Inside Evelyn, Dallas's New Steakhouse With ‘Feminine Energy,' Old Hollywood Vibes, and Plenty of Selfies
Before Evelyn debuted in late March, it was one of the most hyped restaurant openings of the year, especially among the young and social set. That's partly due to mounds of media coverage and glitzy social media posts that showcased attractive people in a visually appealing space, promising to bring diners back to Hollywood's golden age.
In a city as steak-heavy as Dallas, there's plenty of room to color outside the usual red-meat-and-mahogany box, and the team behind Evelyn didn't want to create another stuffy steakhouse, ICRAVE design manager Lisa Johnson tells Eater Dallas. Instead, they wanted a restaurant that exuded 'striking feminine energy,' offering a vibey dining experience with good music and space to dance. So Dallas-based Reach Hospitality, the group behind the Mexican, Black Tap, and Pie Tap, hired ICRAVE, the firm responsible for big-name restaurants including Catch and STK, to rethink the classic steakhouse experience. In this case, that translated into a lot of soft upholstery, blush tones, and artwork featuring women — some portraits depicting faces, others snapshots of clothed bodies dancing, clinking glasses, and crossing their legs.
The goal for the menu was to capture the essence of classic Hollywood steakhouses, with steaks, seafood, martinis, and wine. But how does Evelyn's substance stack up to its style? Eater Dallas paid the Design District restaurant a visit to find out. The Vibe
Evelyn is more than just the name; it's an homage to a fictional Hollywood starlet, Johnson says. 'We developed the persona around Evelyn,' she explains. 'You're never fully exposed to her identity, but you get hints of her throughout the space,' which features three separate rooms and a choose-your-own-adventure feel.
Enter through the Ruby Room, a red and gold bar area that welcomes diners with tables flanking an oval-shaped bar. The Piano Room, a more subdued dining area featuring an actual piano, welcomes diners with inviting rose-colored banquettes and soft music playing on the sound system. Photographs line the walls depicting a coquettish Evelyn, or parts of her — a leg in one shot, lips in another. Room Seven, the most high-energy space, features a dining area with a separate bar, a massive disco ball hanging overhead, and room for people to drink, mingle, and dance.
From its multi-room setup to the music and design, Evelyn is built for fun and photos. When my wife and I visited at 8 p.m. for dinner on a Friday around six weeks after its opening, the bar buzzed with people, and nearly every table was full. Women noticeably outnumbered men, with several groups seemingly there to celebrate bachelorette parties or birthdays. Others seemed to be there to simply enjoy the ambiance as they sipped cocktails, dined on oysters and steak, and snapped photos. Some, however, looked lost. At one point, three men in polos wandered up to the bar, ordered beers, and exchanged confused glances, perhaps realizing this wasn't the scene they imagined. They slipped out after one drink.
A return visit a couple of weeks later with some friends on a Saturday night found a similar crowd. The restaurant was full from end to end, and as the night drew on, more people made their way onto the dance floor, swaying their bodies to the loud but not conversation-killing combination of '70s and '80s beats. The Food
Given the notably untraditional vibes, Evelyn feels more like a restaurant with a lot of steak than an actual steakhouse. We started with a half-dozen fresh and briny oysters paired with a trio of sauces: Champagne mignonette, cocktail sauce, and sinus-clearing horseradish. Next up were the wagyu cheesesteak bites. Evelyn's playful take on a Philly cheesesteak was topped with melty Provolone Mornay, caramelized onions, and black truffle shavings and served with a side of pickled peppers that brightened the rich flavors. Though the cheesesteak bites were a hit, the dish was so filling that splitting the two mini sandwiches and still ordering steaks afterwards might have been too ambitious.
The BLT wedge salad was crisp and comforting — exactly what you want when ordering a salad that barely qualifies as a vegetable. For entrees, our waiter suggested the spinalis (rib-eye cap), a cut that rarely appears on Dallas menus. Cooked to our preferred medium rare, the steak was tender and juicy. We paired it with the prawn primavera, a pasta dotted with olives, tomatoes, capers, and artichokes. The menu didn't mention the buttery sauce, so it was richer than expected, but the linguine and prawns were cooked just right.
Not everything was a winner. Despite my high threshold for salt, our side of asparagus was so coated in seasoning that we had to scrape it off to eat it. The Chocolate Decadence dessert, studded with crunchy chocolate pearls, was gorgeous when it hit the table, but once the server broke it open with a knife and drizzled chocolate sauce on top, it lost its visual appeal, looking less like a dessert and more like a mound of dirt. The flavor was chocolatey and decadent as described, but that was the only note it hit. The Drinks
Martinis are a hallmark of the drinks menu, which includes a Vesper, an espresso martini, and a signature house martini. This cold, clean, and well-balanced sip features a combination of gin, vermouth, and a complementing dash of white balsamic vinegar. During my visit, it was presented on a tray with an empty glass, an ice bowl with a mini carafe nestled inside, and two garnishes — lemon peel and olives.
