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'Burn the boats': To stay at the bleeding edge, AI developers are trashing old tech fast

'Burn the boats': To stay at the bleeding edge, AI developers are trashing old tech fast

It's not uncommon for AI companies to fear that Nvidia will swoop in and make their work redundant. But when it happened to Tuhin Srivastava, he was perfectly calm.
"This is the thing about AI — you gotta burn the boats," Srivastava, the cofounder of AI inference platform Baseten, told Business Insider. He hasn't burned his quite yet, but he's bought the kerosene.
The story goes back to when DeepSeek took the AI world by storm at the beginning of this year. Srivastava and his team had been working with the model for weeks, but it was a struggle.
The problem was a tangle of AI jargon, but essentially, inference, the computing process that happens when AI generates outputs, needed to be scaled up to quickly run these big, complicated, reasoning models.
Multiple elements were hitting bottlenecks and slowing down delivery of the model responses, making it a lot less useful for Baseten's customers, who were clamoring for access to the model.
Srivastava's company has access to Nvidia's H200 chips — the best, widely available chip that could handle the advanced model at the time — but Nvidia's inference platform was glitching.
A software stack called Triton Inference Server was getting bogged down with all the inference required for DeepSeek's reasoning model R1, Srivastava said. So Baseten built their own, which they still use now.
Then, in March, Jensen Huang took to the stage at the company's massive GTC conference and launched a new inference platform: Dynamo.
Dynamo is open-source software that helps Nvidia chips handle the intensive inference used for reasoning models at scale.
"It is essentially the operating system of an AI factory," Huang said onstage.
"This was where the puck was going," Srivastava said. And Nvidia's arrival wasn't a surprise. When the juggernaut inevitably surpasses Baseten's equivalent platform, the small team will abandon what they built and switch, Srivastava said.
He expects it will take a couple of months max.
"Burn the boats."
It's not just Nvidia making tools with its massive team and research and development budget to match. Machine learning is constantly evolving. Models get more complex and require more computing power and engineering genius to work at scale, and then they shrink again when those engineers find new efficiencies and the math changes. Researchers and developers are balancing cost, time, accuracy, and hardware inputs, and every change reshuffles the deck.
"You cannot get married to a particular framework or a way of doing things," said Karl Mozurkewich, principal architect at cloud firm Valdi.
"This is my favorite thing about AI," said Theo Brown, a YouTuber and developer whose company, Ping, builds AI software for other developers. "It makes these things that the industry has historically treated as super valuable and holy, and just makes them incredibly cheap and easy to throw away," he told BI.
Browne spent the early years of his career coding for big companies like Twitch. When he saw a reason to start over on a coding project instead of building on top of it, he faced resistance, even when it would save time or money. Sunk cost fallacy reigned.
"I had to learn that rather than waiting for them to say, 'No,' do it so fast they don't have the time to block you," Browne said.
That's the mindset of many bleeding-edge builders in AI.
It's also often what sets startups apart from large enterprises.
Quinn Slack, CEO of AI coding platform Sourcegraph, frequently explains this to his customers when he meets with Fortune 500 companies that may have built their first AI round on shaky foundations.
" I would say 80% of them get there in an hourlong meeting," he said.
The firmer ground is up the stack
Ben Miller, CEO of real estate investment platform Fundrise, is building an AI product for the industry, and he doesn't worry too much about the latest model. If a model works for its purpose, it works, and moving up to the latest innovation is unlikely to be worth the engineer's hours.
"I'm sticking with what works well enough for as long as I can," he said. That's in part because Miller has a large organization, but it's also because he's building things farther up the stack.
That stack consists of hardware at the bottom, usually Nvidia's GPUs, and then layers upon layers of software. Baseten is a few layers up from Nvidia. The AI models, like R1 and GPT-4o, are a few layers up from Baseten. And Miller is just about at the top where consumers are.
"There's no guarantee you're going to grow your customer base or your revenue just because you're releasing the latest bleeding-edge feature," Mozurkewich said.
"When you're in front of the end-user, there are diminishing returns to moving fast and breaking things."

