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Judge will weigh KC teen's troubled childhood in Irish chef's killing

Judge will weigh KC teen's troubled childhood in Irish chef's killing

Yahoo23-04-2025

A 15-year-old charged with murder in the fatal shooting of well-known Kansas City chef Shaun Brady last year had a troubled childhood marked by violence, family strife and a cancer diagnosis, a psychologist who assessed the youth testified in court Tuesday.
The testimony came as part of a two-day certification hearing used to determine whether the youth — who has been identified in court by his initials, K.H. — will face prosecution as an adult for Brady's death in August.
Jackson County Family Court Administrative Judge Jennifer Phillips heard cases made by both K.H.'s attorney and the Office of the Juvenile Officer and will rule on whether the case will be transferred out of family court, where juvenile cases are prosecuted. Phillips said she would issue a decision ahead of a May 14 hearing she set for K.H.
In closing arguments at the end of Tuesday's proceedings, Kirby Crick, K.H.'s attorney, told Phillips the youth had been failed throughout his life and asked that she not certify him for prosecution as an adult.
'He never experienced a life without trauma, even in utero,' she said.
Asking for the case to be prosecuted in the general court system, Dan Barry, representing the Office of the Juvenile Officer, described the shooting as 'vicious' and said the incident took from Brady's loved ones a 'family man.'
'It is the most serious offense that can be committed,' he said.
Brady, 44, was fatally shot Aug. 28 during a confrontation with a group while he was taking out the trash at Brady & Fox, the Irish restaurant he co-owned in Kansas City's Brookside neighborhood.
K.H. and another teen were arrested shortly after the shooting. In December, charges were dropped against the other youth, who has been identified as L.M, and he was released after he spent three months in juvenile custody. At the time, an attorney for that youth said officials had rushed to hold someone accountable for the shooting and had mistakenly charged L.M.
During the hearing Tuesday, Alexis Humenik, a psychologist hired by the defense to interview and assess K.H., testified that he was exposed to cocaine, marijuana and alcohol his mother used during her pregnancy and that he was later abused by his father. K.H. reported hearing 'whispers' and 'seeing shadows' and has a family history of schizophrenia, she said.
At one point, he lived in a U-Haul truck for one to two months, she said. Violence and neighborhood shootings were common in the boy's life, she said.
'That became K.H.'s reality, that he was surrounded by this violence,' Humenik said.
Around the age of 10, he began to carry a gun as he sold drugs to make money to provide food and clothing for his siblings, she said.
K.H. went through stints of chemotherapy treatment, going back to age 4, after he was diagnosed with Langerhans cell histiocytosis, a rare condition that can cause lesions. Children diagnosed with the condition are more likely to have impulsive behavior, and chemotherapy can stunt brain development, Humenik said.
She said she had diagnosed K.H. with post-traumatic stress disorder for the childhood traumas he endured. She recommended he receive a medical evaluation to rule out a cancer relapse and that he receive treatment for his childhood trauma.
State law lays out factors for a judge to consider when reviewing whether to send a juvenile case to general jurisdiction court, including the seriousness of the alleged offense, whether it involved viciousness and violence, whether it was part of a pattern of offenses, and the youth's age and history.
Previous reporting from The Star's Eric Adler and Ilana Arougheti was used in this story.

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Jury selection underway in trial of Irish firefighter charged with raping woman in Boston hotel
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  • Boston Globe

Jury selection underway in trial of Irish firefighter charged with raping woman in Boston hotel

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Ben McKenzie on His Crypto Doc ‘Everyone Is Lying to You for Money': A 'Human Story About Trust'
Ben McKenzie on His Crypto Doc ‘Everyone Is Lying to You for Money': A 'Human Story About Trust'

Yahoo

timea day ago

  • Yahoo

Ben McKenzie on His Crypto Doc ‘Everyone Is Lying to You for Money': A 'Human Story About Trust'

