
Here are nine of the wackiest motor races you've never heard of
No doubt you've heard of lawn mower racing, but are you aware of the jewel in the crown – the British Lawn Mower Racing Association 12 Hour? Yep, it's an endurance race for mowers. Heck, the first one in 1978 was won by Stirling Moss and five time Le Mans winner Derek Bell. Advertisement - Page continues below
Imagine a banger race on a tarmac oval where all of the cars are FWD and have metal plates welded under their rear wheels. We assume that was the elevator pitch for Skid Plate Racing, and it's just as entertaining as it sounds. Who said motorsport has to be fast? These things top out at around 35mph. You might like
Extreme Barbie Jeep racing Extreme Barbie Jeep Racing involves fully grown Americans racing downhill on dirt tracks while riding plastic Power Wheels cars designed for kids. Extra points for a unicorn liveried Jeep, we hope. Advertisement - Page continues below
How do you make the US pastime of figure eight racing even more chaotic? Why, you chain two more cars to the back of yours, stick a second driver in the rearmost one and then pray you don't get T-boned crossing the track. You may recall Sabine Schmitz and Chris Harris having a go in S25 E1 of the TV show.
The TukTuk Tournament traverses Sri Lanka in a three-wheeled rickshaw. Teams take on a magical fantasy quest to slay dragons and find fake gems, all with the goal of being crowned champion while raising money for charity in the process. It's weird and we love it.
Another uniquely British event, the Nifty Fifty is a five hour, off road endurance race for 50cc mopeds. Teams fit knobbly tyres to otherwise standard mopeds, before four riders take on the climbs and jumps of a motocross dirt track. Hope you like the sounds of teeny four strokes.
Of course it was those zany Dutch who decided motor racing would be more exciting if everyone was driving backwards. This was made possible by the DAF 66's Variomatic CVT transmission, which allowed it to hit its top speed of over 70mph in reverse. Cars do get a little erm... unstable, though. Advertisement - Page continues below
The annual Pig-N-Ford races take place at the Tillamook county fair in Oregon. There's a Le Mans style start with drivers running to pick up live pigs from the other side of the track. Carrying said pigs, they then start their Model Ts with a hand crank and complete three laps, stopping each lap to swap pigs.
Bonneville barstool class
The 'World of Speed' happens every year at Bonneville. It's not just 500+mph streamliners stretching for a top speed – there's also a class specifically for actual barstools fitted with 12V electric motors. The current record is 55.935mph.
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The Guardian
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‘I have different weathers in my brain': how Celeste rekindled her love of music after heartbreak and loss
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She was born Celeste Waite in California to a mother from Dagenham, east London, and a Jamaican father. Her mother had found her way to Hollywood as a makeup artist and Celeste was born 'quite quickly' after her parents met there. They separated when Celeste turned one and she and her mother moved to England to live in Celeste's grandparents' home. 'It was almost like my mother was my sister, because we were both being looked after by my nan and grandad.' These are happy memories, but she has 'these different weathers in my brain … I've always had this little tinge of melancholy.' Maybe, she says, it stems in part from a lack of rootedness: 'You move from America to England and you don't really remember it, but you know that there's people that you've known there and built connections with. And then you don't have that.' She wondered if she would end up with a mental health diagnosis, 'something more clinical later on down the line. But I didn't feel I really needed that.' 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But at the commercial end of the industry, there is still 'a huge pressure to make money. If you're not in the top 2% of acts who have such a huge fanbase, you maybe don't get the freedom' to do adventurous work. She says that developing her initial sound caused friction. 'I was hanging around all these jazz musicians like Steam Down and Nubya Garcia, real innovators, and it wasn't easy for me to go into the label and be like: this is what I want to do.' She has managed to preserve a sense of strangeness and singularity. Unlike her earlier peppy soul-pop hit Stop This Flame, familiar to millions as backing music on Sky Sports, most of the songs on Woman of Faces don't even feature percussion – almost unthinkable in 21st-century pop – and there aren't many British singers on major labels doing symphonic jazz. 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'When you lose the person from your life that you really love, there's a grief that comes over you,' she says. The album's first single, On With the Show, was written at her lowest point. 'I didn't really want to go to the studio; I didn't really feel like I actually wanted to live at that point. I didn't find meaning and purpose in the music.' She just had the song title, which she shared with her collaborator Matt Maltese. 'I didn't even have to explain to him what it would be about, because he just knew. We spoke about the song and what it needed to be.' She had also recently seen Marius Petipa's 1898 classical ballet Raymonda. 'It's about a woman in the Crimean war and she has two lovers: one is in Russia and one is in Crimea,' she says. 'I could relate, because she was torn between these two entities: at that point, my dedication to music and my dedication to a person. And one was taking the energy from the other. So On With the Show was about me having to find the courage to let go of something, to meet back in with the path of my life as a singer.' Worse, she says, 'social media had come in to erode my relationship'. As a public figure on social media, 'people can view your relationship and have so much awareness of the fact that you're even in one. There's this really strange, invisible, intangible impression that interactions in that space can leave upon your living reality. I was upset at how much that had come to affect my personal, real life.' On Could Be Machine, a curveball industrial pop song inspired by Lady Gaga, Celeste explores the idea that 'the more time we spend with this technology, the more we become it'. 'My phone had become this antagonist in my life, via communication that I didn't want to receive and the fact it could just be in your hand. It was quite alien, in a way. I hadn't grown up with a phone stuck to my hand and it was something that I had to become more and more 'one' with in my music career.' She says that, during the relationship, love had reverted her to a kind of 'child-like state … a really pure version of yourself, before the world has seeped in and shaped you'. Losing the person who brought her into that state meant that she had to 'learn how to steer and guide' herself to rediscover it. She is leaning on other musicians to help her understand these difficult years. She cites Nina Simone's song Stars, a ballad about the cruelty and melancholy of being a professional musician. 'It says so much about the tragedy of where her life is at that moment in time, but then there's so much triumph in the fact she even gets to express herself in that way.' Another inspiration for Woman of Faces was the 1951 musical romantic comedy An American in Paris and one of its stars, Oscar Levant, who spent time in mental health institutions. 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Sky News
9 minutes ago
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Brian Cox: Trump talking 'b*******s' on Scottish independence
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