logo
Judge Throws Out Justin Baldoni's $400 Million Defamation Suit Against Blake Lively

Judge Throws Out Justin Baldoni's $400 Million Defamation Suit Against Blake Lively

Yahoo2 days ago

A judge on Monday dismissed Justin Baldoni's $400 million defamation claim against Blake Lively and Ryan Reynolds, finding that her accusations of sexual harassment were legally protected and therefore immune from suit.
Judge Lewis J. Liman dismissed Baldoni's entire lawsuit — which also alleged extortion and other claims — but allowed him to amend and refile a couple of allegations regarding interference with contracts.
More from Variety
Judge Rules Blake Lively's Emotional Distress Claims Against Justin Baldoni Are Officially Dead
Blake Lively Abandons Claims Against Justin Baldoni of Infliction of Emotional Distress
Taylor Swift Excluded From Baldoni-Lively Narrative, as Subpoena Is Withdrawn
'Today's opinion is a total victory and a complete vindication for Blake Lively, along with those that Justin Baldoni and the Wayfarer Parties dragged into their retaliatory lawsuit, including Ryan Reynolds, Leslie Sloane and The New York Times,' Lively's lawyers said in a statement. 'As we have said from day one, this '$400 million' lawsuit was a sham, and the Court saw right through it. We look forward to the next round, which is seeking attorneys' fees, treble damages and punitive damages against Baldoni, Sarowitz, Nathan, and the other Wayfarer Parties who perpetrated this abusive litigation.'
Lively has sued Baldoni in federal court for sexual harassment and retaliation, alleging that he and the producers of 'It Ends With Us' launched a smear campaign against her after she complained about conditions on the set of the film.
Baldoni brought the defamation claim against the New York Times, Lively, Reynolds, and their publicist, alleging that they had conspired to destroy his career with false allegations.
In his ruling on Monday, Liman found that initial claims — first made in a complaint to the California Civil Rights Department and shared with the Times — were covered by the litigation privilege, which immunizes legal claims from defamation actions.
The Times' reporting on the claims was also protected under the 'fair report' privilege, which allows media outlets to cover legal proceedings without incurring defamation liability.
Best of Variety
25 Hollywood Legends Who Deserve an Honorary Oscar
New Movies Out Now in Theaters: What to See This Week
Emmy Predictions: Animated Program — Can Netflix Score Big With 'Arcane,' 'Devil May Cry' and the Final Season of 'Big Mouth?'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Brad Pitt Breaks Silence on New Girlfriend With Strong Message
Brad Pitt Breaks Silence on New Girlfriend With Strong Message

Yahoo

time35 minutes ago

  • Yahoo

Brad Pitt Breaks Silence on New Girlfriend With Strong Message

Brad Pitt is set to make his return to the big screen in the upcoming racing flick F1: The Movie, which will hit theaters on June 25. In anticipation of the new film, Pitt gave GQ access to his life with an interview covering some of the most intimate parts of his recent life, from his divorce to his new relationship. When asked if the new film was a refuge from the attention given his recent lengthy divorce battle with actress Angelina Jolie, Pitt admitted it's been an annoyance for half of his life. 'Um, I don't see it that way,' he said. 'It's been an annoyance I've had to always deal with in different degrees, large and small, as I do the things I really want to do. So, it's always been this kind of nagging time suck or waste of time, if you let it be that, I don't know. I don't know. Mostly I feel pretty … my life is fairly contained. It feels pretty warm and secure with my friends, with my loves, with my fam, with my knowledge of who I am, that, you know, it's like this fly buzzing around a little bit.' During the 2024 racing season, Pitt and new girlfriend Ines de Ramon attended a public event for the first time at the British Grand Prix. When asked if the decision to appear at a Formula 1 race for the first time with his new girlfriend was deliberate the actor made it clear he doesn't calculate his life. 'No, dude, it's not that calculated,' he said with a laugh. 'If you're living, oh my God, how exhausting would that be? If you're living with making those kinds of calculations? No, life just evolves. Relationships evolve.' Pitt initially began dating the jewelry designer in 2022 before their first public Pitt Breaks Silence on New Girlfriend With Strong Message first appeared on Men's Journal on May 29, 2025

Universal Studios Hollywood Goes Full Throttle with 72 MPH Fast & Furious: Hollywood Drift Coaster — GeekTyrant
Universal Studios Hollywood Goes Full Throttle with 72 MPH Fast & Furious: Hollywood Drift Coaster — GeekTyrant

