‘Sinners' Ending Explained: Smoke and Stack's Fates After the Vampire Brawl and That Post-Credits Cameo
SPOILER ALERT: This story contains plot details, including the ending, of Ryan Coogler's 'Sinners,' now playing in theaters.
Who survived their dance with the devil in Ryan Coogler's 'Sinners'?
More from Variety
Box Office: 'Sinners' Makes $4.7 Million in Previews
Ryan Coogler Dissects 'Sinners': How the Blockbuster Filmmaker Reinvented the Vampire Movie on a Near-Impossible Timeline
New Movies Out Now in Theaters: What to See This Week
The period thriller takes place over one hog-wild, then harrowing day and night in October 1932, as the Smokestack twins — Smoke and Stack, played by Michael B. Jordan — return to their hometown in the Mississippi Delta to open a juke joint.
The first half of Coogler's 2 hour and 17-minute sultry and scary opus is largely dedicated to Smoke and Stack's preparations for the party, beginning with securing a venue. The twins, who've made some cash working in Chicago for Al Capone, buy an old sawmill from a condescending white man named Hogwood (David Maldonado), who promises the KKK is no longer around these parts, so they won't be bothered.
Then, they recruit their cousin Sammie (newcomer Miles Caton), the son of a preacher and sharecropper who yearns to become a blues musician, for the evening's entertainment, as well as a cast of local characters to work the party. Among them are Annie (Wunmi Mosaku), who is Smoke's estranged love and a Hoodoo conjurer; Delta Slim, a local pianist with a penchant for boozing; shopkeepers Grace and Bo Chow (Li Jun Li and Yao); Pearline (Jayme Lawson), a singer whom Sammie takes a liking to; and Cornbread (Omar Miller), who works the door. Mary (Hailee Steinfeld) is Stack's ex and a multiracial woman who can pass as white; she's not explicitly invited, but this is her community too, so she shows up anyway.
The movie was inspired by his late Uncle James' love of the blues, Coogler told Variety, and he got the idea for the premise from an famous old tune called 'Wang Dang Doodle.'
'The song is the story of a group of people in a small community throwing a party. They all have nicknames that imply that they're gangsters,' Coogler explained. 'I was like, 'Oh, wouldn't it be cool if I made a one-day movie — which is more my favorite type of movie — where it's this group of people, and everybody who they get together is dangerous, but they meet something that's more dangerous than they could ever imagine.'
Indeed, the twins' party is rockin', but there's danger lurking in the form of Remmick, an Irish-immigrant vampire who is attracted to Sammie's otherworldly talent.
In a series of unfortunate events, first Mary, then Stack and most of the attendees at the party are converted to Remmick's horde of vampires and the survivors — Smoke, Sammie, Annie, Delta Slim, Pearline and Grace — must fight to survive the night. After arming themselves with wooden stakes, cloves of garlic and a few other anti-vampire protections, they're prepared for a bloody final battle.
It's a gory sequence with lots of staking and blood spurts, and by the end, it's Smoke and Sammie against Remmick and the remaining mob. They're saved by the rising sun, with a fortuitous assist by Sammie's trusty guitar. But there's no time to revel in their victory — Smoke sends Sammie home, because Remmick warned them that the Klan is coming.
When Hogwood and his merry band of racists arrive at the sawmill at dawn, they expect to catch the twins unaware. But they were prepared for trouble, with a stash of heavy artillery just in case things got hairy. Smoke picks his attackers off one by one, with military precision. If nothing else, he'll go out in a blaze of glory. Smoke is ultimately successful in the mission, but he's also been struck by a bullet. It's still a happy ending, though, as he has a vision where he's reunited with Annie in the afterlife and gets to hold their baby daughter in his arms again.
Meanwhile, a bloodied Sammie drives the twins' car back to his father's church and limps inside. There, he's faced with a choice: After all that's happened, is he ready to give up these secular pursuits once and for all? Not a chance.
The film's final scenes chronicle what happens over the next 60 years, up until October 16, 1992, with Sammie now played by legendary Blues musician Buddy Guy. Sammie has lived a long life, and most importantly, has realized his dream of becoming a traveling musician. (His band is named Pearline's after his first love.)
But that's not where Sammie's story ends.