In a show of unexpected hospitality, the bartender replaced my glass with fresh ice-cold stemware when I was halfway through with my drink, ensuring the last few sips were as frosty as the first. If you want to splurge, the Price of Fame is the most indulgent martini on the menu. Made with saffron-infused Nolet's Reserve gin, dry vermouth, black truffle bitters, and caviar-stuffed olives, this cocktail costs a cool $150, reasonable considering the pricey gin and accoutrements. It's still an exercise of excess, of course, but arguably more fun and interesting than paying $150 for a glass of wine or scotch.
Diners can also expect riffs on original cocktails, including the margarita and Old Fashioned, plus around 20 wines by the glass, plenty more in bottles, and a few beers. The Verdict
Evelyn's is by no means a cheap night out, but apart from obvious splurges like caviar and that extra-fancy martini, the costs are in line with other upscale restaurants and steakhouses in Dallas. While the restaurant's particular brand of energy might not be for everyone, it's an undeniably fun place to celebrate. If you enjoy glamorous crowds, high-end vibes, and you don't mind a few selfies around your steak, Evelyn belongs on your list.
Sign up for our newsletter.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Times
2 hours ago
- New York Times
Dr. Phil's Road From Oprah to ICE Raids
My session with Dr. Phil had reached an impasse. About three hours in, seated inside the Dallas mega-mansion where he is steering his herky-jerk transition from daytime TV behemoth to MAGA-friendly newsman, the once-licensed psychologist was giving no ground on what seemed to me an obvious point. 'I don't think I'm qualified to talk about politics,' he said, steepling his fingers in contemplation. And so, he insisted, he really hadn't. This was difficult to square with recent events. In the last two years, Dr. Phil (surname: McGraw) had ended his flagship talk show and created his own news and entertainment network, trafficking daily in conservative-coded subjects — 'Dr. Phil: The Hidden Gem in Trump's 'Big Beautiful Bill,'' 'Dr. Phil Investigates: Are Schools Secretly Transitioning Your Child?' — in an unswerving crusade against 'the woke left.' He had spoken glowingly of President Trump as an invited guest at Mr. Trump's Madison Square Garden campaign rally, at a White House faith event and at a recent Texas flood briefing, where the president interrupted himself after spotting Dr. Phil — 'There's Dr. Phil. Look at Dr. Phil. You're looking good, Phil. This is a hell of a situation, isn't it?' — and later asked him to address the bereaved. Want all of The Times? Subscribe.
Yahoo
3 hours ago
- Yahoo
Dallas Cowboys Star CeeDee Lamb 'Destroyed' By NFL Official On The Sideline
Dallas Cowboys Star CeeDee Lamb 'Destroyed' By NFL Official On The Sideline originally appeared on The Spun. Even the sidelines don't seem to be safe for Dallas Cowboys players as they try to stay healthy during the preseason. Cowboys star wide receiver CeeDee Lamb was not dressed for today's preseason game between Dallas and the Los Angeles Rams. But he probably should have known better than to get close to the field of play in the middle of the action. During a Cowboys defensive play, Lamb started celebrating on the sideline in the middle of the play. But he turned his back on the field, not noticing that one of the sideline officials was running up to follow the play. The official had his eyes on the play and did not notice Lamb. So when the official collided with Lamb, both of them were sent sprawling onto the ground at SoFi Stadium. Take a look: Reaction Fans immediately started making fun of the Cowboys over that little incident: "Jerry Jones is about to crash out," NFL insider Josina Anderson joked. "This is perfection. The hit, the way the hat flies off, how he and the ref fall down. I can't stop laughing at it," another user wrote. "I seriously can't stop laughing," wrote a third. Cowboys fans, who have been through the wringer this offseason, were overwhelmed in the opposite way: "Imagine not being a fan of the Dallas Cowboys. Imagine not having the most Not Normal things happen to your team on a daily basis. That must be so stable and soothing," one Cowboys fan lamented. "First 'only the Cowboys' of the year." "Cowboys in a nutshell." An offseason from hell It's been an offseason to forget for the Dallas Cowboys, that's for sure. It all started with the team parting ways withe head coach Mike McCarthy after a disappointing season that saw numerous starters miss significant time with injuries. That was then followed by a very unusual coaching search that culminated in owner Jerry Jones promoting offensive coordinator Brian Schottenheimer to head coach. The free agency period was lackluster. The draft was useful, but hardly roster-changing. Trades were aplenty. Then training camp arrived and so did Micah Parsons... for a while at least. The all-world pass rusher has been in a contract dispute with the team since the beginning of the offseason. That dispute culminated with Parsons' recent request for a trade and a staring contest between himself and Jones over who will blink first. Things could very easily get worse in Dallas before they get better. If this play didn't exemplify that, nothing will. Dallas Cowboys Star CeeDee Lamb 'Destroyed' By NFL Official On The Sideline first appeared on The Spun on Aug 10, 2025 This story was originally reported by The Spun on Aug 10, 2025, where it first appeared.


