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PICTURED: All the incredible Archibald Prize finalists

PICTURED: All the incredible Archibald Prize finalists

Perth Now01-05-2025

Archibald portraits. Picture: Supplied
West Australian painter Abdul Abdullah has won the coveted Archibald's Packing Room Prize with a portrait of his best friend perched on a loose-tongued horse.
Working on the painting titled No Mountain High Enough for over a month, Abdullah beat out more than 2000 entries in the Archibald Portrait exhibition.
The image of fellow Archibald entrant and close ally Jason Phu was chosen unanimously by the 40 Art Gallery of NSW packers who oversaw the thousands of paintings arriving for the Archibald, Wynne and Sulman prizes.
Abdullah will receive $3000 ahead of the exhibition that opens on May 10.
'In this painting, Jason has overcome an obstacle only to find himself up against something else and perhaps riding into town to solve a problem,' he told AAP after winning the prize on Wednesday.
'Jason is my best friend, so I've wanted to paint him for a very long time, and also wanted to gift him a painting.
'The Archibald was a really good excuse to do both of those things.
'It was a special request from Jason to have animals around him in this painting.'
Senior installation officer Alexis Wildman said the packing room team were instantly drawn to the portrait.
'On a technical level, this portrait is very well painted,' she said.
'It really captures the essence of the subject with the image of a lone ranger, an intrepid jokester or a quiet hero navigating the rocky terrain of today's social climate.
'This immediately sparked conversation among the packing room team.'
This year marks Abdullah's seventh time as an Archibald finalist.
He comes up against 57 Archibald portraits that include activist Grace Tame, radio host Jackie O, sisters Antonia and Nicole Kidman as well as novelist Kathy Lette.
The Archibald winners announcement will take place on May 9, with the exhibition opening to the public on May 10.

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Nicolazzo points to the story's universal recognition of concepts like having to deal with over-bearing family members or being spoken to in a certain way. "The people that watch it are sobbing and laughing because there's a familiarity to it that goes beyond nostalgia," he said. The show first graced Sydney and Melbourne stages in 2022 and has since undergone script changes to enrich one of Jose's love interests, John Barton. "The audience is getting the best version of the show, which is five years in the making," Nicolazzo said. Three new cast members have also joined the fold, including 23-year-old graduate Riley Warner, who plays Josie's knockabout boyfriend Jacob Cootes. The rising star is debuting in his first stage show, having met Nicolazzo as a student. "There's something about him that feels like a national audience needs to see him right away," Nicolazzo said. The show next appears in Sydney on June 11 before heading across NSW, Victoria and South Australia. 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Stephen Nicolazzo felt like throwing away his culture as a kid but is now using it to bring an Aussie classic to the national stage. Born of Melina Marchetta's iconic 1992 book and award-winning film starring Pia Miranda, Looking for Alibrandi the stage show has embarked on a first national tour. The story follows feisty protagonist Josie Alibrandi as she navigates her final year at a prestigious Catholic girls' school in Sydney. Along the way she finds her father, falls in love and grapples with her identity as a third-generation Italian growing up in Australia. It's an experience Nicolazzo shared as the grandson of Italian migrants. In primary school, the now 38-year-old was embarrassed to pronounce Italian words his classmates struggled with. "You want to throw away your culture and your ethnicity when you're younger because of all of the pressures of being discriminated against," he told AAP. "That's a really strange feeling because you lock away a part of yourself as a result of the pressures of expectation." The lived experience of young Australians from Italian cultures has improved over the past 30 years. "But there are many other migrants who have come to this country since the book was written," Nicolazzo said. "They're experiencing the same discrimination and tensions that Josie faced." The production highlights important issues of acceptance and tolerance, and is relatable to a wide audience. Nicolazzo points to the story's universal recognition of concepts like having to deal with over-bearing family members or being spoken to in a certain way. "The people that watch it are sobbing and laughing because there's a familiarity to it that goes beyond nostalgia," he said. The show first graced Sydney and Melbourne stages in 2022 and has since undergone script changes to enrich one of Jose's love interests, John Barton. "The audience is getting the best version of the show, which is five years in the making," Nicolazzo said. Three new cast members have also joined the fold, including 23-year-old graduate Riley Warner, who plays Josie's knockabout boyfriend Jacob Cootes. The rising star is debuting in his first stage show, having met Nicolazzo as a student. "There's something about him that feels like a national audience needs to see him right away," Nicolazzo said. The show next appears in Sydney on June 11 before heading across NSW, Victoria and South Australia. Nicolazzo hopes audience members take one key message from his production. "It's about finding freedom from the shackles of a culture that doesn't want you to be a part of It," he said. "That's a hard thing to do but we can only do it by making art and talking to people."

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