
Matildas star and her partner reveal why their baby's gender reveal was a 'flop' as they lift the lid on why some were 'upset' over their exciting news
The couple, who were married in December 2024 in a beautiful wedding ceremony in the Hunter Valley, announced the exciting news that they were expecting a baby back in April.
'Baby Van Egmond coming October,' they wrote on Instagram, sharing an image of the besotted couple standing with pictures of their baby scans.
Since then, Thompson has shared multiple snaps of her pregnancy journey, including pictures of her and Van Egmond lapping up the sun on a vacation to Spain, and a trip down Regent Street on a visit to London.
On Thursday, the pair took to Instagram to reveal that they had taken a gender test to find out the sex of their baby.
They had initially shared a black and white clip on social media of themselves cutting a cake with a pair of wine glasses, before learning the gender of their baby.
View this post on Instagram
A post shared by Kat Van Egmond (@kaaatthompson)
The pair announced their exciting baby news back in April, sharing snaps of their baby scans online
They had initially posted the clip with a black and white filter, meaning that their Instagram followers were unable to see what the sex of their baby was. Thompson revealed that this had 'upset' some online.
In her latest Instagram post, Thompson republished the black and white video of her and Van Egmond jumping with joy at learning the gender of their unborn baby.
However, Thompson then revealed that the clip was taken before the pair had learned that there was a lab error with their gender tests.
'Little did they know there was a lab error with their gender test and would go 16 weeks picking a name, buying clothes, and sharing the news before finding out the truth,' a text banner on the video clip read.
Thompson then went on to clarify that the pair were hoping to keep some details of their family life private.
'So our gender reveal was a flop,' she said in the video's caption, adding a 'grinning face' emoji.
'[It] was definitely a shock originally but makes for a good story now!
'So many people ended up seeing our first post with this video and were upset it was black and white, but that's mainly because it was wrong!
The pair had made the announcement with a black and white video, with their followers unable to see the colour of the cake as they cut into it. Thompson wrote that the pair were hoping to keep some details of their family life to themselves
'And we love these moments but some details we want to keep to ourselves and family.'
Thompson added a 'heart' emoji before writing: 'Strongly advise against any early gender blood tests!'
It comes a week after Thompson also took to Instagram to celebrate hers and Van Egmond's journey so far.
The heartwarming clip showed the pair in the early months of their relationship. It then flicked to clips of Thompson supporting her beau while Van Egmond played for the Matildas. The pair shared a kiss on the touchline, before sharing pictures of their wedding, and how she announced to her partner that she was pregnant.
Van Egmond, 32, who is currently playing for Birmingham City, popped the question to Thompson in June 2023 in San Diego, California.
They'd tie the knot at the lavish Krinklewood Estate in New South Wales' Hunter Valley, with many of her Australia team-mates attending the ceremony.
Sam Kerr and her partner Kristie Mewis both attended alongside Arsenal star Katie McCabe and her partner Caitlin Foord.
