kate spade new york's Newest Campaign Starring Ice Spice and Charli D'Amelio Celebrates Those Who Friend Fiercely
Article content
Putting friendships center stage, the brand's SS25 campaign, 'To the Ones Who Carry Us,' celebrates those who – just like the brand's signature Deco handbag – carry us through life.
Article content
Article content
NEW YORK — kate spade new york today unveils its Spring/Summer 2025 global brand campaign, ' To The Ones Who Carry Us,' starring Grammy-nominated Artist, Ice Spice, and dancer and multi-faceted social media star, Charli D'Amelio. Introducing a bold, seasonal campaign that embraces a fresh aesthetic to connect to younger audiences, the campaign celebrates the universal roles friends play in a girl's life with creative scenes that bring modern, relatable energy to the brand.
Article content
'This campaign is a vibrant love letter to the friends who shape a girl's life,' said Eva Erdmann, CEO and Brand President of kate spade new york. 'Since joining the brand, we've been exploring new meaningful ways to connect with a younger audience. In a world where digital interactions often overshadow genuine connections, the profound bond of friendship becomes, more than ever, an indispensable anchor. kate spade new york's latest campaign celebrates fierce friends: the ones who show up, have your back, and brighten the everyday. As Kate Spade herself once said, 'A good friend is like the perfect handbag – always by your side, effortlessly lifting your spirit, and making every adventure a little more fabulous. ' '
Article content
Starring Ice Spice—known for her fearless authenticity—and Charli D'Amelio—celebrated for her ability to resonate with her audience— kate spade new york's latest campaign spotlights the Deco Chain Shoulder Bag in two new seasonal colorways. Set in a vibrant cityscape, the film captures the energy of Gen Z's bold, fast-moving lives—and the fierce friends who carry them through it all. At the center is Deco: a versatile essential that seamlessly transitions from day to night, casual to polished, proving one bag can do it all. From the post-breakup pep talker to the friend group unifier, the campaign celebrates those who show up, stand out, and make every moment count.
Article content
Erdmann continued, 'We celebrate the many facets of friendship, honoring the unique qualities that make every friend group special. Like the friends who carry us, the Deco handbag from kate spade new york takes center stage—symbolizing simplicity, functionality, and versatility as the perfect companion to your life.'
Article content
'Growing up in New York, I've always been a fan of kate spade and their iconic designs. This campaign was exciting to me because it's all about celebrating friendships,' says Ice Spice. 'My friends mean everything to me—they keep me grounded, especially my sister and cousins. They're the ones I call when I'm homesick, when I'm hyped, or when I just need to be reminded of who I am and where I came from.'
Article content
'I'm so excited to partner with kate spade new york,' says Charli D'Amelio. 'I've loved the brand for years, especially how its modern designs allow me to express my own personal style. I think it's really cool to see how this campaign celebrates the power of friendship and the joy it brings. It makes me think of the lifelong friendships I have that started as a child, growing up, going to school together, being in the same dance company, or new friends I've met through work or moving to new cities – I am so grateful to have had the amazing opportunity of forming friendships with new people along the way.'
Article content
The Deco handbag steps boldly into the spotlight, reimagined for the season in standout Spring/Summer colorways—Blue Multi Denim, Jungle Vine, Pistachio, Sweet Cream and Apricot Cream. A modern expression of kate spade's design DNA, Deco fuses clean lines, minimalist form, and effortless, everyday luxury. It's made for the one who carries more than just her essentials—she carries her world, and often, everyone else's too.
Article content
The Spring/Summer 2025 collection is now available to shop with new styles continuing to roll out through spring and summer both in stores and online. The campaign will be revealed on kate spade new york's channels beginning April 30.
Article content
Credits:
Director: Henry Scholfield
Photographer: Micaiah Carter
Creative Strategy: Mandai Loop
Creative Agency: Marcel
Stylist: Emmanuelle Youchnowski
Producer: Olivier Dubocage
Production Design: Mark Connell
Music : Laurent Cuenca, Fiesta Piñata, BMG Production Music France
Hair: Jacob Aaron Dillon (Ice Spice), Laura Polko (Charli), Cheryl Marks
Makeup: Luz Alicia Giraldo Nogues (Ice Spice), Liv Madorma (Charli), Stella Tzanidakis
Nails: Brittney Boyce (Charli)
Article content
Since its launch in 1993 with a collection of six essential handbags, Kate Spade New York has always stood for color, wit, optimism, and femininity. Today, it is a global lifestyle brand synonymous with joy, delivering seasonal collections of handbags, ready-to-wear, jewelry, footwear, gifts, home décor and more. Known for its rich heritage and unique brand DNA, Kate Spade New York offers a distinctive point of view, and celebrates communities of women around the globe who live their perfectly imperfect lifestyles. Kate Spade New York is part of the Tapestry house of brands.
