logo
Deep heart, cosmic originality

Deep heart, cosmic originality

The Sun30-06-2025
PIXAR's Elio is the kind of animated film that sneaks up on audiences and gently blows them away with a telescope-sized dose of heart, humour and originality. In an era when sequels and spin-offs dominate, this charming standalone story arrives like a beam of light from the stars, refreshingly weird, wildly imaginative and deeply sincere.
Beneath the glow-in-the-dark alien creatures and intergalactic hijinks lies a story that is grounded in the universal struggles of identity, belonging and the very human desire to be understood. And in true Pixar fashion, wraps all that emotion in a wonderfully absurd adventure involving alien ambassadors, unlikely friendships and one 11-year-old boy's very big misunderstanding.
Genuine sense of wonder
Elio is a film best approached with an open heart and no expectations, just the willingness to embrace the unknown. For those who do, a pleasant surprise awaits: this is one of Pixar's most original and emotionally rewarding stories in recent years.
There is a genuine sense of wonder that pulses through every scene, thanks to the direction of Turning Red 's Domee Shi, Coco co-director Adrian Molina and Burrow 's Madeline Sharafian. The trio crafts a cinematic world that does not just look vibrant, it feels lived-in, alien yet oddly familiar. The Communiverse, home to dozens of eccentric extraterrestrials, is bursting with personality, from bureaucratic chaos to moments of surprising tenderness.
Still, it is not just the visuals or the worldbuilding that wins over the audience. It is the characters. They are the heart and heartbeat of this cosmic journey.
Unforgettable characters
Elio Solis, voiced with wide-eyed charm by Yonas Kibreab, is the kind of protagonist one cannot help but root for. Awkward, imaginative and full of quiet courage, Elio brings a fresh energy to Pixar's line-up of young heroes. His personal growth throughout the story is subtle yet powerful, unfolding naturally amid all the outer space absurdity.
Alongside him is Aunt Olga, voiced by Zoe Saldaña, whose recent Oscar-winning status only reinforces what is already clear: she brings soul to every character she plays. As Olga, she balances warmth, strength and vulnerability in a way that makes her more than just a side character, she is the emotional anchor of the film.
Then there is Glordon (Remy Edgerly), a squidgy alien companion whose comedic timing and unwavering loyalty easily secure him a spot among Pixar's most lovable oddballs. Along with Lord Grigon (Brad Garrett), Ambassador Questa (Jameela Jamil) and the hilariously cryptic OOOOO (Shirley Henderson), the ensemble forms a cosmic council of weirdness that somehow makes perfect sense.
Each character contributes something unique and together, they create a symphony of voices that echo the film's core message: differences are not just accepted, they are celebrated.
There is a moment, no spoilers, of course, when the story unexpectedly pivots from quirky fun into something far more emotionally profound. That is the Pixar magic at work. One second, the room is full of laughter, the next, silence. The kind where the throat tightens, the eyes sting and suddenly, there is a very real need to pretend that it is just allergies. It is these emotional pivots that set Elio apart from standard family fare. The film is unafraid to dig deep and it earns every tear with genuine storytelling, not manipulative sentimentality.
Deserving wider audience
Despite being nestled within Pixar's prestigious legacy, Elio does not carry the same built-in hype as the Toy Story or Inside Out franchises. And that is precisely why more people should be talking about it. It is a film that takes a risk by being new, by not banking on nostalgia and by speaking directly to those who have ever felt like an outsider even on their own planet.
It is a reminder that original stories still matter and that animated films can do more than entertain, they can teach, heal and connect.
At just over an hour and a half, Elio does not overstay its welcome. It says what it needs to say clearly, beautifully and with a healthy dose of cosmic chaos. Whether watching it alone, with family, or simply as someone who loves meaningful storytelling, it is hard not to walk away from Elio feeling just a little more connected to the universe.
This is a must-watch film, not just for kids, but for anyone who remembers what it felt like to be misunderstood, to be scared of being different and to finally find a place where being different is the best thing one can be.
In short, Elio is so good. It is heartfelt, funny, wildly imaginative and proof that Pixar still knows how to pull off an emotional haymaker in a sea of sequels.
Just give it a try, you will not regret it.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Lord Of The Rings musical's composer A.R. Rahman is building a global virtual band using AI
Lord Of The Rings musical's composer A.R. Rahman is building a global virtual band using AI

The Star

time4 days ago

  • The Star

Lord Of The Rings musical's composer A.R. Rahman is building a global virtual band using AI