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Only 84 songs have debuted at No. 1 in the history of the Billboard Hot 100 — here they all are
Only 84 songs have debuted at No. 1 in the history of the Billboard Hot 100 — here they all are

Yahoo

time38 minutes ago

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Only 84 songs have debuted at No. 1 in the history of the Billboard Hot 100 — here they all are

Only 84 songs have debuted atop the Billboard Hot 100 since the chart was launched in 1958. "What I Want" by Morgan Wallen and Tate McRae is the most recent song to achieve this feat. Drake has the most entries with nine. Listen to the complete playlist on Business Insider's Spotify. The Billboard Hot 100 is widely considered the definitive all-genre singles chart in the US. Although it was officially launched in 1958, Billboard began using modern airplay and sales data in 1991 — allowing for more time-sensitive calculations and accurate rankings. Well over 1,000 songs have reached the coveted No. 1 spot, but it's far more difficult for a song to debut in the top position; it typically means a much-promoted single has met high expectations, or at least that an artist is supported and beloved by a legion of fans. Keep reading for a complete list of instant chart-toppers throughout history. 1. "You Are Not Alone" by Michael Jackson Michael Jackson was the first artist to achieve this feat with "You Are Not Alone," which debuted at No. 1 on the chart dated September 2, 1995. It was the second single from Jackson's ninth studio album "HIStory: Past, Present and Future, Book I." 2. "Fantasy" by Mariah Carey "Fantasy" debuted at No. 1 on the chart dated September 30, 1995. It was the lead single from Mariah Carey's fifth studio album "Daydream." 3. "Exhale (Shoop Shoop)" by Whitney Houston "Exhale (Shoop Shoop)" debuted at No. 1 on the chart dated November 25, 1995. It was the lead single from the soundtrack for the film "Waiting to Exhale." 4. "One Sweet Day" by Mariah Carey & Boyz II Men "One Sweet Day" debuted at No. 1 on the chart dated December 2, 1995. It was the second single from Carey's fifth studio album "Daydream." 5. "I'll Be Missing You" by Puff Daddy & Faith Evans, featuring 112 "I'll Be Missing You" debuted at No. 1 on the chart dated June 14, 1997. It was the second single from "No Way Out," the debut album from Diddy, then known as Puff Daddy. 6. "Honey" by Mariah Carey "Honey" debuted at No. 1 on the chart dated September 13, 1997. It was the lead single from Carey's sixth studio album "Butterfly." 7. "Candle in the Wind 1997/Something About The Way You Look Tonight" by Elton John "Candle in the Wind 1997/Something About The Way You Look Tonight" debuted at No. 1 on the chart dated October 11, 1997. The double A-side single later became the first song ever to be certified diamond. 8. "My Heart Will Go On" by Celine Dion "My Heart Will Go On" debuted at No. 1 on the chart dated February 28, 1998. The famous ballad was written for the soundtrack of "Titanic" and served as the movie's main romantic theme. It was also released as a single from Dion's fifth English-language album "Let's Talk About Love." 9. "I Don't Want to Miss a Thing" by Aerosmith "I Don't Want to Miss a Thing" debuted at No. 1 on the chart dated September 5, 1998. It was recorded for the film "Armageddon," starring Liv Tyler. 10. "Doo Wop (That Thing)" by Lauryn Hill "Doo Wop (That Thing)" debuted at No. 1 on the chart dated November 14, 1998. It was the lead single from Lauryn Hill's debut album "The Miseducation of Lauryn Hill." 11. "This Is the Night" by Clay Aiken "This Is the Night" debuted at No. 1 on the chart dated June 28, 2003. It was Clay Aiken's debut single after competing on season two of "American Idol." 12. "I Believe" by Fantasia "I Believe" debuted at No. 1 on the chart dated July 10, 2004. It was Fantasia's debut single after winning season three of "American Idol." 13. "Inside Your Heaven" by Carrie Underwood "Inside Your Heaven" debuted at No. 1 on the chart dated July 2, 2005. It was Carrie Underwood's debut single after winning season four of "American Idol." Underwood made history as the first country artist to have a No. 1 debut on the Billboard Hot 100. 14. "Do I Make You Proud" by Taylor Hicks "Do I Make You Proud" debuted at No. 1 on the chart dated July 1, 2006. Taylor Hicks first performed the song on the fifth season finale of "American Idol," and it was released as a single shortly after his victory. 