Article content
Article content
Article content
Article content
Article content
Article content
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Winnipeg Free Press
11 hours ago
- Winnipeg Free Press
Slick Rick returns after 26 years with ‘Victory' album and proves hip-hop storytelling still reigns
LOS ANGELES (AP) — Hip-hop legend Slick Rick is proving his creative spark is far from fading. The English-born rapper — known for his signature eye patch and masterful storytelling — returned to the booth with his first new project in nearly three decades. He's reminding the world of his timeless rap prowess on his visual album, 'Victory,' released Friday. It marks Slick Rick's first album since 1999's 'The Art of Storytelling.' This new project is largely self-produced, with the rapper handling 95% of the production and sharing executive producer duties with Emmy-nominated actor and occasional rapper-DJ Idris Elba, who appears on the album alongside Nas, Giggs and Estelle. 'You was a young adult, then a middled aged man and now you're an older man, so my mentality has to grow with it,' said Slick Rick, known for his rap classic such as 'Children's Story,' 'La Di Da Di' with Doug E. Fresh and 'Mona Lisa.' His debut album, 'The Great Adventures of Slick Rick,' in 1988 hit No. 1 on the Billboard R&B/hip-hop charts. 'Victory' was four years in the making, with Slick Rick, now 60, writing and recording the album between his birthplace of London then France, while the visuals were filmed in the United States, United Kingdom and Africa. Slick Rick believes his voice still resonates in hip-hop. He said the subjects he tackles have grown with him. 'Can't always be children all the time,' he said. 'We grow and talk about things that interest us at this age.' In a recent interview, Slick Rick spoke with The Associated Press about how storytelling plays a role in today's rap, his relationship with Elba and how hip-hop has no limitations. Remarks have been edited for clarity and brevity. AP: How did you and Idris hook up? SLICK RICK: We met at a party and then we clicked. His people reached out to me, and they wanted to make an album. They flew me to England and France. I hung out with Idris at his cribs, and we just did what we do. We just had fun, And then when we was finished, we said, 'Yeah, we're ready to bring it to the marketplace.' AP: Did you ever feel hesitant stepping back into the spotlight, or did this album feel like destiny? SLICK RICK: It might've been a little hesitation, but you're just having fun. We just bringing it to the marketplace and see what happens. There's no pressure or nothing. We're bringing it to the people to see if they like it. Feed them. AP: When did you feel like this project was ready for public consumption? SLICK RICK: When we were in the studio with Idris doing our thing, I checked the reactions of people. But then I saw people in their happy place. Once I saw that, I'm good. I see him and his people's happy. A little dancing. Popped a little Moet. We were having a good time. AP: You blended hip-hop melodies with various sounds including reggae and house music. What was your vision behind this musical approach? SLICK RICK: It's what Black people like. We're not just hip-hop. We like reggae. We like house music. Let's say like the Beatles or Barry Manilow. We go all over the place. Dionne Warwick, Diana Ross. We go places. We try to entertain ourselves in different areas of existence. AP: What made you go the visual album route? Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. SLICK RICK: It was saving time. People make songs and do videos anyway. So why not just speed this up real quick? Video and rap both at the same time. Boom, let's keep it moving. … This is like watching a movie. You want to expand the picture. Not only do you hear my voice and the music, which is the essence. You get … visual picture as well. AP: You produced the bulk of the album. Why did you decide to go that route instead of enlisting other producers? SLICK RICK: In my creative process, I need to have a lot of input or it's not going to be authentic Rick. Too many hands, it's not going to pop. So many hands is going to distort stuff. I do my own music most of the time. AP: What's the importance of rap storytelling in 2025? SLICK RICK: It's an open space. It hasn't been filled, the whole storytelling thing. Before it gets too lost back into braggadocios, one frequency. Expand your horizons. You don't always have to be rough. Be romantic. Be humorous. Be vulnerable. Go all over. Be a politician. Use your imagination. Go places, so we can take stories and give to our people's imagination.