SINGAPORE (The Straits Times/ANN): A.R. Rahman loves to tell stories. Narrative is of great importance to the celebrated Indian musician, and it is a key part of his creative approach. Music is an immersive experience, the 58-year-old Indian music maestro tells The Straits Times via Zoom from Oakland, San Francisco, where his The Wonderment concert tour stopped by. The prolific film composer and singer, known for his Oscar-winning score and song Jai Ho for the film Slumdog Millionaire (2008), is expanding his love for storytelling into the virtual-reality (VR) world with Secret Mountain, a virtual band he created using artificial intelligence (AI). Rahman's first teaser came in February 2024, when he shared a trailer about the six-member group on Instagram. While the project is still in its early stages, storytelling is central to Secret Mountain. Describing the group – comprising three males (Ekam, David and Zentamizh) and three females (Cara, Blessing and Aafia) – as 'very cinematic', Rahman has created a backstory for them and is preparing a movie. It is this same storytelling approach that Rahman focused on when he composed the musical adaptation of The Lord Of The Rings in 2006, which makes its Asia premiere at Sands Theatre, Marina Bay Sands, on Aug 12. Presented by Base Entertainment Asia, "The Lord Of The Rings – A Musical Tale" is based on English author J.R.R. Tolkien's beloved epic fantasy book series (1954 to 1955), instead of director Peter Jackson's action-packed Oscar-winning film trilogy (2001 to 2003). The three-hour show is told from the perspective of hobbits Frodo, Sam, Merry and Pippin, and follows the four friends' adventures as they seek to destroy a powerful magical ring. The Lord Of The Rings – A Musical Tale, starring (from left) Rarmian Newton as Frodo and Terence Crawford as Gandalf. - PHOTO: DANIEL BOUD via The Straits Times/ANN Rahman, who worked alongside Finnish folk band Varttina and Tony-winning musical composer Christopher Nightingale, admitted he did not know much about Tolkien's novels when Kevin Wallace, chief executive of the theatrical production, first approached him. Rahman had just finished working with famed British composer Andrew Lloyd Webber on the Bollywood-themed musical Bombay Dreams. It opened in 2002 in the West End in London and closed in 2004, and was Rahman's first stage production. Rahman turned to Jackson's films for reference and started reading Tolkien's source material and the musical's book to prepare. Composing for "The Lord Of The Rings – A Musical Tale" was a difficult and exhausting process. His inspiration stemmed from extensive research into the type of music that would best suit the story and setting. He avoided using Indian ragas or music styles, focusing instead on Western classical and theatrical traditions. His favourite song is Lothlorien, sung by elven queen Galadriel, because it is 'very spiritual, surreal and mystical' – qualities that he deeply enjoys and connects with. 'Scoring for a musical is very different from composing for a movie,' says Rahman. 'For instance, songs often serve as an interval or music video that do not necessarily advance the story. 'In a musical, every song must move the narrative forward. There are no visual gimmicks or exotic shots to rely on – the music and lyrics must carry the story.' He adds: 'If the songs don't propel the narrative forward, the musical will fail. The songs are not just standalone numbers.' Rahman spent about 1½ to two years on this job. He explains that his goal was to capture the right feel and vibe for the musical, ensuring the music created an immersive experience for the audience. "The Lord Of The Rings – A Musical Tale" made its debut at the Princess of Wales Theatre in Toronto, Canada, in 2006. It then travelled to Theatre Royal Drury Lane in London in 2007, where it played until 2008, earning five Laurence Olivier Awards nominations that year. It was revived in 2023 at Watermill Theatre in Britain, followed by a staging at Chicago Shakespeare Theater in the US in 2024 before making its way to New Zealand, Australia and Singapore, with an Australian cast. The current production sees the actors doubling as musicians, instead of relying on an orchestra. While Rahman – who feels proud that the musical has stood the test of time – values the involvement of an orchestra, he appreciates the innovative approach and calls the production 'immersive'. 'It captures the essence of the original music while giving it more soul,' he says. Note: " The Lord Of The Rings – A Musical Tale " will be held at the Sands Theatre, Marina Bay Sands, 10 Bayfront Avenue , Singapore from Aug 12 to 31 . - The Straits Times/ANN

AI bands signal new era for music business
AI bands signal new era for music business

