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It was once agenda-setting, appointment viewing. What went wrong for Q+A?

It was once agenda-setting, appointment viewing. What went wrong for Q+A?

At its best, it helped set the national agenda.
'When management moved Q+A to Thursdays [in 2021], before shifting it back to Mondays, it disrupted what's meant to be a habit-based show,' says one high-profile ABC presenter. 'Cutting the number of episodes and putting the show on hiatus in the middle of the year only made things worse. It's hard enough to attract viewers as it is, without expecting them to chase you across different time slots or come back to you after a mid-year break that makes no sense.'
One producer notes that Q+A led the way in terms of social media innovation, running a live feed of Twitter comments from viewers before archiving its account on the platform, now called X.
'Before Twitter became a sewer, it was a huge asset to the show,' the producer says. 'But by 2020, when Hamish [Macdonald] took over as host, it became so bad that he had to leave the platform. Stan Grant [who was appointed Q+A host in 2022] copped the most horrible, racist abuse, and you can imagine all the vile comments directed at the female presenters.'
Peter Meakin – who spent five decades leading news and current affairs coverage at the Seven, Nine and Ten networks – suspects social media made some politicians more cautious (and therefore, more likely to bore viewers).
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'It used to be a sport for them to go on air and spar with each other,' Meakin says. 'You might get a few letters saying, 'That was disgraceful', but not the instant groundswell of hatred you get now. They're more scared of putting a foot wrong.'
In a statement, ABC news director Justin Stevens said, 'Discontinuing the program at this point is no reflection on anyone on the show. We always need to keep innovating and renewing.'
Stevens said the ABC would produce more news documentaries, and would make its Your Say election initiative – which allows audiences to suggest questions for politicians – a permanent feature.
ABC managing director Hugh Marks later announced around 40 redundancies and 10 contract positions that would end early. He also flagged changes to the audio division, separating the sport and capital city network teams into a simpler structure. The ABC's content division will be renamed ABC Screen, led by content director Jennifer Collins.
But McEvoy insists the national broadcaster must do more to fill the void created by Q+A's cancellation.
'The ABC always needs to be trying new things, but I don't think an online survey can really give Australian citizens the chance to question decision-makers and politicians – or hold them to account,' he says. 'Engaging Australian citizens in a moderated but open discussion on national issues is a core part of the ABC's obligations as a public service broadcaster … the toxicity of platforms like X that encourage outrage makes the role of a moderated forum like Q+A even more important.'
Former prime minister Malcolm Turnbull, who was once a frequent guest on the program, believes Q+A was at its most compelling when it resembled a dinner party.
'It was all about having the right mixture of guests,' he says. 'In its heyday, if you were interested in Australian politics and you didn't watch it, you were concerned you might miss out on something.'
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Since Jones left Q+A in 2019, the program has had several hosts including Macdonald, David Speers, Virginia Trioli, Stan Grant and Karvelas.
'All formats, after a time, start to feel a little tired,' says Trioli, who now hosts the ABC's Creative Types arts program. 'But I'm a huge fan of the Q+A format. It was a mighty program and one of the most important in terms of news, current affairs and public discussion in this country.
'People say they want accountability and they like to feel that issues are being put directly to politicians, but I think sometimes the audience can struggle with the reality of that,' she adds. 'You will get arguments, or politicians spinning their wheels and avoiding the question, while the host is trying to get them to answer – and that can make things awkward, uncomfortable or combative. It's a crapshoot every time, but the producers worked their guts out to do an amazing job.'

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