15. "3" by Britney Spears "3" debuted at No. 1 on the chart dated October 24, 2009. It was the lead (and only) single from Britney Spears' second greatest hits album "The Singles Collection." 16. "Not Afraid" by Eminem "Not Afraid" debuted at No. 1 on the chart dated May 22, 2010. It was the lead single from Eminem's seventh studio album "Recovery." 17. "We R Who We R" by Ke$ha "We R Who We R" debuted at No. 1 on the chart dated November 13, 2010. It was the lead single from Kesha's debut EP "Cannibal." 18. "Hold It Against Me" by Britney Spears "Hold It Against Me" debuted at No. 1 on the chart dated January 29, 2011. It was the lead single from Spears' seventh studio album "Femme Fatale." 19. "Born This Way" by Lady Gaga "Born This Way" debuted at No. 1 on the chart dated February 26, 2011. It was the lead single from Lady Gaga's second studio album of the same name. 20. "Part Of Me" by Katy Perry "Part of Me" debuted at No. 1 on the chart dated March 3, 2012. It was the lead single from "Teenage Dream: The Complete Confection," a reissue of Katy Perry's third studio album. 21. "Harlem Shake" by Baauer "Harlem Shake" debuted at No. 1 on the chart dated March 2, 2013. Baauer's viral hit benefited from a recent adjustment to the Hot 100's formula, which saw the chart begin incorporating YouTube data. The chart methodology is updated at least once a year, to reflect rapidly evolving listening trends. (YouTube song user-generated content was later removed from chart calculations in 2020.) 22. "Shake It Off" by Taylor Swift "Shake It Off" debuted at No. 1 on the chart dated September 6, 2014. 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Cole "First Person Shooter" debuted at No. 1 on the chart dated October 21, 2023. It was released alongside "For All the Dogs," which simultaneously debuted at No. 1 on the Billboard 200. Drake holds the record for the most No. 1 song debuts in history, with nine to his name. 73. "Is It Over Now?" by Taylor Swift "Is It Over Now?" debuted at No. 1 on the chart dated November 11, 2023. The vault track from "1989 (Taylor's Version)" dethroned Swift's own "Cruel Summer," which had reigned for two weeks. (It later returned to the summit for two more weeks.) Swift is the only woman to have replaced herself atop the Hot 100; she previously achieved the feat in 2014 with the original "1989," when "Blank Space" climbed the chart to replace "Shake It Off." 74. "Yes, And?" by Ariana Grande "Yes, And?" debuted at No. 1 on the chart dated January 27, 2024. It was released as the lead single for Grande's seventh album "Eternal Sunshine." 75. 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It was released alongside Swift's 11th studio album "The Tortured Poets Department," which also arrived atop the Billboard 200 — making Swift the first and only artist in history to debut at No. 1 on both charts simultaneously on five separate occasions. The Post Malone duet earned 76.2 million streams in its first week, breaking the record previously set by Rodrigo with "Drivers License" (76.1 million), according to Billboard. Swift is now tied with Grande for the second-most No. 1 debuts of any artist in history (seven apiece), while Drake holds the all-time record. 79. "Not Like Us" by Kendrick Lamar "Not Like Us" debuted at No. 1 on the chart dated May 18, 2024. The diss track was released amid Kendrick Lamar's heated feud with Drake, ignited by Lamar's verse on "Like That." Another of Lamar's anti-Drake songs, "Euphoria," peaked on the same chart at No. 3, while Drake's response, "Family Matters," debuted at No. 7. 80. "I Had Some Help" by Post Malone and Morgan Wallen "I Had Some Help" debuted at No. 1 on the chart dated May 25, 2024. The country duet is Malone's second song to arrive in the top spot after "Fortnight" — both within the same month — and his sixth No. 1 song overall. As for Wallen, "I Had Some Help" marks his second Hot 100 leader after "Last Night" charted at No. 1 for 16 weeks in 2023, setting a record for a solo song. (It has since been broken by Shaboozey's "A Bar Song.") 81. "Love Somebody" by Morgan Wallen "Love Somebody" debuted at No. 1 on the chart dated November 2, 2024. 82. "Squabble Up" by Kendrick Lamar "Squabble Up" debuted at No. 1 on the chart dated December 7, 2024, making Lamar the first solo male artist in history with three instant chart-toppers in a single year. The song was released alongside Lamar's "GNX," which also arrived atop the Billboard 200. 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The Strategy Behind Hugging Face's Acquisition Of Pollen Robotics
The Strategy Behind Hugging Face's Acquisition Of Pollen Robotics

