
Column: Stage fright or not, Paramount's BOLD Series comedy engages audience like no other
Forget the stark division in our political landscape. I'm convinced an equally wide difference exists between people who can perform in front of strangers and those who would rather be caught in the middle of a herd of stampeding buffaloes.
To be clear: I'm not talking about entertainers, motivational speakers, clergy or other professionals who face audiences on a regular basis. Specifically, I'm referring to those who would spontaneously volunteer not only to get up on stage and be part of a musical but also put their spelling prowess to the test.
At every show of the Paramount's 'The 25th Annual Putnam County Spelling Bee,' attendees can, indeed, sign up before the musical comedy begins – listing a few fun facts about themselves – for a chance to join the professionals on stage during the first act.
The four who are chosen then get brief instructions on what they will be required to do, which not only means standing in front of a mic and attempting to spell whatever words come their way, but also blending into the storyline, which includes some light follow-along choreography.
Since watching this BOLD Series production, now playing through April 27 at Copley Theatre in downtown Aurora, I have been fascinated by the BOLD among us. In fact, I found myself paying as much attention on opening night to the four volunteers who took on the roles of quirky adolescent spellers as I did the pros. And so, I reached out to a couple of these amateur brave-hearts last week to find out more about them.
Surely, I reasoned, they must be terrific spellers or confident public speakers – or likely both – to get on that stage.
Turns out, not so much.
'Were you nervous?' I asked.
Absolutely, admitted Naperville resident Mary Babler, who was urged on by husband Tom to sign up.
The fact Babler was a retired third-grade teacher who hosted plenty of spelling bees drew her to this show, her first visit to a BOLD Series performance. Still, she quickly added, spelling was never her strong suit, nor was any form of public speaking.
'So why did you do it?' I asked.
'Good question,' she replied with a chuckle, then suggested the intimacy of the theater and the fun atmosphere of the musical itself contributed to her decision to give it a shot.
That, she added, 'and a glass of wine.'
Likewise, Aurora resident Katie Herrmann, despite singing in her church choir and doing some community theater with the Fox Valley Park District, was not used to being front and center on any stage, much less one that requires you to spell in front of an audience.
Herrmann, a speech language pathologist who was at opening night with a theater-reviewer friend, confessed, 'I was the most nervous I'd ever been … my hands were shaking as I held the mic.'
Still, it was 'also the most fun I've ever had,' Herrmann said, adding that part of the thrill was being on stage with such 'high level talent,' including Naphtali Curry, who had just finished playing Donkey in the national tour of 'Shrek: The Musical.'
Both she and Babler had nothing but praise for the entire cast. Not only were they talented, but kind, welcoming and able to discreetly direct them on stage.
'They made it so easy you could not screw up,' noted Herrmann. 'And even when it was time to leave, they guided you off with dignity.'
What's amazing, says Paramount Artistic Producer and Casting Director Trent Stork, is that these actors are so well-prepared in this comedy, no matter what the audience spellers do, they know how to keep the show going and the laughs rolling.
Plus, Stork added, 'it engages audiences in a way that makes you feel like a kid again.'
The two audience volunteers stayed in this comedic bee for at least a couple of rounds. Babler was tripped up by the word 'fartlek,' Swedish for a type of running workout. And for Herrmann it was 'A'a', which is a type of lava flow.
Certainly understandable since they both attacked these strange words phonetically.
You can't say the same for Stork, who volunteered when a fourth speller was needed for the 'Designer Run,' which is the first rehearsal show that goes before an audience.
The self-described 'straight-A student but bad speller,' remembered how 'Mom constantly was on me because I never brought a spelling list home.'
Stork got the word 'cow' – the easiest word in the musical and meant to keep its speller in the contest a little longer. Unfortunately, for this Paramount pro whose second home is the theater, stage fright took over and out came 'c-a-w.'
'As the music starts for that song, I was getting nervous. I choked,' Stork recalled. 'They thought I did it on purpose. But what is worse: that they thought I was trying to ruin the show or that I can't spell cow?'
By the way, the producer/director admitted that in the 40 shows so far of this hilarious musical – that's 160 audience volunteers – 'I don't think anyone has missed cow.'
Stork, who on opening night wore a T-shirt with the picture of this farm animal and the letters C-A-W above it, has a feeling 'I will never live this down.'
All the more reason, Stork added, 'I'm holding off telling Mom.'
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