As Rays stadium plans stall, new film remembers the Gas Plant neighborhood
A new documentary starring former residents of the Gas Plant aims to tell the story of what life was really like in the racially segregated neighborhood that is now Tropicana Field.
Black-owned businesses thrived. Neighbors raised each other's children as their own. Kids caught crawfish in Booker Creek and scaled the two giant natural gas tanks that gave the neighborhood its name. It had the best views.
Then public officials and the St. Petersburg Times described the area as blighted. They sold the community on a redevelopment plan promising affordable housing and light industry. Residents believed they could move out and come back to something better.
None of that happened. That land was later used to build a baseball stadium on the prospect of luring a professional team to St. Petersburg. The Gas Plant, a safe haven in a city slow to reckon with its Jim Crow past, was lost in a bait-and-switch, residents who lived there say in the documentary.
'I can never forgive the city of St. Petersburg for the lie that they told us,' said William Graveley, one of two dozen Gas Plant descendants featured in 'Razed.'
'Razed' takes viewers through a timeline of how the Gas Plant came to be, how it grew into an important business and cultural district and how the neighborhood was torn down in the name of something better that never came. The documentary debuts this Saturday as the future of that land — and plans to right those wrongs — approaches a breaking point.
'Razed' revels in joyous memories and photographs but pulls no punches on what happened to the Gas Plant. But it stops short of wading into what is supposedly next for the Trop — a $6.5 billion public and private plan to build a new Tampa Bay Rays stadium and surround it with a neighborhood of housing, shops, restaurants, entertainment, office space and an African American history museum. The project's name pays homage: the Historic Gas Plant District.
'I hope it plays out differently this time around,' said Charles Dew, a St. Petersburg-born historian and author, at the end of the film.
Mayor Ken Welch, who features prominently in 'Razed,' negotiated terms for the project that include affordable housing, jobs for local workers and opportunities for minority-owned businesses. But those plans are now up to the Rays to carry out, and it's not looking good.
The Rays have until March 31 to move forward with that deal. Team brass as recently as Friday accused Pinellas County and St. Petersburg, which have granted $742 million in public funding toward the project, of breaking the agreement by delaying votes after last year's hurricanes resulting in cost increases.
'Razed' credits Gwendolyn Reese, a Gas Plant descendant and president of the African American Heritage Association, as a producer of the film. She helped the Rays with their development proposal as a paid consultant and gave public presentations on the team's plans.
Reese helped organized a reunion in 2021 where 'Razed' director Andrew Lee and assistant director and producer Tara Segall began interviewing descendants of the Gas Plant. She kept that group together to share ideas and suggestions with the Rays as the team worked on plans for the new stadium and Gas Plant project.
At a recent event discussing the film at Tombolo Books, Reese was asked by an audience member what choices or actions could be made to envision a better future for St. Petersburg.
'Well, mine is that we get up off our asses, excuse me, and move forward with the redevelopment of Tropicana Field,' Reese said, calling the deal 'the best thing that has ever come to St. Petersburg.'
'To move forward on that would, today, presently, would be a very great, giant step towards showing that the city is serious about that broken promise,' she told the crowd, 'but not just that broken promise, serious about progress, serious about equity.'
Reese told the Tampa Bay Times that though the Rays agreed to cover all cost overruns as part of the deal, increased costs due to delays should not fall solely on the team.
'I think we all need to sit down together and figure it out,' she said, referring to the city and county.
