Ian McEwan's next novel, 'What We Can Know,' is science fiction 'without the science'
McEwan, the Booker Prize-winning British author, is calling 'What We Can Know' a work of science fiction 'without the science."
'I've written a novel about a quest, a crime, revenge, fame, a tangled love affair, mental illness, love of nature and poetry, and how, through all natural and self-inflicted catastrophes, we have the knack of surviving," McEwan said in a statement released Friday through Alfred A. Knopf, which announced the book will be published Sept. 16.
"In our times, we know more about the world than we ever did, and such knowledge will be hard to erase. My ambition in this novel was to let the past, present and future address each other across the barriers of time.'
The 76-year-old McEwan has previously imagined disasters and disruptions — and how we respond — whether the threat of climate change in 'Solar,' a radiation cloud in 'Lessons' or artificial intelligence in 'Machines Like Me.' Knopf publisher and editor-in-chief Jordan Pavlin said in a statement that 'What We Can Know' is an exploration of the 'limits of our knowledge," whether of other people or the arc of the past.
'As the title suggests, the book calls into question the limits of our knowledge about our most intimate companions, and about history itself,' Pavlin said. 'How many irrecoverable secrets and stories are lost to the past? McEwan's genius in this novel is to recover, in an exquisite feat of storytelling, a long-lost secret.'
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New York Times
an hour ago
- New York Times
Terence Stamp, Luminary of 1960s British Cinema, Dies at 87
Terence Stamp, the magnetic British actor whose film roles included a naïve 18th-century merchant seaman in 'Billy Budd,' a violent 19th-century swordsman in 'Far From the Madding Crowd,' a tyrant from another planet in 'Superman' and a transgender nightclub entertainer in 'The Adventures of Priscilla, Queen of the Desert,' died on Sunday. He was 87. His family confirmed his death but did not specify where he died or the cause. Mr. Stamp was a boyish 24 when 'Billy Budd' (1962), based on Herman Melville's seafaring novel, was released. He looked into the camera with what one journalist later called his 'heartbreak blue eyes' and let his tousled blond hair fall over his forehead whenever his character was provoked — which was often, since he was being accused of murder. And he could act: The role brought Mr. Stamp an Oscar nomination and a Golden Globe Award for most promising newcomer. He presented a very different image three years later, playing a dark-haired psychopath who loves butterflies but decides to move up to capturing humans in 'The Collector' (1965). As he carried a bottle of chloroform toward a beautiful art student (Samantha Eggar), those startlingly blue eyes now seemed terrifying. In The New York Herald Tribune, the critic Judith Crist called his performance 'brilliant in its gauge' of madness. He received the best actor award at the Cannes Film Festival. He grew a sinister black mustache to play the sadistic Sergeant Troy, who mistreats the heroine (Julie Christie) in 'Far From the Madding Crowd' (1967), based on Thomas Hardy's novel. Reviews were mixed, but Roger Ebert praised Mr. Stamp's performance as 'suitably vile.' Looking back in 2015, a writer for The Guardian observed, 'Stamp has an animation and conviction in this role that he never equaled elsewhere.' Not long after that, Mr. Stamp largely disappeared for almost a decade. He came back as a character actor. When he made his entrance in Richard Donner's 'Superman' (1978), boldly crashing through a White House roof, audiences saw the young man who had been called the face of the '60s, now with a seriously receding hairline, devilish facial hair and a newly mature persona. His character, Zod, an alien supervillain with a burning desire to rule the world, returned in 'Superman II' (1980). Mr. Stamp had a busy career for the next half-century, perhaps most memorably in 'The Adventures of Priscilla, Queen of the Desert' (1994), with yet another new on-screen look. His character, Bernadette, a middle-aged transgender woman, wore dangly earrings, a grayish-blond pageboy, tasteful neutrals and not quite enough makeup to hide the age lines. 'I've got a kind of more developed feminine side of my nature,' he said in 2019 when asked about the role in a Reuters interview, 'so it was a chance to knowingly explore that.' 'I had to think about what it would be like to be born into the wrong body,' he added, 'and born into a body that wasn't the same as one's emotions.' Terence Henry Stamp was born on July 22, 1938, in London, one of five children of Thomas Stamp, a tugboat stoker with the Merchant Navy, and Ethel (Perrott) Stamp. In the low-income neighborhoods of the East End where the Stamps lived, expectations were low. 'When I asked for career guidance at school, they recommended bricklaying as a good, regular job,' Mr. Stamp recalled in a 2011 interview with the Irish newspaper The Sunday Business Post, 'although someone did think I might make a good Woolworths' manager.' After leaving school, Mr. Stamp worked in advertising agencies, but he secretly wanted to become an actor and began lessons at the Webber Douglas Academy of Dramatic Art in London. 