Cision Canada
18 hours ago
- Cision Canada
FIFA CLUB WORLD CUP 2025™: A VIBRANT OPENING CEREMONY KICKS OFF A NEW ERA FOR GLOBAL CLUB FOOTBALL
MILAN, June 13, 2025 /CNW/ -- Saturday 14 June at 7:15pm local time, the Hard Rock Stadium in Miami will explode with energy, colour, and football passion with a show featuring Latin rhythms and rap vibes. Following the FIFA World Cup 2022™ in Qatar, FIFA has once again selected the acclaimed Olympic producer Balich Wonder Studio to creatively partner in the production of the Opening and Closing Ceremonies for the FIFA Club World Cup 2025™. This groundbreaking new tournament will feature 32 elite teams from all six confederations. It will culminate in what promises to be a spectacular final at New York New Jersey's MetLife Stadium on Sunday, 13 July. Under the leadership of Ceremonies wizard Marco Balich, the creative team has enlisted some of America's top talents. Among them is Grammy-winning producer Emilio Estefan, who will present Vikina and Richaelio for a powerful performance featuring Latin rhythms and movement. Global stars French Montana and Swae Lee will take the stage with a high-energy performance that pays tribute to the global spirit of football. The show, conceived by Artistic Director Carlos Navarrete Patiño around the concept of "A new era begins," is a journey with 117 performers that brings together some of the best creatives and artists in the entertainment field, such as Heather Shaw, Sooner Routhier, Shelagh O'Brien, Michael Peña, and Marina Toybina. Marco Balich, Chairman of Balich Wonder Studio, stated: "After the FIFA World Cup Ceremony in Qatar, we are thrilled to support FIFA once again. It's a new chapter that brings together the teams representing all six footballing continents in a competitive tournament. We are very proud to be part of this event." ABOUT BALICH WONDER STUDIO Balich Wonder Studio is an integrated entertainment Group that conceives, produces, and delivers live experiences, from large scale Ceremonies to immersive shows, from brand events to destination experiences. They believe in the power of emotion to generate wonder and create unforgettable memories, creating lasting value from unique creativity and impeccable execution. The Group, operating in Europe and the Middle East, it's driven by a talented multi-cultural team of more than 280 people from 20 countries. In 2023, the majority stake in Balich Wonder Studio was acquired by media and entertainment powerhouse, Banijay.


Winnipeg Free Press
20 hours ago
- Winnipeg Free Press
Sweet bite of life
Animated documentaries are hardly new. The 2008 Oscar-nominated film Waltz with Bashir was a fine early example, a dark and compelling depiction of the 1982 war in Lebanon from the vantage point of director Ari Folman, whose fractured memories of the event suggest a PTSD-induced defence mechanism. Folman's animation was dramatic, dark and surreal, but it also served to put a indelible pictures to events that were largely erased from history. Endless Cookie Ontario Inc. The film bounces between Shamattawa in northern Manitoba and Toronto in the 1980s and '90s. A 'toon documentary in the mould of Endless Cookie, however, is something that feels new. Directed by half-brothers Seth and Peter Scriver, it's a freewheeling trip that bounces between the First Nations community of Shamattawa in northern Manitoba and Toronto in the 1980s and '90s, specifically zeroing in on the funky downtown neighbourhood of Kensington Market. Seth Scriver, who made the animated 2013 road movie Asphalt Watches, was inspired to make the film by his older brother Peter, whom Seth describes as one of the best storytellers in the world. The best storytellers don't always stay strictly true. So it is here, where we see Seth securing funding money from the NFG (it stands not for 'No f—-ing good,' Seth says). The NFB — National Film Board — did not finance the film. The cartoon Seth flies to Shamattawa and attempts to lay down the requisite clean audio track of Peter's various reminiscences. But because Peter shares a house with nine kids and a couple of dozen dogs, clean audio is a dream akin to world peace … or a Maple Leafs Stanley Cup win in our time. They abandon clean audio and a planned two-year timeline and go with the flow. The constant interruptions by the kids become part of the film's loosey-goosey texture. Indeed, the interruptions occasionally play front and centre, allowing Peter's offspring to shine on their own. Endless Cookie Ontario Inc. Peter Scriver travelled to Shamattawa to interview his brother Peter, but getting clean audio was impossible. The process of making the film, almost entirely animated by Seth, ultimately takes nine years. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. The key to understanding the film rests in the Kensington Market, where the brothers' dad operated a funky second-hand shop. This would seem to be the source of the film's hippy esthetic, not just pertaining to animation (reminiscent of underground comic artist Kim Deitch), but to the whole narrative thread, which proceeds in the desultory manner of a stoner on a constantly interrupted mission. And yet, a discipline is at work here. The Scrivers touch on serious themes, especially pertaining to injustices done to Indigenous people, but the tone stays philosophical, funny and affectionate. The two main locales, Shamattawa and Kensington Market, could not be more different. One is remote, one is urban, but they reflect off each other in interesting ways. Each has a cavalcade of colourful characters and each yields a stream of oft-hilarious stories. If a harmony exists between those two places, the film suggests, there is hope for the entire country. Endless Cookie Ontario Inc. It took nine years for Peter Scriver to animate the feature. Randall KingReporter In a way, Randall King was born into the entertainment beat. Read full biography Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.