As Sammie enjoys a drink at the bar after that night's show, he's visited by ghosts of the past: Stack and Mary.
The ageless couple waltz in, dressed in their '90s finest, and the audience learns that they also survived the night. Smoke spared Stack's life after making him promise to let Sammie live out his and the couple fled to safety before the rest of the town was scorched by the sunrise.
Now, they've returned with an offer. Stack can sense that death is coming for the old man. 'I can make it so you can stick around,' he says. But Sammie is content with the time he's had and declines. Stack has another request: to hear Sammie perform some old-school blues for them, one more time.
Sammie obliges, then confesses he still has nightmares about what happened in 1932. But, he says, before the sun went down, it was the best day of his life. Stack agrees wholeheartedly because it was the last time he saw his brother and because, for a few hours, they were all free. Then the couple vanish into the night.
Coogler told Entertainment Weekly that the credits scene was particularly emotional to shoot because it reminded him of his Uncle James. 'I broke down crying in tears because I realized that this whole movie was about that,' the filmmaker said. 'It was about me not having a chance to say goodbye to my uncle.'
This sequence, which comes at the very end of the reel, is short and sentimental. It features a young Sammie singing 'This Little Light of Mine' and strumming that old guitar, innocent before that fateful night.
Best of Variety
New Movies Out Now in Theaters: What to See This Week
What's Coming to Disney+ in April 2025
The Best Celebrity Memoirs to Read This Year: From Chelsea Handler to Anthony Hopkins
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
12 hours ago
- Yahoo
Ryan Reynolds and Colin Hanks' Documentary ‘John Candy: I Like Me' to Open Toronto Film Festival's 50th Edition
'John Candy: I Like Me,' a documentary from director Colin Hanks and producer Ryan Reynolds, will open the 50th edition of the Toronto International Film Festival. It's set to screen on Sept. 4 at Roy Thomson Hall. Candy was a Toronto-born comedian who rose to fame on Canada's sketch comedy show 'SCTV' and went on to star in films such as 'Spaceballs,' 'Uncle Buck,' 'Planes, Trains and Automobiles,' 'National Lampoon's Vacation' and 'Little Shop of Horrors.' He unexpectedly died of a heart attack at age 43 in 1994. More from Variety 'The Shadow Scholars,' Executive Produced by Steve McQueen, Debuts Trailer Ahead of North American Premiere at Tribeca (EXCLUSIVE) Bill Murray to Topline Second Annual Croatia International Film Festival (EXCLUSIVE) 'Welded Together' Acquired by Lightdox Ahead of Sheffield DocFest Premiere (EXCLUSIVE) 'Comedy fans all over the world grew up on John Candy's humor,' said Cameron Bailey, CEO of TIFF. 'We love that John's global career started in Toronto. Colin Hanks has made a hugely entertaining film packed with some of Hollywood's biggest stars, but like John, this movie is all heart.' 'John Candy: I Like Me' presents an unvarnished look at the funnyman's life on and off camera, featuring home videos and candid interviews with his family, friends and collaborators. According to the official logline, 'it's the story of a son, husband, father, friend, and professional driven to bring joy to audiences and loved ones while battling personal ghosts and Hollywood pressures.' Amazon MGM is backing the film, which will debut on Prime Video in the fall. 'When you hear the name John Candy, your face lights up. He wasn't just a great actor; he was an even better person,' Hanks and Reynolds said. 'People loved his everyman qualities, but they didn't know how relatable John really was. He went through the same struggles we all do, except now we talk about them. We are incredibly honored to have gotten to know the man better through this process and to bring the real John Candy to audiences starting with his hometown of Toronto.' Other than the opening night film, TIFF's lineup hasn't been released. This year's festival will take place from Sept. 4 through 14. Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?
