
Ambani wedding photographer on shooting ‘regular weddings' after star-studded festivities
Anant Ambani's star-studded wedding
Anant Ambani and Radhika Merchant's wedding last July was a multi-day affair attended by a veritable galaxy of stars. The wedding festivities kicked off with a three-day party at the Ambani family's Jamnagar estate, followed by a European cruise and private celebrations in London. The wedding itself took place in Mumbai and was preceded by a slew of pre-wedding functions like the sangeet night, mehendi, haldi and more.
All the biggest Bollywood celebrities attended the wedding celebrations, including Shah Rukh Khan, The Bachchan family, Deepika Padukone and Ranveer Singh, Priyanka Chopra and more. International business tycoons like Bill Gates and Mark Zuckerberg flew down to India, while several politicians were also part of the festivities.
Joseph Radhik on feeling star-struck
It was the kind of wedding that redefined 'star-studded' – and lensman Joseph Radhik was not immune to feeling star struck.
Radhik is no stranger to celebrities – he is a renowned photographer who was behind the camera for the weddings of Virat Kohli and Anushka Sharma, Priyanka Chopra and Nick Jonas and many others. However, Anant Ambani and Radhika Merchant's wedding was a whole different ballgame, even for this seasoned photographer.
During a podcast with Ranveer Allahbadia, Radhik was asked about his most star-struck moment from the festivities. He chose the moment of the varmala, where the happy couple was surrounded by multiple stars.
'On the wedding day, during the varmala, both Radhika and Anant were full smiles and everything. On one side was Kim Kardashian, this side was Smriti Irani, this side was Bhaijaan, and this side was the chief minister…' Radhik replied.
The photographer said it was tough for him to focus on the couple and cut out everything else happening around them.
On photographing 'regular weddings'
Radhik also acknowledged that the Ambani wedding was one of his tougher assignments. 'Once you go back to a regular wedding after that, it's like playing a video game on easy mode after nightmare difficulty,' he said.
When Ranveer Allahbadia asked if he no longer has fun playing on easy mode, Joseph Radhik replied, 'Yeah, it took a while. It took at least six to eight months for me to get back to shooting weddings.'
(Also read: IIM graduate hired by Ambanis breaks silence on capturing the biggest wedding of 2024)

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
11 hours ago
- Time of India
How social media reinvented the charcuterie board
Once upon a time, a charcuterie board was a rustic French spread: cured meats, aged cheeses, a bit of bread, maybe some olives. It was elegant but predictable, the kind of thing you would see in wine bars or European kitchens. Fast forward to today, and thanks to social media platforms like Instagram and Pinterest, the charcuterie board has transformed into a cultural phenomenon, far beyond its traditional origins. Social media did not just popularize the charcuterie board, it reinvented it. What was once a niche gourmet platter has now become a blank canvas for creativity, a viral aesthetic, and a new kind of food performance. The rise of the 'Instagrammable' board A turning point came when food styling met social media. People realized that arranging foods in vibrant, geometric, or whimsical patterns was not just tasty, it was instantly shareable. A wheel of brie with honey drizzled across it, strawberries fanned out like petals, and salami folded into roses? That is not just food; that is content. The hashtag #charcuterieboard has amassed millions of posts, each one pushing the boundaries of design. Some boards look like mosaics, others resemble landscapes. The board is no longer only eaten; it is photographed, admired, and then consumed. Beyond meat and cheese Another way social media has reinvented charcuterie is by loosening its definition. Online, you will find entire themed boards that barely resemble the French original. There are: Breakfast boards filled with pancakes, fruits, syrups, and coffee shots. Dessert boards stacked with cookies, truffles, and chocolates. Vegan boards featuring hummus, roasted veggies, and nut cheeses. Even candy boards and fast-food boards have had their moment. The trend shows how social media democratizes food culture. You do not need access to imported cured meats to make a charcuterie board. You just need a cutting board, some creativity, and an eye for presentation. A new kind of hosting Charcuterie's reinvention also reflects the way we gather today. The modern board is all about abundance and inclusivity. It is casual enough for friends who just want to graze, but chic enough for dinner parties. Social media taught us that food does not always have to be plated in individual portions. Instead, a board invites people to come together, share, and interact, making it as much about the experience as the flavors. Viral aesthetics: the board as art What makes charcuterie boards so addictive on feeds is their visual appeal. Bright fruits against creamy cheeses, glossy olives nestled beside rustic crackers, edible flowers sprinkled like confetti — it is a color palette designers dream of. Food influencers have leaned into this, offering tutorials on how to fold meat into roses or arrange cheeses in perfect diagonals. The process itself has become satisfying content. People watch time-lapse videos of boards being built, enjoying the calm, ASMR-like precision of it all. The business of boards It did not take long for entrepreneurs to catch on. Across cities, charcuterie stylists now offer curated boards and grazing tables for weddings, parties, and events. Small businesses promote their boards on social media, often selling out through nothing more than carefully styled posts. For many, this side hustle has turned into a thriving business. It is proof that social media is not just influencing what we eat but creating entirely new industries around it. The future: from trend to tradition? The charcuterie board may have started as a rustic French tradition, but in the social media era, it has become something larger — a cultural shorthand for creativity, community, and abundance. Whether it is a butter board going viral or an elaborate grazing table at a wedding, the evolution shows no signs of slowing down. What is next? Possibly more playful, hyper-specific boards: ramen boards, dosa boards, even regional Indian snack boards. The beauty of the charcuterie trend is its adaptability. There is no single right way to do it anymore. Social media did not just reinvent the charcuterie board, it turned it into an idea. A board is now a stage, a story, a shared moment. And in an age where food is photographed as much as it is eaten, the charcuterie board is the perfect star.