'Razed' premieres Saturday to a sold-out crowd at the Center for Health Equity with a rolled out red carpet for the stars of the film, the Gas Plant descendants. A second show has been added due to demand. The film's executives are considering a limited run in local theaters and have pitched the documentary to a film festivals, as the story of stadiums displacing communities of color has played out throughout the United States.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
'The Last of Us' co-creator reacts to fans angry over Pedro Pascal's shocking exit: 'He's in literally everything else'
Pedro Pascal may have been brutally dispatched from The Last of Us, but at least he's, in the words of series co-creator Craig Mazin, "in literally everything else." "He did a thing. Everyone lost their s---, and then I had to do that same thing, because he did the thing, I loved doing the thing, I thought it was great," Mazin told Variety during Thursday's "A Night in the Writers' Room" event in Los Angeles. Though Mazin and co-creator Neil Druckmann were simply following the story set forth in the video game The Last of Us is based on, fans were still shocked by the death of Pascal's series lead Joel in the second episode of the second season. That shock has transformed for some into anger, which has given voice to ample criticism. "The big complaint that I've gotten is, 'Why did you kill Pedro Pascal?' And I keep explaining, we didn't kill him! He's a man, he's alive. He's fine. And he's in literally everything else. So I don't know what the problem is!" Mazin joked. Fans aren't the only ones still reeling from having to watch Joel die at the hands of Kaitlyn Dever's Abby. Pascal himself told Entertainment Weekly in April that he's in "active denial" about his own character's fate. "I realize this more and more as I get older, I find myself slipping into denial that anything is over. I know that I'm forever bonded to so many members of the experience and just have to see them under different circumstances, but never will under the circumstances of playing Joel on The Last of Us," Pascal said. "And, no, I don't spend a lot of time thinking about it because it makes me sad." The Chile-born actor's sister, Lux, also said in May that she "wanted to throw the iPad" when she got to the scene depicting Joel's death. Lux joked that it's "not the first time he's done it to me, it's not the second time he's done it to me. I think it's the fourth time he's done it to me. Because how many deaths has he had? Game of Thrones, Equalizer 2, The Last of Us — each is more violent than the other.... Seeing my brother die that way, I didn't like it at all." Some of the "everything else" Mazin referred to include Ari Aster's film Eddington (releasing July 18), which Pascal was recently seen in Cannes promoting at the seaside town's illustrious annual film festival. He can be seen Friday in theaters in Celine Song's Dakota Johnson and Chris Evans rom-com Materialists, and he also stars as Reed Richards in July 23 Marvel release The Fantastic Four: First Steps, a character he'll reprise for Avengers: Doomsday. Read the original article on Entertainment Weekly
Yahoo
2 days ago
- Yahoo
Hundreds gather for city's centenary parade
Persistent rain did not dampen the spirits of hundreds of people who turned out for a parade to mark a city's centenary. Hundreds gathered on the streets of Hanley, Stoke-on-Trent, to watch the People's Parade - the centrepiece of ongoing 100th birthday celebrations. The procession, featuring huge puppets, live music and dancing, began at 13:00 BST with about 1,000 participants marching for 1.5 miles (2.4km) from College Road to finish at Hanley Park. Speaking before, organiser Susan Clarke, from Stoke Creates, said: "It really is going to knock everyone's socks off." "We don't tell the world enough how good we are at doing stuff and how creative and imaginative we are. "Take us seriously, stop putting us down because there's no reason to do that now." More than 350 artists worked with 70 groups across the city on the procession - with the puppets including a representation of Burslem-born Lemmy from Motörhead, a giant clock and a 16ft-high (4.4m) figure which can interact with onlookers. Costume maker Holly Johnson made 100 cupcake costumes that were worn by pupils from Angela Beardmore School of Dance. She said: "I've been told I could go to other cities and I could maybe do better, but we love Stoke so much that we want to help build the community here and we just wanted to keep help building the arts here." Dave Lovatt, from Cat & Mouse Theatre Group, said his job was to get the crowd "roused up and excited" by sharing stories of local heroes on a