
Glastonbury says chants by Bob Vylan ‘crossed the line' as police assess footage
The performer Bobby Vylan led crowds on the festival's West Holts Stage in chants of 'Death, death to the IDF' on Saturday, before a member of Irish rap trio Kneecap suggested fans 'start a riot' at his bandmate's forthcoming court appearance.
A joint Instagram post from Glastonbury and Emily Eavis said: 'As a festival, we stand against all forms of war and terrorism.
'We will always believe in – and actively campaign for – hope, unity, peace and love.
'With almost 4,000 performances at Glastonbury 2025, there will inevitably be artists and speakers appearing on our stages whose views we do not share, and a performer's presence here should never be seen as a tacit endorsement of their opinions and beliefs.
'However, we are appalled by the statements made from the West Holts stage by Bob Vylan yesterday.
'Their chants very much crossed a line and we are urgently reminding everyone involved in the production of the Festival that there is no place at Glastonbury for antisemitism, hate speech or incitement to violence.'
Health Secretary Wes Streeting said chants of 'death' to the Israel Defence Forces (IDF) at Glastonbury were 'appalling' and that the BBC and festival have 'questions to answer'.
As police examine videos of their comments, Mr Streeting told Sky News' Sunday Morning With Trevor Phillips: 'I thought it's appalling, to be honest, and I think the BBC and Glastonbury have got questions to answer about how we saw such a spectacle on our screens.'
He said what people should be talking about in the context of Israel and Gaza is the humanitarian catastrophe and the fact that Israeli settlers attacked a Christian village this week.
Health Secretary Wes Streeting said the BBC and the festival have 'questions to answer' (Lucy North/PA)
He added: 'The fact that we saw that chant at a music festival, when there were Israelis at a similar music festival who were kidnapped, murdered, raped, and in some cases still held captive, whether it's a Palestinian or an Israeli, whether it's a Christian, a Jew or a Muslim, all life is precious.
'All life is sacred. And I find it pretty revolting we've got to a state in this conflict where you're supposed to sort of cheer on one side or the other like it's a football team.'
Asked if the BBC should have cut the live feed, he said the broadcaster has questions to answer, but that he did not know what the editorial and operational 'challenges' are of taking such action.
Avon and Somerset Police said video evidence would be assessed by officers 'to determine whether any offences may have been committed that would require a criminal investigation'.
Moglai Bap and Mo Chara of Kneecap performing on the West Holts Stage during the Glastonbury Festival (Ben Birchall/PA)
On social media, the Israeli Embassy said it was 'deeply disturbed by the inflammatory and hateful rhetoric expressed on stage at the Glastonbury Festival'.
Conservative leader Kemi Badenoch called the scenes 'grotesque', writing on X: 'Glorifying violence against Jews isn't edgy. The West is playing with fire if we allow this sort of behaviour to go unchecked.'
The Campaign Against Antisemitism (CAA) said it would be formally complaining to the BBC over its 'outrageous decision' to broadcast Bob Vylan.
A spokesperson said: 'Our national broadcaster must apologise for its dissemination of this extremist vitriol, and those responsible must be removed from their positions.'
A BBC spokesperson added: 'Some of the comments made during Bob Vylan's set were deeply offensive.
'During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.'
Culture Secretary Lisa Nandy has spoken to the BBC director general about Bob Vylan's performance, a Government spokesperson said.
Bob Vylan, who formed in Ipswich in 2017, have released four albums with their music addressing issues to do with racism, masculinity and class.
Kneecap, who hail from Belfast, have been in the headlines after member Liam Og O hAnnaidh, who performs under the name Mo Chara, was charged with a terror offence.
The group performed after Vylan's set on the West Holts Stage with O hAnnaidh exclaiming 'Glastonbury, I'm a free man' as they took to the stage.
In reference to his bandmate's forthcoming court date, Naoise O Caireallain, who performs under the name Moglai Bap, said they would 'start a riot outside the courts', before clarifying: 'No riots just love and support, and support for Palestine'.