Economic Times
11 hours ago
- Economic Times
Is the Ukraine summitry all reality TV, zero substance?
Reuters U.S. President Donald Trump, Ukrainian President Volodymyr Zelenskiy and French President Emmanuel Macron. So much has happened in recent days, it's easy to overlook how little has happened. To wit: Nothing material. Not when it comes to matters of war and peace in Ukraine, where Russian President Vladimir Putin continues to bomb civilians, to detain children (for which he is wanted by the International Criminal Court) and more generally to terrorize a sovereign nation that he considers an errant satrapy. That, however, is not the impression you may have formed if, like me, you've been following the summitry and pageantry on YouTube, TikTok, X, Truth Social or your medium of choice. In the endless scroll of our screens, one meme chases another while all orbit around the bright yellow-orange star of the show, Donald Trump. The medium is the message, the philosopher Marshall McLuhan observed six decades ago. And the message today is that this US president — for better or worse — is shaping world affairs. Here is Trump applauding Putin as the Russian leader approaches on a red carpet in Alaska. There he is again, receiving the rehearsed gratitude of the Ukrainian president and seven European allies, who rushed impromptu to the White House to contain whatever damage the KGB-trained Putin may have wreaked in Trump's mind. There he'll soon be again, if and when Trump gets both Putin and his Ukrainian counterpart, Volodymyr Zelenskiy, into the same room, in what would be a 'trilat' made for Reality TV — and specifically The Apprentice — was of course the medium that, starting in 2004, catapulted Trump from relative obscurity onto the memetic platform from which he ultimately stepped into the Oval Office not once, but twice. Like so much in our zeitgeist, everything about this medium is sort of real and sort of not, kind of jocular and kind of serious, not quite substantive but always is a universe in which Trump's meeting in the Oval Office with Zelenskiy in February — when the American host berated and humiliated the Ukrainian guest — counted within the White House as a success because, as the president put it, it made for 'great television.' Trump ran that script again during another visit to the Oval Office, when he trapped South Africa's president in an ambush as devastating as it was riveting. A virtuoso of the craft, Trump also incorporates voluntary or involuntary extras, bit players and cameos into his show. He mused about whether or not he would bomb Iran's nuclear facilities not at the Resolute Desk but on the White House lawn, where a work crew was erecting a flagpole and unexpectedly became the supporting cast in this particular episode. When weighing air strikes, or anything, Trump's first question to his advisers isn't about his options or strategic consequences. It is: 'How is it playing?'None of this would have surprised McLuhan, who analyzed (without judging) the role of media in the creation of reality, and did so when print and radio were old and television was new. Content, he understood, was subservient to the vectors in which it reaches human brains. A text-based culture rewards linear and logical thinking. Video (already in McLuhan's time) instead turns politics into theater, shortens attention spans and favors appearance over media change accelerated in the 1980s and 90s — during Trump's formative years — other theorists elaborated on McLuhan. Jean Baudrillard, a French sociologist, saw that the media increasingly reflected not reality but what he called hyperreality, a world of 'simulacra,' or copies without originals. In one memorable phrase, he said that 'the map precedes the territory,' by which he meant that narratives trump (sorry) truth. That popped into my mind this week as Trump presented Zelenskiy with a map of Ukrainian territories now apparently up for writing before the rise of Fox News or TikTok, the American media theorist Neil Postman came closest to predicting the moment we are in today. In Amusing Ourselves to Death , he argued that the new media would increasingly turn everything — from news to politics and war — into mere entertainment and spectacle. He foresaw a dystopia not unlike Brave New World , in which Aldous Huxley's Soma takes the form of Insta feeds or Trump's Truth here we are, with two summits down and several more to go. We parse things such as, say, wardrobes. In the Oval Office in February, Zelenskiy