Lennon Gallagher's girlfriend Isobel Richmond wows in a plunging red dress as couple cosy up at The Standard
Liam Gallagher 's lookalike son Lennon was joined by his stunning girlfriend Isobel Richmond as they enjoyed a glitzy date night on Friday night.
The couple stepped out for the launch of The Standard in Brussels as they cosied up for the night out.
Lennon, 24, looked sharp in an all-black look, while his model girlfriend, 22, looked incredible in a scarlet red mini dress.
The bold number flashed a glimpse of her incredible figure while she added height to her petite frame in a pair of black open toe heels.
She wore her long brunette tresses over her shoulders and added dramatic eyeshadow to make her blue eyes pop.
The former fashion student showed off her model credentials as she pouted and posed for the camera.
Lennon, whose mother is actress Patsy Kensit, has also dabbled in modelling as well as following in his father's footsteps by making music with his band Automotion.
Last year Lennon - who has graced Italian Vogue and appeared at London Fashion Week - spoke candidly to MailOnline about the world of modelling and admitted it can be 'difficult at times'.
The aspiring singer was first scouted at the age of 16 while walking down Brick Lane and he explained: 'I was walking in Brick Lane, and I was like, 16.
'I just got an army jacket and I was walking away from the store, this woman pulled me over and was like, ''You should be a model, take this card. We have a shoot in Africa, you should do it''.'
Noting the situation seemed 'sketchy', Lennon went on: 'I didn't do the shoot because it seemed really sketchy, so I told my mum and she was like, ''If you want to get into it, I know some people''.'
Lennon told how he reaches out to his agent if ever he feels unsure about a shoot or casting call.
'It's always pretty difficult putting yourself up for castings and stuff and putting yourself out there,' he stated.
'And then there's like hundreds of people who maybe look a bit like you, look so different to you, and like everyone is going in and out, and you're like, ''I'm not going to get this!'''
Lennon admitted: 'You kind of do get a bit insecure, I can't lie,' before noting the importance of asking for help.
'For the context of being in the studio, if there's something you don't like you can always call your agent and they are always willing to help you out.
'They'll always try to help you out to their best ability. You're not alone.
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This heritage might explain the consensus that the wearing of a three-piece suit is occasion wear, which is why it's so prevalent at weddings. The hard-man credentials of Peaky Blinders have also made a lot of men feel confident that it's an agreeable way to dress up without losing any machismo. Whether you align with Tom Hardy and wear it casually, or want to wear the three-piece for something formal, there are rules that need to be kept in mind. Button know-how This is where we return to our wonderfully short-lived but sartorially consequential monarch, Edward VII. The question surrounding waistcoats often has to do with the bottom button. There are various disputes around the origin of this, but allow me to dispel things once and for all. Edward VII was perfectly able to wear the bottom button done up, no matter how large he was, his tailor would have taken it into account and an extra button would have made no difference at all. In fact, it was popped open for riding. This could easily have been for comfort but that is not necessarily a weight issue, rather the traditions of higher buttoning on riding garments - see morning coats, paddock-cut jackets and hunting pinks - which all need raised buttons for comfort in a sedentary position. The unbuttoning of the waistcoat therefore indicated you were a man of good standing who rode, and so everyone wanted to follow suit. Just to confuse things a bit, this does not apply to double-breasted waistcoats; they must all be done up. The smartest button stance is a three-button (six altogether) angled stance in a V shape, rather than the straight buttoning you see often from fashion designers. Fit check One of the biggest fashion faux pas is the sight of a man's shirt peeking out beneath the lapel and above the trousers. It is as much of a sartorial shortfall as the triangle of death – the triangle of white above the waistline and single-breasted jacket button, betraying the jacket as too small. This is very much how a certain tight-suited, Love Island hopeful might dress. One issue is that many brands make trousers that have what is called 'a low rise', i.e. the distance between the crotch and the top of the zip is short. What a man needs are trousers that are cut higher, ideally with pleats and held up by braces, to avoid this sloppy look. The lapel debate Old school aesthetes like my father, the kind that see everything through the prism of what is allowed in the officer's mess, would die on the hill against lapels on waistcoats. The lapel debate has more to do with opinion rather than actual etiquette, and truthfully, far be it from me to speak ill of my father's opinions on style, I think this is a misstep. It is true that a single-breasted lapel should have a very small lapel, if one at all, but a double-breasted waistcoat must have one, and the prouder the better. Accessorising The Roaring Lion by Yousuf Karsh is considered one of the greatest portrait photographs of all time; Winston Churchill's moody look is because just before it was taken, Karsh removed Churchill's cigar from his mouth. What stands out the most in this image is the chain which travels across the pockets, dipping to create a W shape. Whether a pocket watch, a lighter, a Champagne swizzle stick or cigar cutter, the chain is legitimate accessorising for waistcoats. The chain should travel from the left pocket to the first button hole that sits above the line of the pocket, and then if there is a fob, it should dangle down. If long enough, it can then be passed to the opposite pocket. One form of accessorising is a more outre design of waistcoat. This is, and should remain, the domain of the prefects of Eton College, known as 'Pop', who are allowed to wear whatever design of waistcoat they like in order to distinguish their authority (and boy do they take advantage of that freedom). You also had Sixth Form Select who were the 'other' prefects, selected due to academic achievement, and they could wear silver buttons. Keep it simple on civvy street; yours should match the jacket and trouser of the suit, and with morning dress should be a pastel colour such as sky blue. Where to find inspiration Watch every episode of Jeeves & Wooster for a categoric reminder of proper classic style, and there is plenty of three-piece action in there for you to see. Further watching should be the aforementioned Indiana Jones, Jude Law as Dumbledore in the Harry Potter offshoot Fantastical Beasts (seriously, a great men's style reference), and the original Great Gatsby. For non-fiction references, look to Churchill of course, and then his Tory successor Anthony Eden. Tom Hardy is definitely a solid inspiration for men who want to avoid the dandyish look. Just remember that tweed and heavier wools are much more preferable for a three-piece suit, so in the summer look for what are known as 'high twist wools', which allow for breathability. Full linen will crease too easily, so travel fabrics like Fresco wool are ideal. The three-piece suit may feel like dress up, but perhaps with a little bit of historic enlightenment and better knowledge of the rules, you can channel your Bertie or Tom Hardy and never let anyone take your cigar without asking permission.