In the run-up to the festival at Worthy Farm in Somerset, several politicians called for the group to be removed from the line-up and Prime Minister Sir Keir Starmer said their performance would not be 'appropriate'.
During the performance, Caireallain said: 'The Prime Minister of your country, not mine, said he didn't want us to play, so f*** Keir Starmer.'
He also said a 'big thank you to the Eavis family' and said 'they stood strong' amid calls for the organisers to drop them from the line-up.
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Daily Mail
16 minutes ago
- Daily Mail
US considers canceling British rap duo Bob Vylan's visa after they chanted 'death to the IDF' at Glastonbury
The U.S. State Department is looking into stopping anti-Israel rap duo Bob Vylan from entering America to tour in the wake of their calls for 'Death to the IDF' during their performance at Glastonbury. The two musicians, 34-year-old Pascal Robinson-Foster - aka 'Bobby Vylan' - and the still unidentified drummer who goes by 'Bobbie Vylan' are set to tour America in the fall. However, Marco Rubio 's State Department is looking into canceling that trip by revoking Robinson-Foster's visa. 'As a reminder, under the Trump Administration, the U.S. government will not issue visas to any foreigner who supports terrorists,' a senior State Department official told The Daily Caller. The StopAntisemitism account led the charge to keep the group out of the United States when their tour begins in Spokane, Washington on October 24. 'Bob Vylan (legal name Pascal Robinson-Foster) called for the death of the IDF yesterday at @ glastonbury. He's coming to the U.S. this fall as part of the Inertia Tour. This antisemite must have his visa denied/rescinded - his hate is not welcome here.' Republican Congressman Randy Fine responded by saying he was 'working on it.' The group is scheduled to open for anti-Trump New Jersey rapper Grandson on the tour. has reached out to the State Department for comment. The group made worldwide headlines for their primetime spot not only on Glastonbury's West Holts Stage but also on the BBC on Saturday - prompting furious protests over their anti-Israel calls. The English band was streamed live by the BBC while performing directly before Irish language rap trio Kneecap, who the corporation refused to show live after controversial incidents including one of its members being charged with a terror offense. In the act just before Kneecap, singer/guitarist Bobby Vylan and drummer Bobbie Vylan, who founded their band in 2017 in Ipswich, flashed up a large message in support of Palestinians while their set was being broadcast live by the BBC. The message read: 'Free Palestine. United Nations have called it a genocide. The BBC calls it a "conflict".' They then led the huge crowd in chants of 'Free Free Palestine' and 'Death Death to the IDF'. Afterwards singer Bob Vylan told fans: 'From the river to the sea Palestine must be, will be, free.' Performing on stage earlier, the singer was open about his and his bandmate's support for Palestinians. He said: 'Recently a list was released of people trying to stop our mates Kneecap from performing here today. And who do I see on that f***ing list, but that bald-headed c*** I used to f***ing work for.' Vylan had been speaking about a colleague at a record company he used to work at. His words were met with loud boos from the crowd. He continued: 'So look, we have done it all, from working in bars to working or f***ing Zionists. 'So if we can do this, you can do absolutely anything that you put your mind to I'm telling you this. 'Don't give up on your dreams, and if you've got to go to that s***ty job to pay your bills and pay your rent you do what you've got to do to survive in this world.' Later during a break between songs, the singer said: 'We're seeing some f***ed up things in the world. We're seeing the UK and the US be complicit in war crimes and genocide happening over there to the Palestinian people. 