Van Egmond has made 163 appearances for Australia over her glittering international career, notably also travelling around the world to play domestic football for a range of teams, from Newcastle Jets to West Ham United.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Times
an hour ago
- Times
My ancestor was a scandalous Victorian celebrity. Now she's back on stage
I was 11 years old when my father first took me to the National Portrait Gallery — and straight away led me to a painting called Choosing by George Frederic Watts. It depicts a woman in profile, nestled in between camellias and violets, the deep reds of the petals providing a contrast against the golden strands woven through her auburn hair. As I stood for a photograph, my father pointed out the similarity between our hair colouring. I smiled proudly and posed for the picture. The resemblance isn't accidental — in Choosing Watts painted my great-great-great-grandmother, Ellen Terry, one of the greatest actors of the Victorian era. Today, fewer people recognise the name Ellen Terry. Recently I went with a friend to Tate Britain, where we stood in front of another portrait of Terry, John Singer Sargent's Lady Macbeth, where she is in the costume and character of Shakespeare's murderous queen. I told my friend that was my great-great-great-grandmother. She looked at me, bewildered. 'Esme, you do know Lady Macbeth wasn't real.' Now my extraordinary ancestor is being rediscovered for a new generation of theatregoers. David Hare's hit new play, Grace Pervades, which had its premiere in Bath this year and will be transferring to the West End in April next year, explores Terry's partnership with the actor Henry Irving. Miranda Raison plays Terry opposite Ralph Fiennes as Irving. I went to see the play with some apprehension — curious but also a little scared that it would somehow overwrite my own perceptions. To our family Terry exists through all the books and pictures we have of her, and the anecdotes we share. My father showed me Marguerite Steen's own copy of the biography she wrote of Terry, A Pride of Terrys. Though falling to pieces, the book gives a beautiful insight into Terry's life and packed within the pages are tiny mementoes from her career such as pressed flowers from the bouquets she received after her many performances. • Read more theatre reviews, guides and interviews Among our family, we each possess a variety of Terry mementoes. In the hall hangs a signed playbill from her performance in Shakespeare's The Winter's Tale and we have the miniature portrait of her son Edward Gordon Craig encased in a delicate box decorated with a brass plaque engraved 'my boy'. I've been told she was never without this. A favourite of mine is one of Terry's costume belts. As a child I would hold it around my waist so as to imagine myself as an actress on the Victorian stage. I've created my own idea of what Terry might have been like. She had a pet monkey that liked to sleep on her foot as she sat by the fire, her home on the Kings Road in west London housed a friendly ghost, and her son Edward (my great-great-grandfather) supposedly halted a departing train at Marylebone station just by shouting that he was Terry's son and demanding it wait for him. She was born into a family of actors. Her theatrical debut came aged nine in A Winter's Tale. At 16 she was introduced to Watts. Bewitched by her beauty, the artist became intent on removing her from the sinful world of theatre. Asking first if he could adopt her, he was told she was too old, so instead, 30 years her senior, he married her. While trapped in this ill-fated marriage, Terry found the love of her life in the architect Edward Godwin with whom she had two children out of wedlock, Edward and Edith. Divorcing Watts was a slow and scandalous process that left her ostracised from society and rejected by her family. Soon even her relationship with Godwin foundered and financial ruin followed. Poverty forced Terry back onto the stage. I met Raison at the Theatre Royal in Bath to talk about playing Terry. Late in life, the actress did actually make recordings to capture her craft. 'The old recordings sound ludicrously dated,' Raison says, 'but to audiences at the time she was incredibly modern.' I've listened to these too — they sound more like a comical Shakespearean parody than an insight into an actress known for her rare capacity to speak Shakespeare as if it were her first language. According to family lore Terry herself laughed at them and mocked her own voice with impersonations. My grandfather sensibly likes to remind us how alien recording devices must have felt at the time; there would undoubtedly be a nervousness and self-consciousness from the speaker. For Raison, becoming Terry therefore required finding a modern-day equivalent. 'David Hare said right from the beginning she was the equivalent of Judi Dench now.' Raison refers to Dench's ability to shift effortlessly into a role, something that Terry was also known for. But while comparisons are useful and sometimes critical, Raison contends that 'in the modern day there aren't really equivalents. Maybe Tom Cruise? [Her fame] was extraordinary.' She points me to one of her favourite parts of the play. 