New Straits Times

time5 days ago

  • New Straits Times

AI bands signal new era for music business

A rising tide of artificial intelligence (AI) bands is ushering in a new era where work will be scarcer for musicians. Whether it's Velvet Sundown's 1970s-style rock or country music projects "Aventhis" and "The Devil Inside," bands whose members are pure AI creations are seeing more than a million plays on streaming giant Spotify. No major streaming service clearly labels tracks that come entirely from AI, except France's Deezer. Meanwhile, the producers of these songs tend to be unreachable. "I feel like we're at a place where nobody is really talking about it, but we are feeling it," said music producer, composer and performer Leo Sidran. "There is going to be a lot of music released that we can't really tell who made it or how it was made." The Oscar-winning artist sees the rise of AI music as perhaps a sign of how "generic and formulaic" genres have become. AI highlights the chasm between music people listen to "passively" while doing other things and "active" listening in which fans care about what artists convey, said producer and composer Yung Spielburg on the Imagine AI Live podcast. Spielburg believes musicians will win out over AI with "active" listeners but will be under pressure when it comes to tunes people play in the background while cooking dinner or performing mundane tasks. If listeners can't discern which tunes are AI-made, publishers and labels will likely opt for synthetic bands that don't earn royalties, Spielburg predicted. "AI is already in the music business and it's not going away because it is cheap and convenient," said Mathieu Gendreau, associate professor at Rowan University in New Jersey, who is also a music industry executive. "That will make it even more difficult for musicians to make a living." Music streaming platforms already fill playlists with mood music attributed to artists about whom no information can be found, according to University of Rochester School of Music professor Dennis DeSantis. Meanwhile, AI-generated soundtracks have become tempting, cost-saving options in movies, television shows, ads, shops, elevators and other venues, DeSantis added. AI TAKES ALL? Composer Sidran says he and his music industry peers have seen a sharp slowdown in work coming their way since late last year. "I suspect that AI is a big part of the reason," said Sidran, host of "The Third Story" podcast. "I get the feeling that a lot of the clients that would come to me for original music, or even music from a library of our work, are using AI to solve those problems." Technology has repeatedly helped shape the music industry, from electric guitars and synthesizers to multi-track recording and voice modulators. Unlike such technologies that gave artists new tools and techniques, AI could lead to the "eradication of the chance of sustainability for the vast majority of artists," warned George Howard, a professor at the prestigious Berklee College of Music. "AI is a far different challenge than any other historical technological innovation," Howard said. "And one that will likely be zero-sum." Howard hopes courts will side with artists in the numerous legal battles with generative AI giants whose models imitate their styles or works. Gendreau sees AI music as being here to stay and teaches students to be entrepreneurs as well as artists in order to survive in the business. Sidran advises musicians to highlight what makes them unique, avoiding the expected in their works because "AI will have done it."

Actress Michelle Yeoh Celebrates 63rd Birthday With Limited Edition Labubu Doll & Labubu Cakes
Actress Michelle Yeoh Celebrates 63rd Birthday With Limited Edition Labubu Doll & Labubu Cakes

Hype Malaysia

time5 days ago

  • Hype Malaysia

Actress Michelle Yeoh Celebrates 63rd Birthday With Limited Edition Labubu Doll & Labubu Cakes

A certain sharp-toothed toy with a fluffy exterior has been rising in popularity recently. What started as a niche item in private collections has become one of the most sought-after figures worldwide. In fact, so many high-profile celebrities have joined the hype for Labubu that it has turned into a full-blown phenomenon. Michelle Yeoh (楊紫瓊) is the latest celebrity to jump on the bandwagon. To celebrate the first birthday of Jia Jia and De De, the first giant pandas born in Hong Kong, Labubu released a limited-edition figure featuring a green Labubu cradling the twins. Although the figure isn't yet available on the market, it has already become a must-have collectable and has been gifted to many other celebrities to promote Hong Kong culture. Earlier this week, the Academy Award-winning actress marked her 63rd birthday with a playful Instagram post. In the photo, she joyfully held the limited-edition Labubu while celebrating with the cast of the highly anticipated 'Wicked' film at the iconic Hollywood Bowl. Then, yesterday on 7th August (Thursday), Yeoh surprised fans again. This time, she shared a personalised drawing sent to her by Labubu's creator, Kasing Lung (龍家昇) himself. The heartfelt illustration came with warm birthday wishes, adding a personal touch to her celebrations. The birthday celebrations continued with a cosy gathering hosted by close friends. Two oversized Labubu head cakes took centre stage, marking a fun and fitting tribute to the character that featured throughout her birthday week. The atmosphere buzzed with laughter and joy and showed just how much the toy had become a symbol of celebration and connection for everyone present. Between the limited-edition figure, the personalised artwork, and the themed party, Labubu clearly played a key role in Yeoh's birthday celebrations. Whether as a nod to Hong Kong's cultural moments or simply a charming addition, the toy helped make her 63rd birthday truly memorable. It blended playful fandom with meaningful cultural pride. This highlighted how a beloved collectable can bring people together in unexpected ways. Here is Michelle's post with the Labubu: Source: The Star, Instagram Zaima Humaira contributed to this article

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store