Forbes

timean hour ago

  • Forbes

The Strategy Behind Hugging Face's Acquisition Of Pollen Robotics

Reachy 2 In April 2025, Hugging Face acquired Pollen Robotics, a France-based company that develops humanoid robots, including Reachy 2. This marks a milestone in the convergence of generative AI and robotics, known as physical AI. This article analyzes the strategic reasons behind Hugging Face's acquisition of Pollen Robotics. Hugging Face's acquisition of Pollen Robotics demonstrates a long-term vision for the future of AI technology, as it evolves from digital intelligence to physical form. The strategy is based on three core pillars: 1) Vertical integration of the AI-to-robotics stack 2) Ecosystem leverage through their massive developer community 3) Timing advantage as foundation models become capable of controlling physical systems. The acquisition gives Hugging Face immediate access to Pollen's flagship Reachy 2 humanoid robot, a $70,000 research platform already deployed at prestigious institutions such as Cornell University and Carnegie Mellon. With 7 degrees of freedom, bio-inspired arms capable of handling 3 kg payloads, advanced VR teleoperation and fully open-source hardware designs, the Pollen Robotics Reachy 2 offers a proven platform for Hugging Face to build upon instead of starting from scratch. The timing proves particularly strategic given several converging factors. Nvidia recently chose Hugging Face as the preferred platform for its GR00T N1 humanoid robot foundation models, signalling industry recognition of Hugging Face's platform capabilities. Meanwhile, the remarkable growth of Hugging Face's LeRobot library to over 12,000 GitHub stars in just 12 months demonstrated strong developer demand for open robotics tools. The acquisition also follows Hugging Face's strategic hire of Remi Cadene, a former Tesla Optimus engineer, who now leads their robotics division. While Hugging Face has emerged as the largest collection of open-source and open-weight models, Pollen Robotics focuses on the vision of open hardware for robotics. This acquisition combines the strengths of open-source software with open hardware design in the field of robotics. The embodied AI market has reached an inflection point where theoretical capabilities meet practical applications, driven by breakthroughs in foundation models for robotics and dramatic cost reductions in hardware components. AI models such as Pi0 from Hugging Face, Nvidia's GR00T N1 and Google's Gemini Robotics extend the power of generative AI to robotics. Instead of generating text or media content, these models are trained to send commands directly to the robotic hardware. They leverage multimodal AI by combining video content and policies to generate commands that control robots. The combination of Hugging Face's AI infrastructure and Pollen's robotics expertise creates technical synergies that neither company could achieve independently. Hugging Face brings 1.5 million models and datasets hosted on its platform, proven infrastructure serving 12 petabytes of data, and deep expertise in transformer architectures and diffusion models. This AI foundation provides the intelligence layer essential for next-generation robotics. Hugging Face's acquisition of Pollen Robotics represents more than a product expansion. It marks a fundamental shift in how AI and robotics will evolve together. By combining proven AI infrastructure with capable robotics hardware under an open-source philosophy, Hugging Face creates unique value that neither pure software nor pure hardware companies can replicate. The broader implications extend beyond corporate strategy. If Hugging Face succeeds in democratizing robotics as they've democratized AI, we may see an explosion of innovation similar to what followed the open-sourcing of deep learning frameworks.

No more long lines? AI and other new technologies are transforming amusement parks this summer.
No more long lines? AI and other new technologies are transforming amusement parks this summer.

Yahoo

time2 hours ago

  • Yahoo

No more long lines? AI and other new technologies are transforming amusement parks this summer.

