When getting cross comes to nought
'Are the bakers at Coles bored or just feeling game?' asks Paul Marynissen of Watanobbi. 'My mother, Diane, bought half a dozen hot cross buns from the Yamba store, only to find five hot cross buns and one hot nought bun. Was the boredom kicking in for the poor bakers or did she get part of a game of culinary Tic-tac-toe?'
Jeff Stanton of Strathfield has a different retail observation: 'I saw advertising outside a supermarket the other day proclaiming 'From the farm to your refrigerator since 1895'. Really? A refrigerator? More likely an ice chest or a damp cloth draped over a billy can. We had an ice chest in the 1950s when I was young. The ice man came twice a week, I think, carrying a heavy block of ice.
'Reading all the references to Blue Hills (C8) in Granny's column recently, brought back fond memories for me,' writes Janet Learoyd of Wahroonga. 'My mother was Queenie Ashton who played Granny in the long-running serial. She was also a real life loving grandmother (and great-grandmother). She spoke the last words of the final episode. We played the Blue Hills music at her funeral. So many loving memories of my dear mum.' This Granny remembers watching Queenie strut her stuff on the ABC drama Certain Women, which, one remembers, was referred to as 'Cretin Women ' by certain brazen kids. Digging deeper, we see that in the '80s, she even got a gig on The Love Boat.
Marginally younger readers will recall that, while Blue Hills was for the adults, for the kids it was The Argonauts Club. Both Ian Graham of Lake Conjola and Rob Baxter of Naremburn were among its listenership, with Rob noting that 'My crew name (Cnidus 13) meant nothing to me but thanks to Wikipedia I now know more about Cnidus (in modern Türkiye) than I ever dreamt as an 8-year-old.'
Gregory Abbott lists his location as Macleay Island, but his curious post is giving Noble's Isle vibes: 'Once upon a cold time a Lady GAGA and a Lord MAGA married, the offspring AGAMA could talk flat out, like a red-headed, rock lizard drinking.'
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News.com.au
an hour ago
- News.com.au
‘Preachy': The truth behind The Project and Q&A's brutal axings
Once hugely influential within Australian culture, The Project and Q&A at their heights were able to make headlines and not only spark but also further conversations within society. Sadly for Channel 10 and ABC, those days are long behind them, and this week, both networks finally decided to put the ageing shows out to pasture. Launched in 2009 as The 7pm Project with co-hosts Carrie Bickmore and comedians Charlie Pickering and Dave Hughes, the panel show won Gold Logies for Bickmore and for co-host Waleed Aly. By the time Covid-19 had the world in its grasps, viewership had begun to crumble, and year-after-year Network 10 was forced to deny that its once ratings behemoth would be coming to an end. When the news finally became official last week, it was hardly a surprise to many. But that doesn't make it any less devastating for the hundreds whose jobs are now in question at Channel 10, as well as those at ABC now that its own long-running current affairs show, Q&A, is also being axed from the airwaves. 'ABC has a fixed budget, it has to go begging to the government if it wants more,' said media analyst Steve Allen, director at Pearman Media Agency. 'It has to run everything on the smell of an oily rag, they're running multiple radio and television networks all off a smaller budget that most commercial networks, apart from maybe 10, don't have to operate off,' he told 'But the common theme here is that programs have to perform,' Mr Allen continued. 'They have to attract an audience; for entirely different reasons if we're talking Channel 10 and ABC. But at their core they have to be popular. It's more than a decade since The Project was at its height of viewership. Seven and Nine, their news shows are ratings behemoths. They're in the top five programmes every night of the week. 'It's incredibly hard for anyone to compete in that hour or hour and a half, whether that's SBS, ABC or Channel 10. And that's the problem The Project faced. Its ratings aren't going up. Since its stellar cast faded away bit by bit they've tried all sorts of personality and host combinations none of which really worked,' he added. As advertising dollars have continued to decrease over the years, forcing free-to-air broadcast networks around the world to tighten their purse strings and shift their entire business models to compete with streaming, Mr Allen explained that it's likely Channel 10 saw The Project's timeslot as an untapped revenue stream. 'It's contracted out to Rove Productions and one has to assume that they were making money out of it. So I would imagine that Network 10 thought if they take it in-house then they can use the profit margin that was being made to spend on something different.' Some critics have suggested that the death of shows like Q&A and The Project is down, at least in part, to audiences growing tired of having a so-called 'woke agenda' being pushed onto them. But this theory feels narrow-minded, reeks of political point-scoring and fails to look at the real issues behind their demise. After all, The Project featured Steve Price throughout almost its entire run, who regularly butted heads with the likes of Waleed Aly and Sarah Harris over hot-button issues. And we can't forget the storming victory Labour had in the elections last month, dragging the Liberal Party over hot coals on their way to a hugely historic victory that demonstrated very clearly that social media echo chambers aren't indicative of the wider Australian culture. While shows like The Project and Q&A have floundered, more straight-news based current affairs shows like Nine's A Current Affair and ABC's Australian Story have continued to succeed within the shifting landscape. Living within a world where we're bombarded with unsolicited opinions across social media on everything from our own lives to those of celebrities, perhaps the fundamental crux is that when viewers tune into a current affairs shows, what they desire more than anything is news presented to them without any form of bias along with it, regardless of the side they personally stand on. As the demise of The Project became clear, some corners of social media blamed it on the show being 'too left-leaning' and desperate to 'push the woke agenda', while others on the polar opposite side tweeted that it was just a mouthpiece 'to push right-wing agendas to a left-wing audience'. It seems clear that this is why these shows are failing, doomed to be just another relic of TV's past. They hark back to a period in our culture when nuance was not only integral to conversation but valued. We live in a world nowadays where everything is so black and white that it's made merely flirting with the grey area nigh impossible. Shows that attempt balance now feel doomed to try and court both sides, only to end up being abandoned by both. 