'Billy Budd' is usually referred to as his first film, but in England, 'Term of Trial,' in which he appeared as a young tough alongside Laurence Olivier and Simone Signoret, was released a month earlier. (In the United States, 'Billy Budd' opened first.) He did theater work in England but had only one Broadway experience — a disaster. He played the title role in 'Alfie!,' a play about a callous young South London bachelor, which opened in December 1964 and closed three weeks later. Shawn Levy, in his book 'Ready, Steady, Go!,' had an explanation: 'It was so dark and frank and mean and true and generally disharmonious with the optimistic, up-tempo tenor of the moment.' But moments pass. Mr. Stamp turned down the same role in the 1966 film version, and Michael Caine — who happened to be his flatmate — took it instead. It made him a star. Mr. Stamp did star in 'Modesty Blaise' (1966), as a secret agent's Cockney sidekick; Ken Loach's 'Poor Cow' (1967), as a sensitive working-class guy; and Pier Paolo Pasolini's 'Theorem' (1968), as a mysterious stranger who beds every single member of a household, including the maid. Federico Fellini directed him as a self-destructive, alcoholic actor in 'Spirits of the Dead' (1968). In 1969, Mr. Stamp moved to an ashram in India and became a swami. Some said it was because of a romantic breakup, but he professed a simpler motive: He couldn't find work. Although he was barely in his 30s, casting agents were already looking for 'a young Terence Stamp.' Around eight years later, he received a message from his agent about the 'Superman' movie. He accepted, he often said, because he wanted to work with Marlon Brando, who played Jor-El, Superman's father. Between 1978 and 2019, Mr. Stamp appeared in more than 50 films. He received particular praise for Steven Soderbergh's 'The Limey' (1999), in which he played an ex-con on the trail of a drug-trafficking record producer (Peter Fonda) as he avenges his daughter's death. He also had roles in 'Legal Eagles' (1986), 'Wall Street' (1987), 'Young Guns' (1988), 'Alien Nation' (1988), and 'Star Wars: Episode 1 — The Phantom Menace' (1999), as chancellor of the Galactic Republic. In 'Unfinished Song' (2012, originally 'Song for Marion'), he played a gruff pensioner with a dying wife (Vanessa Redgrave). After having been a Superman-franchise villain, Mr. Stamp was the voice of the superhero's noble Kryptonian father in the television series 'Smallville.' His final film was the horror thriller 'Last Night in Soho' (2021). A Times review called his entrance alone 'a master class in minimalist menace.' In the 1960s, Mr. Stamp had highly publicized romances with the British supermodel Jean Shrimpton and with Ms. Christie. In 2002, at age 64, he married Elizabeth O'Rourke, a 29-year-old Australian pharmacist; they divorced in 2008. Information on survivors was not immediately available. Looking back philosophically in 2017 on his life's ups and downs, Mr. Stamp told The Telegraph, 'The thing that has been constant is that from the very beginning I always seemed to be the opposite to everybody else.'
Yahoo
2 hours ago
- Yahoo
Astronomer Suggests New Interstellar Object Could be Advanced Aliens Testing Our Intelligence
A strange object hurdling through our solar system from interstellar space may, according to one of academia's most controversial astronomers, have been sent by aliens to see how smart we are. The newly-discovered object, dubbed 3I/ATLAS, is only the third interstellar object of its kind to have been observed visiting our solar system. While most astronomers, including those at NASA, believe it to be a comet, Harvard's resident alien-hunter Avi Loeb has repeatedly suggested that it was sent to us by an extraterrestrial civilization — and may even function as something of a "Turing Test" for humanity. In a new blog post, Loeb — who has become infamous in scientific circles for suggesting 'Oumuamua, the first interstellar object ever detected back in 2017, was an alien spacecraft — laid out his latest theory about 3I/ATLAS. "It is well known to any interstellar traveler that there are plenty of icy rocks in planetary systems," Loeb wrote. "These constitute the leftover building blocks from the construction process of the planets." "For that reason, an alien might assume that any intelligent observer on Earth must be familiar with space rocks as they impact the Earth on a regular basis," he continued, before advising: "Not so fast." Though his case for 3I/ATLAS being a Turing Test sent by alien intelligence is pretty far-fetched, his insistence that his fellow scientists lack even human smarts is well-argued. Citing "terrestrial comet expert" Chris Lintott of Oxford, who insisted last month that Loeb's alien-origin theory is "nonsense on stilts, and is an insult to the exciting work going on to understand this object," the Harvard alien hunter suggested that any extraterrestrial being who encountered such dismissals could "justifiably conclude that humans failed the test and do not deserve a high status in the class of intelligent civilizations within the Milky-Way galaxy." Ouch. As the Harvard astronomer has contended, the scientific establishment at large may have gotten it wrong by immediately declaring 3I/ATLAS to be a comet. He pointed out new Hubble Space Telescope images of the object to back up his claim, which show a "glow" ahead of it, but "no prominent cometary tail behind it, as is the case for common comets." Loeb also pointed out that spectroscopic measurements do not indicate that there's any "molecular or atomic gas accompanying the glow around 3I/ATLAS," further undermining the theory that it's a comet. To Loeb, there is one predominant alternative explanation about the origins of 3I/ATLAS if it's not a comet: that it's "a technological object which targets the inner solar system," and even perfectly times its "arrival time" for "a close encounter with Mars, Venus and Jupiter." Obviously, in a Universe as vast and unknowable as our own, there are other, non-alien explanations for all those anomalous properties seen in 3I/ATLAS. To test his alien-origin theory out, Loeb has another, even more provocative proposal: sending a Morse code message to 3I/ATLAS, and seeing if anything (or anyone) responds. When speaking to reporters, the astronomer said that his ideal communiqué would be "Hello, welcome to our neighborhood. Peace!" As easy as it may be to dismiss Loeb's constant stream of strange alien claims, he does offer a fascinating alternate look at space rocks, and his notion that "3I/ATLAS is a blind date of interstellar proportions" is indeed pretty romantic to consider. "As an optimist, I prefer to approach it with a positive mindset," Loeb wrote of the interstellar object. "How we follow the initial greeting with alien intelligence would depend on the data we gather." More on 3I/ATLAS: Congressperson Urges NASA to Send Its Jupiter Probe Chasing in Pursuit of the Weird Visitor Coming From Interstellar Space Solve the daily Crossword


Buzz Feed
3 hours ago
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26 Celebrities Who Own Labubu Dolls, From J-Hope To Cher
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