logo
Sailing Into Culture: Casa Sanlorenzo Anchors In Venice

Sailing Into Culture: Casa Sanlorenzo Anchors In Venice

Forbes21 hours ago

Casa Sanlorenzo Saloon
Sanlorenzo Arts–a creative hub dedicated to the artistic and cultural initiatives of luxury yacht pioneers Sanlorenzo–has been unveiled in Venice during the inaugural Venice Climate Week (3-8 June, 2025), as the lagoon city presents la Biennale di Architettura.
Venice Climate Week is a new Italian event celebrating World Environment Day and World Oceans Day, conceived and directed by Riccardo Luna in collaboration with the Future Food Institute as a week dedicated to climate change, sustainability, and restarting dialogue and exchange among institutions, citizens, businesses, activists, scientists, and artists.
In the heart of Venice—where whispers of history echo along watery corridors, and the light dances off facades steeped in time—a new addition to the city's cultural tapestry has arrived: Casa Sanlorenzo–a new cultural cub conceived by acclaimed Italian yachting company Sanlorenzo–has opened its doors with a subtle launch that respects the city's legacy while gesturing boldly towards a more philanthropic and sustainable future.
Casa Sanlorenzo Exterior
Unveiled during the inaugural Venice Climate Week, with the Biennale di Architettura as its backdrop, Casa Sanlorenzo is not simply a building—it is a philosophy sculpted in stone, glass, and vision. It rises across from the majestic Basilica di Santa Maria della Salute, as if in quiet dialogue with the Baroque architectural masterpiece, promising not to compete but to converse.
Sanlorenzo, long revered for crafting luxury yachts that glide elegantly across the water, now extends its creative ambitions onto land. With the opening of the new Casa Sanlorenzo cultural centre, Sanlorenzo pivots from producing exquisite vessels to becoming a vessel itself, one that carries culture, ideas, and transformation.
At the Casa's inauguration, Massimo Perotti, Sanlorenzo's Executive Chairman, gave a welcome speech to guests beneath a pale Venetian sky. Above, a curious duel unfolded: a seagull clashing mid-air with a hovering drone. The spectacle, unintended yet symbolic, brought a moment of reflection—a metaphor for the uneasy embrace between nature and technology. In a city wrestling with the weight of cruise ships and rising tides, one must ask: can innovation coexist with fragility?
And yet, it is precisely this tension that Casa Sanlorenzo seeks to explore, through a Salon-style space where thought, design and art intersect. Casa Sanlorenzo is designed as a visionary arts center and is an extension of the Sanlorenzo Arts project–a creative incubator where nautical production is juxtaposed with art, design and culture in a sustainable framework.
Casa Sanlorenzo Exteriors
Housed within a restored 1940s villa, reimagined by visionary architect Piero Lissoni, Casa Sanlorenzo is both contemporary and eternal. Lissoni–with his studio Lissoni & Partners–updated the space that spans almost 11,000 square feet with a generously sized garden, as well as a private apartment. The garden and gallery space will host exhibitions, shows and talks throughout the year to coincide with major cultural events in Venice such as the art and architecture Biennales.
The Casa is designed to create a living dialogue between eras, aesthetics, and ideas. Here, white walls serve as breath between thoughts, showcasing Sanlorenzo's contemporary art collection, which bridges the radical transformations of post-1965 to the daring expressions of today.
Casa Sanlorenzo Exteriors
Lissoni has not erased the building's soul but coaxed it gently into the present. Brick facades glow with renewed dignity and modernity takes shape in glass staircases and concrete expanses, paired with Portoro marble and Palladian stone. In this fusion, past and future clasp hands. Outside the Casa Sanlorenzo, a contemplative Venetian Garden offers space for contemplation. Extending from the Casa like a whisper across the lagoon, is an architecturally daring new bridge designed by Piero Lissoni in a contemporary style yet with respect for Venetian heritage. A rarity in Venice where historic Renaissance design is King–the new bridge is a contemporary reinterpretation of a Venetian Ponte, constructed from prefabricated metal with a path of Istrian stone.