'He [Henry Irving] says people want something serious to think about in the evening and Ellen says: 'Do you think? I disagree. No one needs to be told life is terrible — they know it already. Our job is to give them a source of joy. Tragedy is for people that don't understand life and need it explained to them; comedy is for those who already know.'' For Raison, 'Ellen wanted to be the person to make people smile. I just think that's priceless.' I ask her what she most admires about Terry. 'Her humour, her fallibility, her love, her loyalty and the roles she played.' Of course, two hours and 30 minutes could never do justice to the entirety of Terry's career, particularly when interspersed with depictions of the lives of her children. Hare's script fixates on Terry as Irving's theatre wife and puts less attention on depicting her power and independence. Yet alone Terry was a societal force with a long and successful career that continued well beyond Irving's death. At the age of 66 she toured Australia and New Zealand to perform her much-celebrated Shakespeare lectures, but Hare avoids dwelling on these accomplishments. His drama moves swiftly from Irving's death to an elderly Terry longing to be reunited with Irving in heaven. Hare's play will make others want to know more about Terry's life, which can only be a good thing. I'd also wave a flag for those in our family who followed her into the arts world. Edward Gordon Craig's fame as a theatre designer has, since her death, in many ways surpassed Terry's. He was an artistic visionary and large collections of his work can be found in leading institutions across the world from Eton College to the Harry Ransom Center at the University of Texas. His son Edward Carrick (my great-grandfather) became an art director for film, though he is also remembered for writing the definitive biography of his father. As a child I longed to follow in Terry's footsteps, although it turns out that just being related to a renowned actress does not guarantee that you'll be any good. But we have all found ourselves pulled to artistic pursuits. Since that first visit to see Terry at the National Portrait Gallery, I've learnt more about why Watts's portrait is named Choosing. The violets represent innocence while the camellias represent vanity. Terry is depicted leaning towards the camellias, signifying her choice to embrace the empty vanity of theatre, a temptation that Watts hoped to rescue her 'choice' is a common theme running throughout the various portrayals of Terry. Is she the epitome of grace and beauty or the 'scarlet woman of the Lyceum'? Her flirtation with bohemianism sat oddly comfortably alongside her respectability, a dichotomy that Terry skilfully straddled until the day she play gets its title from a double-edged compliment in a review by Charles Reade — 'grace pervades the hussy'. Over the course of time Terry has often been depicted as either grace or hussy, neither of which fully capture the whole truth. I was pleased to see Raison not letting my complex great-great-great-grandmother sit in just one of these categories. Her elegant performance of Terry favours charm over power — but thankfully the hussy still Pervades is at the Theatre Royal Haymarket, London, from April 2026. Tickets will be available from September. For more information, visit


Daily Mail
an hour ago
- Daily Mail
Rochelle Humes 'gave Myleene Klass' ex-husband Graham Quinn a place to stay' following their split after she caught him 'cheating' with a celebrity
Rochelle Humes gave Mylenne Klass' 'cheating' ex-husband a place to stay following their bitter breakup, it has been claimed. Radio presenter Myleene, 47, hit the headlines after accusing her former husband Graham Quinn of cheating on her with another celebrity, who she has refused to name, shortly before their 2011 wedding. Now it's been claimed Saturdays singer Rochelle, 36, lent a helping hand to Graham following the breakdown of his marriage to Mylenne. The Sun reports the former Hear'Say singer believed Rochelle and her husband Marvin, 40, had 'taken his side' in the split as a result. A source told the publication: 'Rochelle was doing what she saw as looking out for a friend in a time of need. 'Rochelle and Marvin are still clearly very much friends with Graham. 