Yahoo
12 hours ago
- Yahoo
Justin Baldoni to ‘March Forward' With Blake Lively Legal Battle After $400 Million Defamation Suit Thrown Out: Facts Are ‘on Our Side'
Justin Baldoni plans to keep at his legal battle with 'It Ends With Us' co-star Blake Lively after a judge dismissed his $400 million defamation lawsuit against her and her husband, Ryan Reynolds. 'Ms. Lively and her team's predictable declaration of victory is false, so let us be clear about the latest ruling,' Baldoni's lawyer Bryan Freedman said in a statement to Variety. 'While the court dismissed the defamation related claims, the court has invited us to amend four out of the seven claims against Ms. Lively, which will showcase additional evidence and refined allegations. This case is about false accusations of sexual harassment and retaliation and a nonexistent smear campaign, which Ms. Lively's own team conveniently describes as 'untraceable' because they cannot prove what never happened.' More from Variety Judge Throws Out Justin Baldoni's $400 Million Defamation Suit Against Blake Lively Judge Rules Blake Lively's Emotional Distress Claims Against Justin Baldoni Are Officially Dead Blake Lively Abandons Claims Against Justin Baldoni of Infliction of Emotional Distress Freedman's statement continued, 'Most importantly, Ms. Lively's own claims are no truer today than they were yesterday, and with the facts on our side, we march forward with the same confidence that we had when Ms. Lively and her cohorts initiated this battle and look forward to her forthcoming deposition, which I will be taking. We are grateful for the organic show of support from the public and for the dedication of the Internet sleuth community who continue to cover the case with discernment and integrity.' On Monday, a judge tossed out the entire lawsuit filed by Baldoni that accused Lively and Reynolds of extortion and other claims. Judge Lewis J. Liman, who found that Lively's accusations of sexual harassment were legally protected and therefore immune from suit, allowed Baldoni to amend and refile a couple of allegations regarding interference with contracts. Baldoni's lawsuit against The New York Times, which Baldoni claimed had conspired with Lively and Reynolds to destroy his career with false allegations, was also dismissed. 'As we have said from day one, this '$400 million' lawsuit was a sham, and the court saw right through it,' Lively's lawyers said on June 9 after the dismissal. 'We look forward to the next round, which is seeking attorneys' fees, treble damages and punitive damages against Baldoni […] and the other Wayfarer Parties who perpetrated this abusive litigation.' Lively has sued Baldoni in federal court for sexual harassment and retaliation, alleging the director and producers of 'It Ends With Us' launched a smear campaign against her after she complained about the conditions on the film's set. A trial on Lively's complaint against Baldoni and his company, Wayfarer Studios, has been set for March 2026. Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week
Yahoo
12 hours ago
- Yahoo
Judge Throws Out Justin Baldoni's $400 Million Defamation Suit Against Blake Lively
A judge on Monday dismissed Justin Baldoni's $400 million defamation claim against Blake Lively and Ryan Reynolds, finding that her accusations of sexual harassment were legally protected and therefore immune from suit. Judge Lewis J. Liman dismissed Baldoni's entire lawsuit — which also alleged extortion and other claims — but allowed him to amend and refile a couple of allegations regarding interference with contracts. More from Variety Judge Rules Blake Lively's Emotional Distress Claims Against Justin Baldoni Are Officially Dead Blake Lively Abandons Claims Against Justin Baldoni of Infliction of Emotional Distress Taylor Swift Excluded From Baldoni-Lively Narrative, as Subpoena Is Withdrawn 'Today's opinion is a total victory and a complete vindication for Blake Lively, along with those that Justin Baldoni and the Wayfarer Parties dragged into their retaliatory lawsuit, including Ryan Reynolds, Leslie Sloane and The New York Times,' Lively's lawyers said in a statement. 'As we have said from day one, this '$400 million' lawsuit was a sham, and the Court saw right through it. We look forward to the next round, which is seeking attorneys' fees, treble damages and punitive damages against Baldoni, Sarowitz, Nathan, and the other Wayfarer Parties who perpetrated this abusive litigation.' Lively has sued Baldoni in federal court for sexual harassment and retaliation, alleging that he and the producers of 'It Ends With Us' launched a smear campaign against her after she complained about conditions on the set of the film. Baldoni brought the defamation claim against the New York Times, Lively, Reynolds, and their publicist, alleging that they had conspired to destroy his career with false allegations. In his ruling on Monday, Liman found that initial claims — first made in a complaint to the California Civil Rights Department and shared with the Times — were covered by the litigation privilege, which immunizes legal claims from defamation actions. The Times' reporting on the claims was also protected under the 'fair report' privilege, which allows media outlets to cover legal proceedings without incurring defamation liability. Best of Variety 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Animated Program — Can Netflix Score Big With 'Arcane,' 'Devil May Cry' and the Final Season of 'Big Mouth?'