'Both shows had become stale and lost the essence of what they once were,' said TV Blackbox's Rob McKnight. 'The Project turned from a light show to a preachy show and Q&A left behind the core of what it stood for.' It seems Network 10 have come to the same realisation, with their announcement of The Project's replacement 10 News+, making very clear that one thing viewers won't get when tuning in is any form of opinion from its presenters. 'At the heart of everything we do is delivering news and current affairs that matter to you,' said the announcement. 'No filler. No opinion. Just the facts.' All that's left to see now is whether that sentiment can resonate with viewers so Channel 10 can finally bag themselves a win. As more and more legacy shows begin to fall into obscurity, all eyes are slowly turning toward morning television, an institution for many around the world, including here in Australia. Once a pioneer of the format with Good Morning Australia, Channel 10 has failed to achieve success in the timeslot since the show ended in 2005. Its follow-up show, Studio 10, was brutally axed at the end of 2023. While its rivals have continued to succeed with shows such as Today and Sunrise still regularly reaching millions every weekday, some critics have suggested that it could be the next timeslot to face struggles. Mr insisting that Australia's morning shows have 'nothing' to be concerned about, at least for the time being. 'The audiences for Sunrise, TODAY and ABC News Breakfast are very strong and both TODAY and Sunrise generate plenty of revenue,' he said. 'These shows also help the networks have local programming and connect with audiences.' While initially it may seem all doom and gloom for Channel 10 when it comes to its numerous cancellations over the years, from The Project to their failed attempts at The Traitors and bringing back Gladiators where other broadcasters like the BBC succeeded, media analyst Steve Allen says that the ailing network appears to have finally hit bottom, and now the only way is a slow climb back up. 'Peak night audience across Seven, Nine, Channel 10 and SBS has actually gone up for the first time in a decade,' he shared. 'Not by much, but that's unheard of in recent times. If it has finally bottomed out, then crucially, it means the dollars that these networks have to spend won't erode any further.'
The Age
2 hours ago
- The Age
The underrated pleasure of staying on one TV channel all night
I don't know why I've held on to this memory, but when I was about five I was having a low-level bad day – it seemed to involve some angst about a grazed knee – and I was consoling myself with thoughts of watching Doctor Who as soon as I got home. This wasn't some cool, modern Doctor. These were repeats on the ABC of Tom Baker in a chunky knitted scarf. I didn't have the foggiest idea what was going on in most of the plot lines, but I probably would have accepted anything in that after-school timeslot with equanimity. Now, of course, there would be any one of a hundred televisual choices at my fingertips, but I don't know that I would be happier for it. A lot of high-quality television is being made right now, and I've watched a lot of it with gusto. Ted Lasso was tender and joyful. The Last of Us, Succession and Fake were spectacular in very different ways. But having too much choice can be paralysing. There's even a name for it: the paradox of choice. It is possible to scroll for hours on a streaming service without feeling any great conviction about one's eventual choice, precisely because there is always something else one might have chosen. It is low-stakes decision-making, but it can still be exhausting. That's where a free-to-air multichannel steps up. It is the balm on my grazed knee. On a recent weeknight, Nine Go! – one of the network's digital channels – offered a tasty smorgasbord of the same TV treats I watched in my childhood, topped off with a nighttime showing of The Matrix. Heaven. Many of these shows (including those in earlier timeslots, such as Bewitched and The Addams Family) were decades old when I first saw them and looked positively ancient to me at the time. Now they are supremely comforting by virtue of their association with my junior years.
Sydney Morning Herald
2 hours ago
- Sydney Morning Herald
The underrated pleasure of staying on one TV channel all night
I don't know why I've held on to this memory, but when I was about five I was having a low-level bad day – it seemed to involve some angst about a grazed knee – and I was consoling myself with thoughts of watching Doctor Who as soon as I got home. This wasn't some cool, modern Doctor. These were repeats on the ABC of Tom Baker in a chunky knitted scarf. I didn't have the foggiest idea what was going on in most of the plot lines, but I probably would have accepted anything in that after-school timeslot with equanimity. Now, of course, there would be any one of a hundred televisual choices at my fingertips, but I don't know that I would be happier for it. A lot of high-quality television is being made right now, and I've watched a lot of it with gusto. Ted Lasso was tender and joyful. The Last of Us, Succession and Fake were spectacular in very different ways. But having too much choice can be paralysing. There's even a name for it: the paradox of choice. It is possible to scroll for hours on a streaming service without feeling any great conviction about one's eventual choice, precisely because there is always something else one might have chosen. It is low-stakes decision-making, but it can still be exhausting. That's where a free-to-air multichannel steps up. It is the balm on my grazed knee. On a recent weeknight, Nine Go! – one of the network's digital channels – offered a tasty smorgasbord of the same TV treats I watched in my childhood, topped off with a nighttime showing of The Matrix. Heaven. Many of these shows (including those in earlier timeslots, such as Bewitched and The Addams Family) were decades old when I first saw them and looked positively ancient to me at the time. Now they are supremely comforting by virtue of their association with my junior years.