Geek Tyrant

timean hour ago

  • Geek Tyrant

Universal Studios Hollywood Goes Full Throttle with 72 MPH Fast & Furious: Hollywood Drift Coaster — GeekTyrant

Universal Studios Hollywood is throwing the brakes out the window with its wildest thrill ride yet, Fast & Furious: Hollywood Drift. Officially set to open in 2026, this coaster its a massive leap forward for the park in both speed and scale. This will be Universal's fastest roller coaster ever, hitting a top speed of 72 mph. It's also the biggest coaster the Hollywood park has ever built, and it. Rather than fight the park's famously tricky terrain, the design team leaned into it. The track snakes down the hills, accelerating as it goes, like a controlled freefall with Dom Toretto-level attitude. 'Watching the progress of this incredible roller coaster come to life is truly spectacular,' said Scott Strobl, Executive Vice President & General Manager, Universal Studios Hollywood. '2026 is just around the corner and we are equally as excited as our guests to introduce such an inspiring new ride to our theme park portfolio. 'Fast & Furious: Hollywood Drift' will be a powerful game changer for Universal Studios Hollywood that will not only transform the topography of our destination but will infuse an entirely new level of adrenaline to our already dynamic theme park. We look forward to riding it ourselves and to welcoming guests to experience it in the very near future.' The ride will launch from the Upper Lot, right across from The Wizarding World of Harry Potter, on the former site of the special effects and animal stunt shows. Guests will start their adrenaline journey in a shady warehouse-style queue designed to mimic the film franchise's underground garage vibes. One of the most eye-catching features is the coaster's ride vehicles that fully rotate 360 degrees. This innovation simulates the iconic drift action from the Fast & Furious movies, spinning riders mid-air in sync with the chaotic energy of the franchise. It's not just fast—it feels fast. The 4,100 feet of track includes elevated segments and plunging drops, leading to a major loop situated near the revamped Jurassic World r ide. It's an aggressive use of space and speed that's clearly designed to keep the blood pumping from start to finish. Universal also unveiled one of the four cars that will be used in the ride vehicles, Toretto's legendary 1970 Dodge Charger. That car is now on display at the park, and yes, it looks ready to explode out of the gates. Universal Studios Hollywood is kicking its theme park game into high gear. Whether you're a thrill junkie or a Fast franchise lifer, Hollywood Drift sounds like it's going to demand repeat rides.

‘How to Train Your Dragon' Used Bagpipes, Sheep Fur and the Faroe Islands to Bring the Remake to Life
‘How to Train Your Dragon' Used Bagpipes, Sheep Fur and the Faroe Islands to Bring the Remake to Life

Yahoo

timean hour ago

  • Yahoo

‘How to Train Your Dragon' Used Bagpipes, Sheep Fur and the Faroe Islands to Bring the Remake to Life