NBC News
a day ago
- NBC News
Cash's decline gives buskers the blues, but apps keep the green flowing
Natalia Paruz, who serenades straphangers with her musical saw, isn't getting the tips she used to. That was clear on a recent Thursday at the Herald Square station in midtown Manhattan, her gold-colored tip bucket only showing a couple dollar bills and some coins halfway through a three-hour performance during the afternoon rush. 'I have so many people who come to me and say to me, 'I love your music, I want to give, but I'm sorry, I don't carry cash,'' said Paruz, who calls herself the Saw Lady. That's led her to display QR codes for digital payment apps Venmo and PayPal for commuters to send her digital tips. The decline in cash payments is changing business for street performers. With the cash in their tip jars or guitar cases dwindling, magicians and musicians are turning toward digital payments to make money from performing. Nearly half of U.S. adults never use cash in a typical week, according to research from Capital One. Nearly 70% of Americans used cash for 'few if any' purchases in the past year. A vast majority, 87%, of all U.S. transactions were cashless in 2024, and the bank anticipates that by 2027, 94% of U.S. transactions won't involve cash. Cash still reigns among older and low-income Americans, Yale economist David Argente said. Americans ages 55 and older use cash at almost double the rate of 18- to 24-year-olds, according to Federal Reserve data. There's no large-scale data on how people in the United States pay street performers, though the Federal Reserve indicates they are most likely to use cash for payments under $25. Paruz and other performers say busking still mostly draws hard money. Paruz said 70% of her tips still come from cash. New York blues keyboardist Gabriel Aldort, who plays in the city's subways and ferry terminals, said only 5% of his tips are digital. Aldort puts up 'huge' QR codes for apps like CashApp and Venmo, but says his subway audience doesn't get much use out of them. 'I think the vast majority of New Yorkers, even counting the transients, the tourists, have cash,' he said. But performers have noticed that an increasing amount of their tips come from payment apps. Chadd 'Wacky Chad' Deitz, a Boston-based stunt comedian who does backflips off pogo sticks in Northeast cities, has been experimenting with digital payments for 12 years. He now thinks 30% to 40% of his tips come that way. 'If you don't accept digital payments, then you're not going to survive,' Deitz said. Digital payment apps aim to be more 'trusted, familiar, and easy-to-use' ways for gig workers like buskers to make money, Venmo general manager Alexis Sowa said in a statement. A Cash App spokesperson did not respond to a request for comment. But while performers say digital tipping is convenient, it has also affected how much audiences tip — and not necessarily for the better, said Danny Tangelo, a traveling magician who performs across Western states. He's found cash tips are often higher than digital tips. Digital payments also lack visibility: Deitz thinks people are encouraged to drop in cash or change when they see others do it. 'I do think that there is a little bit of psychology of people walking forward and saying, 'Thank you,' because they might see the QR code from far away, they might have tipped midshow and then walk away,' Deitz said. 'But then people that didn't pay see those people walk away, and they go, 'Well, I guess it's acceptable to walk away.'' For Paruz, digital payments make busking less personal: Audiences keep their distance rather than coming up to her and dropping in a tip. Cash 'fostered communication,' she said. 'People would stop and talk to us.' Apps like Venmo and Cash App also take a small cut of money received for goods and services, which adds up when performers are processing large amounts of digital payments. An alternative is a nonprofit, busker-specific payment site that allows performers to receive tips via Apple Pay, Google Pay and credit card. Berlin-based filmmaker Nick Broad started building the site in 2012 while working on a documentary about street performers. He says digital payments help make sure that buskers get paid what they're worth. 'It's as easy to give a million dollars as $1 on a cashless payments platform,' Broad said. 'You might think that it's worth $89, $10, $15, whatever, which is not the same when you're getting cash out of your wallet and you're fumbling around for change.' But Broad says fewer performers have taken up in the United States compared to countries like the United Kingdom, Canada and Australia. He says that could be because apps like Venmo or Cash App are more mainstream here. Although digital payments have helped buskers make up for a decline in cash tips, performers are still struggling. Paruz says she makes less from cash and digital tips than she did when she began performing in the 1990s, while Deitz has hit all-time lows for payment at multiple performances this year. Broadly, Americans are tired of tipping. A survey this spring found more than 40% of Americans think 'tipping culture is out of control.' That has meant many tipped workers in other industries have seen their tips dip. Besides, with the rising costs of housing and food, if audiences want to save money, 'they're going to do it watching a street performer,' Deitz said. That means performers like him don't care how you pay them — as long as you pay. A $2 tip, Deitz said, isn't going to 'sustain a white picket fence and two kids.' For magician Tangelo, though, cash has one additional benefit. 'I have a trick where money appears inside fruit,' he said. 'You can't do that with Cash App or Venmo.'