logo
Scuffle on stage at London opera as performer unfurls Palestinian flag

Scuffle on stage at London opera as performer unfurls Palestinian flag

London's Royal Opera House on Sunday condemned as "wholly inappropriate" the actions of a performer who held up a Palestinian flag onstage at the end of a performance.
Video footage posted online shows a brief scuffle at the edge of the stage as a figure dressed in a shirt and tie unsuccessfully attempts to stop the performer.
The incident in the British capital on Saturday during the curtain call came on the closing night of an 11-night run of Il Trovatore, a four-act opera by Giuseppe Verdi.
"Extraordinary scenes at the Royal Opera House tonight," a person who claimed to have been in the audience posted on X.
"During the curtain call for Il Trovatore one of the background artists came on stage waving a Palestine flag. Just stood there, no bowing or shouting. Someone off stage kept trying to take it off him. Incredible."
A spokesperson for the Royal Ballet and Opera in London's Covent Garden said the "display of the flag was an unauthorised action by the artist".
The incident comes after numerous artists including Kneecap, Bob Vylan, Wolf Alice, and Amyl and The Sniffers offered messages of support for people in Gaza at this year's Glastonbury festival.
Police are still investigating duo Bob Vylan, whose frontman led a chant against the Israeli army at the festival.
Kneecap's Liam O'Hanna, known by his stage name Mo Chara, has also been charged with a "terror" offence over alleged support for banned organisations Hamas and Hezbollah in connection with an earlier performance.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Death of Ziad Rahbani: How the Arab and international press reacted
Death of Ziad Rahbani: How the Arab and international press reacted

L'Orient-Le Jour

time28-07-2025

  • L'Orient-Le Jour

Death of Ziad Rahbani: How the Arab and international press reacted

BEIRUT — The death of Ziad Rahbani has plunged Lebanon and the region into mourning, with international media hailing his artistic genius, sharp social critique, and lifelong support for the Palestinian cause. The eldest son of diva Fairuz and Assi Rahbani, icons of the Lebanese music scene, died on Saturday, July 26 in Beirut, at the age of 69, after years of illness. His funeral was held Monday afternoon at the Church of the Dormition in Mhaydsé-Bickfaya, attended by political leaders and figures from the country's artistic scene. From al-Jazeera to Libération, and through to the Washington Post and the New York Times, L'Orient-Le Jour looks back at the main headlines from the media outlets that paid tribute to Rahbani's genius and saluted a man who left his mark on contemporary Arab music and fought for the Palestinian cause. 'Lebanon and the Arab world lose one of the most important pillars of art and music' The Qatari channel al-Jazeera lamented the passing of 'the rebellious and melancholic voice of Beirut, (...) after a long career in which [Rahbani] developed a particular artistic style combining irony and depth, rebellion and love.' According to the channel, Fairuz's son was 'one of the most outstanding figures of contemporary Arab music' who 'introduced elements of jazz and Western styles into Eastern music' and 'succeeded in developing his own style blending experimentation and identity.' 'With his departure, Lebanon and the Arab world lose one of the most important pillars of art and music.' The Palestine Chronicle, a Palestinian publication dedicated to raising awareness of human rights, paid tribute to the 'unyielding voice of resistance and revolution' of Rahbani, calling him a 'pillar of radical music.' Describing the artist as 'a committed communist who had rallied to the Palestinian cause,' it praised 'Ziad's compassion for the poor and the oppressed, which was quickly expressed through music.' 'His works broke social taboos, violently attacking discrimination and highlighting characters from the working class,' the media outlet recalled. 'Ziad unsettled the rich, embarrassed the conservatives, and irritated the liberals, to the point where some even wished for his downfall.' Syria and Rahbani While Rahbani's silence on the Syrian revolution troubled some of his admirers, the Syrian site Enab Baladi, known for its opposition to ousted President Bashar al-Assad, still paid tribute to the Lebanese figure. 'He was known for his outspokenness and the vehemence of his statements, regularly criticizing Lebanese and Arab politicians and artists,' wrote the platform. More about the artist However, Enab Baladi criticized the artist's 'ambiguous political positions' and his 'explicit support for Hezbollah' which was fighting alongside the Assad dictatorship. But the site acknowledges that Rahbani's works 'continued to arouse interest and to be disseminated, which reflects the depth of his influence and the diversity of his audience.' 'Multi-talented artist, genius of the cultural scene' In France, the major daily Le Monde paid tribute to the 'multi-talented artist, genius of the Lebanese and Arab cultural scene.' 'He had become immensely popular by portraying Lebanese society in plays with biting humor,' the newspaper wrote, referring to Rahbani's 'provocative spirit' and 'leftist commitment.' 'A fervent supporter of the Palestinian cause, he championed resistance against Israel and expressed his admiration for Hassan Nasrallah,' the Hezbollah leader assassinated in September 2024 in an 'Israeli' strike, it noted. While Le Monde reminded that the great artist had 'sided with the Damascus regime,' which earned him significant criticism, it observed that this 'in no way diminished the almost heritage-like status of his work.' Le Monde then discusses the secularism of the late artist, 'a scourge of sectarianism (…)', explaining that 'it is also for this reason that his work has transcended generations. (…) For a large part of today's youth, notably those who participated in the anti-system demonstrations of autumn 2019, he embodied the hope of a country freed from communal shackles.' 'To say that Lebanon is mourning him is an understatement. Yet, despite being iconic, Ziad Rahbani (…) was not the consensual type, a Communist Party member always quick to highlight the clan-based excesses of a country subject to deals among the well-connected,' wrote the left-leaning French daily Libération, referring to the passing of a 'legend of Lebanese music who placed his art of musical hybridization and staging at the service of political satire in his country.' In 1998, the artist was interviewed by Libération on the occasion of a concert in Paris. 'He didn't bother with circumlocution: This country does not exist. It produces nothing, people aren't used to working. It's like a bad photocopy. Like Taiwan, they copy everything: movies, sex. Lebanon is a Third World country,' Ziad Rahbani replied. RFI (Radio France Internationale) in turn paid tribute to 'one of the greatest artists' of Lebanon, known 'for his plays that have become cult classics,' 'for inventing oriental jazz,' and 'revolutionizing the world of Lebanese song and theater.' ' A rebellious figure on the Lebanese cultural scene, he leaves behind a profoundly engaged body of work,' notes the French media outlet, whose news bulletins are broadcast on Radio Liban. 'A Lebanon at war with itself' Across the Atlantic, the New York Times recalled that Rahbani's songs 'forged a new sound for the Arab world and his plays sharply criticized the political corruption of his country.' 'Lebanese who attained adulthood during the war, like Rahbani, saw in his melancholic and sarcastic lyrics the brutality and contradictions of their small eastern Mediterranean country as it was tearing itself apart. He remained much loved by later generations of Lebanese, who grew up in the shadow of the war as sectarian divides, corruption, and economic stagnation took over Lebanese life,' the NYT recalled. The Washington Post in turn praised Rahbani's 'irreverent satire, uncompromising political critique, and jazz-influenced compositions that reflected the chaos and contradictions of a Lebanon at war with itself.' The daily described the artist's musical work as 'deeply rooted in the traumatic events of sectarian conflict, bloody street fighting between rival militias, and three years of violent Israeli occupation after the 1982 invasion.'