'And I know we're on the BBC, we're not going to say anything crazy. Leave that for them lads, you know what I mean. 'But unfortunately we have seen a strange reaction to people that come out and voice support for Palestine. Even though anybody with any moral compass can surely see that what is happening over there in Gaza is a tragedy. 'We are not pacifist punks here over at Bob Vylan Enterprises. We are the violent punks, because sometimes, you have to get your message across with violence because that is the only language some people speak.' Although met by raucous cheers and applause from the audience, the chant also sparked fury from some online. Bob Vylan's performance can now no longer be rewatched on BBC iPlayer as coverage of the West Holts stage at Glastonbury only goes back to around 5pm. In response, Culture Secretary Lisa Nandy has demanded an 'urgent explanation' from Tim Davie, the BBC's Director General. A government spokesperson said: 'We strongly condemn the threatening comments made by Bob Vylan at Glastonbury. 'The Culture Secretary has spoken to the BBC Director General to seek an urgent explanation about what due diligence it carried out ahead of the Bob Vylan performance, and welcomes the decision not to re-broadcast it on BBC iPlayer.' A BBC spokesperson said: 'Some of the comments made during Bob Vylan's set were deeply offensive. During this live stream on iPlayer, which reflected what was happening on stage, a warning was issued on screen about the very strong and discriminatory language. We have no plans to make the performance available on demand.' The Embassy of Israel in the UK said they were 'deeply disturbed' by the 'inflammatory and hateful rhetoric expressed on stage at Glastonbury'. In a statement on X, a spokesperson for the embassy wrote: 'Freedom of expression is a cornerstone of democracy. But when speech crosses into incitement, hatred, and advocacy of ethnic cleansing, it must be called out - especially when amplified by public figures on prominent platforms. 'Chants such as 'Death to the IDF,' and 'From the river to the sea' are slogans that advocate for the dismantling of the State of Israel and implicitly call for the elimination of Jewish self-determination. 'When such messages are delivered before tens of thousands of festivalgoers and met with applause, it raises serious concerns about the normalization of extremist language and the glorification of violence.' The embassy urged Glastonbury Festival organizers, artists, and public leaders in the UK 'to denounce this rhetoric and reject of all forms of hatred'. Meanwhile, Robinson-Foster took to social media early on Sunday morning to address the backlash to his performance. Posing with a tub of pink ice cream, he wrote: 'While zionists are crying on socials, I've just had late night (vegan) ice cream.' It comes as Kneecap has faced calls in recent months to be stripped from the festival line-up, with Prime Minister Sir Keir Starmer calling their performance 'not appropriate'. The current war in Gaza was triggered by an attack by terrorist organisation Hamas on Israel on October 7, 2023 in which some 1,200 people were killed and took more than 251 people hostage. In response Israel launched a full-scale invasion of the Gaza strip which has lasted almost two years and has led to the deaths of at least 56,412 people, many children and civilians. The United Nations has said Israel's actions, which include severely limited vital aid such as food, water and medical supplies into the Gaza Strip and raiding or bombing hospitals as 'consistent with the characteristics of Genocide'. An international arrest warrant for Israeli Prime Minister Benjamin Netanyahu has also been issued by the International Criminal Court. Israel denies it is committing genocide and claims there is no food shortage for the two million Gazans who live in the strip, something that is widely disputed by aid organisations and international bodies, which have warned thousands of babies are at risk of dying of famine.