was roasted for wearing the military-style garb he has donned since Russia invaded; this time he showed up in all black, and Trump agreed that he looked 'fabulous.' A positive sign? Days earlier, the Russian foreign minister arrived at his Alaskan hotel with a sweatshirt that, in Cyrillic, advertised the 'USSR.' Code for Putin's imperialist treachery?And all the while a tragedy is unfolding for those who dare to see it. The reality — yes, there still is one — includes these facts: The war that Trump once promised to end in 24 hours rages on. Trump keeps toggling between blaming Putin and Zelenskiy for it. By being ambiguous about US support, he has hurt Ukraine's effort to defend itself. By ending Putin's diplomatic isolation, Trump has made the Russian side stronger than it would be. And by giving Putin a deadline for a ceasefire, then letting it expire without the 'severe consequences' he promised just a week ago, Trump forfeited the pressure he needs to exert new is that there are suddenly lots of meetings about meetings. What remains is that people are bleeding, crying and dying, all because of the decisions made by one man, Putin. In the minds of Trump and most of us in our brave new world, the map may seem to precede the territory. But that is not a luxury which people have, say, in Luhansk or Donetsk. Ukrainians and their friends are right to turn off their phones for a while, in the sad knowledge that nothing meaningful has changed.


Indian Express
14 hours ago
- Indian Express
The Map That Leads to You movie review: The romance set against European summer is too sugary for its own good
The Map That Leads to You movie review: Swedish director Lasse Hallström's latest movie, The Map That Leads to You, has enough and more of the elements required to deliver a soul-stirring romance. Hallström, who is known for directing The Cider House Rules (1999), Chocolat (2000) and others, helms the story of three American college graduates Heather (Madelyn Cline), Amy (Madison Thompson) and Connie (Sofia Wylie) who go on a European vacation with their dreams and some baggages. It is obvious from the start that the film, based on the book The Map That Leads to You by JP Monninger, will be about the transformative journey that these young women undertake even as romance adds an extra layer of flavour to the story. The film tries to be mushy and is replete with several cute moments. To an extent, the film is successful at showcasing a nostalgia-soaked narrative, which is shot in multiple charming European cities, that tugs at the heartstrings. Yet, this movie does not have the sweetness and whimsicality of Chocolat, which was also an adaptation of a book. Heather meets Jack (Apa) during a train journey when they happen to be reading the same book, Ernest Hemingway's The Sun Also Rises. The Nobel laureate's first book follows a group of young American and British expatriates wandering through Europe in the mid-1920s. While Heather is reading it on her ipad, Jack is carrying a physical copy. This coincidence also establishes their different approaches to life. That's, of course, about to change. There is a scene in which they end up arguing over Jack's objection to people recording everything on their smartphones instead of enjoying the moment. Heather counters Jack's views saying that what the tourists are doing is not any different from Jack's grandfather maintaining a journal of his travels across Europe. It's just that the medium of documenting one's experience has changed. While Heather's statement sounds logical, it is not convincing. Can smartphones and social media really match the romance of a leather-bound notebook filled with handwritten notes and sketches? Don't think so. Watch The Map That Leads to You trailer The film does try to blend the old-world charm with contemporary vibes. It succeeds in doing so, partly. In spite of trying to evoke nostalgia through the entries in the journal as well as conversations about old traditions and artistic legacy of Europe, the romantic tale fails to be enchanting. As a result, it does not establish a deep connection that's mandatory for a romantic tale to be effective. However, if you dream of traveling, discovering beautiful locales, and escaping the humdrum routine, The Map That Leads to You offers a cinematic getaway. The Map That Leads to You movie cast: Madelyn Cline, KJ Apa, Sofia Wylie, Madison Thompson The Map That Leads to You movie director: Lasse Hallström The Map That Leads to You movie rating: Two stars