Clementines, kuffiyeh and contradictions: Saint Levant's controlled narrative
Clementines, kuffiyeh and contradictions: Saint Levant's controlled narrative

L'Orient-Le Jour

time28-07-2025

  • L'Orient-Le Jour

Clementines, kuffiyeh and contradictions: Saint Levant's controlled narrative

Create an account to see the results of the poll You can enjoy 3 free articles by creating an account Email Address Password I would like to receive special offers from L'Orient Today as well as selections of the best articles. Register By creating an account, you agree to the terms and conditions of use and our privacy policy. Register Or register with: Facebook Google Log in to your account to see the results of the polls E-mail Password Log in I forgot my password Log in with Facebook Log in with Google Franco-Palestinian musician and singer-songwriter Saint Levant (Marwan Abdelhamid) knows how to capture a moment. He has mastered the art of embodying major causes — whether or not he fully subscribes to them — to expand his reach. 'He knows his audience: a digitally savvy, mostly young women attuned to identity narratives and raw emotion. It's a generation shaped by social media, where the symbolism of a Palestinian clementine becomes a filtered orange peel, and historical knowledge comes in fragments on TikTok or Snapchat, while books gather dust on the Levant speaks directly to this audience — like he did Saturday night at Batroun's old port during the coastal city's festival. More than 3,000 attendees, including Lebanese, Palestinians and Arabs from across the region, gathered with kuffiyehs, watermelon and red... Franco-Palestinian musician and singer-songwriter Saint Levant (Marwan Abdelhamid) knows how to capture a moment. He has mastered the art of embodying major causes — whether or not he fully subscribes to them — to expand his reach. 'He knows his audience: a digitally savvy, mostly young women attuned to identity narratives and raw emotion. It's a generation shaped by social media, where the symbolism of a Palestinian clementine becomes a filtered orange peel, and historical knowledge comes in fragments on TikTok or Snapchat, while books gather dust on the Levant speaks directly to this audience — like he did Saturday night at Batroun's old port during the coastal city's festival. More than 3,000 attendees, including Lebanese, Palestinians and Arabs from across the region, gathered with kuffiyehs, watermelon... You have reached your article limit When power pivots overnight in the Middle East, context is everything. Stay informed for $0.5/month only! Already have an account? Log in

Fadl Shaker makes headlines again from the Ain al-Hilweh camp
Fadl Shaker makes headlines again from the Ain al-Hilweh camp

L'Orient-Le Jour

time27-07-2025

  • L'Orient-Le Jour

Fadl Shaker makes headlines again from the Ain al-Hilweh camp

His name has once again stirred up the media and social media in recent weeks. The singer and Salafist Islamist Fadl Shaker, on the run since 2013 and sentenced in absentia in 2020 to 22 years in prison for aiding terrorists against the Lebanese Army, is reportedly preparing to turn himself in to the Lebanese authorities, after years of hiding inside the Ain al-Hilweh Palestinian refugee camp on the outskirts of Saida. At least, that is what several reports claimed since Monday, citing pressure and threats allegedly exerted by Islamist factions against the singer, who had resumed his musical activities from the camp after stepping away for religious former singer, adored across the Arab world, was an associate of Salafist jihadist sheikh Ahmad al-Assir, who has been detained in Lebanon since 2015 and was sentenced to death on...

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store