When Dreamworks released the animated feature 'How to Train Your Dragon' in 2010, it seemed almost inevitable that a live-action feature would come along. Cinematographer Roger Deakins gave the feature a stunning cinematic style that felt almost live-action, and composer John Powell added a sweeping score to the narrative. More from Variety Box Office: 'How to Train Your Dragon' Lifts Off With Fourth-Biggest Opening Day of 2025, 'Materialists' Serving Third Place Debut 'How to Train Your Dragon' Director on the Big Changes Made and the Storylines He Expanded for Live-Action Remake 'How to Train Your Dragon' Star Nico Parker Says Astrid Is a 'Boss Bitch' in New Live-Action Film Director Dean DeBlois heard a live-action movie was in the works, and he called Powell. The animated feature was not only beloved, but it had also become part of pop culture history. His first call asked Powell, 'Should we do a live-action?' Powell says, DeBlois next said, 'Well, if I do it, would you do it?' Powell said yes. After spending over a decade scoring all three films in the animated feature trilogy, Powell felt a sense of responsibility to the music of the franchise. And who better to do it than he to breathe new life into a beloved score? The new film follows Hiccup (Mason Thames), a young and scrawny Viking boy who refuses to follow his tribe's tradition of hunting dragons. This is much to the chagrin of his proudly traditional father, Stoick (Gerard Butler), who happens to be the village leader and a legendary dragon slayer. The film also stars Nico Parker as Astrid, Julian Dennison as Fishlegs, Gabriel Howell as Snotlout, Bronwyn James as Ruffnut, Harry Trevaldwyn as Tuffnut and Nick Frost as Gobber. In his approach to breathing new life into the live-action score, Powell looked to make subtle changes in tempo, density and clarity. He says, 'There's some stuff that was made to be very much the same, and there are not many changes for 20-30 seconds, and then suddenly you might see something shift.' One noticeable change in scoring the live-action was the use of bagpipes. This time around, Powell was able to use a real bagpipe player, Lorne MacDougall, founder of the Red Hot Chili Pipers. With DeBlois expanding the story, Powell relied on the familiar, but he also found room to expand his score. In the father-son relationship between Stoick and Hiccup, Powell says that the theme did a lot of the heavy lifting. 'We called it 'He's Not That Boy,' which is funny because Marc Platt also produced this and 'Wicked.' During the end title, we have a song that is sung by a choir, and I said to Dean, 'Do you want to write some words?' and he did. It became this whole tune that threads through the movie.' Costume designer Lindsay Pugh wanted to keep the essence of the characters that had been established through the animation and be respectful of that. Still, she also needed to find a characterization that would work in real life. Says Pugh, 'It was trying to find that balance, but being respectful to what everybody wants to see.' Pugh maintained Hiccup's calmness from the original. 'I didn't want him to be very colorful,' she says behind her decision to anchor his palette in natural tones and green. 'It's very calming and a very gentle color.' However, she wanted to give his outfit texture, and so she took a dive into historical references of embroidery, needlework and weaving techniques. 'We found all of these different textures that we could use, and we wove all of the embroidery. So it gives us visual interest in what, from a distance, would be quite a simple garment,' but on closer inspection, that fine detail would reveal itself. Pugh also paid attention to Viking culture. Since DeBlois was extending this universe, Pugh's designs were 'specifically Viking, as we would automatically imagine, because that's sort of what the world was.' She draped them in sheepskin and explained, 'One of the very first scenes in the movie was the dragons going down and stealing or trying to steal these poor decoy sheep, so it's a really perfect setup of having that.' The film has environmental goals, and aside from using sustainable materials where possible, any fur was made from sheepskin. She adds, 'They have great fur, great wool and skins on that. Ecologically, they were not something that is as detrimental to the planet.' Butler has previously joked that his outfit weighed over 90 pounds. Pugh's response is, 'I just want to say Gerry, it was with the helmet, the cape, the sword and the shield.' She notes she wanted to give him weight and a foundation so he could push against it. 'We have Gerry on the inside, and then all of these layers. We have leather and layer upon layer of natural fabrics,' explains Pugh, who used 3D printing wherever she could; it wasn't always possible. 'The intricacy of the work in everything adds a little bit of weight.' Production designer Dominic Watkins wanted to make the world of dragons feel plausible. Watkins says, the world building was 'very challenging and we wanted to make it feel real so that people believed that these were characters involved with dragons.' During a location scout, Watkins felt the geography of the Faroe Islands lent itself how Berk should look. 'There was one island on the Faroe Islands that we decided we were going to mold the village on, and that was going to be the epicenter of all the action,' Watkins explains. That became the center point of where the dragons and the rest of the world were. He saw the colors of the building and was inspired by what palette to choose from. 'The rust, corn colors and greens were very specific, and we took that palette from there and brought that to the village.' He adds, 'A lot of the medieval stuff in reality was quite grim, so we wanted to make it more colorful.' Other real-world locations included Ireland and Scotland. Watkins also utilized the Belfast Titanic studios where he built out the rest of Berk on backlots and sounstages. 'We built the center of Berk, but it was extended from ther. We built 16 houses around the center square.' Elsewhere, he wanted to give the Vikings believability. Their purpose was to slay dragons, so Watkins carried that lore into his designs. 'We had lots of carvings of dragons and motifs on the pinnacles of the and the eaves of the houses to just show there was a hatred of them.' As for the film's dragon arena, Watkins built a chain dome, but needed beams to hold it upright. 'We found these ironwood beams that had sunk in Belfast harbor over 100 years ago, and coincidentally, they were pulling these 3040 foot beams out of Belfast Harbor. Our construction manager knew about them, and somehow he managed to get his hands on them.' The beams had become fossilized after being in the water for so long and needed heavy cranes to be moved. 'We were now repurposing them and putting in the arena, and it was pretty incredible.' Watkins adds, 'We used them in a few other places, but that was predominantly where all the spiked beams were in the set. They were beautifully aged, beautifully tarnished, and they worked out.' Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store