that experience is heightened by the existence and participation of an audience. Lee describes her performances as a 'wasabi shot' that wakes both artist and attendee to something that requires presence and invokes psychedelia. And after years at day jobs that never left much room for touring, Lee is hitting the road for a daunting schedule that will take her to all 50 states for more than 60 shows and nearly 100 days on the road. Lee sees the tour as a durational performance that will evolve over the course of the tour, an opportunity to collaborate with like-minded artists in far-flung cities and a chance to learn about the country beyond the reductive conclusions driven by digital algorithms. 'This music, for me, is such a social practice. It's live, it's risk-taking, it requires a level of energetic participation and it's very specific to that exact context,' she explains. 'I want this tour to be larger than the act itself.' Aug. 14 at 7 p.m. at Rhizome DC. $15-$25.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store