Oscar-winning Canadian animator Co Hoedeman has died, National Film Board says
The 'master of stop-motion animation' died at age 84 on Monday in Montreal, the NFB said.
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CBC
7 hours ago
- CBC
'I offered my shoes': Pin trading is the 'unofficial sport' of the Canada Games
Pin trading is big at The Canada Games, like really big. Pegged as the unofficial sport of the Games; athletes trade and collect them for fun, for memories and for clout. There's also a Pin Guide on the official Canada Games app where you can keep track of the ones you collect. So, what's the craziest thing you'd trade for a rare pin?
CTV News
10 hours ago
- CTV News
British actor Terence Stamp, ‘Superman' star and famed figure of swinging London, dies at 87
Actor Terrence Stamp poses for a photo on the red carpet for the movie "Song for Marion" in Paris, France, Monday, April 15, 2013. (AP Photo/Jacques Brinon) Terence Stamp, the British actor who became synonymous with Swinging London in the 1960s, has died, his family said Sunday, according to Reuters. He was 87 years old. Stamp first came to prominence when he took on the titular role in the 1962 film 'Billy Budd.' The black and white drama, directed by Peter Ustinov, who also starred, saw Stamp nominated for an Academy Award for best supporting actor - the only Oscar nomination of his lengthy career. He went on to star in a host of films in the 1960s, among them John Schlesinger's Thomas Hardy adaptation 'Far From the Madding Crowd' and Ken Loach's first feature film, 'Poor Cow.' CNN has reached out to his representatives for confirmation of his death. He was a star who rose from humble beginnings in London's East End, about as far from Hollywood as you can get. He was born on July 22, 1938, to parents Ethel and Thomas, a merchant seaman. In a 2013 interview with the British Film Institute (BFI), Stamp revealed that his father tried to deter him from a career in showbiz. 'He genuinely believed that people like us didn't do things like that,' he said. But his mother, he said, 'loved every second of it.' 'In retrospect, my mother must have always wanted me to do it and must have wished that she could have been more supportive. But my dad was the head of the family and I never really knew what he thought of it because he was of that generation. 'He was a merchant seaman, he shovelled coal, and in that confined living quarters any show of emotion would have been considered unbearably flash.' Stamp would become one of the biggest figures of 1960s London, romantically linked to model Jean Shrimpton and actresses Julie Christie - his 'Far From the Madding Crowd' co-star - and Brigitte Bardot. His only marriage came in 2002 - to an Australian pharmacist 35 years his junior - but that lasted just six years, according to the Guardian. Stamp famously roomed with fellow actor Michael Caine, who was also a rising star at the time. The pair lost touch, however, as he disclosed in an interview with The Guardian newspaper in 2015. 'We just went different ways. I can understand it: in many ways he was much more mature than me,' he said of Caine, who was five years older. 'Caine gave me all my early values, like making sure you were doing good stuff, waiting for the right things – then as soon as he got away he did exactly the opposite. Went from one movie to another.' After a few years away from the screen, Stamp appeared in the 1978 blockbuster 'Superman' as the superhero's adversary, General Zod. He reprised the role of the comic book villain in the sequel two years later. Ironically, more than two decades later Stamp went on to voice the role of Superman's father Jor-El in the TV series 'Smallville.' His many screen credits also included his role as drag queen Bernadette in the 1990s Australian comedy 'The Adventures of Priscilla, Queen of the Desert.' Of his eclectic career - including roles in Hollywood's 'Wall Street' and 'The Adjustment Bureau' - he told the Guardian that he had no ambitions, adding: 'I've had bad experiences and things that didn't work out; my love for film sometimes diminishes but then it just resurrects itself. 'I never have to gee myself up, or demand a huge wage to get out of bed in the morning. I've done crap, because sometimes I didn't have the rent. But when I've got the rent, I want to do the best I can.' Lianne Kolirin, CNN
Vancouver Sun
a day ago
- Vancouver Sun
Fringe Review: Time of My Life finds happiness in the everyday
Time Of My Life 2 Stars out of 5 Stage 7, Yardbird Suite, 11 Tommy Banks Way Antonio Olivito is having a rough time, losing a parent and suffering through a string of unsuccessful relationships. Time Of My Life is his one-man show about growing up as a gay man in an Italian-Canadian family, working his way through bad relationships to find himself and, eventually, discover happiness. Olivito switches back and forth between his more recent relationships and his challenges growing up in the '80s and '90s, weaving together a pattern of failed relationships that lasted anywhere from weeks to years. The theme seems to be 'from pleasant rejection to outright sadness.' Get top headlines and gossip from the world of celebrity and entertainment. By signing up you consent to receive the above newsletter from Postmedia Network Inc. A welcome email is on its way. If you don't see it, please check your junk folder. The next issue of Sun Spots will soon be in your inbox. Please try again Interested in more newsletters? Browse here. Fear not, as our protagonist isn't left in the lurch at the end, having found some modicum of self-love and understanding. That shouldn't be a spoiler — life's about the journey, not the destination, and obviously if Olivio has managed to pull together a Fringe show, then things can't have fallen apart. Unfortunately for Olivito, his journey rushes forward at about 300 words per minute, a machine-gun delivery breezing through the 60-minute run time in less than 45. He also leans too heavily on pasta and Italian-related puns. 'He stole a pizza my heart,' he quips about a past boyfriend. It's not the only time food puns play into the dialogue, each groaner pulling an equal number of guffaws and head shakes. The show is cute and fun, but ultimately falls flat. There's no big reveal at the end, no 'a-ha' moment to tie it all together. At least there are a few Italian-inspired puns to get us through.