'Myleene is of the view that Rochelle took sides from the beginning of her marriage breakdown.' The insider added that Rochelle and Mylenne 'do everything in their power' to avoid each other amid their rift. Daily Mail has contacted reps for Rochelle and Mylenne for comment. Rochelle's spokesperson declined to respond. Graham was a tour manager for JLS and was recently snapped in Ibiza with Rochelle and Marvin. Myleene first started going out with her Irish bodyguard in 2001 and they were together for 12 years until they announced their split in 2013. She said she walked in on the moment ex Graham and the woman were taking each other's clothes off on the balcony of her home. Refusing to name the woman, Myleene hinted that the person in question has built a career off a 'family brand' and clarified that it was before they had got married. As mystery continues to swirl around the celebrity in question, Myleene declared she doesn't regret her honesty in the interview. Graham's inner circle hit back at the shock claims and told Daily Mail's Grant Tucker that the former Hear'Say bodyguard, who shares daughters Ava, 17, and Hero, 13, with Myleene was 'not going to dignify these fantasies with a response'. They also believe it was 'vindictive and calculated' of the singer to launch the bombshell on what she would have known was the week of Graham's 51st birthday. Despite the drama, Myleene flashed her gorgeous smile as she made her way through Leicester Square, London on Sunday. The TV personality put on a leggy display in a beige dress which she tied a black scarf around her waist and a Moschino belt. Meanwhile, Mylenne is also said to have fallen out with Frankie Bridge. Mylenne, Rochelle and Frankie all used to hang out together, with Loose Women hosts Myleene and Frankie attending Rochelle's hen do in 2012. Yet the following year, Myleene is said to have believed she was being 'blanked' by Frankie and confronted her at the 2013 Glamour Women of the Year awards - which is when the pair requested not to work together. However, due to a staff shortage around Christmas last year, Myleene and Frankie ended up on the same Loose Women panel - resulting in an 'awkward' episode with 'minimal interaction'. This week Myleene hinted at more revelations as she issued cryptic warning to those that 'have reason to' be afraid, after she made her explosive claims about her ex. After opening up about the scandal in an interview for Paul Brunson's We Need To Talk podcast, Myleene took to Instagram Stories to state she has 'receipts,' and 'won't keep her mouth shut.' The post also included a snap of her MBE, after receiving the honour for her services to women's health, miscarriage awareness and charity last month. While Myleene used the post to reflect on her recent achievements, she also declared she's 'finally found her voice' after opening up about her cheating ordeal. She wrote: 'Wow. What a week it's been! Firstly, thank you. I have quite literally tens of thousands of messages of love and support for me and my family. I took a long time to learn there's strength in vulnerability. 'In a varied week where my interview with @paulcbrunson and @needtotalk went viral and reached the people who needed to hear it, where I was part of the incredible @stjohn_ambulance team who helped to save a persons life and where my children and I somehow managed to rescue our passports from the bottom of the Adriatic, it's been a mixed bag! 'All this to say, at 47, I've finally found my voice and it's clear, unapologetic and brutally honest. 'To those that fear its truth, you probably have reason to, I have receipts, to those that need to hear it, I've got you and I fully intend to continue using it to change the laws and legislation that neglect women and children in this country and around the world.' Myleene then ended her post with a Bible quote, that said: 'And the truth will set you free' John 8.32,' before adding her own words: 'And then some.'


Daily Mail
2 hours ago
- Daily Mail
Dean Henderson delights punters 'by putting £1,000 behind the bar at local pub' after his heroics in Crystal Palace's Community Shield win over Liverpool
Crystal Palace supporters have heaped praise on Dean Henderson for a selfless gesture after their Community Shield win against Liverpool. Oliver Glasner 's side made their first appearance in the annual curtain raiser on Sunday after triumphing in the FA Cup final in May. Palace fell behind twice at Wembley against Arne Slot 's Premier League-winning Liverpool side but fought back to equalise thanks to goals from Jean-Philippe Mateta and Ismaila Sarr. For a third season running the game was decided on spot kicks and Henderson wrote his name in club folklore as Palace prevailed by denying both Alexis Mac Allister and Harvey Elliott from 12 yards. The former Manchester United goalkeeper was already a favourite among the Selhurst Park faithful but he endeared himself further to the fans with a gesture after the final whistle. As the supporters poured out of the home of football, they were treated to a celebration courtesy of the man himself. According to a user on social media, Henderson stopped off at a local pub and paid for the jubilant supporters' drinks. The fan wrote: 'Dean Henderson just stopped off at The Allsopp Arms and dropped a £1k off at the bar to buy us all a drink. 'Legend. Totally gets this club. Cheers.' The supporter also shared a selfie with the three-cap England international. After his starring performance Henderson said that he relished stepping up during big occasions. 'I love the big moments, I love being in that pressure moment. The homework we did on penalties was great,' the 28-year-old told TNT Sports. 'They have unbelievable players and have a great team but two trophies in three months is incredible. 'These emotions are fantastic. With them 2-1 up you think we are out the game. The manager said we'd get chances and we did.'