Piero Lissoni comments: 'This bridge is not simply architecture. It's a symbol. A cultural connector. Indeed, one does not merely walk across—it passes through you, inviting reflection on what it means to move forward while holding memory.'
As part of Venice Climate Week, Casa Sanlorenzo hosts the 'Sanlorenzo Talks', a series of candid conversations about sustainability, design and the ecological imperative of our age. During the talks leading voices from science, industry and the arts gather to explore how creativity can become an engine of change. The message is clear: beauty alone is no longer enough—it must be paired with ethics.
That ethos extends to the jewel of Sanlorenzo's nautical artistry: the newly revealed Almax, a 50-meter superyacht that glides with the conscience of a new era. Sleek and sculptural, Almax's interiors are designed by Lissoni with exteriors by Zuccon International Project. Sanlorenzo's commitment to environmentally friendly yachting is reflected in the Reformer Fuel Cell, powered by green methanol-derived hydrogen to ensure zero emissions during onboard operations.
Inside, Almax evokes a serene New York penthouse adrift at sea: pale wood floors, glass walls, bespoke furnishings, and an almost meditative atmosphere. The Almax exemplifies Sanlorenzo's embrace of art, architecture and design–a philosophy which is mirrored in Casa Sanlorenzo—a celebration of restraint, intention, and aesthetic harmony.
Highlights of Casa Sanlorenzo's art collection include commanding works on the upper floor including a vast map by Arte Povera artist Alighiero Boetti and a slashed red canvas by Lucio Fontana–giants of contemporary Italian art–while the ground floor galleries offer a monochrome meditation by photographer Marco Palmieri, who is taking part in the inaugural Sanlorenzo Talks. Works by German painter Emil Michael Klein are also featured.
Marco Palmieri exhbition at Casa Sanlorenzo, Venezia © Lee Sharrock
In all of this—the yacht, the bridge, the gallery—there is a consistent throughline: a belief that design is not decoration but direction. That architecture can be activism. That art is not passive, but participatory.
Massimo Perotti, Executive Chairman Sanlorenzo said at the launch: 'Our aim with Casa Sanlorenzo is to offer a reference point for initiatives linked to the world of Sanlorenzo Arts, an entity conceived with the goal of celebrating and supporting the union between art, design and culture, where innovation and creativity can flourish without limits. Casa Sanlorenzo becomes a place where one enters to stop, reflect and share. A space of research, where art does not simply adorn, but rather interrogates. Where design does not impress, but guides. Where beauty is never for its own sake, but the bearer of ethics. In an increasingly virtual world, we wanted to invest in presence, in meaningful encounters, and in shared experiences. Because we believe that authenticity requires substance, time, and human connection. And Venice is the perfect place for this project.'
Casa Sanlorenzo
Founded in 1958, the Sanlorenzo shipyard has traveled far from its humble beginnings in Limite sull'Arno. Over decades it has grown and now has six shipyards across Italy. Through its Fondazione Sanlorenzo–founded in 2021–the company extends its hand to Italy's forgotten islands and communities, working to uplift, educate, and connect. Through Sanlorenzo Arts, it fosters the convergence of craftsmanship, culture and technology.
And now, with Casa Sanlorenzo, this commitment takes architectural form. A place where yacht design steps ashore and becomes philosophy. Venice has long been a city of arrivals and departures, a threshold between lands and dreams. Now, with Casa Sanlorenzo, it welcomes a new kind of voyager—not a traveler seeking escape, but one seeking an anchor.
Casa Sanlorenzo is a living organism, one that breathes through its spaces and speaks through its exhibitions. It also feels like Sanlorenzo's version of a love letter to Venice and declaration of its wish to be a custodian of culture by providing a permanent arts space where art, architecture, design, education and sustainability can converge.
Find more information here on the Casa Sanlorenzo talks during Venice Climate Week.
Casa Sanlorenzo Garden