South Wales Guardian
25 minutes ago
- South Wales Guardian
Glastonbury Festival 2025 ends after weekend of controversy and surprises
Punk duo Bob Vylan and Irish rap trio Kneecap have seen both of their sets on Saturday being assessed by Avon and Somerset Police to decide whether any offences were committed. Bobby Vylan, of Bob Vylan, led crowds on the festival's West Holts Stage in chants of 'death, death to the IDF', before a member of Irish rap trio Kneecap suggested fans 'start a riot' outside his bandmate's upcoming court appearance, and led the crowd on chants of 'f*** Keir Starmer'. Sir Keir had said in the run-up to the festival that he thought Kneecap's set was not 'appropriate' at Glastonbury. On Friday, festival goers were treated to surprise performances from alternative pop star Lorde, who played her new album Virgin in full, and Scottish singer Lewis Capaldi, who played two years after a set at the festival during which he struggled to manage his Tourette syndrome symptoms. The 1975 took to the Pyramid Stage to headline that night, with a set which saw singer Matty Healy joke he was his generation's 'best songwriter', with the band playing songs such as Chocolate, Love Me and About You. Pulp were revealed to be Patchwork appearing on the Pyramid Stage on Saturday to a backdrop paying homage to their classic 1995 stand in headline set. The Jarvis Cocker-fronted band performed some of their best known songs such as Common People, Babies and Do You Remember The First Time?. Their appearance came 30 years after their breakthrough headline performance at the festival when they stood in for The Stone Roses after the Manchester band's guitarist John Squire was injured in a cycling accident. Candida Doyle, the band's keyboard player, had previously appeared to confirm the band would not perform at the festival, despite being keen to play, telling BBC Radio 6 Music last week 'they (Glastonbury) weren't interested'. Also on Saturday, Haim made a surprise appearance on the Park Stage opening with one of their best known songs in The Wire, before performing a mix of older songs such as Summer Girl, and new singles including Relationships. The day saw veteran rocker Neil Young headline, performing some of his best known songs including Cinnamon Girl, Like A Hurricane and Rockin' In The Free World, at one point in the set he performed with Hank Williams' guitar. Brat star Charli XCX headlined the Other Stage on Saturday, performing tracks from last year's summer sensation such as 360, Von Dutch and Club Classics. Performing the viral Apple dance, during the song of the same name, was US singer Gracie Abrams, who had played on the same stage a day earlier. Sir Rod Stewart performed in the Sunday legends slot, bringing out former Faces bandmate Ronnie Wood for Stay With Me, Lulu for Hot Legs and Simply Red's Mick Hucknall for a performance of his band's If You Don't Know Me By Now. He was also joined by the festival's founder, Sir Michael Eavis, who was wheeled on to the stage by his daughter, organiser Emily Eavis. Bagpipes had signalled the arrival of Sir Rod, who kicked off his afternoon performance with 1981 single, Tonight I'm Yours (Don't Hurt Me). Sir Rod's set also included hits such as Maggie May, You Wear It Well and Da Ya Think I'm Sexy?. The Pyramid Stage was headlined by pop rocker Olivia Rodrigo on Sunday evening, who brought out The Cure frontman Robert Smith to sing his band's songs Just Like Heaven and Friday I'm In Love. As the 66-year-old indie-goth star arrived on stage on Sunday night, Rodrigo said: 'Glastonbury would you please welcome Robert Smith, give him a big welcome, come on.' At the end of Just Like Heaven, the pair hugged, before Rodrigo said 'give it up for Robert Smith you guys' before adding she was 'so honoured to play with him tonight'. The weekend saw many acts express their support for Palestine, with singer Ellie Rowsell of indie rockers Wolf Alice telling the crowd: 'We want to express our solidarity with the people of Palestine, and we shouldn't be afraid to do that.' Their Other Stage set saw them climax with their best known song Don't Delete The Kisses, which came after they had played snippets of The White Stripes' Seven Nation Army and Black Sabbath's War Pigs. Irish country star CMAT, real name Ciara Mary-Alice Thompson, chanted 'free Palestine' during her set, which included Take A Sexy Picture Of Me, from her forthcoming third studio album Euro-Country. While frontman Dan Hoff of Irish noise rockers Gurriers said during their Woodsies set: 'Free Palestine, unlike other bands we know where we stand politically.' A number of other acts performed through the night on some of the festival's smaller stages, before a large scale clean-up operation begins in the early hours of the morning.

The National
26 minutes ago
- The National
Why did the BBC uphold its flawed claim on UK income inequality?