Theme park companies are leveraging technology to transform the guest experience. Legoland uses AI to track ride attendance and manage lines. Disney is partnering with Nvidia and Google DeepMind to bring AI-powered robots to its parks. It is a truth universally acknowledged: Lines are the worst part of amusement parks. Sure, too many $8 pretzels can gut your budget, but there's something uniquely taxing about waiting in line for a popular ride on a sticky summer day. There might be a fix, however: artificial intelligence. New technology of all kinds is transforming the theme park experience in the United States, helping drive growth in the industry. Among the theme parks leveraging new technology is Legoland. "We're using a technology called Vision AI," Adrian Thompson, operations transformation director for Legoland's parent company, Merlin Entertainments, told Business Insider. "We have cameras placed over our attractions that analyze the number of people physically riding those attractions at any given time. It doesn't identify you uniquely, but it identifies the number of people riding an attraction." Thompson said incorporating AI into attraction line areas allows ride managers to receive data in real time, mitigating potential issues or delays. "If they see anomalies in that data — the number of dispatches has reduced or the queue times have gone up — they can take action at that moment and make changes," Thompson said. "Before, when it was all paper-based, we didn't have access to all that data in real time. You might not have gotten that information until the end of the day, at which point it's too late to impact the guest experience." About 40 miles north of Legoland is SeaWorld, where Expedition Odyssey opened to the public last month. Expedition Odyssey is an immersive flying theater ride that transports guests to the Arctic using real footage of the icy landscapes and wildlife. "There's no CGI in it," Conner Carr, the vice president of rides and engineering for SeaWorld and Busch Gardens' parent company, United Parks & Resorts, told BI. "The standard on those ride types has always been to generate with animation or CGI effects for a ride film." Instead, SeaWorld sent teams equipped with custom-lensed cameras and drones on expeditions to the Arctic to capture the videos. "For us, it's not just a theme park experience. It's that zoological aspect, too," Carr said. "We don't want to sit in an office and draw a beluga whale. We want to show them a real one." Although the authentic footage helps set Expedition Odyssey apart from its peers, Carr said there's another reason he refers to it as the "most technologically advanced ride" SeaWorld has ever done. A typical flying theater involves guests entering their seats, enjoying the show, and exiting before another group can enter. Expedition Odyssey uses a rotating main tower that allows guests to load the ride while another is already watching the footage. Once the ride is done, the tower will essentially flip, and the groups will switch places. "This lets us keep the line moving and procedures like you would see on a coaster, but on a completely new type of ride that typically doesn't allow that," Carr said. Carr said another way guests interact with new technology at SeaWorld and Busch Gardens theme parks is by including audio and visual aspects in the line. "That's what Penguin Trek does," Carr said, referring to a roller coaster at the Orlando park. "When you dispatch on the ride, you have special effects and lights that make you feel like you're in an ice cave that's falling." That technology is also found at Busch Gardens, where guests can ride the Phoenix Rising roller coaster, which utilizes media screens, lights, and onboard audio. At SeaWorld, Carr said 3D scanning has become a reliable tool for repairs and creating models. "It is not just roller coaster track replacement. We use 3D scanning all over the place," Carr said. "The technology has been amazing for new projects like Penguin Trek and Expedition Odyssey." Augmented reality is another type of technology becoming more prevalent at amusement parks, including Legoland California and Legoland Florida. The Lego Ferrari Build & Race attraction allows guests to build and test cars, then use augmented reality to scan and race them virtually. Hands-on activities are a priority for Legoland theme parks, where the Ninjago ride uses hand-tracking movements that let riders use hand gestures to test their skills. "The beauty for us is we're always going to do hands-on experiences because it's Lego," Thompson said. Carr said SeaWorld and Busch Gardens have a similar approach, given their animal conservation efforts. "The mission is to inspire and educate right alongside rescuing all the animals," he said. Other theme parks in the United States are also flexing their tech acumen, including Disney, which partnered with Nvidia and Google DeepMind to develop Newton. The open-source physics engine will help robots learn to navigate tasks more accurately. Disney intends to use the technology to enhance the robotic characters in its theme parks to be more lifelike. "This collaboration will allow us to create a new generation of robotic characters that are more expressive and engaging than ever before—and connect with our guests in ways that only Disney can," Kyle Laughlin, the senior vice president of Walt Disney Imagineering's Research and Development, said in a press release. Although the attractions industry continues to entice guests from around the globe, the volatility caused by the Trump administration's tariffs has become an unpredictable obstacle. "New tariffs will make securing product — like games, plush, and merchandise made outside the United States — more expensive to import. Ahead of the rate hikes, some operators created additional storage space and took possession of goods earlier in the season than what they have imported in the past to avoid paying the tariffs," the International Association of Amusement Parks and Attractions said this month. The association said the tariffs have also strained the US relationship with Canada, potentially affecting theme park attendance this summer. "Also of concern for several American facilities: a softening in the zest to travel south by Canadians who are accustomed to spending their summers in the United States. The current political climate between the two nations may adversely affect the sentiment to travel in the months ahead," the IAAPA said. However, the uncertainty hasn't stopped companies from steamrolling ahead with ambitious projects. Universal's newest theme park, Epic Universe, opened to fanfare this month in Florida, while Disney announced plans to develop its seventh theme park in Abu Dhabi. Read the original article on Business Insider

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