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So, I figured, well, now I'm at the top – Sam is sort of the most public face of the whole thing, surely he can explain it to me. And it was about as hollow as it can get. Talk about a post-truth world. It's a very amusing example of that. Whenever I talk to people, the majority bought crypto because their friends bought it, and they saw it going up, and maybe they had some extra money, and they probably lost it. People I have talked to almost always say the same thing if they're not into crypto: 'I don't understand it, and it seems kind of scammy.' And I'm like: 'It's not you. It's the crypto. You're not the crazy one.' If it doesn't make sense to you, it's because it has the language of a multi-level marketing scheme, where the words that they use don't mean what they mean in regular English. Stablecoins aren't stable. Currencies aren't currencies. Decentralized means centralized. It's to sort of indoctrinate you. It's going to self-select. The number of people who are going to keep going and believing in it are going to believe in it no matter what, and the rest of us are going to be like: 'This is weird. This doesn't make sense.' Are you arguing that crypto is a self-perpetuating model and nobody's to blame? And how do you see the role of celebrities who have endorsed crypto? You have been critical of them. There's plenty of blame to go around. I don't think the celebrities are the root of the problem. I view them as the megaphone that's necessary. As the Ponzi scheme gets bigger and bigger and bigger, you need more and more famous people to keep selling it. When I entered the fray in 2021, 2022, that was the crypto Super Bowl, where every ad was a crypto ad. In the doc, there are plenty of famous folks who get lightly roasted. I don't ascribe intentionality to their participation in what I view as a Ponzi scheme. I think for the most part, it's depressingly simple. They were paid in real dollars to convince you to take your real dollars and turn them into something else. They're not paid in crypto, they're paid in U.S. dollars. And what was so unsettling to me at the time was that celebrities have always shown products. There's nothing wrong with that. My wife has done it. Celebrities have sold products since there have been celebrities. It makes sense. I totally get it. But crypto is a different kind of thing, because it's a financial product. This isn't soap, this isn't clothing. This is something that you're supposed to make money on. It's an investment, and the celebrities didn't understand what they were selling, in my opinion. Most of them didn't understand anything about it. They listened to the boilerplate talk and learned their lines, basically. But you couldn't convince me that Gwyneth Paltrow knew anything about blockchain technology, or Matt Damon, or any of them. So yeah, there is some light roasting in there. It was kind of lonely. I was the only one of my celebrity colleagues – maybe there were a couple of others, but I was the most vocal, saying: 'This seems bad, guys, don't do that.' So, it's a way of showing what I was up against at the time. Did your book co-author Jacob Silverman work on the film with you? No, he pivoted to his new book, which comes out this fall and which I'm very excited about. It's called Gilded Rage: Elon Musk and the Radicalization of Silicon Valley. How did you decide on the balance between likely dry financial and technological explanations and entertainment elements in the film? That was probably the key challenge: how do we keep the story entertaining and not devolve into a lecture or a bunch of charts and a lot of econ dork stuff? I would love that stuff, but I don't think the general public does or should. So we figured out how to do it through humor. The film's a comedy. I mean, it's hilarious that I'm the one doing it. The guy from The O.C. is the one trying to take down this trillion-dollar Ponzi scheme. Whether I succeed or not, we also kind of joke about. I did everything I could, got some attention, and maybe didn't really have much of an effect at all. Maybe people still just did whatever they wanted to do. That's funny. We live in an absurd time. So we kept it playful. If you walk away from the film having been entertained – it's an hour and a half, so you're in, you're out – and you learned that crypto is dumb, great! Yeah, it was super fun. Some graphics we used are 1980s video game-style rather than trying to explain crypto to you. That's where I think things get lost, because it's not really about what it is. It's about the story. When I wrote this book, I was recording my conversations as I was reporting out the story. And I had other pieces. But when I finished the book in '23, I needed to switch over to: How do I turn this into a proper film with a narrative structure? And that's where we had fun with my trip down the rabbit hole and Morena's view of this. I think is one of the things that's not talked about enough in crypto is just how much women hate listening to men talk about crypto. Guys will just drone on and on and on about it. You have mentioned the word Ponzi scheme again in our chat, just like in your Senate testimony. In case someone doesn't know the exact definition, why do you like using that word for crypto? I used it at the Senate hearing to communicate the message as simply and as clearly as possible. So, I wanted to use a word everyone's familiar with: Ponzi scheme. The reason why it accurately describes it is that there is no product with crypto, there isn't a thing, it's not an actual currency, and it's not backed by [physical assets]. If money is trust, these things are trustless. They're based on code. You know that saying, 'If you can't figure out what the product is, you're it!' It's sort of like social media – your attention is the product. I interviewed people who were victims of one of the scams, Celsius. And what was interesting about it was hearing their stories and finding common ground, but also asking them at the end of the film, 'Do you still believe in cryptocurrency?' Some of these people have lost their life savings. But every single person still believes in it. Every single person who was a victim, who volunteered to be interviewed, said that. It varies person to person, but they can now acknowledge that Celsius was a scam, but believe that Bitcoin is different. I think that's really interesting. It's really more of a story about belief. How much do you discuss definitions and issues of Bitcoin versus crypto in general in the film? I talk about it in the book, but it's too in the weeds for the film. It's interesting that people have clung to Bitcoin. I think in part that is because the other stories have fallen apart. I mean, the Trump coin is a perfect example of just how shady and awful the whole thing is. The New York Times reported on this: about 800,000 people have lost money in their wallets on it, but 50 people made $10 million or more. That's exactly how crypto works. It's like you're gambling, and you might win, but you're probably going to lose – you are very likely to lose. And the people who make the money are usually involved in the enterprise. It's just rife with fraud and abuse. And that's really the story that I wanted to concentrate on. Since you mentioned the financial benefit of a small group, I want to ask you about technology oligarchs, or 'the tech bros,' such as Elon Musk, who have been seen as being close to the political elite in various countries, including the U.S. How timely is your film given debates around that issue? It is timely. I feel that's bad for the world, but good for the film. I was worried that I was going to be too late by the time I'd finished the film, since all these crypto guys had gotten arrested, and a lot of them were in prison, and the price had crashed. But then, in a way that I never could have predicted, Trump was re-elected. He's embraced crypto fully, and so it's back up, and it's back in the news. How did you enjoy writing and directing the film? Could we see you do more of that sort of work in addition to acting? It was actually much, much harder than I thought, but I do love it, and I would love to direct again. I plan to direct again. There is no specific plan, but a goal. It's been really rewarding to watch both the book and the film start with just an idea and go all the way through to the end. Is there anything else you would like to highlight? I think the film is timely for all the reasons we mentioned. But at its core, it's about trust, and it's about human beings. There's this fantasy that we can replace something that is inherently human, trust, with technology and with computers and with these fictitious currencies. That's a lie. We can't do it because it doesn't work that way. I can't trust this computer. It's a piece of machinery. I can trust you. I can trust the people that built the machinery or not, and so at the end of the day, I think it's really about coming together and finding common ground and finding and rebuilding the trust that I think is so frayed right now. We're so divided, or at least that's the appearance online. My experience meeting folks in person, even people that I completely disagree with on crypto, was that most of it was entirely pleasant. I think that's really worth reflecting upon. That's something I reflect upon a lot. Let's get outside of our information silos! Let's get out! Let's get offline and into the real world and take care of each other! 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time2 days ago

  • Axios

South Minneapolis protests after federal law enforcement activity; Jim Marshall dies at 87

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