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Sailing Into Culture: Casa Sanlorenzo Anchors In Venice
Sailing Into Culture: Casa Sanlorenzo Anchors In Venice

Forbes

time21 hours ago

  • Forbes

Sailing Into Culture: Casa Sanlorenzo Anchors In Venice

Casa Sanlorenzo Saloon Sanlorenzo Arts–a creative hub dedicated to the artistic and cultural initiatives of luxury yacht pioneers Sanlorenzo–has been unveiled in Venice during the inaugural Venice Climate Week (3-8 June, 2025), as the lagoon city presents la Biennale di Architettura. Venice Climate Week is a new Italian event celebrating World Environment Day and World Oceans Day, conceived and directed by Riccardo Luna in collaboration with the Future Food Institute as a week dedicated to climate change, sustainability, and restarting dialogue and exchange among institutions, citizens, businesses, activists, scientists, and artists. In the heart of Venice—where whispers of history echo along watery corridors, and the light dances off facades steeped in time—a new addition to the city's cultural tapestry has arrived: Casa Sanlorenzo–a new cultural cub conceived by acclaimed Italian yachting company Sanlorenzo–has opened its doors with a subtle launch that respects the city's legacy while gesturing boldly towards a more philanthropic and sustainable future. Casa Sanlorenzo Exterior Unveiled during the inaugural Venice Climate Week, with the Biennale di Architettura as its backdrop, Casa Sanlorenzo is not simply a building—it is a philosophy sculpted in stone, glass, and vision. It rises across from the majestic Basilica di Santa Maria della Salute, as if in quiet dialogue with the Baroque architectural masterpiece, promising not to compete but to converse. Sanlorenzo, long revered for crafting luxury yachts that glide elegantly across the water, now extends its creative ambitions onto land. With the opening of the new Casa Sanlorenzo cultural centre, Sanlorenzo pivots from producing exquisite vessels to becoming a vessel itself, one that carries culture, ideas, and transformation. At the Casa's inauguration, Massimo Perotti, Sanlorenzo's Executive Chairman, gave a welcome speech to guests beneath a pale Venetian sky. Above, a curious duel unfolded: a seagull clashing mid-air with a hovering drone. The spectacle, unintended yet symbolic, brought a moment of reflection—a metaphor for the uneasy embrace between nature and technology. In a city wrestling with the weight of cruise ships and rising tides, one must ask: can innovation coexist with fragility? And yet, it is precisely this tension that Casa Sanlorenzo seeks to explore, through a Salon-style space where thought, design and art intersect. Casa Sanlorenzo is designed as a visionary arts center and is an extension of the Sanlorenzo Arts project–a creative incubator where nautical production is juxtaposed with art, design and culture in a sustainable framework. Casa Sanlorenzo Exteriors Housed within a restored 1940s villa, reimagined by visionary architect Piero Lissoni, Casa Sanlorenzo is both contemporary and eternal. Lissoni–with his studio Lissoni & Partners–updated the space that spans almost 11,000 square feet with a generously sized garden, as well as a private apartment. The garden and gallery space will host exhibitions, shows and talks throughout the year to coincide with major cultural events in Venice such as the art and architecture Biennales. The Casa is designed to create a living dialogue between eras, aesthetics, and ideas. Here, white walls serve as breath between thoughts, showcasing Sanlorenzo's contemporary art collection, which bridges the radical transformations of post-1965 to the daring expressions of today. Casa Sanlorenzo Exteriors Lissoni has not erased the building's soul but coaxed it gently into the present. Brick facades glow with renewed dignity and modernity takes shape in glass staircases and concrete expanses, paired with Portoro marble and Palladian stone. In this fusion, past and future clasp hands. Outside the Casa Sanlorenzo, a contemplative Venetian Garden offers space for contemplation. Extending from the Casa like a whisper across the lagoon, is an architecturally daring new bridge designed by Piero Lissoni in a contemporary style yet with respect for Venetian heritage. A rarity in Venice where historic Renaissance design is King–the new bridge is a contemporary