King on collab with Alan Walker: It's fantastic to find a brother in an artiste; would love to work with him again
After musicians Nick Jonas, KSHMR and Jason Derulo, musician King recently collaborated with Alan Walker on a single. Talking about the experience of working with the Norwegian DJ on Story of a Bird, and his love for international collabs, King says, 'The best part about collaborating with international artistes is that we get to explore different sonic worlds. When the collaborator comes from a space outside of India, their ears are used to very different kind of musicality and the fun is to find my space for Indian melodies in these international sounding soundscapes.'
Though King didn't get to spend a lot of time with Alan Walker this time around and they were only busy working on the track, King already has his plans for the future sorted: 'It's fantastic to find a brother in an artiste who is inspiring. Next time he is in India, I will make sure we hang out more. I might take him around Delhi. I told Alan something not a lot of people know. I have always been a fan and I had worked on a Faded refix back in 2018 that I have not been able to play to him yet.'
Already hopeful for another collab with the world-leading DJ, King says working with him was a treat: 'This was one of the fastest projects I worked on. Alan's team was super hardworking, round the clock. It took me a day to come up with the writing.'
Earlier, King has collaborated with many international artistes including Nick Jonas, Jason Derulo, Gucci Mane and KSHMR, among others. He has also worked with Indian musicians Diljit Dosanjh and Yo Yo Honey Singh. Some of his most popular songs include Maan Meri Jaan, Tu Aake Dekh Le, Legends, Bumpa and Tu Jaane Na Piya, among others.
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If I trust my mother, then I would move home and that's a different path too that isn't quite right. But I needed somebody who could be like, 'Let's figure out what our version of it is, and I'll help.' It was so necessary. Everybody should be in therapy. It opens with your memories of visiting the mandir, growing up in Canada. And your metaphors are quite strongly rooted in the stories of Hindu goddesses, starting with Parvati and ending with Kali. What made you use Hindu mythology as a framework for the book? That framework was the last thing I put in the book, which is funny to think about because it feels, to me, important. But I had written all of the essays and they just weren't speaking to each other, and I couldn't figure out what I needed to do to make them talk to each other. The thing that I kept thinking about is that in all of my guilt around the divorce was my earliest memory of being at the mandir and this old auntie yelling at me for spilling a glass of water. The embarrassment that I used to feel at the temple felt so similar to how embarrassed I felt after my divorce. And so, the rebellion of the divorce felt religious. It felt like I was committing an affront to a god. I'm not an expert on any of this. These are the stories I was told. And it felt like if I'm untangling stuff that I think is true about my life, then I have to start with these fundamental ones from the very beginning of my life: that this is how women behave, they behave this way in kind of a religious context, we're taught to follow that spirit. But what if I think about it differently? And why haven't I heard about Kali? Nobody talks to me about the fun ones! The divorce didn't drive me to God that much because I still viewed it as a temporal event. When my mom got sick, I was like, am I being punished for something? And that's really when I felt that this is all I have. The original title of your book was going to be I Hope Lightning Falls on You — a translation of 'Paye thraat,' a Kashmiri curse phrase your mother casually hurled at you whenever exasperated — and I thought it would've been quite apt because this is maybe your most Indian writing. How did it become Sucker Punch? I know, I know. I really had so many conversations with myself and with my editors about it. I think the reason why I changed it ultimately was that 'I hope lightning falls on you' to me, is such a tender phrase, so associated with my mom and with my family. When I thought about this book, which is full of really a lot of cruel stuff and stuff that does not have to do with my mother (she doesn't really come in full until after the divorce), it just felt too tender for what the content was. I was talking to my book editor about it and her husband was in the room, and he was like, what about Sucker Punch? I was so mad, I cannot believe a man has figured it out. But it just made more sense. But yeah, something will come, and it will be called I Hope Lightning Falls on You, for sure. Saudamini Jain is an independent journalist. She lives in New Delhi.