megaphone, including Sir Stanley Matthews, Robbie Williams and athlete Jazmin Sawyers. Children from Year 7 at Haywood Academy worked with artist Emily Andrews to create a replica of the city's incinerator, with an invented creature protruding from it that is part fox, part axolotl. The children fed litter, picked along the route, to the "foxalotl" and recycling it afterwards. "I grew up in Stoke, it's a big part of my life and a big part of who I am," Ms Andrews said. The six towns, which were granted city status by King George V on 5 June 1925, marked the first official Stoke-on-Trent Day on Thursday. Celebrations culminate on Saturday with Party in the Park at Hanley Park, with performances from local musicians and street food stalls. A Lancaster Bomber flew over it just after 15:00 BST, approaching from Stoke-on-Trent College and continuing to the city centre. The city's Lord Mayor Steve Watkins called it a "spectacular moment", symbolising the city's wartime contribution and "longstanding history of service and resilience". A free street party with eight hours of dance music is also taking place on Piccadilly, Hanley, on Saturday from 14:00 to 23:00. Follow BBC Stoke & Staffordshire on Facebook, X and Instagram. Events to celebrate city's 100th anniversary Free music festival announced for city's centenary 'You can't find better people than Stokies' Stoke-on-Trent Centenary


Chicago Tribune
2 days ago
- Chicago Tribune
Review: ‘Golden Leaf Ragtime Blues' at American Blues is a familiar kind of odd-couple story
Charles Smith and Chuck Smith, two venerable artists with a long and auspicious history in Chicago theater, don't just have similar names. They've been friends and collaborators for close to 40 years. Anyone who knows them knows not to call Charles 'Chuck,' or Chuck 'Charles,' on pain of gentle correction. Their latest, and let's surely hope not their final, teaming up is for an American Blues Theater show called 'Golden Leaf Ragtime Blues,' a play that goes back almost four decades, having first been developed at American Blues in 1987. As far as I am aware, though, the first full production of the final version did not take place until 2016, when the show, a piece about a pseudo-paternal friendship between an aging and crusty white vaudevillian and an African American teenager, was first seen in Ohio, where Charles Smith long has taught. The staging at the new space developed by American Blues is the show's Chicago premiere. I've seen most of Charles Smith's typically detailed plays over the years, many of which have been excellent, and his body of work includes a longstanding interest in the history of vaudevillian performance. But in this case, to be frank, this feels a bit more like the kind of odd-couple play that was more in vogue some years ago. We start out by watching the octogenarian Pompey (Dennis Cockrum, of recent 'Shameless' fame) struggling to remember his lines sufficiently well to keep up his wordplay act with Ollie (James Sherman, another distinguished name). Then the show movies a few years later, to the point where Pompey's domestic well-being has become an issue for his daughter Marsha (Dawn Bach), who can see all the empty cans of food strewn around. Marsha has a foster son, Jet (Justin Banks), and most of 'Golden Leaf Ragtime Blues' is about the developing relationship between Pompey and this kid, one that you quickly intuit will be beneficial to them both. This certainly is a structure you've likely seen before, although it's performed with integrity, charm and authenticity here. At times, it feels like you are watching an old-school sitcom with both laugh lines and what they used to call 'treacle cutters,' meaning poignant lines. Ollie doesn't disappear as the 90-minute show progresses; he pops up occasionally, haunting Pompey's memory. At the show I attended, the piece needed a bit more pizzazz and, frankly, speed. Simply put, I think everyone focuses a bit too much on what Pompey cannot do anymore, over what he can, which is needed to drive the dramatic action. Somehow, the show never quite transcends its devices; it's just too familiar a scenario and you see what's coming down the pike before it actually arrives. Smith has penned much better plays. Several of them. Still, the show does indeed deal with salient issues of aging, caregiving, and the importance of both listening to oldsters and passing on your truths to the next generation. And it comes with a baked-in optimism about America, at least in one 1990s living room. Review: 'Golden Leaf Ragtime Blues' (2.5 stars) When: Through June 29 Where: American Blues Theater, 5627 N. Lincoln Ave. Running time: 1 hour, 30 minutes Tickets: $49.50 at 773-654-3103 and