reinterpretation of a Venetian Ponte, constructed from prefabricated metal with a path of Istrian stone. Piero Lissoni comments: 'This bridge is not simply architecture. It's a symbol. A cultural connector. Indeed, one does not merely walk across—it passes through you, inviting reflection on what it means to move forward while holding memory.' As part of Venice Climate Week, Casa Sanlorenzo hosts the 'Sanlorenzo Talks', a series of candid conversations about sustainability, design and the ecological imperative of our age. During the talks leading voices from science, industry and the arts gather to explore how creativity can become an engine of change. The message is clear: beauty alone is no longer enough—it must be paired with ethics. That ethos extends to the jewel of Sanlorenzo's nautical artistry: the newly revealed Almax, a 50-meter superyacht that glides with the conscience of a new era. Sleek and sculptural, Almax's interiors are designed by Lissoni with exteriors by Zuccon International Project. Sanlorenzo's commitment to environmentally friendly yachting is reflected in the Reformer Fuel Cell, powered by green methanol-derived hydrogen to ensure zero emissions during onboard operations. Inside, Almax evokes a serene New York penthouse adrift at sea: pale wood floors, glass walls, bespoke furnishings, and an almost meditative atmosphere. The Almax exemplifies Sanlorenzo's embrace of art, architecture and design–a philosophy which is mirrored in Casa Sanlorenzo—a celebration of restraint, intention, and aesthetic harmony. Highlights of Casa Sanlorenzo's art collection include commanding works on the upper floor including a vast map by Arte Povera artist Alighiero Boetti and a slashed red canvas by Lucio Fontana–giants of contemporary Italian art–while the ground floor galleries offer a monochrome meditation by photographer Marco Palmieri, who is taking part in the inaugural Sanlorenzo Talks. Works by German painter Emil Michael Klein are also featured. Marco Palmieri exhbition at Casa Sanlorenzo, Venezia © Lee Sharrock In all of this—the yacht, the bridge, the gallery—there is a consistent throughline: a belief that design is not decoration but direction. That architecture can be activism. That art is not passive, but participatory. Massimo Perotti, Executive Chairman Sanlorenzo said at the launch: 'Our aim with Casa Sanlorenzo is to offer a reference point for initiatives linked to the world of Sanlorenzo Arts, an entity conceived with the goal of celebrating and supporting the union between art, design and culture, where innovation and creativity can flourish without limits. Casa Sanlorenzo becomes a place where one enters to stop, reflect and share. A space of research, where art does not simply adorn, but rather interrogates. Where design does not impress, but guides. Where beauty is never for its own sake, but the bearer of ethics. In an increasingly virtual world, we wanted to invest in presence, in meaningful encounters, and in shared experiences. Because we believe that authenticity requires substance, time, and human connection. And Venice is the perfect place for this project.' Casa Sanlorenzo Founded in 1958, the Sanlorenzo shipyard has traveled far from its humble beginnings in Limite sull'Arno. Over decades it has grown and now has six shipyards across Italy. Through its Fondazione Sanlorenzo–founded in 2021–the company extends its hand to Italy's forgotten islands and communities, working to uplift, educate, and connect. Through Sanlorenzo Arts, it fosters the convergence of craftsmanship, culture and technology. And now, with Casa Sanlorenzo, this commitment takes architectural form. A place where yacht design steps ashore and becomes philosophy. Venice has long been a city of arrivals and departures, a threshold between lands and dreams. Now, with Casa Sanlorenzo, it welcomes a new kind of voyager—not a traveler seeking escape, but one seeking an anchor. Casa Sanlorenzo is a living organism, one that breathes through its spaces and speaks through its exhibitions. It also feels like Sanlorenzo's version of a love letter to Venice and declaration of its wish to be a custodian of culture by providing a permanent arts space where art, architecture, design, education and sustainability can converge. Find more information here on the Casa Sanlorenzo talks during Venice Climate Week. Casa Sanlorenzo Garden