IT is not just political scientists who know that inequality matters greatly, but also (and perhaps more) those who study society directly – sociologists. In contrast to the sociologists, however, are the economists, many of whom produce a competing narrative, a near-constant stream of work, that casts doubt on the idea that inequality is a significant problem. For example, it is often claimed that inequality is not becoming worse precisely in those places where it has indeed been increasing. On 2 December 2022, in a programme titled 'Understand: The Economy' broadcast in the UK on BBC Radio 4, a claim was made that inequality in the UK had been falling since the 1990s. READ MORE: Poverty levels in Scotland below UK for 20 years, graphs show A listener commented and on 2 March 2023 their complaint was dismissed by the Executive Complaints Unit (ECU) of the BBC: 'A listener complained the presenter Tim Harford had suggested inequality in the UK was not getting worse and should not be thought of as a problem. The ECU considered whether the programme met BBC standards for due impartiality.' This was despite Mr Harford's comments at the end of the programme, when he said: 'Next time you hear somebody complaining that inequality is getting worse you'll know to ask them which measure they are using and you'll be able to call them out.' So, what had actually happened to inequality in the UK? Harford was comparing the median incomes of the top and bottom quintiles of the population, using statistical measures that completely exclude the poorest tenth and richest tenth of all people. If you ignore the best-off 10 per cent of people in the UK, who take about 40 per cent of income every year – as the BBC did, based on Harford's chosen statistics – you could indeed claim that inequalities have fallen among the rest of us. Former Conservative chancellor Jeremy Hunt (Image: Johnny Piper) Conservative chancellors have used the same method as Harford in most of the UK budget speeches of the past decade. But the take of the top 10 per cent remained stubbornly high, and even rose between 2010 and 2019. Those of us living in Britain were at peak income inequality when the pandemic hit, and that particular crisis did little to dent it. It was only when the pandemic began to subside in 2023 that inequalities might have begun to fall – we do not yet know. The complaint had nothing to do with wealth. Harford was using a very odd, flawed measure of income inequality. Why would the BBC uphold the suggestion that 'income inequality has been coming down since the 1990s'? I suspect this is because they and their presenters simply believed it to be true. But how could they believe it to be true when it was so easy to see that it was not? The reason they could believe it was that among a very small, very tight circle of people, mostly living in London (and a few, like Harford, in Oxford), this myth had become accepted as truth … It is not only the level of inequality that matters, but whether we accept it as an inevitable and unchangeable condition of life. Sadly, some people see inequality as desirable because they think they are worth more than others. Former UK prime minister Margaret ThatcherThe UK has an abysmal record on inequality, save for a few remarkable decades from the late 1930s to the end of the 1970s. So if you have a rose-tinted view of British history before the 1930s, and its politics since the 1970s, you might believe that high inequality is not a problem, but an indication that some people deserve more than others; that 'tall poppies', as Mrs [Margaret] Thatcher called people like her, should be allowed to grow even taller. Harford's programme is just one of many examples where establishment organisations, including the BBC, suggest that inequality has not risen, and is not something the public should worry about. Poverty and inequality never feature as subject areas on the BBC news website banner; instead, various wars, the cost of living, and the climate are its staple news topics. Other establishment organisations accept that inequality has increased, but essentially say we just have to live with it. One reason levels of inequality and poverty are so often ignored by commentators is that it can be difficult to be sure whether they are currently rising or falling. READ MORE: Kate Forbes: Numbers prove that the world is ignoring those who talk Scotland down One source suggests that recently, the take of the best-off 1 per cent in the UK may have fallen to 13 per cent of all income, a third of what the entire top tenth take. However, Britain's 1 per cent may have also become better at hiding their income and not declaring it for tax. In Sweden, by contrast, taxation is a far more public affair: anyone can find out how much tax any other individual paid last year, and it is consequently far harder to avoid. What any long-term graph of income inequality shows is that inequalities were terrible everywhere in the nineteenth century, except for a time in the US. In most Western countries, inequality is now higher as compared to the best times in living memory. So most of us, rightly, worry. Humans are sensitive to slights. They may not know just how much the rich are taking, but they know what they themselves cannot afford.