Frattesi gets into Inzaghi's face, likely to leave Inter
Frattesi gets into Inzaghi's face, likely to leave Inter

Yahoo

time6 days ago

  • Yahoo

Frattesi gets into Inzaghi's face, likely to leave Inter

Frattesi gets into Inzaghi's face, likely to leave Inter Palpable tension sparked between Davide Frattesi and Simone Inzaghi after the heavy 5-0 defeat against PSG. A tough confrontation took place between the two at the Allianz Arena, with the Italian midfielder asking the coach for explanations for his lack of use in the match, expressing disappointment for the choice. Advertisement As reported by La Gazzetta dello Sport, this situation that opens up clear scenarios for the future: if Simone Inzaghi were to remain on the Nerazzurri bench, Frattesi will most likely leave the club. The decision has already been made. In the event of a change on the bench, however, his position will be subject to evaluation. The player, under contract until 2028, is valued at around 40 million euros. Roma remain interested in him, considering him the ideal profile to strengthen the midfield.

‘La débâcle': Italian press turn on Inzaghi after Inter's night of misery
‘La débâcle': Italian press turn on Inzaghi after Inter's night of misery

Yahoo

time6 days ago

  • Yahoo

‘La débâcle': Italian press turn on Inzaghi after Inter's night of misery

On the front pages of Italy's newspapers, the Champions League final was told as a 'nightmare', a 'humiliation', and a 'rout'. Tuttosport at least found room for humour with a 'DisIntergrated' pun. La Stampa, in deference to the victors Paris Saint-Germain, went instead with a French phrase: 'La débâcle'. Any team can lose a Champions League final but Internazionale were the first to do so by a five-goal margin. The final indignity of a season in which they aspired to repeat the treble they won under José Mourinho, only to come unstuck at the last: losing the Coppa Italia semi-final to neighbours Milan and then missing out on the Serie A title by one point. Advertisement Related: Game is up for Inter after Champions League journey ends in bitter humiliation | Jonathan Liew 'It could have been all or nothing,' acknowledged Franco Vanni in La Repubblica. 'It was nothing, in the most painful way possible. A sort of reverse perfection … a climax of suffering which is the photographic negative of the joys of 2010, year of the Inter treble and the last Italian joy [in this competition].' Everywhere there was acknowledgment of Paris Saint-Germain's quality and the astonishing job Luis Enrique has done in remaking this team according to his vision: young, dynamic, furiously competitive. But the focus, understandably, for Italian audiences was on how their own league's representatives could bow out so meekly. What had happened to the relentless mindset that allowed this team to score 11 times in four games against Barcelona and Bayern Munich? 'I'm sure no Inter lineup would have had a chance against this PSG,' said the veteran pundit Paolo Condò in a video blog for Il Corriere dello Sport. 'But even if you are slipping into the abyss, in a final you have a duty to try.' Advertisement Simone Inzaghi was criticised for being outschemed by Luis Enrique and for failing to adapt after the game had begun. La Gazzetta Sportiva rated his performance as a 3/10 – even lower than the score they gave to the worst player, Federico Dimarco. '[Inzaghi] does not understand a thing of PSG's rotations and press,' ran the accompanying text. 'Almost embarrassing choices on the substitutions. Maybe he will remake himself in the Asian Champions League. Maybe.' Inzaghi is reported to have received a substantial contract offer to take over as manager of Al-Hilal in the Saudi Pro League, though he declined to talk about his future after the final. He had said repeatedly in the buildup to the game that he plans to meet with Inter's directors on Tuesday. This result, unquestionably, had changed the context of their discussions. 'And now, the cruelty of the question and of doubt,' wrote Maurizio Crosetti for La Repubblica. 'Is Simone Inzaghi the manager who took Inter within a step of winning it all, or is he the manager who in four years lost two scudetti badly and as many Champions League finals? 'If he had won this cup, maybe Inzaghi could have left more easily, like Mourinho after Madrid. And yet, after this, how can he stay?' Comparisons with the Special One were impossible to escape. As Leo Turrini put it in Quotidiano Sportivo, 'This season that made fans dream of a repeat of Mourinho's treble ended with the equally Mourinho-ian 'Zeru tituli'. Advertisement Related: Champions League final: PSG thrash Inter to win their first title – in pictures There were some defences of Inzaghi, too, Alberto dalla Palma noting in Il Messaggero that Inter ought still to thank their manager for four years of highly competitive performances in the Champions League, relying on many players who joined on free transfers. Gazzetta reported Inter will close this season with their highest-ever revenues and expect to report a profit – some turnaround from the €246m losses they posted in the last season before Inzaghi took charge. But fans live for glory on the pitch, not the balance sheet. 'From yesterday, for Inter supporters, Munich in Bavaria is no longer the kingdom of the beloved Kalle Rummenigge nor the moor ridden by Nicolino Berti but a land of shame,' wrote Luigi Garlando in the pink paper. 'You should never use this word for sporting things, but when the fans experience embarrassment at such a bewildering, humiliating display, so much that they suffer just for their sense of belonging, there is no more appropriate term. A disgrace for Italian football, too.' 'A sporting massacre, a Korea, a Mineirazo,' he continued, referencing the most infamous World Cup defeats suffered by Italy and Germany. 'Thank goodness Inter played in yellow. The black-and-blue colours weren't soiled, but the club's glorious European history was.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store